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Books > Music > Musical scores, lyrics & libretti
42 of the most famous classics arranged for simplified piano. These
enchanting melodies supply students of the first and second levels
of study with an introduction to the world's finest music.
(Music Sales America). Born to Die is the acclaimed breakthrough
album by American singer-songwriter Lana Del Rey. This matching
folio songbook features all the songs from the Paradise Edition of
the album. All the songs are arranged for piano, voice and guitar
with full lyrics and guitar chord boxes. Songs include: American *
Blue Velvet * Born to Die * Carmen * Dark Paradise * Diet Mountain
Dew * Gods and Monsters * Lucky Ones * National Anthem * Off to the
Races * Ride * Summertime Sadness * Video Games * and more.
First published in 1998, music scored for film has only relatively
recently received the critical attention which it merits. Many
composers in the twentieth century have written works for films or
documentaries, a number feeling that this aspect of their output
has been undervalued. This dictionary complements other studies
which have appeared in recent years which look at the technical and
theoretical issues concerned with film music composition. Arranged
alphabetically by composer, the volume comprises over 500 entries
covering all nationalities. Each entry includes very brief
biographical information on the composer, followed by a list of the
films (with dates) for which he or she has composed. Details of
recordings are also given. The dictionary's international coverage
ensures that it will become a standard reference work for all those
interested in the history of twentieth-century music and the
development of film.
(Easy Guitar). 27 classic Beatles songs from their album of #1 hits
arranged for even beginners to play, including: All You Need Is
Love * Can't Buy Me Love * Eight Days a Week * Eleanor Rigby * From
Me to You * A Hard Day's Night * Help * Hey Jude * I Want to Hold
Your Hand * Let It Be * Penny Lane * She Loves You * Something *
Ticket to Ride * and more.
Twenty-five beautiful songs from the World Church with an emphasis
on Africa. Contents: GloriaSanto, santo santoSenhor tempiedade de
nosHe came downStand firmHalle, halle, halleMay God draw nearThe
Lord is my lightKyrie eleisonJesus Christ our living LordJesus
saranamLet the world in concert singSara shristeImelaWa wa wa
emimimoBlessed be GodAmen, Alleluia!Amen siakudumisaNdingen'
endumisweniMayenziweMany and greatAgios o TheosKyrie eleisonYour
kingdom comeJesu tawa pano
Specifically designed for congregational use, this contains 255
songs for straightforward arrangements, either four-part harmony or
with piano accompaniment.
Heather Laing examines, for the first time, the issues of gender
and emotion that underpin the classical style of film scoring, but
that have until now remained unquestioned and untheorized, thus
providing a benchmark for thinking on more recent and alternative
styles of scoring. Many theorists have discussed this type of music
in film as a signifier of emotion and 'the feminine', a capacity in
which it is frequently associated with female characters. The full
effect of such an association on either female or male
characterization, however, has not been examined. This book
considers the effects of this association by progress through three
stages: cultural-historical precedents, the generic parameters of
melodrama and the woman's film, and the narrativization of music in
film through diegetic performance and the presence of musicians as
characters. Case studies of specific films provide textual and
musical analyses, and the genres of melodrama and the woman's film
have been chosen as representative not only of the epitome of the
Hollywood scoring style, but also of the narrative association of
women, emotion and music. Laing leads to the conclusion that music
functions as more than merely a signifier of emotion. Rather, it
takes a crucial role in both indicating and determining how emotion
is actually understood as part of the construction of gender and
its representation in film.
A pad containing 75 pages with 18 staves per page. It is suitable
for course work or for large-format performance parts.
The New International Edition of Suzuki Piano School, Volume 3
includes French, German and Spanish translations, new Romantic and
20th-century pieces, as well as a newly recorded CD performed by
internationally renowned recording artist Seizo Azuma. Now the book
and CD can be purchased together or separately.
The contents have changed slightly to include a new Romantic piece
by Gurlitt and a 20th-century piece by BartA3k as well as the Bach
"Minuet in G Minor" (from Notebook for Anna Magdalena Bach),
formerly in Volume 2. Other improvements include a cleaner
appearance with less editing and spacious new engravings, as well
as more detailed titles that include the keys, sources, composer
dates, and catalog numbers.
Titles: Sonatina in C Major, Op. 36, No. 1 (Allegro, Andante,
Vivace) (M. Clementi) * Minuet in G Minor, from J. S. Bach's
Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in C
Major, Op. 55, No. 1 (Allegro, Vivace) (F. Kuhlau) * Theme, from
Symphony No. 3 ("Eroica"), Op. 55, 4th Movement (L. van Beethoven,
Arr. Unknown) * The Wild Rider, from Album for the Young, Op. 68,
No. 8 (R. Schumann) * Little Waltz, from Little Flowers, Op. 205,
No. 10 (C. Gurlitt) * Acossaise, K. WoO 23 (L. van Beethoven) *
Sonatina in C Major, Op. 36, No. 3 (Spiritoso) (M. Clementi) *
Teasing Song, from For Children, Sz. 42 (BA(c)la BartA3k).
In this compilation, first published in 1999, Ian Ledsham compiles
an extensive catalogue of the Shaw-Hellier Collection, complete
with diagrams regarding how we use text.
for soprano soloist, mixed choir, and orchestra or ensemble (with
organ) This is one of the best-loved and most widely performed
choral works of the twentieth century. The texts (in Latin and
English) are from the Missa pro Defunctis, the Book of Common
Prayer, and the Psalms. The seven sections form an arch-like
meditation on the themes of life and death: prayers on behalf of
all humanity, psalms, personal prayers to Christ, and in the
central Sanctus an affirmation of divine glory. The full scores
have been edited and engraved by the composer himself and are
presented in handsome, cloth-bound editions. Vocal and orchestral
material is available on hire.
(Fake Book). This amazing collection transcribes nearly 150 of the
best-known jazz solos (regardless of the instrument) exactly as
recorded by icons of the trade, including: Autumn Leaves (Chet
Baker) * Blue in Green (Toots Thielemans) * Blue Train (John
Coltrane) * Bright Size Life (Jaco Pastorius) * Dolphin Dance
(Herbie Hancock) * Footprints (Wayne Shorter) * I Do It for Your
Love (Bill Evans) * I Mean You (Thelonius Monk) * Isreal (Bill
Evans) * K.C. Blues (Charlie Parker) * Milestones (Miles Davis) *
New Orleans (Wynton Marsalis) * Nuages (Django Reinhardt) * Quiet
Nights of Quiet Stars (Oscar Peterson) * Spring Ain't Here (Pat
Metheny) * Stella by Starlight (Ray Brown) * Waltz for Debby
(Cannonball Adderley) * West End Blues (Louis Armstrong) * and many
more. Some songs are presented multiple times featuring the unique
solos by different artists who performed them.
Titles: Sonata in C Major, Op. 40, No. 1 (Allegro, Rondo grazioso)
(J.B. Br?val) * Adagio and Allegro from the Sonata in E minor, Op.
1, No. 2 (B. Marcello) * Minuets from the Suite in G Major, BWV
1007 (J.S. Bach) * Tonalization * Chanson Triste, Op. 40, No. 2 for
Piano (P. I. Tchaikovsky).
This title is available in SmartMusic.
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