This is the official sheet music collection for the hilarious Tony Award-winning Broadway blockbuster written by acclaimed Broadway composer Robert Lopez and South Park creators Trey Parker and Matt Stone. The show is lauded by critics and audiences alike as the best musical of the century.

This collectible songbook allows singers and pianists to apply their talent to the show's award-winning score with piano/vocal arrangements of all 16 songs from the Original Broadway Cast Recording.

Adding to the appeal of this souvenir edition are eight pages of full-color photos from the original Broadway production.

Contents:

• Hello!
• Two by Two
• You and Me (But Mostly Me)
• Hasa Diga Eebowai
• Turn It Off
• I Am Here for You
• All-American Prophet
• Sal Tlay Ka Siti
• Man Up
• Making Things Up Again
• Spooky Mormon Hell Dream
• I Believe
• Baptize Me
• I Am Africa
• Joseph Smith American Moses
• Tomorrow Is a Latter Day.

Guitar Basics is a landmark method for young guitarists. It starts at absolute beginner level and progresses to Initial/Preparatory Grade. The method is set out in sixteen stages and contains original pieces and traditional tunes in an array of styles including classical, folk and world music as well as well-known favourite film and TV themes such as James Bond, Batman and The Flintstones. There is a thorough introduction to standard notation, with sections on chords and TAB, whilst ensemble pieces are ideal for group teaching, including 'Wider Opportunities'. Accompaniment parts and teachers' notes are available in Guitar Basics Teacher's Book, and the fun backing tracks are available to download online. The companion book, Guitar Basics Repertoire, provides over 40 fun solos and ensemble pieces for both individual and group learning. It is designed to consolidate material learnt in the Guitar Basics Tutor and present new topics, including accidentals, moving up the neck, two-part music, arpeggios and plucked chords.

When the producers of Where the Wild Things Are recruited the Yeah Yeah Yeahs' Karen O to compose tunes for the soundtrack, she called upon a bevy of indie rock musicians to help her. The aural accompaniment perfectly captures the spirit of Maurice Sendak's classic kids' tale. This piano/vocal/chords folio contains Karen O's wonderful music and also includes eight panels of color photos from the film. Titles: Igloo * All Is Love * Worried Shoes * Rumpus * Hideaway * Lost Fur * Heads Up.

Through an examination of her music, videos, philanthropic work, and biographical details, this book gives insight into Alanis Morissette's musical career and day-to-day life, from her early pop beginnings in Canada to her work today. As a whole, Alanis Morissette's work has never been critically analyzed. The Words and Music of Alanis Morissette addresses this oversight through its examination of Morissette's work in the context of biographical facts, its relationship to other cultural trends, and its reflection of the female perspective. This book merges biographical information with a critical examination of the music that she produced and performed during all periods of her life, thereby providing a needed overview of Morissette's body of work. All Morissette fans will appreciate learning about the details of her life, but the author's melding of the star's personal life story with an informed analysis of popular music will also appeal to a wider audience-readers interested in music, culture, women's studies, or female musicians, for example. The book provides entertaining and engrossing reading for any Alanis Morissette fan and serves as a resource that documents her broad contributions to the music industry. Provides a study of subject matter far beyond Morissette's blockbuster album, Jagged Little Pill, with coverage extending to 2012's Havoc and Bright Lights Situates Morissette alongside noteworthy female singer-songwriters with roots extending back to the 1960s Traces the origins of Morissette's music in pop, grunge, and electronic dance music Explains how Morissette's enormous appeal among fans lies largely in their identification with details that she shared about her life and experiences

The manuscript sources of medieval song rarely fit the description of 'songbook' easily. Instead, they are very often mixed compilations that place songs alongside other diverse contents, and the songs themselves may be inscribed as texts alone or as verbal and musical notation. This book looks afresh at these manuscripts through ten case studies, representing key sources in Latin, French, German, and English from across Europe during the Middle Ages. Each chapter is authored by a leading expert and treats a case study in detail, including a listing of the manuscript's overall contents, a summary of its treatment in scholarship, and up-to-date bibliographical references. Drawing on recent scholarly methodologies, the contributors uncover what these books and the songs within them meant to their medieval audience and reveal a wealth of new information about the original contexts of songs both in performance and as committed to parchment.

Teach violin with the popular Suzuki Violin School. Revised edition features:
New engravings in a 9" x 12" format
New editing of pieces, including bowings and fingerings
16 additional pages
Additional exercises, some from Dr. Suzuki, plus additional insight and suggestions for teachers
Glossary of terms in English, French, German and Spanish
Musical notation guide
Fingerboard position.
Titles: Chorus from Judas Maccabaeus (G. F. Handel), Musette (J. S. Bach), Hunters' Chorus (C. M. v. Weber), Long, Long Ago (T. H. Bayly), Waltz (J. Brahms), Bourr?e (G. F. Handel), The Two Grenadiers (R. Schumann), Theme from Witches' Dance (N. Paganini), Gavotte from Mignon (A. Thomas), Gavotte (J. B. Lully), Minuet in G (L. van Beethoven), Minuet (L. Boccherini)
This title is available in SmartMusic.

This 50th anniversary collectible hardcover edition contains full guitar TAB transcriptions for 50 early Stones classics from their ABKCO years. These are all-new arrangements featuring the most accurate transcriptions for all of Keith Richard's, Brian Jones', and Mick Taylor's legendary guitar parts. The book also comes with a section of the most classic Keith riffs. The songs within are selected from 12 x 5, Aftermath, Beggars Banquet, Between the Buttons, Big Hits (High Tide and Green Grass), December's Children (and Everybody's), Flowers, Hot Rocks 1964--1971, Let It Bleed, Metamorphosis, Sticky Fingers, Their Satanic Majesties Request, and more Titles: 19th Nervous Breakdown * 2000 Light Years from Home * As Tears Go By * Back Street Girl * Bitch * Brown Sugar * Can't You Hear Me Knocking * Child of the Moon (rmk) * Country Honk * Dandelion * Dead Flowers * Dear Doctor * Factory Girl * Get Off of My Cloud * Gimme Shelter * Have You Seen Your Mother, Baby, Standing in the Shadow? * Heart of Stone * Honky Tonk Women * I'm Free * It's All Over Now * Jigsaw Puzzle * Jumpin' Jack Flash * Lady Jane * The Last Time * Let It Bleed * Let's Spend the Night Together * Live with Me * Memo from Turner * Midnight Rambler * Monkey Man * Mother's Little Helper * No Expectations * Out of Time * Paint It, Black * Parachute Woman * Play with Fire * Ruby Tuesday * Salt of the Earth * (I Can't Get No) Satisfaction * She's a Rainbow * The Spider and the Fly * Stray Cat Blues * Street Fighting Man * Stupid Girl * Sway * Sympathy for the Devil * Under My Thumb * Wild Horses * You Can't Always Get What You Want * You Got the Silver.

Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.