Through an examination of her music, videos, philanthropic work, and biographical details, this book gives insight into Alanis Morissette's musical career and day-to-day life, from her early pop beginnings in Canada to her work today. As a whole, Alanis Morissette's work has never been critically analyzed. The Words and Music of Alanis Morissette addresses this oversight through its examination of Morissette's work in the context of biographical facts, its relationship to other cultural trends, and its reflection of the female perspective. This book merges biographical information with a critical examination of the music that she produced and performed during all periods of her life, thereby providing a needed overview of Morissette's body of work. All Morissette fans will appreciate learning about the details of her life, but the author's melding of the star's personal life story with an informed analysis of popular music will also appeal to a wider audience-readers interested in music, culture, women's studies, or female musicians, for example. The book provides entertaining and engrossing reading for any Alanis Morissette fan and serves as a resource that documents her broad contributions to the music industry. Provides a study of subject matter far beyond Morissette's blockbuster album, Jagged Little Pill, with coverage extending to 2012's Havoc and Bright Lights Situates Morissette alongside noteworthy female singer-songwriters with roots extending back to the 1960s Traces the origins of Morissette's music in pop, grunge, and electronic dance music Explains how Morissette's enormous appeal among fans lies largely in their identification with details that she shared about her life and experiences

When the producers of Where the Wild Things Are recruited the Yeah Yeah Yeahs' Karen O to compose tunes for the soundtrack, she called upon a bevy of indie rock musicians to help her. The aural accompaniment perfectly captures the spirit of Maurice Sendak's classic kids' tale. This piano/vocal/chords folio contains Karen O's wonderful music and also includes eight panels of color photos from the film. Titles: Igloo * All Is Love * Worried Shoes * Rumpus * Hideaway * Lost Fur * Heads Up.

Complementing Shearer and Shearer's useful one-volume source of information--"State Names, Seals, Flags, and Symbols-- this book provides the music and lyrics for the official songs adopted by the state governments. Arranged alphabetically by state, each song has a single vocal line over a piano accompaniment, with one verse only under the vocal line and remaining verses appearing separately. Each entry includes the date the song was adopted, the name of the composer, and in some instances, a brief history of the song. The book will be a useful reference for those wanting to perform a state song or to find the official songs of other states.

Designed as a practical reference guide for professional pianists and piano teachers, "A Guide to Piano Music by Women Composers, Volume I," is an annotated catalogue of the available piano music in print composed by 144 women born before the 20th century. The work also features biographies and extensive bibliographical information for each composer. Arranged alphabetically by composer into categories including single works, collections, and anthologies, the music is also described in terms of grade level, genre, mood, style characteristics, and technical requirements, and ranges in difficulty from late elementary to virtuoso concert repertoire.

Far too many teachers, students, professional musicians, and audiences are unaware of the contributions made by women in music, and of the beauty and merit of their specific compositions. This reference work provides an invaluable addition to the current literature.

Mi nombre es Gersam Pastor Tuckler Hern ndez. Nac en Managua, Nicaragua el 30 de Marzo, de 1937. Obtuve mi diploma de Bachiller de Ciencias y Letras, del Instituto Pedagogico de Varones, conocido como Colegio de los Hermanos Cristianos La Salle, el 18 de Febrero de 1956. Tambi n recib mi diploma de Inspector de Sanamiento Rural, en Febrero de 1965, del Gobierno de Nicaragua. Obtuve un Certificado de Asistente de Refineria de Petroleo de Exxon Standard Oil. Despu?'s de muchos empleos que tuve sin xitos, incluyendo la ayuda que aportaba en la Farmacia de mi madre, me dediqu al Teatro, dando shows de baile y cantos, incluyendo tocando piano en restaurantes y escuelas p blicas. Al fin de decid salir del pa s. Mis padres estuvieron de acuerdo, y sal para New York City el 4 de Julio de 1965. El primer trabajo decente que encontr fue en Bulova Watch Co. Estuve trabajando por 20 a os desempe ado varios otros empleos. Me cas con una muchacha nicarag ense, hasta la fecha de hoy. Recib mi Diploma de Asociado en Ciencia en Marzo, 19 de 1978 del Colegio de la Comunidad de la Ciudad de Nueva York. Obtuve mi grado de Sargento con la Polic a Auxiliar de la ciudad de Nueva York en 1979, y al mismo tiempo fui miembro de la Banda Musical de Polic a Auxiliar, tocando el piano. Me retir en 1999. Durante mi estad a en New York, principi a escribir poemas a mi familia, y amigas. He escrito casi 200 composiciones musicales para piano, as como canciones rom nticas, y melod as bailables. Toqu la marimba nicarag ense y piano en shows especiales, cuando me invitaban. A mi padre le agradezco por ingresarme a este noble pasatiempo. Cuando nosotros nicarag enses nos invitaban a cualquier evento familiar, siempre, a como cualquier grupo tnico lo hace, se formaba un grupo para contar aventuras cuando viv amos en nuestra tierra. Se hablaba m?'s de pol tica, comparando las diferencias de comunismo, dictadura y rep blica. Sin darnos cuenta el tiempo hab a pasado tan r pido que ve amos los rayos matutinos entran por las ventanas. Nos promet amos llamarnos por tel fono, pero yo nunca recib alguna. Y siempre alguien suger a que se pod a escribir un libro con tantas cosas que se o a cada vez que nos reun amos cuando ramos invitados a alguna fiesta. Yo hab a escrito muchos poemas y canciones. Lo mismo que escribir la m sica de mis canciones que eran casi como 200 de ellas. Principi a buscar publicadores que encontraba atr?'s de libros en las bibliotecas p blicas. Siempre hab a una raz n para rechazar mis anhelos. Algunos gerentes de librer as, no sab an, y me aconsejaban que lo hiciera en el extranjero, como Colombia, M jico, Espa a, Rep blica Dominicana. Escrib a cartas, llamaba por tel fono a ciertos lugares que encontraba en las "p ginas amarillas." Nada encontraba. En Julio de 2010, mi esposa y yo, cambiamos de domicilio, y nos venimos a Virginia. Bueno, leyendo los peri dicos dominicales, encontr lo que siempre buscaba. Palibrio, una publicadora en espa ol, ofrec an lo que yo anhelaba. Bueno, y en eso estamos ahora.

The revival of plainchant in eighteenth- and nineteenth-century England was a turning point in the history of Anglican and Catholic musical worship. It led in its time to not only the preservation of much-loved melodies, but also to heated controversy. By the middle of the nineteenth-century, plainchant had returned as a central part of traditional liturgy.

This study provides a general introduction to the sources of the plainchant revival in eighteenth- and nineteenth-century England.

In this concise and accessible volume, a noted keyboard artist and Bach specialist takes a fresh look at the performance of J. S. Bach's keyboard music. Addressing the nonspecialist player, Richard Troeger presents a wide range of historical information and discusses its musical applications. The author shares accounts of the musical styles Bach employed and the instruments he knew. In direct and pragmatic terms, he clarifies the importance of notational and style details as guides to the composer's intentions, particularly emphasizing changes in notational norms between Bach's time and the present. Troeger offers core information on dynamics, articulation, tempo, rhythm, ornamentation and accompaniment. He considers controversial issues as well, establishing the importance of the clavichord in Bach's milieu and examining the link between baroque music and rhetoric - a dramatic relationship that can bring great vitality to performance.

I turned 70 on June 3rd, 2020, and my bucket list looms large. Doing a lyric book was always on that list so, here it is. Through my Words, is an illustrated informative diary of my life, told through the lyrics of my songs. Creation has always been my salvation. Enjoy! -Suzi Quatro