![]() |
![]() |
Your cart is empty |
||
Books > Music > Musical scores, lyrics & libretti
for SATB unaccompanied The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. Sarah Quartel's arrangement features close harmonies, idiomatic Scotch snap rhythms, and effective interjectory moments in what is a largely homophonic setting. The arrangement was made for the composer's friend Matt Jones, who served with the Canadian Military in Afghanistan in 2010-11; his deployment and eventual safe return inspired the setting of the piece. With its valedictory message, The Parting Glass would make a fitting end to a performance, perhaps as an encore item.
for SATB unaccompanied This beautiful setting of a medieval English text is simple yet effective, written in Assersohn's clear and approachable style. With tender 'lullay, lullow's, lilting phrases, and gentle modal inflections, this hushed lullaby paints a serene picture of the baby Jesus at rest.
for SATB (with divisions) and piano or orchestra This is a beautiful, sensitive arrangement of the African-American spiritual and folk hymn Oh, watch the stars. The text reflects on the beauty of creation, and alternative verses by David Warner celebrating Christ's birth have been included for performance during the Christmas season. Wilberg artfully retains the understated feel and simplicity of the original spiritual while demonstrating hallmarks of his unique style, such as rich harmonies, contrasting keys and textures, and effective obbligato instrumental fills.
for SATB and piano Quartel's arrangement of this well-known Irish carol is distinctly refreshing, characterized in part by its charming and sparkling piano part. The middle section offers an opportunity for both the choir and pianist to shine individually, and explores further the beautiful modal harmonies of the original melody.
For Guitar Players Only is one of the most unique books ever written for guitar. Legendary studio guitarist Tommy Tedesco shares his personal hints and exercises for improving picking technique and sight reading abilities, while offering countless other inside tips that will further your guitar career. The book includes actual parts that have been recorded for movies, television, albums, and commercials. Tedesco, and the story of his legendary studio sessions, has been featured in screenings around the country in the critically acclaimed film, The Wrecking Crew. See the film, buy the book, and learn the lessons from a true legend!
In the late 1920s, Dmitry Shostakovich emerged as one of the first Soviet film composers. With his first score for the silent film the New Babylon (1929) and the many sound scores that followed, he was positioned to observe and participate in the changing politics of the film industry and negotiate the role of the film composer. In The Early Film Music of Dmitry Shostakovich, Joan Titus examines the scores of six of Shostakovich's films, from 1928 through 1936. Instead of investigating Shostakovich as a composer, a rebel, a communist, or a dissident, as innumerable studies do, Titus approaches him as a concept in itself-as an idea-and asks why and how listeners understand him as they do. Through Shostakovich's scores, Titus engages with the construct of Soviet intelligibility, the filmmaking and scoring processes, and the cultural politics of scoring Soviet film music, asking why and how listeners understand the composer the way they do. The discussions of the scores are enriched by the composer's own writing on film music, along with archival materials and recently discovered musical manuscripts that illuminate the collaborative processes of the film teams, studios, and composer. The Early Film Music of Dmitry Shostakovich commingles film studies, musicology, and Russian studies with original scholarship, and is sure to be of interest to a wide audience including musicologists, film scholars, historians of Russia and the Soviet Union, and Slavicists.
Alfred Music Publishing is proud to present officially licensed, collectible songbooks from the soundtrack of Blizzard Entertainment's World of Warcraft, the world's most popular massive multiplayer online role-playing video game. World of Warcraft Sheet Music Anthology features 13 standout pieces from a variety of WoW soundtrack albums for pianists and vocalists to enjoy, from cinematic-style epics to lighthearted tavern tunes. Adorned with color imagery from the game, this deluxe songbook is a perfect gift or collectible for every musically-minded World of Warcraft fan. Titles: A Call to Arms * Garden of Life * Gates of the Black Temple * Intro Movie: Seasons of War * Invincible * Karazhan * Lament of the Highborne * Lion's Pride * Mountains of Thunder * Pig and Whistle * The Shaping of the World * Totems of the Grizzlemaw * Wrath of the Lich King (Main Title).
Die FAK-sangbundel se eerste verskyning in 1937 was ’n belangrike kulturele gebeurtenis. Sedertdien was dit so wyd in aanvraag dat dit vier uitgawes en vyf herdrukke beleef het. In latere uitgawes is liedere wat nie veel aftrek gekry het nie weggelaat en gewildes wat vroeer ontbreek het, opgeneem. Tans word dit beskou as die mees omvattende bundel Afrikaanse lirieke met bladmusiek en dit dien as verwysingswerk vir ’n groot aantal kulturele organisasies, koormeesters en skole. Dit is voorsien van ’n register volgens liedere se titels en eerste reels sowel as ’n rubriekindeling, waaronder vaderlandsliedere, natuurlirieke, liefdes-, kleuter- en slaapliedjies en gewyde liedere. Bekende Afrikaans digters en komponiste se talente word hier saamgevoeg, sowel as sensitief vertaalde Afrikaanse weergawes van wereldwye gunstelinge.
for SATB and piano Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllables and jazzy harmonies, all underpinned by a supportive yet characterful piano part. Also available for cambiata voices and piano in the Emerging Voices series, and for TTBB and piano.
for SATB (with divisions) unaccompanied This beautifully expressive piece is based around The Seven Sacred Virtues of the Lakota; the title, 'Walking the Red Road', refers to the commitment to purposefully live by these values, the metaphorical 'red road', being a spiritual way of life. The unhurried tempo gives space for the listener to reflect on the text, while sumptuous harmonies create a rich cushion of sound.
Put together for the first time in one book, the artist approved Radiohead: The Acoustic Guitar Songbook contains over 20 of the greatest guitar songs from Radiohead. Spanning their entire career to date, each song is transcribed for acoustic guitar in standard notation and tab, with melody line and chord boxes.
for SABar and piano, with opt. bass and drum kit This is a funky arrangement of Beethoven's 'Ode to Joy' with an English text by Henry van Dyke. Milloy jazzes up the well-known melody by arranging it in 12/8 time and adding syncopation, while supporting it with a groovy piano accompaniment and optional bass part (available at the back of the leaflet). Originally published in Pop Voiceworks 2.
for SABar (with optional Bass) and piano Higgins's setting explores the vibrant, natural imagery in Rossetti's text with flowing melodic lines and warm harmonies. The elegant piano accompaniment is characterised throughout by quick demisemiquaver flourishes, as though painting an aural portrait of the 'singing bird'. First published in The Oxford Book of Flexible Choral Songs.
for SABar and piano I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowing piano accompaniment. The middle section brings a contrast of tonality, with the altos and baritones accompanying the sopranos' melodic line, before the beguiling melody of the opening returns to bring the setting to a poignant close. Also available in a version for SA and piano.
for SABar and piano Higgins's arrangement of the popular German carol is given a modern twist with fresh harmonies, but still captures the gentleness and tranquility found in more traditional settings. Supported by sustained 'oo's and 'ah's throughout, the well-known melody is underpinned by a delicate piano accompaniment, with an optional unaccompanied middle section.
for SABar and piano or organ Ideal for a carol service or concert, this piece follows the three Kings on their journey to the birth of Jesus and is characterised by its alternation of major and minor modes. Also available in a version for SATB and piano or organ.
for SSA and organ or piano Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation may join in if desired) is interposed between evocatively turbulent passages for SSA choir. The accompaniment should ideally be played on the organ, but may be performed on the piano if organ is not available. Also available in a version for mixed voices.
for SA and piano (with optional percussion) With a text by the composer, this is a beautiful piece about optimism, companionship, and the belief that 'all will be well'. Todd's gentle melodies are supported by a delicate, pulsing piano accompaniment, and an optional percussion part (snare drum, bass drum, and cymbal) that adds extra spark to the music. Originally published in The Oxford Book of Flexible Choral Songs, this piece is also available in a version for SABar and piano.
* Features over thirty contributors from a diverse range of backgrounds within the field of composing for film and TV from across the world. * Illustrates how students and aspiring professionals can break into the industry and apply the technical skills they have. * Provides accessible and relatable perspectives on topics such as how to break into the field; how to develop, nurture, and navigate business relationships; and how to do creative work under pressure.
for SATB unaccompanied This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousing conclusion, this anthem will bring a fresh sound to Easter services and concerts.
for SATB and piano With a text by the composer, this work was originally inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by a delicate piano accompaniment, and the opening performance direction, 'contentedly rocking', describes the overall nature of the piece: peaceful, content, and easy-going. Also available in a version for SSA and piano in the Songbird series.
This PERFORMANCE book provides supplementary solo materials to reinforce music fundamentals and concepts presented at this level of advancement. Original compositions, folk songs, and the sounds of today are included for enrichment of the student's repertoire. This PERFORMANCE book is correlated page by page with the LESSONS book and other supplementary materials recommended for this level. It may also be used with other methods of piano study. |
![]() ![]() You may like...
Suzuki Violin School 1 - International…
Shinichi Suzuki, Hilary Hahn, …
Paperback
R596
Discovery Miles 5 960
Sound Innovations for Concert Band…
Peter Boonshaft, Chris Bernotas
Sheet music
|