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Books > Music > Musical scores, lyrics & libretti
for SSAA unaccompanied Morning Light sets an optimistic text by the
composer about home and finding your way. Inspired by American
folksongs, the captivating melody and warm harmonies perfectly
complement the uplifting theme of the text. Morning Light will be a
welcome addition to the upper-voice repertoire.
for SATB, organ, and optional handbells Through luminous choral
harmonies, images of a winter night, and echoes of scripture,
Advent Moon evokes deep human longing as well as the promise of the
coming of light. The delicate organ accompaniment and optional
handbells underscore both the haunting opening and the radiant
conclusion of this piece.
for SATB and organ This moving and prayerful arrangement of the
well-known traditional song was written in memory of Nelson
Mandela. Rutter treats the melody in simple yet varied ways, with a
mixture of unison and four-part choral textures, into which the
organ is gently interwoven. The piece reaches a dynamic and
emotional peak in the fourth and final verse, before a quiet and
reflective ending.
Although Mozart's Don Giovanni (1787) is the most analysed of all
operas, Lorenzo Da Ponte's libretto has rarely been studied as a
work of poetry in its own right. The author argues that the
libretto, rather than perpetuating the conservative religious
morality implicit in the story of Don Juan, subjects our culture's
myth of human sexuality to a critical rewriting. Combining poetic
close reading with approaches drawn from linguistics,
psychoanalysis, anthropology, political theory, legal history,
intellectual history, literary history, art history and theatrical
performance analysis, she studies the Don Giovanni libretto as a
radical political text of the Late Enlightenment, which has lost
none of its ability to provoke. The questions it raises concerning
the nature of compassion, seduction and violence, and the autonomy
and responsibility of the individual, are still highly relevant for
us today.
This book contains nine pieces from ABRSM's Grade 5 Piano syllabus
for 2023 & 2024, three pieces chosen from each of Lists A, B
and C - ideal for both Practical and Performance Grade exams. The
pieces have been carefully selected to offer an attractive and
varied range of styles, creating a collection that provides an
excellent source of repertoire to suit every performer.The book
also contains helpful footnotes and, for those preparing for exams,
useful syllabus information. A version of this book with audio
download is also available.
for SATB and organ/chamber orchestra This joyous yet reflective
Christmas carol will appeal to both choir and audience. It is
characterized by a soaring melody, an artful use of texture, and a
gentle expressiveness, heightened by modal inflections and the
organ accompaniment. The text, written by the composer, is inspired
by an inscription in Durham Cathedral by the Venerable Bede:
'Christus est stella matutina'.
for SATB (with divisions) unaccompanied This affecting carol was
composed in memory of Alan Greaves, the organist from Sheffield who
was murdered on his way to Midnight Mass in 2012. The text, The
Bethlehem Star by Gerard Manley Hopkins, is particularly suited to
the Midnight Mass service, and Chilcott's setting is both peaceful
and poignant, featuring changing metres and effective imitation in
the upper voice parts.
Inspired by the legendary cyclists of the Tour de France, Yellow
Jersey is a short wind sprint for two saxophones, originally
composed for two clarinets. The form of the piece follows how the
sprint would go as the cyclists move through the different stages
of the race.
for soloists, SATB, and organ Written for the Choir of Wells
Cathedral, of which Matthew Owens is Organist and Master of the
Choristers, this setting of the St Matthew Passion is ideally
suited to liturgical performance during Holy Week. The principal
role of the Evangelist is taken by a baritone soloist, who narrates
the story of Christ's trial and Crucifixion in unaccompanied chant.
The other, smaller, solo roles of Judas (tenor), Pilate (tenor),
Jesus (bass), and Pilate's wife (alto) continue in the same vein,
with four-part choral interspersions from the crowds, soldiers, and
priests providing a contrast in texture. The hymn 'When I survey
the wondrous cross', set to the Rockingham hymn tune, appears twice
throughout the work, and the congregation are encouraged to join in
on both occasions. The simple organ part supports the voices for
the hymn, and may also optionally double the choir during the
narrative.
for children's choir and piano Written for Children's International
Voices, this delightfully uplifting piece will appeal to children's
choirs everywhere. A highly singable melody alternates between
unison and two parts, and the words, written by the composer, are
full of excited optimism for the future. Rutter skilfully combines
a flowing character with a strong rhythmic pulse, and the piano
accompaniment provides harmonic support throughout.
for SSAA and piano or chamber orchestra This gentle arrangement of
Will L. Thompson's words and melody (1880) is ideal for upper-voice
choirs of all levels of experience. The melody is sympathetically
treated, with simple vocal harmonizations alongside unison singing,
reflecting the humble message of the text: 'Jesus is calling, come
home'. The accompaniment, for piano or small orchestra, creates a
lush bed of sound over which the voices resonate.
for SA and organ or piano This uplifting anthem combines two
well-known texts that are commonly read at weddings: 1 Corinthians
13:13 ('And now these three remain: faith, hope, and love. But the
greatest of these is love.') and Song of Solomon 8:6-7 ('For love
is strong as death. Many waters cannot quench love, neither can the
floods drown it.'). Retaining the flowing organ part of the
original SATB version, the music perfectly mirrors the message of
the texts, with melodic vocal lines building to full homophonic
textures at the climax. Faith, hope, and love remain is suitable
for use not only as part of a wedding ceremony but also for general
services and concerts.
for SAATB unaccompanied A piece made famous by the award-winning a
cappella group Vocado, Coffee Time is an upbeat dedication to the
down time we all crave, for sharing thoughts, silence, and that
aroma! Founded on classic a cappella style and sense of fun, the
piece boasts an infectious melody and bossa nova rhythm, with
sumptuous key changes, scat rhythms, and contrasting sections. The
piece is perfect for vocal groups or small- to medium-size choirs,
and has the makings of a great encore or competition piece.
At long last, the secrets of David Garibaldi's groundbreaking
funk/jazz fusion drumming techniques are presented in this
innovative book and CD. Whether you play rock, heavy metal, jazz or
funk, you'll learn how to incorporate Garibaldi's contemporary
"linear" styles and musical concepts into your playing as you
develop your own unique drumset vocabulary. Funk/Jazz techniques
are highlighted in chapters on development of the "Two Sound Level"
concept, Four-Bar Patterns, Groove Playing and Funk Drumming,
followed by a series of challenging exercises which include 15
Groove Studies and 17 Permutation Studies. These techniques are
combined with modern musical ideas that will help you build a solid
foundation and add finesse to your bag of tricks.
for SATB and continuo Bach's motets are essential pillars of the
choral repertory, and the irresistibly joyful Lobet den Herrn, alle
Heiden is a wonderful introduction to them for choirs unfamiliar
with the works. It features concise contrapuntal writing and a
sophisticated harmonic language, yet the vocal lines are not
excessively demanding. John Rutter's edition includes helpful
performance suggestions and background information, and full scores
and instrumental parts are available on hire from the publisher.
for SATB and organ or orchestra This gentle yet uplifting carol was
commissioned for the Choir of King's College, Cambridge, and was
first performed during the 2012 Festival of Nine Lessons and
Carols. Rutter's gift for melody is in evidence throughout the
work, with a sense of hushed awe leading to moments of glorious
optimism. The text, written by the composer, is inspired by the
fifteenth-century Corpus Christi Carol.
Field's Nocturnes & Other Short Piano Pieces are published
within the 'Signature' Series, a series of authoritative performing
editions of standard keyboard works, prepared from original sources
by leading scholars. Includes informative introductions and
performance notes.
for SATB and organ or chamber orchestra This offering from Mack
Wilberg is a joyful yet graceful arrangement of the well-known hymn
tune by Conrad Kocher. Featuring a lyrical accompaniment and
variations in choral textures, this piece is ideal for Harvest or
Thanksgiving celebrations, but can also be used all year round. An
orchestral accompaniment is available on hire/rental.
(Music Sales America). Gioachino Rossini (1792-1868) referred to
his Petite Messe Solennelle as the 'last mortal sin of my old age'.
Written in 1863 for the Countess Louise Pillet-Will and first
performed on 14 March 1864 at the consecration of the Countess'
private chapel, the Mass is one of Rossini's finest achievements
and the outstanding work of his 'retirement'. This vocal score is
set for SATB soli, SATB chorus, harmonium and two pianos.
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