for SATB and organ This short collection presents the complete set of hymns from Chilcott's stunning setting of the St John Passion. The five well-known hymn texts are set to new, original melodies, which are also intended for performance by the audience or congregation. The parts for SATB choir are simple yet beautifully crafted, with a soaring soprano descant to complete four of the hymns. Perfect for liturgical use during holy week, the set would also be ideal for concert performance.

for SSATB and organ The hymn Come, Holy Ghost lies at the heart of Celestial Fire. Here, McDowall has woven the exquisite poetry of Denise Levertov into this expressive and uplifting piece. At times quietly meditative, Celestial Fire unfolds to a most joyous, affirmative conclusion. Celestial Fire was commissioned as part of a trilogy suitable for significant occasions during the church calendar year by Oakham School; the two other Oakham anthems for organ and mixed chorus are Light Eternal and Candlemas.

for SSAATTBB unaccompanied Combining the evocative Emily Dickinson poem Before the ice and the familiar Latin responsory for Christmas day O magnum mysterium, this carol has beautifully rich textures and harmonies and a sensitive text setting that captures the mystery and wonder of Christmas. The final alleluias lift the carol from the minor to the major to bring the carol to a radiant and affirmatory conclusion. Before the ice features on the Naxos CD of Bob Chilcott's Christmas music, The Rose in the Middle of Winter.

for SATB and piano Celebrating the deeply personal comforts offered by hope and faith, My Song in the Night is a calm and solemn piece. Its simple harmonies, supporting piano accompaniment, and reflective text are suitable for choirs of all levels, and allow for a moment of quiet reflection during mass or a busy concert programme.

for SSAA unaccompanied Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting theme of the text. Morning Light will be a welcome addition to the upper-voice repertoire.

Farm Songs and the Sounds of Moo-sic! is a delightful combination of music, learning, humor, and fun for music teachers, classroom teachers, child care providersa]and kids! Through the engaging songs, orchestral music, and reproducible activities in Farm Songs, kids will learn about music making, movement, listening, and classroom curriculum. Crafts and snacks are also integrated to immerse students in a joyful, creative learning experience. Award-winning instructor and early childhood music innovator Lynn Kleiner shares her imaginative lesson ideas for young children that capture the wonderful power and excitement of interactive musical learning.

for SATB and piano or orchestra This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment. It is a dual language publication, allowing for performance in both Japanese and English. There is a version for SSA. Orchestral material is available on hire.

for SATB, organ, and optional handbells Through luminous choral harmonies, images of a winter night, and echoes of scripture, Advent Moon evokes deep human longing as well as the promise of the coming of light. The delicate organ accompaniment and optional handbells underscore both the haunting opening and the radiant conclusion of this piece.

for SATB and organ This moving and prayerful arrangement of the well-known traditional song was written in memory of Nelson Mandela. Rutter treats the melody in simple yet varied ways, with a mixture of unison and four-part choral textures, into which the organ is gently interwoven. The piece reaches a dynamic and emotional peak in the fourth and final verse, before a quiet and reflective ending.

for SATB (with divisions) unaccompanied This affecting carol was composed in memory of Alan Greaves, the organist from Sheffield who was murdered on his way to Midnight Mass in 2012. The text, The Bethlehem Star by Gerard Manley Hopkins, is particularly suited to the Midnight Mass service, and Chilcott's setting is both peaceful and poignant, featuring changing metres and effective imitation in the upper voice parts.

for SATB and organ/chamber orchestra This joyous yet reflective Christmas carol will appeal to both choir and audience. It is characterized by a soaring melody, an artful use of texture, and a gentle expressiveness, heightened by modal inflections and the organ accompaniment. The text, written by the composer, is inspired by an inscription in Durham Cathedral by the Venerable Bede: 'Christus est stella matutina'.

Inspired by the legendary cyclists of the Tour de France, Yellow Jersey is a short wind sprint for two saxophones, originally composed for two clarinets. The form of the piece follows how the sprint would go as the cyclists move through the different stages of the race.

for children's choir and piano Written for Children's International Voices, this delightfully uplifting piece will appeal to children's choirs everywhere. A highly singable melody alternates between unison and two parts, and the words, written by the composer, are full of excited optimism for the future. Rutter skilfully combines a flowing character with a strong rhythmic pulse, and the piano accompaniment provides harmonic support throughout.

for SSAA and piano or chamber orchestra This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated, with simple vocal harmonizations alongside unison singing, reflecting the humble message of the text: 'Jesus is calling, come home'. The accompaniment, for piano or small orchestra, creates a lush bed of sound over which the voices resonate.

for SA and organ or piano This uplifting anthem combines two well-known texts that are commonly read at weddings: 1 Corinthians 13:13 ('And now these three remain: faith, hope, and love. But the greatest of these is love.') and Song of Solomon 8:6-7 ('For love is strong as death. Many waters cannot quench love, neither can the floods drown it.'). Retaining the flowing organ part of the original SATB version, the music perfectly mirrors the message of the texts, with melodic vocal lines building to full homophonic textures at the climax. Faith, hope, and love remain is suitable for use not only as part of a wedding ceremony but also for general services and concerts.

The New International Edition of Suzuki Piano School, Volume 2 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly with minimal reordering of the music. The Mozart Minuet and Bach Musette from the earlier edition were eliminated and replaced with two new 20th-century pieces by BartA3k (noted below), and the Bach "Minuet in G Minor" (from J. S. Bachas Notebook for Anna Magdalena Bach) has been moved to Volume 3. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers.
Titles: Acossaise (J. N. Hummel) * A Short Story (H. Lichner) * The Happy Farmer, from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in G Major, BWV 822 (J. S. Bach) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (Anonymous) * Minuet in G Minor, BWV 822 (J. S. Bach) * Cradle Song, Op. 13, No. 2 (C. M. von Weber) * Arietta (W. A. Mozart) * Hungarian Folk Song, from For Children, Sz. 42 (BA(c)la BartA3k) * Melody, from Album for the Young, Op. 68, No. 1 (R. Schumann) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in G Major, Anh. 5 (Moderato, Romance) (L. van Beethoven) * Children at Play, from For Children, Sz. 42 (BA(c)la BartA3k).

for soloists, SATB, and organ Written for the Choir of Wells Cathedral, of which Matthew Owens is Organist and Master of the Choristers, this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the Evangelist is taken by a baritone soloist, who narrates the story of Christ's trial and Crucifixion in unaccompanied chant. The other, smaller, solo roles of Judas (tenor), Pilate (tenor), Jesus (bass), and Pilate's wife (alto) continue in the same vein, with four-part choral interspersions from the crowds, soldiers, and priests providing a contrast in texture. The hymn 'When I survey the wondrous cross', set to the Rockingham hymn tune, appears twice throughout the work, and the congregation are encouraged to join in on both occasions. The simple organ part supports the voices for the hymn, and may also optionally double the choir during the narrative.

for SAATB unaccompanied A piece made famous by the award-winning a cappella group Vocado, Coffee Time is an upbeat dedication to the down time we all crave, for sharing thoughts, silence, and that aroma! Founded on classic a cappella style and sense of fun, the piece boasts an infectious melody and bossa nova rhythm, with sumptuous key changes, scat rhythms, and contrasting sections. The piece is perfect for vocal groups or small- to medium-size choirs, and has the makings of a great encore or competition piece.

for SATB and organ, small ensemble, or orchestra With a restrained tempo and expressive harmonies, this tender anthem sets an extract from the Book of Common Prayer that implores God to listen to our prayers. Originally published as the sixth movement in Chilcott's Requiem, Thou knowest, Lord contains a new organ accompaniment specially prepared for this leaflet edition. Choirs can alternatively perform this anthem with a small ensemble or orchestral accompaniment, with parts available for hire/rental from the hire library.

for SATB with keyboard Setting a 15th century text, this popular carol on the birth of Jesus is flowing and expressive. It has been recorded by the Cambridge Singers (directed by John Rutter) on the Collegium CD Christmas Night (COLCD 106). Full scores and parts for John Rutters accompaniment for string orchestra are available on sale.