Suitable for course work or for performance parts, this title presents a manuscript paper in an A4 portrait pad on plain white paper. It includes 200 pages with 12 staves per page, which are also hole-punched.

Very Easy Little Peppers is the first book in a five-part series by Elissa Milne, Australian-based composer, teacher, and writer. Each book is filled with fun jazz pieces that can be used both as pedagogical studies and as repertoire pieces. Very Easy Little Peppers starts at Pre-Grade 1-Grade 1 and progresses to the standard required for the first exam. The pieces have been written with the young pianist in mind, avoiding leaps that are difficult for small hands and incorporating suitably short and lighthearted pieces, and introduces a range of keys, rhythms and performance techniques. Technique is developed alongside musicality, helping young players to move towards grade exams and the other books in the series.

Cello and piano reduction of Walton's Cello Concerto, based on the edition published in the Walton Edition Violin and Cello Concertos volume. Dating from 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. Orchestral material is available on hire.

for SATB and piano Don Michael Dicie has created a straightforward, unflashy but beautiful arrangement of Lowry's famous 'How can I keep from singing?'. Dicie departs from his typical harmonic style of major and minor seventh chords for a more tertial setting. The variety of textures and its simplicity and accessibility make a lovely effect. The women sing the first verse; men, the second; both, a cappella for the third; and they finish together with piano.

for SATB and organ Commissioned by King's College, Cambridge, for the 2016 Festival of Nine Lessons and Carols, This Endernight is a tender, peaceful setting of well-known fifteenth-century words. The recurring melody has an appropriately lilting feel, and Berkeley employs artful textural juxtapositions, with solo lines always opening out into a rich, full-choir sound for the 'lullay, by-by' refrain. The organ part provides colour and support for the voices, with sparkling semiquavers leading into the final, vibrant section.

for SATB (with divisions) unaccompanied Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic motifs, sections requiring precise articulation, and full homophonic climaxes. An exciting challenge for established choirs!

for cambiata (opt. div.), baritone, and piano Brooke's arrangement of this traditional sea shanty is invigorating and atmospheric. Changing voices will enjoy the theme of trains and ships in the text, as well as the boisterous call-and-response texture, which is well-supported by the piano. The verses break into a reflective a cappella section before giving way to a rousing finish!

for SSATB and organ The hymn Come, Holy Ghost lies at the heart of Celestial Fire. Here, McDowall has woven the exquisite poetry of Denise Levertov into this expressive and uplifting piece. At times quietly meditative, Celestial Fire unfolds to a most joyous, affirmative conclusion. Celestial Fire was commissioned as part of a trilogy suitable for significant occasions during the church calendar year by Oakham School; the two other Oakham anthems for organ and mixed chorus are Light Eternal and Candlemas.

(Music Sales America). Gioachino Rossini (1792-1868) referred to his Petite Messe Solennelle as the 'last mortal sin of my old age'. Written in 1863 for the Countess Louise Pillet-Will and first performed on 14 March 1864 at the consecration of the Countess' private chapel, the Mass is one of Rossini's finest achievements and the outstanding work of his 'retirement'. This vocal score is set for SATB soli, SATB chorus, harmonium and two pianos.

for SATB unaccompanied Meaning 'Souls of the Righteous', this reflective anthem is especially suitable for the Feast of All Saints but may be sung at any time of year. Jackson masterfully balances the still, mesmerizing music of the opening and close with a more agitated and emotionally powerful central section. This piece is suitable for church and secular mixed-voice choirs, and a non-singing translation of the text is included.

for SATB (with divisions) and organ Commissioned by the choir of Merton College, Oxford, In the beginning was the Word provides a welcome musical setting of this iconic biblical text. The choral lines combine plainchant with harmonically intricate passages, and all is complemented by a soloistic organ part. Suitable for use throughout the church year.

Due to popular demand, this exquisite piece has been made available as a separate choral leaflet. It is also in the anthology Weddings for Choirs. Ideal for concerts, and special occasions such as weddings and anniversaries, this choral song sets a beautiful text by Paul Eluard to rich, sumptuous music which will delight singers and listeners alike.

for SATB (with divisions) and organ. Maurice Ravel's popular Pavane pour une infante defunte is here arranged for mixed voices and organ, allowing choirs to perform this beautiful staple of the orchestral repertoire for the first time. Rupert Gough's arrangement sets the words of the 'Requiem aeternam' to the existing melody, and features a characterful and active organ part that underpins the sustained vocal lines. The piece has been recorded by The Choir of Royal Holloway on the album Messe da pacem.

for SATB (with divisions) and organ This joyous, upbeat anthem sets a compelling poem by contemporary poet Sean Street in response to a text by sixteenth-century Bishop of Norwich John Parkhurst on the subject of 'alma mater'. The text encourages us to appreciate the past, our education, and where it can lead, reflecting on the profound ties we can form to a time or a place. The bright, driving organ part, with solo interjections, is juxtaposed with sustained vocal writing with rich, lush harmonies.

This beautiful collection of 16 songs for low voice includes favourite settings by some of Oxford's best-loved composers. Each song is presented with piano or organ accompaniment, and a CD of high-quality backing tracks is included, allowing performance in a variety of different venues. With a wonderful selection of texts, including 'Be thou my vision', 'Lord of all hopefulness', 'Pie Jesu', and 'The Lord bless you and keep you', this is the perfect collection for use in services, ceremonies, and concerts.

for mixed-voice choir
This second book of anthems by Bob Chilcott assembles pieces in a wonderful range of styles and moods. The anthems have been carefully selected to be both approachable to a wide range of choirs and appropriate to the needs of today's liturgy. An indispensable addition to any choir library.

Timothy Dudley-Smith is one of the foremost hymn-writers of the Anglican Church, with work represented in over 250 hymnals throughout the English-speaking world. Praise to the Name is his seventh collection, and includes 36 hymn texts written between 2005 and 2008, and spanning seasons and services throughout the church's year. With textual notes and suggestions of suitable hymn tunes, the collection will be of interest to all who seek to invigorate hymn-singing and church worship in the Anglican Church.

17 songs from Swift's 2020 surprise release of piano and guitar tunes which she wrote and recorded during the COVID-19 pandemic.

Song list:

• August
• Betty
• Cardigan
• Epiphany
• Exile
• Hoax
• Illicit Affairs
• Invisible String
• The Lakes
• The Last Great American Dynasty
• Mad Woman
• Mirrorball
• My Tears Ricochet
• The 1
• Peace
• Seven
• This Is Me Trying

This important contemporary Requiem demonstrates Gabriel Jackson's gift for writing mesmerising choral music on a large scale. Combining sections of the traditional Requiem text with poems from other cultures and traditions, Jackson here has created a work which embraces a wide-ranging perspective on human mortality. Each movement is given a different character and musical style, and the result is a unique, sublime work which cannot fail to impress. Vocal scores are available on sale and on hire/rental.

for SS and organ This is an energetic setting of a traditional text, with a memorable tune, attractive sequences, and exciting climax, all in a lilting swing. A version for SATB is also available.

for SATB unaccompanied Helvey sets a combination of sacred texts to beautiful music. Similar to his Cor mundum crea in me Deus, Helvey writes for SATB unaccompanied, mainly in homophonic textures, with thick, lush chords.