The 1950s saw an explosion in the American musical theater. The Broadway show, catapulted into the limelight in the 20s and solidified during the 40s thanks to Rodgers and Hammerstein, now entered its most revolutionary phase, brashly redefining itself and forging a new kind of storytelling. In Coming Up Roses: The Broadway Musical in the 1950s, Ethan Mordden gives us a guided tour of this rich decade.
With loving detail, Mordden highlights the shift in Broadway from shows that were mere star vehicles, showcasing a big-name talent, to the bolder stories, stuffed with character and atmosphere. During this period, subject matter became more intricate, even controversial, and plots more human and complex; Mordden demonstrates how, in response, musical conventions were polished, writing became more finely crafted, and dance became truly indispensable. Along the way we meet the key players: such greats as Ethel Merman, George Abbott, Jerome Robbins, Gwen Verdon, Bob Fosse, Stephen Sondheim, Frank Loesser, Cole Porter, Leonard Bernstein, and many others. We get the backstage scoop on why Guys and Dolls is so well-made, why West Side Story is so timeless, why The King and I and Gypsy pushed the envelope, and why no one ever talks about Ankles Aweigh. All this is peppered with a dash of industry gossip--the directorial struggles, last-minute script rewrites and cast replacements, the power of the poster listings--that made Broadway so nerve-wrackingly vibrant.
This passionate and informed study illuminates a crucial period in American musical theater and shows us the origins of many of the musicals recently revived to huge success on Broadway.

Winner of the 2018 Tony Award for Best Musical

After a mix-up at the border, Egypt's Alexandria Ceremonial Police Orchestra, bound for the cosmopolitan Israeli city Petah Tikvah, is stranded in a small desert town. With no transportation until the next day, the band is taken in by the locals. By morning, the lives of visitors and hosts are forever altered. Itamar Moses and David Yazbek's stunning musical adaptation of the 2007 acclaimed film finds transcendence in the surprising and tender relationships that are forged between strangers under the desert sky.

Carnival, charivari, mumming plays, peasant festivals, and even early versions of the Santa Claus myth--all of these forms of entertainment influenced and shaped blackface minstrelsy in the first half of the nineteenth century. In his fascinating study Demons of Disorder, musicologist Dale Cockrell studies issues of race and class by analyzing their cultural expressions, and investigates the roots of still-remembered songs such as "Jim Crow," "Zip Coon," and "Dan Tucker." The first book on the blackface tradition written by a leading musicologist, Demons of Disorder is an important achievement in music history and culture.

Lorenz Hart, Richard Rodgers's first songwriting partner, was the most famous and talented lyricist of the Golden Age of American song.

This fascinating biography examines Hart's sensitive genius, his relationship with Rodgers, and his spell in Hollywood. In addition, it explores the disorganization and sexual tensions that not only marred his private life, but also rendered him an unreliable partner and an incurable alcoholic.

A handsome army officer, entangled with a married woman, is despatched to a distant military outpost. There he has to beat off the attentions of Fosca, the sickly - and distinctly unattractive - cousin of his commanding officer, only to realise that he's falling in love with her.

Betty Comden and Adolph Green were the writers behind such classic stage musicals as On the Town, Wonderful Town, and Bells Are Ringing, and they provided lyrics for such standards as "New York, New York," "Just in Time," "The Party's Over," and "Make Someone Happy," to name just a few. This remarkable duo, the longest-running partnership in theatrical history, also penned the screenplays for such cinematic gems as Singin' in the Rain and The Band Wagon. In the process they worked with such artists as Leonard Bernstein, Gene Kelly, Fred Astaire, Judy Holliday, and Jule Styne. They Made Us Happy is the first book to tell the full story of their careers, lives, and work, starting with their acclaimed appearances as part of the sketch troupe the Revuers and moving through their bi-coastal lives as a pair of Broadway's top writers and two of Hollywood's most valued scribes. The book takes readers on a trip through almost the entirety of the twentieth century, and along the way there are appearances by the likes of Jacqueline Kennedy Onassis, Greta Garbo, and Charlie Chaplin. Author Andy Propst brings both their produced work to life as well as many of the projects that that never made it to the stage or the screen, including an aborted musical version of Thornton Wilder's The Skin of Our Teeth, a bio-pic about director-choreographer Busby Berkeley, and their version of the book for Cole Porter's musical Out of This World. Comden and Green's wit and deft satire inspired laughs during their lives, and their musicals and movies have endured, amusing generation after generation. It's work that will always be making audiences happy.

Are you a teacher of musical theatre who struggles to plan and construct lessons? Are you looking for a structured approach to teaching musical theatre to students of all abilities? Do you know your Ivor Novello from your Stephen Sondheim? Despite being one of the most popular forms of performance study, Musical Theatre is often the most difficult to teach due to its part-practical and part-academic approach. With few books on the market directly aimed at teachers, it can be a challenging and daunting task to devise a course of study that takes in the history of the form as well as considering the wider aspects that come together to make a successful musical. A Teacher's Guide to Musical Theatre enables teachers to plan and deliver courses in Musical Theatre with confidence and flair. The unique structure of the chapters guides teachers through key facts and concepts in musical theatre history and offers practical in-class activities for students. From topics for class discussion and essay assignments to journal entries and portfolios to sample test questions, this book is full of practical advice from experienced teachers in the field which make it the idea companion for teachers and instructors on diploma and degree-level courses, as well as those devising courses in part-time performing arts schools. Devised to provide sufficient engaging and inspirational material for an initial term or semester, the book establishes the principles of teaching this relatively new subject and encourages teachers to extend much further into the subject. From The Mikado to Hamilton and everything in between, this book breaks down decades of history into appropriately sized lessons, designed to give students a rounded survey of the subject and an understanding of how musicals work. Offering expert guidance to those with varied fields of expertise and practical experience but limited teaching experience, this book is the only existing guide to structured and stimulating practice.

My Fair Lady is Lerner & Loewe's most successful musical, based on the George Bernard Shaw play Pygmalion. Henry Higgins, a professor of phonetics, boasts to his friend, Colonel Pickering, that he can train any woman to speak properly. He chooses Eliza Doolittle, a poor girl with a strong Cockney accent, whom he encounters selling flowers in Covent Garden. This songbook of vocal selections from the popular musical is arranged for piano and voice with guitar chords.

Acclaimed through three editions for its uniquely informative and entertaining style, this fourth edition of Stanley Green's "World of Musical Comedy" updates and enlarges the theatrical scope to include such recent shows as "A Chorus Line, Barnum, They're Playing Our Song," and "Annie," In a format that provides biographies of all the leading figures in the musical's development, Stanley Green manages to convey the spirit of the Broadway stage, its musical make-believe, and yet remain objective about the creative swings in its history and the careers of its individual creators. Everyone is here: Victor Herbert, Sigmund Romberg, Jerome Kern, Irving Berlin, Rodgers and Hart, the Gershwins, Cole Porter, Harold Arlen, Frank Loesser, Lerner and Loewe, Stephen Sondheim, Cy Coleman, Marvin Hamlisch, and many others--not in a quick run-through but in vivid detail accompanied by pertinent interviews and photographs.This latest edition contains an expanded appendix that lists the casts, credits, songs, and recordings of every Broadway musical written by these illustrious and industrious composers and librettists. As always in a Stanley Green book, the research is exhaustive and impeccable, the presentation enjoyable, the judgments fair. From America's foremost theater historian, here is another edition of a classic theater chronicle.

Between 1895 and 1922 the Anglo-American actor and manager, Maurice E. Bandmann (1872-1922) created a theatrical circuit that extended from Gibraltar to Tokyo and included regular tours to the West Indies and South America. With headquarters in Calcutta and Cairo and companies listed on the Indian stock exchange, his operations represent a significant shift towards the globalization of theatre. This study focuses on seven key areas: family networks; the business of theatrical touring; the politics of locality; repertoire and publics; an ethnography of itinerant acting; legal disputes and the provision of theatrical infrastructure. It draws on global and transnational history, network theory and analysis as well as in-depth archival research to provide a new approach to studying theatre in the age of empire.

(Vocal Selections). This revised edition features 14 songs from Stephen Schwartz's breakthrough musical, in all-new engravings reviewed by Schwartz himself Includes: Alas for You * All for the Best * All Good Gifts * By My Side * Day by Day * Learn Your Lessons Well * Light of the World * Prepare Ye (The Way of the Lord) * and more, plus great artwork and a note-for-note transcription of "Beautiful City" from the 2011 Broadway revival.

A collection of the letters of American musical theater's greatest innovator that provides an entertaining look behind the scenes of Broadway Oscar Hammerstein II virtually invented the modern American musical, first with Show Boat and then in his celebrated collaborations with composer Richard Rodgers on Broadway classics like Oklahoma!, Carousel, and The King and I that continue to fascinate audiences today. A brilliant lyricist and playwright, Hammerstein innovated the American musical with his sophisticated storytelling that single-handedly elevated musical theater to a serious art form. But there were many more sides to Hammerstein: He was also a canny businessman, a successful producer, a mentor to Stephen Sondheim, and a social activist. This rich collection edited by Mark Eden Horowitz features hundreds of previously unpublished letters that show off all facets of Hammerstein's many engagements and his personality. Hammerstein's correspondence with major Broadway figures like Rodgers, Sondheim, Jerome Kern, and Florenz Ziegfeld tells the history of twentieth-century American show business while his exchanges with politicians and activists shed light on social issues of the period. What unites these letters across their vast range of themes is Hammerstein's compelling voice that reveals a man who was sharp, opinionated, and funny but also cared deeply about addressing the social ills that his musicals explored beyond the stage.

(Vocal Collection). 39 songs, including: Diamonds Are a Girl's Best Friend * Don't Cry For Me Argentina * I Ain't Down Yet * Losing My Mind * Memory * Send in the Clowns * and many more.

(Instrumental Folio). 13 songs from the Broadway sensation arranged for solo instrumentalists with a great accompaniment CD. Songs include: As Long As You're Mine * Dancing Through Life * Defying Gravity * For Good * I'm Not That Girl * Popular * The Wizard and I * and more.

Kai and Gerda are best friends who would do anything for each other. So when Kai disappears, Gerda knows she is the only one who can find him. She sets off on an epic journey, facing dangerous trials and meeting friends and enemies along the way... A brand-new adaptation of the classic fairy tale by Hans Christian Anderson, The Snow Queen is an ensemble production with larger- than-life characters; from talking snowmen to singing reindeer, angry flowers and chirpy birds. Perfect for schools, colleges and youth theatres, it's an energetic, fun multi-role adventure for the stage. Written to be flexible for a cast of six to twenty speaking roles, it can be as large a production as your imagination can handle. The Snow Queen is a story about friendship, hope and searching for the hero inside you.

The first comprehensive collection of the letters of one of the most successful American songwriters of the twentieth century From Anything Goes to Kiss Me, Kate, Cole Porter left a lasting legacy of iconic songs including "You're the Top," "Love For Sale," and "Night and Day." Yet, alongside his professional success, Porter led an eclectic personal life which featured exuberant parties, scandalous affairs, and chronic health problems. This extensive collection of letters (most of which are published here for the first time) dates from the first decade of the twentieth century to the early 1960s and features correspondence with stars such as Irving Berlin, Ethel Merman, and Orson Welles, as well as his friends and lovers. Cliff Eisen and Dominic McHugh complement these letters with lively commentaries that draw together the loose threads of Porter's life and highlight the distinctions between Porter's public and private existence. This book reveals surprising insights into his attitudes toward Hollywood and Broadway, and toward money, love, and dazzling success.

Dramatizes the life of Jelly Roll Morton, pianist, composer, and self-proclaimed inventor of jazz.

This Critical Companion to the American Stage Musical provides the perfect introductory text for students of theatre, music and cultural studies. It traces the history and development of the industry and art form in America with a particular focus on its artistic and commercial development in New York City from the early 20th century to the present. Emphasis is placed on commercial, artistic and cultural events that influenced the Broadway musical for an ever-renewing, increasingly broad and diverse audience: the Gilded Age, the Great Depression, the World War II era, the British invasion in the 1980s and the media age at the turn of the twenty-first century. Supplementary essays by leading scholars provide detailed focus on the American musical's production and preservation, as well as its influence on daily life on the local, national, and international levels. For students, these essays provide models of varying approaches and interpretation, equipping them with the skills and understanding to develop their own analysis of key productions.

Musical Theatre: A History is a new revised edition of a proven core text for college and secondary school students - and an insightful and accessible celebration of twenty-five centuries of great theatrical entertainment. As an educator with extensive experience in professional theatre production, author John Kenrick approaches the subject with a unique appreciation of musicals as both an art form and a business. Using anecdotes, biographical profiles, clear definitions, sample scenes and select illustrations, Kenrick focuses on landmark musicals, and on the extraordinary talents and business innovators who have helped musical theatre evolve from its roots in the dramas of ancient Athens all the way to the latest hits on Broadway and London's West End. Key improvements to the second edition: * A new foreword by Oscar Hammerstein III, a critically acclaimed historian and member of a family with deep ties to the musical theatre, is included * The 28 chapters are reformatted for the typical 14 week, 28 session academic course, as well as for a two semester, once-weekly format, making it easy for educators to plan a syllabus and reading assignments. * To make the book more interactive, each chapter includes suggested listening and reading lists, designed to help readers step beyond the printed page to experience great musicals and performers for themselves. A comprehensive guide to musical theatre as an international phenomenon, Musical Theatre: A History is an ideal textbook for university and secondary school students.

Musical Theatre Song is a handbook for musical theatre performers, providing them with the wide-ranging skill set they need for success in today's competitive musical theatre environment. Breaking down the process into knowing how to select your song material based upon your individuality and how to prepare and perform it in a manner that best highlights your attributes, Stephen Purdy provides a succinct and personalized trajectory toward presentation, taking the reader through a series of challenges that is designed to evoke original, personal and vibrant song performances. Written by renowned Broadway and West End vocal and audition coach Stephen Purdy, Musical Theatre Song is a must-have guide for all performers who are looking to succeed in the musical theatre industry.

A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. * The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research * Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media * Examines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decision * The text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in research * Describes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical

The only official companion book to the Tony Award winner for Best Musical from the creators of South Park and the co-creator of Avenue Q. Features the complete script and song lyrics, with 4-color spot illustrations throughout, an original introduction by the creators, and a foreword by Mark Harris.

The Book of Mormon, which follows a pair of mismatched Mormon boys sent on a mission to a place that's about as far from Salt Lake City as you can get, features book, music, and lyrics by Trey Parker, Robert Lopez and Matt Stone.

Parker and Stone are the four-time Emmy Award-winning creators of Comedy Central's landmark animated series South Park. Tony Award-winner Lopez is co-creator of the long-running hit musical comedy Avenue Q. The Book of Mormon is choreographed by three-time Tony Award-nominee Casey Nicholaw (Monty Python's Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker.

The book includes - an original foreword by journalist Mark Harris (author of Pictures at a Revolution) - an original introduction by the authors on the genesis of the show - a production history - the complete book and lyrics, with four-color spot illustrations throughout.