Simone Weil, the great mystic and philosopher for our age, shows where anyone can find God. Why is it that Simone Weil, with her short, troubled life and confounding insights into faith and doubt, continues to speak to today’s spiritual seekers? Was it her social radicalism, which led her to renounce privilege? Her ambivalence toward institutional religion? Her combination of philosophical rigor with the ardor of a mystic? Albert Camus called Simone Weil “the only great spirit of our time.” André Gide found her “the most truly spiritual writer of this century.” Her intense life and profound writings have influenced people as diverse as T. S. Eliot, Charles De Gaulle, Pope Paul VI, and Adrienne Rich. The body of work she left—most of it published posthumously—is the fruit of an anguished but ultimately luminous spiritual journey. After her untimely death at age thirty-four, Simone Weil quickly achieved legendary status among a whole generation of thinkers. Her radical idealism offered a corrective to consumer culture. But more importantly, she pointed the way, especially for those outside institutional religion, to encounter the love of God – in love to neighbor, love of beauty, and even in suffering.

All known talks compiled from original sources.

The twelfth century CE was a watershed moment for mysticism in the Muslim West. In al-Andalus, the pioneers of this mystical tradition, the Mu'tabirun or 'Contemplators', championed a synthesis between Muslim scriptural sources and Neoplatonic cosmology. Ibn Barrajan of Seville was most responsible for shaping this new intellectual approach, and is the focus of Yousef Casewit's book. Ibn Barrajan's extensive commentaries on the divine names and the Qur'an stress the significance of God's signs in nature, the Arabic bible as a means of interpreting the Qur'an, and the mystical crossing from the visible to the unseen. With an examination of the understudied writings of both Ibn Barrajan and his contemporaries, Ibn al-'Arif and Ibn Qasi, as well as the wider socio-political and scholarly context in al-Andalus, this book will appeal to researchers of the medieval Islamic world and the history of mysticism and Sufism in the Muslim West.

Rabbinic hermeneutics in ancient Judaism reflects this multifaceted world of the text and of reality, seen as a world of reference worth commentary. As a mirror, it includes this world but perhaps also falsifies reality, adapting it to one's own aims and necessities. It consists of four parts:Part I, considered as introduction, is the description of the "Rabbinic Workshop" (Officina Rabbinica), the rabbinic world where the student plays a role and a reformation of a reformation always takes place, the world where the mirror was created and manufactured. Part II deals with the historical environment, the world of reference of rabbinic Judaism in Palestine and in the Hellenistic Diaspora (Reflecting Roman Religion); Part III focuses on magic and the sciences, as ancient (political and empirical) activities of influence in the double meaning of receiving and adopting something and of attempt to produce an effect on persons and objects (Performing the Craft of Sciences and Magic). Part IV addresses the rabbinic concern with texts (Reflecting on Languages and Texts) as the main area of "influence" of the rabbinic academy in a space between the texts of the past and the real world of the present.

Kabbalah and Ecology is a groundbreaking book that resets the conversation about ecology and the Abrahamic traditions. David Mevorach Seidenberg challenges the anthropocentric reading of the Torah, showing that a radically different orientation to the more-than-human world of nature is not only possible, but that such an orientation also leads to a more accurate interpretation of scripture, rabbinic texts, Maimonides and Kabbalah. Deeply grounded in traditional texts and fluent with the physical sciences, this book proposes not only a new understanding of God's image but also a new direction for restoring religion to its senses and to a more alive relationship with the more-than-human, both with nature and with divinity.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. There is a vast body of imaginal literature in Bengali that introduces fictional Sufi saints into the complex mythological world of Hindu gods and goddesses. Dating to the sixteenth century, the stories-pir katha-are still widely read and performed today. The events that play out rival the fabulations of the Arabian Nights, which has led them to be dismissed as simplistic folktales, yet the work of these stories is profound: they provide fascinating insight into how Islam habituated itself into the cultural life of the Bangla-speaking world. In Witness to Marvels, Tony K. Stewart unearths the dazzling tales of Sufi saints to signal a bold new perspective on the subtle ways Islam assumed its distinctive form in Bengal.

Rumi's great book of wisdom-infused poetry contain myriad lessons on the importance of faith, with the culture and lessons of spiritual, Biblical and Islamic teachings featuring strongly. In authoring his masterwork, Rumi quoted the Qu'ran, the Bible and several spiritual forebears. Wishing to align his poetry in order to tell tales of man and man's place in the world, Rumi drew upon a variety of religious and spiritual sources to create a poetic compendium of supreme profundity and depth. The Masnavi was praised as one of the finest works of mystical literature ever seen. It is in the Masnavi that Persia's place between the spiritual cultures of Asia and the Middle East is evidenced. Rumi himself, while undoubtedly an Islamic scholar of great ability, did not feel confined to the faith; he saw spiritual value in a range of disciplines, and asserted that the light of Mohammed's prophecy does not leave faithful Christians, Jews, Zoroastrians or other denominations behind.

Mevlana Jalaluddin Rumi, whose life and mystical poetry provided the inspiration for the Mevlevi Sufi order, is one of the world's best-known poets, yet the centuries-long musical tradition cultivated by the Mevleviye remains much less known. In this deeply researched book, renowned scholar Walter Feldman traces the historical development of Mevlevi music and brings to light the remarkable musical and mystical aesthetics of the Mevlevi ayin the instrumental and vocal accompaniment to the sublime ceremony of the 'Whirling' Dervishes.

Jalaloddin Rumi's Masnavi-ye Ma'navi, or 'Spiritual Couplets', composed in the 13th Century, is a monumental work of poetry in the Sufi tradition of Islamic mysticism. For centuries before his love poetry became a literary phenomenon in the West, Rumi's Masnavi had been revered in the Islamic world as its greatest mystical text. Drawing upon a vast array of characters, stories and fables, and deeply versed in spiritual teaching, it takes us on a profound and playful journey of discovery along the path of divine love, toward its ultimate goal of union with the source of all Truth. In Book 1 of the Masnavi, the first of six volumes, Rumi opens the spiritual path towards higher spiritual understanding. Alan Williams's authoritative new translation is rendered in highly readable blank verse and includes the original Persian text for reference, and with explanatory notes along the way. True to the spirit of Rumi's poem, this new translation establishes the Masnavi as one of the world's great literary achievements for a global readership. Translated with an introduction, notes and analysis by Alan Williams and including the Persian text edited by Mohammad Este'lami.