This history of Sufi conceptions of the hereafter often imagined as a place of corporeal reward (Paradise) or punishment (Hell) is built upon the study of five medieval Sufi Qur'an commentaries. Pieter Coppens shows that boundary crossing from this world to the otherworld, and vice versa, revolves around the idea of meeting with and the vision of God; a vision which for some Sufis is not limited to the hereafter. The Qur'anic texts selected for study all key verses on seeing God are placed in their broader religious and social context and are shown to provide a useful and varied source for the reconstruction of a history of Sufi eschatology and the vision of God.

Martin Buber's embrace of Hasidism at the start of the twentieth century was instrumental to the revival of this popular form of Jewish mysticism. Hoping to instigate a Jewish cultural and spiritual renaissance, he published a series of anthologies of Hasidic teachings written in German to introduce the tradition to a wide audience. In "Aesthetics of Renewal," Martina Urban closely analyzes Buber's writings and sources to explore his interpretation of Hasidic spirituality as a form of cultural criticism. For Buber, Hasidic legends and teachings were not a static, canonical body of knowledge, but were dynamic and open to continuous reinterpretation. Urban argues that this representation of Hasidism was essential to the Zionist effort to restore a sense of unity across the Jewish diaspora as purely religious traditions weakened--and that Buber's anthologies in turn played a vital part in the broad movement to use cultural memory as a means to reconstruct a collective identity for Jews. As Urban unravels the rich layers of Buber's vision of Hasidism in this insightful book, he emerges as one of the preeminent thinkers on the place of religion in modern culture.