When non-Orthodox Jews become frum (religious), they encounter much more than dietary laws and Sabbath prohibitions. They find themselves in the midst of a whole new culture, involving matchmakers, homemade gefilte fish, and Yiddish-influenced grammar. Becoming Frum explains how these newcomers learn Orthodox language and culture through their interactions with community veterans and other newcomers. Some take on as much as they can as quickly as they can, going beyond the norms of those raised in the community. Others maintain aspects of their pre-Orthodox selves, yielding unique combinations, like Matisyahu's reggae music or Hebrew words and sing-song intonation used with American slang, as in "mamish (really) keepin' it real." Sarah Bunin Benor brings insight into the phenomenon of adopting a new identity based on ethnographic and sociolinguistic research among men and women in an American Orthodox community. Her analysis is applicable to other situations of adult language socialization, such as students learning medical jargon or Canadians moving to Australia. Becoming Frum offers a scholarly and accessible look at the linguistic and cultural process of "becoming."

Aelius Aristides' Hieroi Logoi present a unique first-person narrative from the ancient world-a narrative that seems at once public and private, artful and naive. While scholars have embraced the Logoi as a rich source for Imperial-era religion, politics, and elite culture, the style of the text has presented a persistent stumbling block to literary analysis. Setting this dream-memoir of illness and divine healing in the context of Aristides' professional concerns as an orator, this book investigates the text's rhetorical aims and literary aspirations. At the Limits of Art argues that the Hieroi Logoi are an experimental work. Incorporating numerous dream accounts and narratives of divine cure in a multi-layered and open text, Aristides works at the limits of rhetorical convention to fashion an authorial voice that is transparent to the divine. Reading the Logoi in the context of contemporary oratorical practices, and in tandem with Aristides' polemical orations and prose hymns, the book uncovers the professional agendas motivating this unusual self-portrait. Aristides' sober view of oratory as a sacred pursuit was in conflict with a widespread contemporary preference for spectacular public performance. In the Hieroi Logoi, Aristides claims a place in the world of the Second Sophistic on his own terms, offering a vision of his professional inspiration in a style that pushes the limits of literary convention.

Sayyid Qutb is widely considered the guiding intellectual of radical Islam, with a direct line connecting him to Osama bin Laden. But Qutb has too often been treated maliciously or reductively-"the Philosopher of Islamic Terror," as Paul Berman famously put it in the New York Times Magazine.
James Toth offers an even-handed account of Sayyid Qutb and shows him to be a much more complex figure than the many one-dimensional portraits would have us believe. Qutb first gained notice as a novelist, literary critic, and poet but then turned to religious and political criticism aimed at the Egyptian government and Muslims he deemed insufficiently pious. After a two-year sojourn in the U.S., he returned to Egypt even more radicalized and joined the Muslim Brotherhood, eventually taking charge of its propaganda operation. When Brotherhood members were accused of assassinating Egyptian President Gamal Abdel Nasser, the group was outlawed and Qutb imprisoned. He was executed in 1966, becoming the first martyr to the Islamist cause. Using an analytical approach that investigates without passing judgment, Toth traces the life and thought of Qutb, giving attention not only to his well-known Signposts on the Road, but also to his less-studied works like Social Justice in Islam and his 30-volume Qur'anic commentary, In the Shade of the Qur'an. Toth's aim is to give Qutb's ideas a fair hearing, to measure their impact, and to treat him like other intellectuals who inspire revolutions, however unpopular they may be.
In offering a more nuanced account of Qutb, one that moves beyond the cartoonish depictions of him as the evil genius lurking behind today's terrorists, Sayyid Qutb deepens our understanding of a central figure of radical Islam and, indeed, our understanding of radical Islam itself.

Similarities between esoteric and mystical currents in different religious traditions have long interested scholars. This book takes a new look at the relationship between such currents. It advances a discussion that started with the search for religious essences, archetypes, and universals, from William James to Eranos. The universal categories that resulted from that search were later criticized as essentialist constructions, and questioned by deconstructionists. An alternative explanation was advanced by diffusionists: that there were transfers between different traditions. This book presents empirical case studies of such constructions, and of transfers between Judaism, Christianity, and Islam in the premodern period, and Judaism, Christianity, and Western esotericism in the modern period. It shows that there were indeed transfers that can be clearly documented, and that there were also indeed constructions, often very imaginative. It also shows that there were many cases that were neither transfers nor constructions, but a mixture of the two.

As a leading movement in contemporary Turkey with a universal educational and inter-faith agenda, the Gulen movement aims to promote creative and positive relations between the West and the Muslim world and to articulate a critically constructive position on such issues as democracy, multi-culturalism, globalisation, and interfaith dialogue in the context of secular modernity. Many countries in the predominantly Muslim world are in a time of transition and of opening to democratic development of which the so-called "Arab Spring" has seen only the most recent and dramatic developments. Particularly against that background, there has been a developing interest in "the Turkish model" of transition from authoritarianism to democracy. The Muslim World and Politics in Transition includes chapters written by international scholars with expertise in relation to the contexts that it addresses. It discusses how the Gulen movement has positioned itself and has sought to contribute within societies - including the movement's home country of Turkey - in which Muslims are in the majority and Islam forms a major part of the cultural, religious and historical inheritance. The movement and initiatives inspired by the Turkish Muslim scholar Fethullah Gulen began in Turkey, but can now be found throughout the world, including in both Europe and in the 'Muslim world'. Bloomsbury has a companion volume edited by Paul Weller and Ihsan Yilmaz on European Muslims, Civility and Public Life: Perspectives on and From the Gulen Movement.

Human sacrifice, a spirited heroine, a quest ending in a hairsbreadth escape, the touching reunion of long-lost siblings, and exquisite poetry-these features have historically made Euripides' Iphigenia in Tauris one of the most influential of Greek tragedies. Yet, despite its influence and popularity in the ancient world, the play remains curiously under-investigated in both mainstream cultural studies and more specialized scholarship. With Adventures with Iphigenia in Tauris, Edith Hall provides a much-needed cultural history of this play, giving as much weight to the impact of the play on subsequent Greek and Roman art and literature as on its manifestations since the discovery of the sole surviving medieval manuscript in the 1500s. The book argues that the reception of the play is bound up with its spectacular setting on the southern coast of the Crimean peninsula in what is now the Ukraine, a territory where world history has often been made. However, it also shows that the play's tragicomic tenor and escape plot have had a tangible influence on popular culture, from romantic fiction to Hollywood action films. The thirteen chapters illustrate how reactions to the play have evolved from the ancient admiration of Aristotle and Ovid, the Christian responses of Milton and Catherine the Great, the anthropological ritualists and theatrical Modernists including James Frazer and Isadora Duncan, to recent feminist and postcolonial dramatists from Mexico to Australia. Individual chapters are devoted to the most significant adaptations of the tragedy, Gluck's opera Iphigenie en Tauride and Goethe's verse drama Iphigenie auf Tauris. Richly illustrated and accessibly written, with all texts translated into English, Adventures with Iphigenia in Tauris argues elegantly for a reappraisal of this Euripidean masterpiece.

With exacting scholarship and fecund analysis, Manuel Oliveira probes through the lens of Martin Buber (1878-1965) the theological and political ambiguities of Israel's divine election. These ambiguities became especially pronounced with the emergence of Zionism. Wary, indeed, alarmed by the tendency of some of his fellow Zionists to conflate divine chosenness with nationalism, Buber sought to secure the theological significance of election by both steering Zionism from hypertrophic nationalism and by a sustained program to revalorize what he called alternately "Hebrew Humanism." As Oliveira demonstrates, Buber viewed the idea of election teleologically, espousing a universal mission of Israel, which effectively calls upon Zionism to align its political and cultural project to universal objectives. Thus, in addressing a Zionist congress, he rhetorically asked, "What then is this spirit of Israel of which you are speaking? It is the spirit of fulfillment. Fulfillment of what? Fulfillment of the simple truth that man has been created for a purpose (...) Our purpose is the upbuilding of peace (...) And that is its spirit, the spirit of Israel (...) the people of Israel was charged to lead the way to righteousness and justice."

From a renowned historian who writes with "maximum vividness" ("The New Yorker") comes the most authoritative, readable single-volume history of the brutal struggle for the holy land

Nine hundred years ago, a vast Christian army, summoned to holy war by the Pope, rampaged through the Muslim world of the eastern Mediterranean, seizing possession of Jerusalem, a city revered by both faiths. Over the two hundred years that followed, Islam and Christianity fought for dominion of the Holy Land, clashing in a succession of chillingly brutal wars: the Crusades. Here for the first time is the story of that epic struggle told from the perspective of both Christians and Muslims. A vivid and fast-paced narrative history, it exposes the full horror, passion, and barbaric grandeur of the Crusading era, revealing how these holy wars reshaped the medieval world and why they continue to influence events today.