The nornir or norns were a group of female supernatural beings closely related to ideas about fate in Old Norse tradition. Karen Bek-Pedersen provides a thorough understanding of the role played by norns and other beings like them in the relevant sources. Although they are well known, even to people who have only a superficial knowledge of Old Norse mythology, this is the first detailed discussion of the norns to be published amongst the literature dealing with Old Norse beliefs. Surprisingly little has been written specifically about the norns. Although often mentioned in scholarship treating Old Norse culture, the norns are all too often dealt with in overly superficial ways. The research presented in this book goes much deeper in order to properly understand the nature and role of the norns in the Old Norse world view. The conclusions reached by the author overturn a number of stereotypical conceptions that have long dominated our understanding of these beings. The book has a natural focus on Old Norse culture and is especially relevant to those interested in or studying Old Norse culture and tradition. However, comparative material from Celtic, Anglo-Saxon and Classical traditions is also employed and the book is therefore of interest also to those with a broader interest in European mythologies.

'Burning ice, biting flame; that is how life began' The extraordinary Scandinavian myth cycle is one of the most enduring, exciting, dramatic and compelling of the world's great stories. The Penguin Book of the Norse Myths compellingly retells these stories for the modern reader, taking us from the creation of the world through the building of Asgard's Wall to the final end in Ragnarok. You'll discover how Thor got his hammer and how Odin lost his eye, the terrible price of binding the wolf Fenrir and why Loki the trickster can never be trusted. The Norse myths are as thrilling to read as they are of vast cultural and historical importance. In this gripping book Kevin Crossley-Holland brings alive the passion, cruelty and heroism of these unforgettable stories.

'A joyously peculiar book' - The New York Times 'A fascinating insight into Icelandic culture and a fresh perspective on her global influence. Warning: may well make readers wish they were Icelandic, too.' - Helen Russell, author of The Year of Living Danishly The untold story of how one tiny island in the middle of the Atlantic has shaped the world for centuries. The history of Iceland began 1,200 years ago, when a frustrated Viking captain and his useless navigator ran aground in the middle of the North Atlantic. Suddenly, the island was no longer just a layover for the Arctic tern. Instead, it became a nation whose diplomats and musicians, sailors and soldiers, volcanoes and flowers, quietly altered the globe forever. How Iceland Changed the World takes readers on a tour of history, showing them how Iceland played a pivotal role in events as diverse as the French Revolution, the Moon Landing, and the foundation of Israel. Again and again, one humble nation has found itself at the frontline of historic events, shaping the world as we know it - How Iceland Changed the World paints a lively picture of just how it all happened. 'Egill Bjarnason has written a delightful reminder that, when it comes to countries, size doesn't always matter. His writing is a pleasure to read, reminiscent of Bill Bryson or Louis Theroux. He has made sure we will never take Iceland for granted again.' A.J. Jacobs, New York Times bestselling author of Thanks a Thousand and The Year of Living Biblically 'Bjarnason's intriguing book might be about a cold place, but it's tailor-made to be read on the beach.' - New Statesman 'Egill Bjarnason places Iceland at the center of everything, and his narrative not only entertains but enlightens, uncovering unexpected connections.' Andri Snaer, author of On Time and Water 'Icelander Egill Bjarnason takes us on a high-speed, rough-and-tumble ride through 1,000-plus years of history-from the discovery of America to Tolkien's muse, from the French Revolution to the NASA moonwalk, from Israel's birth to the first woman president-all to display his home island's mind-opening legacy.' Nancy Marie Brown, author of The Real Valkyrie and The Far Traveller 'I always assumed the history of Iceland had, by law or fate, to match the tone of an October morning: dark, gray, and uninviting to most mankind. This book challenges that assumption, and about time. Our past, much like the present, can be a little fun.' Jon Gnarr, former mayor of Reykjavik and author of The Pirate and The Outlaw 'How Iceland Changed the World is not only surprising and informative. It is amusing and evocatively animates a place that I have been fascinated with for most of my life. Well worth the read!' - Jane Smiley, Pulitzer Prize-winning author of A Thousand Acres 'An entertaining, offbeat (and pleasingly concise) history of the remote North Atlantic nation ... perfect for a summer getaway read' - The Critic

How Thor Lost his Thunder is the first major English-language study of early medieval evidence for the Old Norse god, Thor. In this book, the most common modern representations of Thor are examined, such as images of him wreathed in lightning, and battling against monsters and giants. The origins of these images within Iron Age and early medieval evidence are then uncovered and investigated. In doing so, the common cultural history of Thor's cult and mythology is explored and some of his lesser known traits are revealed, including a possible connection to earthquakes and volcanic eruptions in Iceland. This geographically and chronologically far-reaching study considers the earliest sources in which Thor appears, including in evidence from the Viking colonies of the British Isles and in Scandinavian folklore. Through tracing the changes and variety that has occurred in Old Norse mythology over time, this book provokes a questioning of the fundamental popular and scholarly beliefs about Thor for the first time since the Victorian era, including whether he really was a thunder god and whether worshippers truly believed they would encounter him in the afterlife. Considering evidence from across northern Europe, How Thor Lost his Thunder challenges modern scholarship's understanding of the god and of the northern pantheon as a whole and is ideal for scholars and students of mythology, and the history and religion of medieval Scandinavia.

Exciting stories, extraordinary creatures, and compelling gods, goddesses, and heroes come together in this compendium of Norse myths - first told long ago by the Vikings.

Read about Thor, the god of thunder and how he once disguised himself as a bride to seek revenge on a giant and retrieve his powerful hammer -Mjölnir, and how Sif, the goddess of fertility had her long golden hair cut off by Loki, the trickster god. Each myth is told with thrilling immediacy, in language that is easy for children to understand, while retaining the awe, majesty and intrigue of the original tales. Stunning illustrations by multi-award winning artist Katie Ponder breathe new life into each story.

Ancestor worship is often assumed by contemporary European audiences to be an outdated and primitive tradition with little relevance to our societies, past and present. This book questions that assumption and seeks to determine whether ancestor ideology was an integral part of religion in Viking Age and early medieval Scandinavia. The concept is examined from a broad socio-anthropological perspective, which is used to structure a set of case studies which analyse the cults of specific individuals in Old Norse literature. The situation of gods in Old Norse religion has been almost exclusively addressed in isolation from these socio-anthropological perspectives. The public gravemound cults of deceased rulers are discussed conventionally as cases of sacral kingship, and, more recently, religious ruler ideology; both are seen as having divine associations in Old Norse scholarship. Building on the anthropological framework, this study introduces the concept of 'superior ancestors', employed in social anthropology to denote a form of political ancestor worship used to regulate social structure deliberately. It suggests that Old Norse ruler ideology was based on conventional and widely recognised religious practices revolving around kinship and ancestors and that the gods were perceived as human ancestors belonging to elite families.

"Prose Edda" is a work without predecessor or parallel. It was designed as a handbook for poets to compose in the style of the skalds of the Viking ages. It is an exposition of the rule of poetic diction with many examples, applications, and retellings of myths and legends. Snorri Sturluson feared that the traditional techniques of Norse poetics, the pagan kennings, and the allusions to mythology would be forgotten with the introduction of new verse forms from Europe. The present selection includes the whole of Gylfaginning ("The deluding of Gylfi") - a guide to mythology that forms one of the great storybooks of the Middle Ages - and the longer heroic tales and legends of "Skaldskaparmal" (Poetic diction). Snorri Sturluson was a master storyteller, and this translation in modern idiom of the inimitable tales of the gods and heroes of the Scandinavian peoples brings them to life again.

Meet the fire-breathing beasts of mythology in this beautifully illustrated book brimming with scaled behemoths. Journey into the deepest depths of the oceans and the highest tips of the tallest mountains to discover the fascinating history of dragons! This illustrated picture book blends fiction and fantasy, separates fact from myth, and is the perfect introduction to the breathtaking world of dragons! Ideal for kids aged 7-9 years. Inside the pages of this captivating fantasy book for children, you'll discover fascinating dragon facts and more! - Includes 23 profiles of famous dragons - Discover maps of where dragons originated from across the continents - Explanations of the historical and cultural significance of dragons around the world - Informative spreads on the folklore surrounding dragons uncover secrets about dragon eggs, treasure, and history Soar across continents and discover the most incredible dragon myths and legends. Prowl through the pages to discover rare dragon species. Find clues on how to track them and master how to draw them. This awe-inspiring, magical book will breathe fire into the minds of little dragon-lovers everywhere! Exciting, informative text and beautiful hand-painted illustrations bring these fire-breathing beasts of mythology to life in the most spectacular way! Up-to-date retellings of classic dragon stories from Asia, Europe, Africa and North America will boost your child's imagination and keep them engaged. It's the ultimate gift for kids who are fascinated by mythical creatures and fans of Harry Potter and How to Train your Dragon.

Written in Iceland a century after the close of the Viking Age, The Prose Edda is the source of most of what we know of Norse mythology. Its tales are peopled by giants, dwarves, and elves, superhuman heroes and indomitable warrior queens. Its gods live with the tragic knowledge of their own impending destruction in the cataclysmic battle of Ragnarok. Its time scale spans the eons from the world's creation to its violent end. This robust new translation captures the magisterial sweep and startling psychological
complexity of the Old Icelandic original.First time in Penguin ClassicsIncludes an introduction; explanatory notes; glossary; appendices on the Norse cosmos, language, and sources, a map; genealogical tables; suggestions for further reading

The mythologies of the world are collective cultural dreams, and as such should be analyzed first from cultural perspectives. How do myths of the ancient Egyptians or Greeks, for instance, reflect the realities of the Egyptian and Greek cultures? When compared, however, mythologies reveal certain universal themes or motifs that point to larger trans-cultural issues such as the place of the human species in creation or the nature of deity as a concept. World Mythology: A Very Short Introduction is organized around the universal motifs. Creation, the Flood, the Hero Quest, the Trickster/Culture Hero, the Pantheons, the High God, the Great Goddess. Veteran mythology scholar David Leeming examines examples of each motif from a variety of cultures-Greek, Egyptian, Norse, American Indian, African, Polynesian, Jewish, Christian, Hindu-treating them as reflections of the cultures that "dreamed" them. He compares and analyzes them, exposing their universal significance and creating a "world mythology."

A full-cast dramatisation of Neil Gaiman's magical retellings of the Norse myths, inviting us into a world of gods and monsters, tricks and trust, fiery endings and new beginnings Winner of The London Book Fair CAMEO Award 2020 for Book to Audio adaptation. 'And the game begins anew...' Meet the trickster god Loki and his astonishing children - the giant wolf Fenrir, Jormungundr the snake that encircles the world, and Hel, the little girl who grows up to be Queen of the dead. Here, too, is Odin the all-father, who sacrificed his eye to see the future; Thor the thunderer, who defends Asgard with his fearsome strength and mighty hammer; and Freya the understandably angry, most beautiful of the gods and always being gambled for by unwanted suitors. From the beginning of the universe in fire and ice, to the very end of the world, Ragnarok, these enthralling tales of gods, goddesses, dwarves and giants bring the ancient myths to vigorous life. Diana Rigg, Derek Jacobi, Colin Morgan, Natalie Dormer and Neil Gaiman himself are among the stellar cast in these spellbinding stories of old betrayals - and new hope.

English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth - stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja - on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.

The Viking Age (c. 750-1050 AD) is conventionally seen as a tumultuous time when hordes of fierce warriors from Scandinavia wreaked havoc across the European continent and when Norse merchants travelled to distant corners of the world in pursuit of slaves, silver, and exotic commodities. Until relatively recently, archaeologists and textual scholars had the tendency to weave a largely male-dominated image of this pivotal period in world history, dismissing or substantially downplaying women's roles in Norse society. Today, however, there is ample evidence to suggest that many of the most spectacular achievements of Viking Age Scandinavians - for instance in craftsmanship, exploration, cross-cultural trade, warfare and other spheres of life - would not have been possible without the active involvement of women. Extant textual sources as well as the perpetually expanding corpus of archaeological evidence thus demonstrate unequivocally that both within the walls of the household and in the wider public arena women's voices were heard, respected and followed. This pioneering and beautifully illustrated monograph provides an in-depth exploration of women's associations with the martial sphere of life in the Viking Age. The multifarious motivations and circumstances that led women to engage in armed conflict or other activities whereby weapons served as potent symbols of prestige and empowerment are illuminated and interpreted through an interdisciplinary approach to medieval literature and archaeological evidence from Scandinavia and the wider Viking world. Additional cross-cultural excursions into the lives and legends of female warriors in other past and present cultural milieus - from the Asiatic steppes to the savannas of Africa and European battlefields - lead to a nuanced understanding of the idea of the armed woman and its embodiments in Norse literature, myth and archaeological reality.

"Viking Language 1 - Learn Old Norse, Runes, and Icelandic Sagas" provides everything necessary to learn Old Norse, runes, and tackle Icelandic sagas. Graded lessons, saga readings, runic inscriptions, grammar exercises, pronunciation, maps, cultural sections, student guide, and vocabulary teach Old Norse and about Vikings, Iceland, old Scandinavia, myths and legends. ----- Download FREE ANSWER KEY on www.vikinglanguage.com ----- Now available, two audio MP3 download OLD NORSE PRONUNCIATION ALBUMS "VIKING LANGUAGE 1: AUDIO LESSONS 1-8: (Pronounce Old Norse, Runes, and Icelandic Sagas)" and "Viking Language 1: Audio Lessons 9-15." To find search "Viking Language audio lessons" under "all departments" and "MP3 music." Also CDbaby and Itunes. ----- VISIT www.vikinglanguage.com for information about the "Viking Language Series" and for samples of the audio readings ---- Forthcoming soon "Viking Language 2 The Old Norse Reader" including, prose selections, complete sagas, poems of the Scandinavian gods and heroes, Old Norse runes, reference grammar, and vocabulary.

The coming of Christianity to Northern Europe resulted in profound cultural changes. In the course of a few generations, new answers were given to fundamental existential questions and older notions were invalidated. Jonas Wellendorf's study, the first monograph in English on this subject, explores the medieval Scandinavian reception and re-interpretation of pre-Christian Scandinavian religion. This original work draws on a range of primary sources ranging from Prose Edda and Saxo Grammaticus' History of the Danes to less well known literary works including the Saga of Barlaam and the Hauksbok manuscript (c.1300). By providing an in-depth analysis of often overlooked mythological materials, along with translations of all textual passages, Wellendorf delivers an accessible work that sheds new light on the ways in which the old gods were integrated into the Christian worldview of medieval Scandinavia.

This volume is the first book-length study of masculinities in the Sagas of Icelanders. Spanning the entire corpus of the Sagas of Icelanders-and taking into account a number of little-studied sagas as well as the more well-known works-it comprehensively interrogates the construction, operation, and problematization of masculinities in this genre. Men and Masculinities in the Sagas of Icelanders elucidates the dominant model of masculinity that operates in the sagas, demonstrates how masculinities and masculine characters function within these texts, and investigates the means by which the sagas, and saga characters, may subvert masculine dominance. Combining close literary analysis with insights drawn from sociological theories of hegemonic and subordinated masculinities, notions of homosociality and performative gender, and psychoanalytic frameworks, the book brings to men and masculinities in saga literature the same scrutiny traditionally brought to the study of women and femininities. Ultimately, the volume demonstrates that masculinity is not simply glorified in the sagas, but is represented as being both inherently fragile and a burden to all characters, masculine and non-masculine alike.

Old Norse mythology is elusive: it is the label used to describe the religious stories of the pre-Christian North, featuring such well-known gods as Odin and Thor, yet most of the narratives have come down to us in manuscripts from the Middle Ages mainly written by Christians. Our view of the stories as they were transmitted in oral form in the pre-Christian era is obscured. To overcome these limitations, this book assembles comparisons from a range of theoretical and analytical perspectives-across media, cultures, and disciplines. Fifteen scholars from a wide range of fields examine the similarities of and differences of the Old Norse mythologies with the myths of other cultures. The differences and similarities within the Old Norse corpus itself are examined to tease out the hidden clues to the original stories.

While the main focus of the book is on telling the stories, some scene-setting is provided at the beginning and each chapter also contains a section of commentary to explain what is going on and its significance. The Norse myths have gained widespread attention in the English-speaking world, partly through a Scandinavian diaspora, especially in the USA) and partly through a great interest in the myths and legends which lie behind Viking activity. Tolkien's 'Middle Earth', too, as seen in both The Lord of the Rings and The Hobbit films is heavily indebted to Germanic/Norse mythology. The Whittock's book fills a gap in the market between academic publications and the interest-generating (but confusing) products of Hollywood and comic-culture. This is an accessible book, which both provides a retelling of these dramatic stories and also sets them in context so that their place within the Viking world can be understood. The book explores Norse myths (stories, usually religious, which explain origins, why things are as they are, the nature of the spiritual) and legends (stories which attempt to explain historical events and which may involve historical characters but which are told in a non-historical way and which often include supernatural events).