A remote village. A deadly secret. An outsider who knows the truth... 'ATMOSPHERIC AND COMPELLING' Catherine Cooper, Sunday Times bestselling author of The Chalet and The Chateau 'SPLENDIDLY CREEPY' DAILY MAIL 'DELICIOUSLY UNSETTLING' OBSERVER Maggie Mackay has been haunted her entire life. No matter what she does, she can't shake the sense that something is wrong with her. And maybe something is... When she was five years old, without proof, Maggie announced that someone in the remote village of Blairmore in the Outer Hebrides had murdered a local man, sparking a media storm. Now, Maggie is determined to discover what really happened and what the villagers are hiding. But everyone has secrets, and some are deadly. As she gets closer to the horrifying truth, Maggie's own life is in danger... From the critically-acclaimed author of Mirrorland comes a darkly disturbing new thriller that will chill you to the bone. PRAISE FOR CAROLE JOHNSTONE'S DEBUT NOVEL, MIRRORLAND: 'DARK AND DEVIOUS' Stephen King 'UTTERLY ENGROSSING' Daily Mail 'TWISTY AND RICHLY ATMOSPHERIC' Ruth Ware 'TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough 'A HAUNTING THRILLER' Woman's Weekly 'TOTALLY ABSORBING' T.M. Logan 'AN UNSETTLING, LABYRINTHINE TALE' New York Times

This captivating book takes you deep into the infamous legacy of Loki and his wife Sigyn. As a controversial and misunderstood figure in Heathenry, Loki is often approached with trepidation. But this book introduces you to his true self: a trickster, but a devoted husband and creative problem-solver, too. You'll also learn about Sigyn, the often forgotten goddess of loyalty and compassion.Join Heathen author Lea Svendsen on a rich exploration of these two Norse deities, together and separate. Discover their adventures in parenthood, their complicated relationships with other gods, and the entertaining exploits that only a trickster can accomplish. Learn how to set up an altar to each of them, what offerings they like, and how to perform rituals. You'll also find insights on Loki and Sigyn from Pagan and Heathen leaders.

Written in Iceland a century after the close of the Viking Age, The Prose Edda is the source of most of what we know of Norse mythology. Its tales are peopled by giants, dwarves, and elves, superhuman heroes and indomitable warrior queens. Its gods live with the tragic knowledge of their own impending destruction in the cataclysmic battle of Ragnarok. Its time scale spans the eons from the world's creation to its violent end. This robust new translation captures the magisterial sweep and startling psychological
complexity of the Old Icelandic original.First time in Penguin ClassicsIncludes an introduction; explanatory notes; glossary; appendices on the Norse cosmos, language, and sources, a map; genealogical tables; suggestions for further reading

How Thor Lost his Thunder is the first major English-language study of early medieval evidence for the Old Norse god, Thor. In this book, the most common modern representations of Thor are examined, such as images of him wreathed in lightning, and battling against monsters and giants. The origins of these images within Iron Age and early medieval evidence are then uncovered and investigated. In doing so, the common cultural history of Thor's cult and mythology is explored and some of his lesser known traits are revealed, including a possible connection to earthquakes and volcanic eruptions in Iceland. This geographically and chronologically far-reaching study considers the earliest sources in which Thor appears, including in evidence from the Viking colonies of the British Isles and in Scandinavian folklore. Through tracing the changes and variety that has occurred in Old Norse mythology over time, this book provokes a questioning of the fundamental popular and scholarly beliefs about Thor for the first time since the Victorian era, including whether he really was a thunder god and whether worshippers truly believed they would encounter him in the afterlife. Considering evidence from across northern Europe, How Thor Lost his Thunder challenges modern scholarship's understanding of the god and of the northern pantheon as a whole and is ideal for scholars and students of mythology, and the history and religion of medieval Scandinavia.

Exciting stories, extraordinary creatures, and compelling gods, goddesses, and heroes come together in this compendium of Norse myths - first told long ago by the Vikings.

Read about Thor, the god of thunder and how he once disguised himself as a bride to seek revenge on a giant and retrieve his powerful hammer -Mjölnir, and how Sif, the goddess of fertility had her long golden hair cut off by Loki, the trickster god. Each myth is told with thrilling immediacy, in language that is easy for children to understand, while retaining the awe, majesty and intrigue of the original tales. Stunning illustrations by multi-award winning artist Katie Ponder breathe new life into each story.

The great Norse Myths are among the most dramatic and unforgettable stories in all human history. These fascinating, fantastical tales have inspired centuries of art, culture and literature, including the storytelling of Tolkien, Neil Gaiman, George R. R. Martin's Game of Thrones, Wagner's Ring Cycle and Marvel Comics. The Norse Myths takes us on a thrilling journey through the Norse cosmos, from the creation of the world to Ragnarok, the final world-destroying conflict; via the Nine Worlds, and the exploits of the mighty gods and goddesses - mystical Odin, malicious Loki, mighty Thor and more - and their quarrel with the giants. Bringing to life the magical world of monsters and mythical creatures, The Norse Myths also introduces the adventures of humankind: folk heroes and tricksters; Sigmund's great battle in the Volsung Saga; the exploits of Kings and Princes; Viking exploration and settlement of new lands including Iceland, Greenland, America; and Viking life in the Mediterranean and the East. As well as a treasure trove of these epic stories of heroism and cruelty, squabbles and seductions, The Norse Myths is a comprehensive study of their origins, survival and interpretations - as academically important as it is exhilarating.

Ancestor worship is often assumed by contemporary European audiences to be an outdated and primitive tradition with little relevance to our societies, past and present. This book questions that assumption and seeks to determine whether ancestor ideology was an integral part of religion in Viking Age and early medieval Scandinavia. The concept is examined from a broad socio-anthropological perspective, which is used to structure a set of case studies which analyse the cults of specific individuals in Old Norse literature. The situation of gods in Old Norse religion has been almost exclusively addressed in isolation from these socio-anthropological perspectives. The public gravemound cults of deceased rulers are discussed conventionally as cases of sacral kingship, and, more recently, religious ruler ideology; both are seen as having divine associations in Old Norse scholarship. Building on the anthropological framework, this study introduces the concept of 'superior ancestors', employed in social anthropology to denote a form of political ancestor worship used to regulate social structure deliberately. It suggests that Old Norse ruler ideology was based on conventional and widely recognised religious practices revolving around kinship and ancestors and that the gods were perceived as human ancestors belonging to elite families.

"Prose Edda" is a work without predecessor or parallel. It was designed as a handbook for poets to compose in the style of the skalds of the Viking ages. It is an exposition of the rule of poetic diction with many examples, applications, and retellings of myths and legends. Snorri Sturluson feared that the traditional techniques of Norse poetics, the pagan kennings, and the allusions to mythology would be forgotten with the introduction of new verse forms from Europe. The present selection includes the whole of Gylfaginning ("The deluding of Gylfi") - a guide to mythology that forms one of the great storybooks of the Middle Ages - and the longer heroic tales and legends of "Skaldskaparmal" (Poetic diction). Snorri Sturluson was a master storyteller, and this translation in modern idiom of the inimitable tales of the gods and heroes of the Scandinavian peoples brings them to life again.

This volume is the first book-length study of masculinities in the Sagas of Icelanders. Spanning the entire corpus of the Sagas of Icelanders-and taking into account a number of little-studied sagas as well as the more well-known works-it comprehensively interrogates the construction, operation, and problematization of masculinities in this genre. Men and Masculinities in the Sagas of Icelanders elucidates the dominant model of masculinity that operates in the sagas, demonstrates how masculinities and masculine characters function within these texts, and investigates the means by which the sagas, and saga characters, may subvert masculine dominance. Combining close literary analysis with insights drawn from sociological theories of hegemonic and subordinated masculinities, notions of homosociality and performative gender, and psychoanalytic frameworks, the book brings to men and masculinities in saga literature the same scrutiny traditionally brought to the study of women and femininities. Ultimately, the volume demonstrates that masculinity is not simply glorified in the sagas, but is represented as being both inherently fragile and a burden to all characters, masculine and non-masculine alike.

The mythologies of the world are collective cultural dreams, and as such should be analyzed first from cultural perspectives. How do myths of the ancient Egyptians or Greeks, for instance, reflect the realities of the Egyptian and Greek cultures? When compared, however, mythologies reveal certain universal themes or motifs that point to larger trans-cultural issues such as the place of the human species in creation or the nature of deity as a concept. World Mythology: A Very Short Introduction is organized around the universal motifs. Creation, the Flood, the Hero Quest, the Trickster/Culture Hero, the Pantheons, the High God, the Great Goddess. Veteran mythology scholar David Leeming examines examples of each motif from a variety of cultures-Greek, Egyptian, Norse, American Indian, African, Polynesian, Jewish, Christian, Hindu-treating them as reflections of the cultures that "dreamed" them. He compares and analyzes them, exposing their universal significance and creating a "world mythology."

'Burning ice, biting flame; that is how life began' The extraordinary Scandinavian myth cycle is one of the most enduring, exciting, dramatic and compelling of the world's great stories. The Penguin Book of the Norse Myths compellingly retells these stories for the modern reader, taking us from the creation of the world through the building of Asgard's Wall to the final end in Ragnarok. You'll discover how Thor got his hammer and how Odin lost his eye, the terrible price of binding the wolf Fenrir and why Loki the trickster can never be trusted. The Norse myths are as thrilling to read as they are of vast cultural and historical importance. In this gripping book Kevin Crossley-Holland brings alive the passion, cruelty and heroism of these unforgettable stories.

"Viking Language 1 - Learn Old Norse, Runes, and Icelandic Sagas" provides everything necessary to learn Old Norse, runes, and tackle Icelandic sagas. Graded lessons, saga readings, runic inscriptions, grammar exercises, pronunciation, maps, cultural sections, student guide, and vocabulary teach Old Norse and about Vikings, Iceland, old Scandinavia, myths and legends. ----- Download FREE ANSWER KEY on www.vikinglanguage.com ----- Now available, two audio MP3 download OLD NORSE PRONUNCIATION ALBUMS "VIKING LANGUAGE 1: AUDIO LESSONS 1-8: (Pronounce Old Norse, Runes, and Icelandic Sagas)" and "Viking Language 1: Audio Lessons 9-15." To find search "Viking Language audio lessons" under "all departments" and "MP3 music." Also CDbaby and Itunes. ----- VISIT www.vikinglanguage.com for information about the "Viking Language Series" and for samples of the audio readings ---- Forthcoming soon "Viking Language 2 The Old Norse Reader" including, prose selections, complete sagas, poems of the Scandinavian gods and heroes, Old Norse runes, reference grammar, and vocabulary.

English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth - stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja - on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.

Egill Skallagrimsson was the most original, imaginative and technically brilliant of the Old Norse skalds, poets whose orally composed and performed verses were as much revered in ninth- to thirteenth-century Scandinavia as heroism in battle. Egill's saga details his life-story as well as those of his immediate predecessors, from whom he inherited his massive build, his early baldness (Skalla in his name means 'bald') and his exceptional ugliness. An arch enemy of Erikr Bloodax, he was a notoriously difficult man and, as many of the poems demonstrate, was lethal when crossed. But he also made poems which show he was capable of concern for others, as well as romantic love. Physical, direct, inventive, even transformative, Egill's poetry conjures up a territory far beyond the normal scope of language, something that only the finest poets achieve.

While the main focus of the book is on telling the stories, some scene-setting is provided at the beginning and each chapter also contains a section of commentary to explain what is going on and its significance. The Norse myths have gained widespread attention in the English-speaking world, partly through a Scandinavian diaspora, especially in the USA) and partly through a great interest in the myths and legends which lie behind Viking activity. Tolkien's 'Middle Earth', too, as seen in both The Lord of the Rings and The Hobbit films is heavily indebted to Germanic/Norse mythology. The Whittock's book fills a gap in the market between academic publications and the interest-generating (but confusing) products of Hollywood and comic-culture. This is an accessible book, which both provides a retelling of these dramatic stories and also sets them in context so that their place within the Viking world can be understood. The book explores Norse myths (stories, usually religious, which explain origins, why things are as they are, the nature of the spiritual) and legends (stories which attempt to explain historical events and which may involve historical characters but which are told in a non-historical way and which often include supernatural events).

The coming of Christianity to Northern Europe resulted in profound cultural changes. In the course of a few generations, new answers were given to fundamental existential questions and older notions were invalidated. Jonas Wellendorf's study, the first monograph in English on this subject, explores the medieval Scandinavian reception and re-interpretation of pre-Christian Scandinavian religion. This original work draws on a range of primary sources ranging from Prose Edda and Saxo Grammaticus' History of the Danes to less well known literary works including the Saga of Barlaam and the Hauksbok manuscript (c.1300). By providing an in-depth analysis of often overlooked mythological materials, along with translations of all textual passages, Wellendorf delivers an accessible work that sheds new light on the ways in which the old gods were integrated into the Christian worldview of medieval Scandinavia.

The Viking Age (c. 750-1050 AD) is conventionally seen as a tumultuous time when hordes of fierce warriors from Scandinavia wreaked havoc across the European continent and when Norse merchants travelled to distant corners of the world in pursuit of slaves, silver, and exotic commodities. Until relatively recently, archaeologists and textual scholars had the tendency to weave a largely male-dominated image of this pivotal period in world history, dismissing or substantially downplaying women's roles in Norse society. Today, however, there is ample evidence to suggest that many of the most spectacular achievements of Viking Age Scandinavians - for instance in craftsmanship, exploration, cross-cultural trade, warfare and other spheres of life - would not have been possible without the active involvement of women. Extant textual sources as well as the perpetually expanding corpus of archaeological evidence thus demonstrate unequivocally that both within the walls of the household and in the wider public arena women's voices were heard, respected and followed. This pioneering and beautifully illustrated monograph provides an in-depth exploration of women's associations with the martial sphere of life in the Viking Age. The multifarious motivations and circumstances that led women to engage in armed conflict or other activities whereby weapons served as potent symbols of prestige and empowerment are illuminated and interpreted through an interdisciplinary approach to medieval literature and archaeological evidence from Scandinavia and the wider Viking world. Additional cross-cultural excursions into the lives and legends of female warriors in other past and present cultural milieus - from the Asiatic steppes to the savannas of Africa and European battlefields - lead to a nuanced understanding of the idea of the armed woman and its embodiments in Norse literature, myth and archaeological reality.

A full-cast dramatisation of Neil Gaiman's magical retellings of the Norse myths, inviting us into a world of gods and monsters, tricks and trust, fiery endings and new beginnings Winner of The London Book Fair CAMEO Award 2020 for Book to Audio adaptation. 'And the game begins anew...' Meet the trickster god Loki and his astonishing children - the giant wolf Fenrir, Jormungundr the snake that encircles the world, and Hel, the little girl who grows up to be Queen of the dead. Here, too, is Odin the all-father, who sacrificed his eye to see the future; Thor the thunderer, who defends Asgard with his fearsome strength and mighty hammer; and Freya the understandably angry, most beautiful of the gods and always being gambled for by unwanted suitors. From the beginning of the universe in fire and ice, to the very end of the world, Ragnarok, these enthralling tales of gods, goddesses, dwarves and giants bring the ancient myths to vigorous life. Diana Rigg, Derek Jacobi, Colin Morgan, Natalie Dormer and Neil Gaiman himself are among the stellar cast in these spellbinding stories of old betrayals - and new hope.

Old Norse mythology is elusive: it is the label used to describe the religious stories of the pre-Christian North, featuring such well-known gods as Odin and Thor, yet most of the narratives have come down to us in manuscripts from the Middle Ages mainly written by Christians. Our view of the stories as they were transmitted in oral form in the pre-Christian era is obscured. To overcome these limitations, this book assembles comparisons from a range of theoretical and analytical perspectives-across media, cultures, and disciplines. Fifteen scholars from a wide range of fields examine the similarities of and differences of the Old Norse mythologies with the myths of other cultures. The differences and similarities within the Old Norse corpus itself are examined to tease out the hidden clues to the original stories.