A controversial examination of the influence and presence of the Norse god Odin in contemporary history and culture Exploring the influence of the Norse god Odin in the modern world, Richard Rudgley reveals Odin's central role in the pagan revival and how this has fueled a wide range of cultural movements and phenomena. Rudgley argues that it is Odin and not Jesus Christ who has the single most important spiritual influence in modern Western civilization. He analyzes the Odin archetype--first revealed by Carl Jung's essay on Wotan--in the context of pagan religious history and explains the ancient idea of the Web--a cosmic field of energies that encompasses time, space, and the hidden potentials of humanity-the pagan equivalent to the Tao of Eastern tradition. The author examines the importance of the concept of wyrd, which corresponds to "fate" or "destiny". He examines how the concept of subterranean and mythic realms, such as the Hollow Earth, Thule, and Agartha, and mysterious energies like Vril were manifested in both occult and profane ways and investigates key occult figures like Madame Blavatsky, Guido von List, and Karl Wiligut. Rudgley provides pagan analyses of Tolkien and the Lord of the Rings and documents the impact the Odin archetype has had on nationalist and fascist groups in America and Europe. Examining pagan groups in Europe and America that use the Norse template, Rudgley reveals true paganism as holistic and intimately connected with the forces at work in the life of the planet. Showing how this "green" paganism can be beneficial for dealing with the adverse consequences of globalization and the ongoing ecological crisis, he explains how, when repressed, the Odin archetype is responsible for regressive tendencies--a reflection of the unprecedented chaos of Ragnarok--but if embraced, the Odin archetype makes it possible for like-minded traditions to work together in the service of life.

Magnus Magnusson relates the world-famous Icelandic sagas to the spectacular living landscapes of today, taking the reader on a literary tour of the mountains, valleys, and fjords where the heroes and heroines of the sagas lived out their eventful lives. He also tells the story of the first Viking settler, Ingolfur Anarson.

Egill Skallagrimsson was the most original, imaginative and technically brilliant of the Old Norse skalds, poets whose orally composed and performed verses were as much revered in ninth- to thirteenth-century Scandinavia as heroism in battle. Egill's saga details his life-story as well as those of his immediate predecessors, from whom he inherited his massive build, his early baldness (Skalla in his name means 'bald') and his exceptional ugliness. An arch enemy of Erikr Bloodax, he was a notoriously difficult man and, as many of the poems demonstrate, was lethal when crossed. But he also made poems which show he was capable of concern for others, as well as romantic love. Physical, direct, inventive, even transformative, Egill's poetry conjures up a territory far beyond the normal scope of language, something that only the finest poets achieve.

From its first beginnings in a world of primordial ice floes, the story of the Viking gods is one of continual struggle against etins and monsters, but it is a tale of humour and triumph as well as of grit and tragedy. The Norse myths are justly famous for a host of vivid characters including the wise and enigmatic Odin, the bluff strongman Thor, and the incorrigible trickster Loki. In the first major retelling for a generation, storyteller and historian Thor Ewing rediscovers the brisk vitality with which these ancient myths were told in the earliest sources. With 45 stunning b&w illustrations inspired by Viking art.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The End of the World in Scandinavian Mythology is a detailed study of the Scandinavian myth on the end of the world, the Ragnaroek, and its comparative background. The Old Norse texts on Ragnaroek, in the first place the 'Prophecy of the Seeress' and the Prose Edda of the Icelander Snorri Sturluson, are well known and much discussed. However, Anders Hultgard suggests that it is worthwhile to reconsider the Ragnaroek myth and shed new light on it using new comparative evidence, and presenting texts in translation that otherwise are available only to specialists. The intricate question of Christian influence on Ragnaroek is addressed in detail, with the author arriving at the conclusion of an independent pre-Christian myth with the closest analogies in ancient Iran. People in modern society are concerned with the future of our world, and we can see these same fears and hopes expressed in many ancient religions, transformed into myths of the future including both cosmic destruction and cosmic renewal. The Ragnaroek myth can be said to be the classical instance of such myths, making it more relevant today than ever before.

A study of the disparate religions and mythologies which have dominated Celtic and Scandinavian regions.

"Viking Language 1 - Learn Old Norse, Runes, and Icelandic Sagas" provides everything necessary to learn Old Norse, runes, and tackle Icelandic sagas. Graded lessons, saga readings, runic inscriptions, grammar exercises, pronunciation, maps, cultural sections, student guide, and vocabulary teach Old Norse and about Vikings, Iceland, old Scandinavia, myths and legends. ----- Download FREE ANSWER KEY on www.vikinglanguage.com ----- Now available, two audio MP3 download OLD NORSE PRONUNCIATION ALBUMS "VIKING LANGUAGE 1: AUDIO LESSONS 1-8: (Pronounce Old Norse, Runes, and Icelandic Sagas)" and "Viking Language 1: Audio Lessons 9-15." To find search "Viking Language audio lessons" under "all departments" and "MP3 music." Also CDbaby and Itunes. ----- VISIT www.vikinglanguage.com for information about the "Viking Language Series" and for samples of the audio readings ---- Forthcoming soon "Viking Language 2 The Old Norse Reader" including, prose selections, complete sagas, poems of the Scandinavian gods and heroes, Old Norse runes, reference grammar, and vocabulary.

Old Norse mythology is elusive: it is the label used to describe the religious stories of the pre-Christian North, featuring such well-known gods as Odin and Thor, yet most of the narratives have come down to us in manuscripts from the Middle Ages mainly written by Christians. Our view of the stories as they were transmitted in oral form in the pre-Christian era is obscured. To overcome these limitations, this book assembles comparisons from a range of theoretical and analytical perspectives-across media, cultures, and disciplines. Fifteen scholars from a wide range of fields examine the similarities of and differences of the Old Norse mythologies with the myths of other cultures. The differences and similarities within the Old Norse corpus itself are examined to tease out the hidden clues to the original stories.

The nornir or norns were a group of female supernatural beings closely related to ideas about fate in Old Norse tradition. Karen Bek-Pedersen provides a thorough understanding of the role played by norns and other beings like them in the relevant sources. Although they are well known, even to people who have only a superficial knowledge of Old Norse mythology, this is the first detailed discussion of the norns to be published amongst the literature dealing with Old Norse beliefs. Surprisingly little has been written specifically about the norns. Although often mentioned in scholarship treating Old Norse culture, the norns are all too often dealt with in overly superficial ways. The research presented in this book goes much deeper in order to properly understand the nature and role of the norns in the Old Norse world view. The conclusions reached by the author overturn a number of stereotypical conceptions that have long dominated our understanding of these beings. The book has a natural focus on Old Norse culture and is especially relevant to those interested in or studying Old Norse culture and tradition. However, comparative material from Celtic, Anglo-Saxon and Classical traditions is also employed and the book is therefore of interest also to those with a broader interest in European mythologies.

The Aesir are dead, and the Vanir, now uncontested in their divinity, come to claim what is left of the Nine Realms. The War Clans must oppose, or align with, these new foes.

Ragnarok: The Vanir features new Godsparks that War Clans may harness to combat the marauding Vanir, as well as new scenarios, monsters, and options to further develop players' campaigns.

The legends of the Norse and Germanic regions of Europe--spanning from Germany and Austria across Scandinavia to Iceland and England--include a broad range of mythical characters and places, from Odin and Thor, to berserkers and Valhalla, to the Valkyries and Krampus. In this encyclopedia, Claude Lecouteux explores the origins, connections, and tales behind many gods, goddesses, magical beings, rituals, folk customs, and mythical places of Norse and Germanic tradition. More than a reference to the Aesir and the Vanir pantheons, this encyclopedia draws upon a wealth of well-known and rare sources, such as the Poetic Edda, the Saga of Ynglingar by Snorri Sturluson, and The Deeds of the Danes by Saxo Grammaticus. The author describes the worship of the elements and trees, details many magical rituals, and shares wild folktales from ancient Europe, such as the strange adventure of Peter Schlemihl and the tale of the Cursed Huntsman. He also dispels the false beliefs that have arisen from the Nazi hijacking of Germanic mythology and from its longtime suppression by Christianity. Complete with rare illustrations and information from obscure sources appearing for the first time in English, this detailed reference work represents an excellent resource for scholars and those seeking to reconnect to their pagan pasts and restore the old religion.

A guide to using ecstatic trance to connect with your ancestors, rediscover your extrasensory powers, and reclaim the peaceful nature of humanity
- Illustrates ecstatic trance postures to connect with the ancient Nordic people, to journey to exact points in time, and to access powers such as seeing into our future
- Explains how the coming new age of peace and veneration for Mother Earth was predicted in Norse mythology as the rebirth of the compassionate god Baldr
- Expands on the stories of the early Nordic gods and goddesses from the Prose Edda and the Poetic Edda
Connecting Norse mythology, ecstatic trance, the Universal Mind, and the dawn of a new age of peace and veneration for Mother Earth, Nicholas Brink reveals how we can use ecstatic and hypnotic trance to learn more directly and deeply from our distant ancestors, rediscover our extrasensory powers, and reclaim the original magical nature of humanity. The imminent rebirth of a peaceful, balanced, connected world was predicted in Norse mythology as the return of Baldr, the gentle and compassionate Nordic god of truth, healing, and rune work.
Illustrating ecstatic trance postures to connect with the ancient Nordic people and their beliefs, to journey to exact points in time, and to access specific powers, such as seeing into our future, Brink explores humanity's evolving cycle of consciousness from the era when the Great Mother goddess was the center of life through the transition to the worship of power and physical strength in the Bronze Age and the world of the Vikings. He explores the coming return of Baldr and the imminent new age of peace and respect for the earth. Through hypnotic divination, the author expands the stories of the early Nordic gods and goddesses from the Prose Edda and the Poetic Edda, in particular the fertility deities of the Vanir, such as Freyr, Freyja, and Idunn, who came before the warrior deities of the aesir, such as Odin, Thor, and Loki. He details the epic battle of Ragnarǫk and the birth, life, death, and rebirth of Baldr.
Brink shows how these ancient stories happen outside of time, in the past, present, and future, thus Baldr's return is replayed in our death-rebirth experiences of life, in each dawn, with each spring, and now with the birth of a new age that we see happening all around us. Through the power of trance at this time of rebirth, we move full circle to reclaim the magic of the earliest times, the times of the Garden of Idunn.

The great Norse Myths are among the most dramatic and unforgettable stories in all human history. These fascinating, fantastical tales have inspired centuries of art, culture and literature, including the storytelling of Tolkien, Neil Gaiman, George R. R. Martin's Game of Thrones, Wagner's Ring Cycle and Marvel Comics. The Norse Myths takes us on a thrilling journey through the Norse cosmos, from the creation of the world to Ragnarok, the final world-destroying conflict; via the Nine Worlds, and the exploits of the mighty gods and goddesses - mystical Odin, malicious Loki, mighty Thor and more - and their quarrel with the giants. Bringing to life the magical world of monsters and mythical creatures, The Norse Myths also introduces the adventures of humankind: folk heroes and tricksters; Sigmund's great battle in the Volsung Saga; the exploits of Kings and Princes; Viking exploration and settlement of new lands including Iceland, Greenland, America; and Viking life in the Mediterranean and the East. As well as a treasure trove of these epic stories of heroism and cruelty, squabbles and seductions, The Norse Myths is a comprehensive study of their origins, survival and interpretations - as academically important as it is exhilarating.

While the main focus of the book is on telling the stories, some scene-setting is provided at the beginning and each chapter also contains a section of commentary to explain what is going on and its significance. The Norse myths have gained widespread attention in the English-speaking world, partly through a Scandinavian diaspora, especially in the USA) and partly through a great interest in the myths and legends which lie behind Viking activity. Tolkien's 'Middle Earth', too, as seen in both The Lord of the Rings and The Hobbit films is heavily indebted to Germanic/Norse mythology. The Whittock's book fills a gap in the market between academic publications and the interest-generating (but confusing) products of Hollywood and comic-culture. This is an accessible book, which both provides a retelling of these dramatic stories and also sets them in context so that their place within the Viking world can be understood. The book explores Norse myths (stories, usually religious, which explain origins, why things are as they are, the nature of the spiritual) and legends (stories which attempt to explain historical events and which may involve historical characters but which are told in a non-historical way and which often include supernatural events).

Combining traditional research on folklore and the Eddas with trancework and meditation techniques, Alice Karlsdottirr was able to rediscover the feminine side of the Norse pantheon and assemble working knowledge of 13 Norse goddesses for both group ritual and personal spirit work. Detailing her trancework journeys to connect with the goddesses, the author reveals the long-lost personalities and powers of each deity. She explores the Norse goddess Frigg the Allmother, wife of Odin, along with the 12 Asynjur, or Aesir goddesses, associated with her, such as Sjofn the peacemaker, Eir the Healer, and Vor the Wisewoman. She shares their appearances in the Eddas and Germanic mythology and explains the meanings of their names, their relationships to each other, and their connections to the roles of women in Old Norse society. She provides detailed instructions for invocations and rituals to call each goddess forth for personal and group spirit work. She also offers a comprehensive guide to ritual tranceworking to allow anyone to directly experience deities and spiritual beings and develop spirit-work relationships with them.

Sonya has brought a foreign army to free her country from imperial rule, but her allies may have other goals in the second book of this thrilling epic fantasy trilogy from Jon Skovron. The first battle is over, but war yet looms on the horizon. Sonya and her allies - the foreign Uaine and their armies of the undead - have beaten back the imperial soldiers from the capital city. Now they have the rest of the country to free. Meanwhile, her brother, the famed wizard Sebastian, has retreated with the imperial forces to regroup and lick his wounds. Betrayed by his sister and his wife, the beautiful noblewoman Galina, he will regain control of his life and his country at any cost. Praise for the series 'A magical tale of power and sacrifice, manipulation and betrayal' Melissa Caruso 'This is epic fantasy done right' Publishers Weekly 'An undeniable page-turner that will have readers salivating for the next volume' Kirkus

The coming of Christianity to Northern Europe resulted in profound cultural changes. In the course of a few generations, new answers were given to fundamental existential questions and older notions were invalidated. Jonas Wellendorf's study, the first monograph in English on this subject, explores the medieval Scandinavian reception and re-interpretation of pre-Christian Scandinavian religion. This original work draws on a range of primary sources ranging from Prose Edda and Saxo Grammaticus' History of the Danes to less well known literary works including the Saga of Barlaam and the Hauksbok manuscript (c.1300). By providing an in-depth analysis of often overlooked mythological materials, along with translations of all textual passages, Wellendorf delivers an accessible work that sheds new light on the ways in which the old gods were integrated into the Christian worldview of medieval Scandinavia.

The author’s Eagle’s Mead is a complex and weighty tome, a world full of magic and mysteries. Now, a small and friendly window into that world and the poetic possibilities of the path of Runic Initiation has been opened with this collection of poems from it.

A sample of each of his great themes will be found within: Mead, Runes, and Grails. These thirty-one poems include his translation of the Rúnatal, several rune poems, A Skaldic Eagle Takes Flight, Óðinsdrápa, Rúnagaldraljóð, Seek Rûna, Runes for the Grails, and Three Draughts from the Vine. Eirik Westcoat is a runic initiate who has presented his award-winning poetry at several regional Asatru gatherings in the American Northeast.

In addition to being a poet, he is also a scholar with a degree in Viking and Medieval Norse Studies who specializes in Old Norse mythology, poets, and poetry, with published articles on the galdralag meter, the meaning of the valknut, and the authority of poets in Old Norse literature.