Katharine Mansfield's arrival in London in 1908 marked the start of her professional career as a writer and this study marks a revival of her reputation as one of the foremost practitioners of the short story. The international line-up of contributors attests to Mansfield's global appeal. By discussing her fiction in relation to her life, the contributors to this critical work present reinterpretations and readings. Enhanced by new transcriptions of manuscripts and access to her diaries and letters, these readings combine biographical approaches with critical-theoretical ones and focus not only on philosophy and fiction, but class and gender, biography/autobiography. The historical and aesthetic studies of Mansfield's work all take place within a framework of modernist literature, criticism and theory, thereby expanding our understanding of what it means to be a Modernist while allocating Mansfield a firm place in any current study of Modernism.

More than 100 years after the death of Queen Victoria, contemporary culture remains fascinated by the Victorians. This fascination is most marked in fiction, where an entirely new genre of neo-Victorian fiction has emerged. Neo-Victorian Fiction and Historical Narrative argues that while neo-Victorian fiction emerges within a wider cultural appropriation of the Victorians, it is characterized by its commitment to the historical specificity of the Victorian era. Neo-Victorian fiction is historical fiction and as such involves a dual approach to the present and the past: these novels are determined by both the contemporary moment of writing and the Victorian moment in which they are set. This book mimics that dual approach by analyzing neo-Victorian fiction in relation to both contemporary debates about history and Victorian historical narratives. It combines broad discussion of the genre with detailed analysis of a range of neo-Victorian texts from the last 20 years.

One of the most prolific and popular contemporary novelists, Dean Koontz has captivated both young and mature readers alike. This critical companion examines his mature fiction, including his most popular recent novels, "Watchers," "Lightning," "Dark Rivers of the Heart," and "Intensity." Its intention is to provide both conventional and alternative readings so that students and readers who love Koontz's fiction can develop their critical skills. Other novels examined in depth are "Phantoms," "Strangers," "IMidnight," DEGREESIThe Bad Place," and "Mr. Murder." Seven other Dean Koontz novels are examined in comparison to these as well.

A biographical chapter sketches Dean Koontz's background and suggests ways in which growing up as the child of an abusive alcoholic has affected his work. A chapter on genre shows that Koontz combines elements from a number of genres in his writing and that his novels are moving in the direction of mainstream fiction. Kotker's discussion of Koontz's increasingly somber world view shows him to be a writer deeply concerned with issues of individual freedom. Each chapter deals with one novel in depth while making comparisons to other novels in his canon. Plot, character development, setting, point of view, and thematic issues are discussed for each novel. Kotker also examines each novel from an alternative critical approach, providing the reader with an additional perspective. Because of its easy-to-use format and thorough critical approach, this book will be a key purchase for school and public libraries whose students and patrons read Dean Koontz.

This collection of essays sets out to challenge the dominant narrative about Victorian theatre by placing the practices and products of the Victorian theatre in relation to Victorian visual culture, through the lens of the concept of 'Ruskinian theatre, ' an approach to theatre which values its educative purpose as well as its aesthetic expression.

Teaching Nabokov's Lolita in the #MeToo Era and Online seeks to critique Nabokov's Lolita from the standpoint of its teachability to undergraduate and graduate students in the twenty first century. The #MeToo Movement has spurred a reassessment of what constitutes appropriate professional and sexual relations, a reassessment that has challenged how we teach our students, especially when we are studying controversial works. The time has come to ask in the #MeToo Era and beyond, how do we approach Nabokov's inflammatory masterpiece, Lolita? How do we read a novel that describes an unpardonable crime? How do we balance analysis of Lolita's brilliant language and aesthetic complexity with due attention to its troubling content? This volume offers practical and specific answers to this question and includes suggestions for teaching the novel in conventional and online modalities. Essays by distinguished Nabokov scholars explore the multilayered nature of Nabokov's Lolita by sharing innovative assignments and creative-writing exercises, teaching approaches to especially challenging parts of the text, methodologies of teaching the novel through different mediums from film to theatre, and new critical analyses and interpretations.

'A beautifully written tale of enduring love' When you're meant to be together forever, you want forever to start today.Zoe and Ed were made for each other. After meeting at college and having a whirlwind romance, their lives travel on separate, parallel paths, but always destined to meet. When love does finally strike, Zoe and Ed are sure they will be together forever. Then the unthinkable happens - one morning, on his way to work, Ed is knocked off his bike and dies. Zoe is left facing a lifetime of what-ifs and could-have-beens. How can she let go of all the memories they made, all the missed chances they'd had to be together... But what if Zoe had the chance to revisit all their important days again, the chance to say all the things she never said? And what if Zoe had the chance to change Ed's destiny... Clare Swatman's heart-breaking novel is an unforgettable tale of sliding doors, a life well lived, and a forever love. Perfect for fans of Jojo Moyes, Sophie Cousens and Isabelle Broom. Praise for Clare Swatman: 'A beautifully written tale of enduring love' - Rowan Coleman 'Irresistible... A delightfully bittersweet story that will appeal to fans of One Day' - Sunday Mirror 'Wonderful' - Sun 'Before We Grow Old is an unashamedly big, life-affirming, tear-jerking love story. Beautifully told, characters Fran and Will had me from the first page, and crying buckets by the last ! Just gorgeous.' Katy Regan 'Through her beautiful writing, Clare Swatman delivers a powerful lesson in learning to love with your whole heart and accepting the same, no matter what life throws at you.' Sarah Bennett 'Before We Grow Old took me on an intense emotional journey, and I cried at the end (and I rarely cry when I'm reading!).' Victoria Scott

Roald Dahl is one of the world's best-loved authors. More than twenty years after his death, his books are still highly popular with children and have inspired numerous feature films - yet he remains a controversial figure. This volume, the first collection of academic essays ever to be devoted to Dahl's work, brings together a team of well-known scholars of children's literature to explore the man, his books for children, and his complex attitudes towards various key subjects. Including essays on education, crime, Dahl's humour, his long-term collaboration with the artist Quentin Blake, and film adaptations, this fascinating collection offers a unique insight into the writer and his world.

This book places children's literature at the forefront of early twentieth-century debates about national identity and class relations that were expressed through the pursuit of leisure. Focusing on stories about hiking, camping and sailing, this book offers a fresh insight into a popular period of modern British cultural and political history.

New Perspectives on the European Bildungsro man reflects the change in direction of research on the Bildungsroman, focusing on more psychological, authorial and feminist contents. Departing from the father of the archetype of the genre, Goethe, the authors trace imperative pathways to its French, British, and Italian counterparts, examining spiritual and female Bildungsromane. A wide-ranging analysis provides fresh insights into the genre through comparative analyses of Bildungsromane both diatopically and diachronically, while critical analysis of novels such as Voltaire's Candide, Charlotte Bront's Jane Eyre, Bernardin de Saint Pierre's Paul et Virginie, Collodi's Pinocchio, Aleramo's Una donna present new readings of the characters, plots and purposes of the most famous European novels.

The brand new novel from top 5 bestseller Louise Douglas.A notebook full of secrets, two untimely deaths - something sinister is stirring in the perfect seaside town of Morranez...It's summer and holidaymakers are flocking to the idyllic Brittany coast. But when first an old traveller woman dies in suspicious circumstances, and then a campaign of hate seemingly drives another victim to take his own life, events take a very dark turn. Mila Shepherd has come to France to look after her niece, Ani, following the accident in which both Ani's parents were lost at sea. Mila has moved into their family holiday home, as well as taken her sister Sophie's place in an agency which specialises in tracking down missing people, until new recruit Carter Jackson starts. It's clear that malevolent forces are at work in Morranez, but the local police are choosing to look the other way. Only Mila and Carter can uncover the truth about what's really going on in this beautiful, but mysterious place before anyone else suffers. But someone is desperate to protect a terrible truth, at any cost... Praise for Louise Douglas: 'I loved The Lost Notebook so much! From the opening lines, I was drawn in to a gripping story, beautifully written and so cleverly orchestrated. I rooted for the main character, I held my breath at the denouement and as for the climax of the book - just wow. Highly recommended.' Judy Leigh 'Louise Douglas achieves the impossible and gets better with every book.' Milly Johnson 'A brilliantly written, gripping, clever, compelling story, that I struggled to put down. The vivid descriptions, the evocative plot and the intrigue that Louise created, which had me constantly asking questions, made it a highly enjoyable, absolute treasure of a read.' Kim Nash on The Scarlet Dress 'Another stunning read from the exceptionally talented Louise Douglas! I love the way in which Louise creates such an atmospheric mystery, building the intrigue and suspense brick by brick. Her writing is always beautiful and multi-layered, her characters warm and relatable and the intriguing nature of the mystery makes this unputdownable.' Nicola Cornick on The Scarlet Dress 'A tender, heart-breaking, page-turning read'Rachel Hore on The House by the Sea 'The perfect combination of page-turning thriller and deeply emotional family story. Superb' Nicola Cornick on The House by the Sea 'Kept me guessing until the last few pages and the explosive ending took my breath away.' C.L. Taylor, author of The Accident on Your Beautiful Lies 'Beautifully written, chillingly atmospheric and utterly compelling, The Secret by the Lake is Louise Douglas at her brilliant best' Tammy Cohen, author of The Broken 'A master of her craft, Louise Douglas ratchets up the tension in this haunting and exquisitely written tale of buried secrets and past tragedy.' Amanda Jennings, author of Sworn Secret 'A clammy, atmospheric and suspenseful novel, it builds in tension all the way through to the startling final pages.' Sunday Express, S Magazine 'A chilling, unputdownable new novel from the bestselling author of The House By The Sea. 'A brilliantly written, gripping, clever, compelling story, that I struggled to put down.'

Chance, and its representation in literature, has a long and problematic history. It is a vital aspect of the way we experience the world, and yet its function is frequently marginalised and downplayed. Offering a new reading of the development of the novel during the mid-twentieth century, Jordan argues that this simple novelistic paradox became more pressing during a period in which chance became a cultural, scientific and literary preoccupation - through scientific developments such as quantum mechanics and the uncertainty principle, the influence of existential philosophy, the growth of gambling, and the uncertainty provoked by the Second World War. In tracing the novel's representation of chance during this crucial period, we see both the development of the novel, and draw wider conclusions about the relationship between narrative and the contingent, the arbitrary and the uncertain. While the novel had historically rejected, marginalised or undermined chance, during this period it becomes a creative and welcome co-contributor to the novel's development, as writers such as Samuel Beckett, B.S. Johnson, Henry Green and Iris Murdoch show.

The English Jacobin Novel on Rights, Property and the Law is a study of the radical novel's critique of the evolving social contract in the 1790s. Focusing on selected novels by Thomas Holcroft, Charlotte Smith, Elizabeth Inchbald, Robert Bage, William Godwin, Mary Hays, Mary Wollstonecraft, and Maria Edgeworth, this book examines narrative investigations into the intricate relationships between theories of rights, the requirements of proprietorship in civil society, and the construction of the legal subject. MARKET 1: Eighteenth-century Studies; Romantic scholars and students MARKET 2: General readers interested in law and literature, and the development of the novel

In The Meaning of Contemporary Realism (1957) Georg Lukacs discussed how the power struggle of the Cold War made it all the more pressing for literary writers to present 'concrete potentialities' of individual character in novel ways. Powers of Possibility explores how American experimental writers since the 1960s have set about presenting exactly that while engaging with specific issues of social power. The book's five chapters cover a range of writers, literary genres, and political issues, including: Allen Ginsberg's anti-Vietnam War poems; LeRoi Jones/Amiri Baraka and Black Power theatre; William S. Burroughs's novels and the Space Programmes; Kathy Acker's fiction and Biopolitics; and Lyn Hejinian, Language poetry, and the Cold War. Each chapter examines how relations of character and social power were widely discussed in terms of potentiality: Black Power groups, for example, debated the 'revolutionary potential' of African Americans, while advances in the space programmes led to speculation about the evolution of 'human potential' in space colonies. In considering how the literary writers engage with such debates, Alex Houen also shows how each writer's approach entails combining different meanings of 'potential': 'possible as opposed to actual'; 'a quantity of force'; a 'capacity' or 'faculty'; and 'potency'. Such an approach can be characterised as a literary 'potentialism' that turns literary possibilities (including experiments with style and form) into an affective aesthetic force with which to combat or reorient the effects of social power on people. Potentialism is not a literary movement, Houen emphasises, so much as a novel concept of literary practice-a concept that stands as a refreshing alternative to notions of 'postmodernism' and the 'postmodern avant-garde'.

With a career spanning 50 years, Kurt Vonnegut is one of the most prolific and popular American writers of the 20th century. Though his works have often met with mixed reviews, and have been difficult to categorize, his status of cultural icon and one of the most important contemporary novelists is well established. This critical companion, perfect for students, skillfully guides readers through seven of Vonnegut's most important novels including "Player Piano" (1952), "Mother Night" (1961), "Cat's Cradle" (1963), and "Slaughterhouse Five" (1969). A full chapter is devoted to each work, with clear analysis of plot, character development, thematic concerns, symbolism, and a close critical reading. A chapter on the life of Kurt Vonnegut gives an up-to-date biography, with interesting details relating the facts of his life to his writings. The Literary Contexts section, devoted to examining issues of genre, influences and themes in Vonnegut's writing, adds to a fuller understanding of the man and his literary works.

This exceptionally well-written Critical Companion will help students and interested readers appreciate Vonnegut's most important and popular novels. Close critical readings offer feminist, Marxist, and new historicist perspectives on these works. A bibliography helps students undertaking research identify additional sources for biographical and critical information, and provides reviews and a comprehensive list of Vonnegut's publications to date.

Fable is one of the most interesting genres of world literature. From ancient times to the present, fabulists have sought to convey moral points through tales which typically involve animals. This text presents a guide to the subject, covering major works, characters and situations as well as the genre's creators, collectors and illustrators.

The French art novel, with its tales of artists, models and creative struggles, is often thought to be a specifically nineteenth-century phenomenon, which dies out by 1900. This wide-ranging, interdisciplinary study argues that the art novel does not in fact disappear but rather undergoes a series of transformations in the early twentieth century, in step with radical changes in the visual arts of the period. Examining both well-known and all-but-forgotten novels, Shingler examines the ways in which they move on from their nineteenth-century predecessors, as the development of avant-garde movements makes questions of aesthetic value and authenticity ever more pressing; as changing gender roles increasingly put pressure on writers to acknowledge female creativity; and as the emergent art of the cinema comes to compete with painting as the primary visual reference point for writers.

The work of Chester Himes is now undergoing a critical and popular reevaluation as it gradually comes back into print after years of neglect. His protest novels from the 1940s and early 1950s, his Harlem Domestic crime books, first published in France and later released in English in the United States, and his remarkable two-volume autobiography are now gaining a wider readership through their republication. Nonetheless, the critical writings on his work remain scattered and are often difficult to obtain. This collection of reviews and essays from both popular and academic sources traces the critical response to his work from 1946 to 1996 and thus sheds light on the critical reputation of one of the most distinguished but underrated African American authors.

Himes has a wide international reputation, but this reference book focuses on those essays and reviews in the English language which provide a clearer assessment of his controversial literary standing in his native country, where his reputation has been most under debate. The book includes a balanced assessment of all his work, along with an interview with Himes's brother that offers some corrective commentary on his autobiography. The volume also provides a chronology, a checklist of his writings, and a bibliography.

Modernist Fiction and News characterizes uses novel reading of Gertrude Stein, James Joyce, John Dos Passos, and Virginia Woolf to explore how these authors engaged with a rapidly expanding news industry in order to establish an experimental space in which to represent experience with the hope of greater immediacy and faithfulness to reality.

A survey of criticism on King's book and Kubrick's film adaptation "The Shining."

This critical study illuminates the neglected intersection of war, disease, and gender as represented in an important subgenre of World War I literature. Novels by Virginia Woolf, Katherine Anne Porter and Alice Munro interpret the traumatic after effects of World War I and the influenza pandemic of 1918-20.

This collection reveals the variety of literary forms and visual media through which travel records were conveyed in the long nineteenth century, bringing together a group of leading researchers from a range of disciplines to explore the relationship between travel writing, visual representation and formal innovation.

The continuing cultural encounters of the Americas, between European and indigenous cultures, and between scientific materialism and premodern supernaturalism, have originated new narrative forms. While supernatural short fiction of the Americas belongs to the broad category of the fantastic, which is generally approached synchronically, reading audiences of the past 200 years have shifted their beliefs about the supernatural several times. While nineteenth-century readers understood science as real and the supernatural as imaginary, modern audiences recognize both as inaccurate, a shift which allows authors of supernatural fiction to celebrate premodern indigenous beliefs which were once disdained by a materialist culture.

This book situates supernatural short fiction of the Americas within the changing cultural and epistemological contexts of the last 200 years and explores how authors have drawn upon a wealth of indigenous traditions. The book begins with a discussion of theories of the supernatural and the fantastic. It then looks at some of the first encounters of European and Native American supernatural beliefs and points to the common elements of these early traditions. The volume next focuses on American literature of the nineteenth century, which has a complex fusion of materialist biases and metaphysical fascinations. The final portion of the book gives greater attention to Spanish-American literature and the blending of the supernatural with attitudes of nostalgia and uncertainty.

Barbara Hepworth sculpted outdoors and Janet Frame wore earmuffs as she worked to block out noise. Kate Chopin wrote with her six children ‘swarming around her’ whereas the artist Rosa Bonheur filled her bedroom with the sixty birds that inspired her work. Louisa May Alcott wrote so vigorously – skipping sleep and meals – that she had to learn to write with her left hand to give her cramped right hand a break.

From Isak Dinesen subsisting on oysters, champagne and amphetamines, to Isabel Allende's insistence that she begins each new book on 8 January, here are the working routines of over 140 brilliant female painters, composers, sculptors, writers, filmmakers and performers.

Filled with details of the large and small choices these women made, Daily Rituals Women at Work is a source of fascination and inspiration.

Presenting an argument that Virginia Woolf taught herself to be a feminist artist and public intellectual through her revisionary reading, this study also gives a view of Woolf's tremendous body of knowledge and her contrast references to past literary periods.