This is a collection of research by leading international scholars on Beckett, as well as younger academics, analyses a number of Beckett's poems, plays and short stories through consideration of mortality and death. Death is indisputably central to Beckett's writing and reception. This collection of research considers a number of Beckett's poems, novels, plays and short stories through considerations of mortality and death. Chapters explore the theme of deathliness in relation to Beckett's work as a whole, through three main approaches. The first of these situates Beckett's thinking about death in his own writing and reading processes, particularly with respect to manuscript drafts and letters. The second on the death of the subject in Beckett links dominant 'poststructural' readings of Beckett's writing to the textual challenge exemplified by the "The Unnamable". A final approach explores psychology and death, with emphasis on deathly states like catatonia and Cotard's Syndrome that recur in Beckett's work. "Beckett and Death" offers a range of cutting-edge approaches to the trope of mortality, and a unique insight into the relationship of this theme to all aspects of Beckett's literature.

Although the exploration of space has long preoccupied authors and filmmakers, the development of an actual space program, discoveries about the true nature of space, and critical reconsiderations of America's frontier experiences have challenged and complicated conventional portrayals of humans in space. This volume reexamines the themes of space and the frontier in science fiction in light of recent scientific and literary developments. From this new perspective, we discern previously unnoticed commentaries from older authors, while newer writers either remain within a reassuring but obsolete tradition, venture into unexplored new realities, or abandon space to focus on other frontiers.

The intriguing contributions to this volume include a previously unpublished interview with Arthur C. Clarke, the world's greatest living author of science fiction; examinations of space opera by veteran author Jack Williamson and scholar David Pringle; surveys of space in science fiction film, and writer and producer Michael Cassutt's account of his efforts to launch a film based on a Clifford D. Simak novel; and speculations about future developments from noted writers Gregory Benford, Jack Dann, James Gunn, and Howard V. Hendrix.

""Trespassing Boundaries is an excellent collection of insightful and significant essays. Edited by the distinguished scholar-critics Kathryn N. Benzel and Ruth Hoberman--who themselves have contributed invaluable essays--this splendid volume will point the way to a reconsideration of Woolf's work in the genre of short fiction."--Daniel R. Schwarz, Professor of English and Stephen H. Weiss Presidential Fellow, Cornell University
""Trespassing Boundaries is a very welcome addition to Virginia Woolf studies and to narrative theory. The ten essays offer rich explorations from diverse viewpoints of Woolf's wonderful and provocative experiments in short fiction. Woolf scholars and narrative theorists will be consulting these essays for many years to come."--James Phelan, author of "Living to Tell about It: A Rhetoric and Ethics of Character Narration and editor of "Narrative

This compelling New Casebook is the first essay collection devoted to the work of groundbreaking American author Robert Cormier. Written by a team of international children's literature experts, the volume offers a variety of critical and theoretical approaches to the range of Cormier's controversial young adult novels. The newly-commissioned essays explore the author's earlier best-known writings for teenagers as well as his later less critically examined texts, focussing on key issues such as adolescence, identity, bullying and child corruption. Recognizing Cormier's achievement, this long-overdue critical resource is essential reading for anyone with an interest in his influential work and lasting impact on young adult fiction.

An event, defined as the decisive turn, the surprising point in the plot of a narrative, constitutes its tellability, the motivation for reading it. This book describes a framework for a narratological definition of eventfulness and its dependence on the historical, socio-cultural and literary context. A series of fifteen analyses of British novels and tales, from late medieval and early modern times to the late 20th century, demonstrates how this concept can be put into practice for a new, specifically contextual interpretation of the central relevance of these texts. The examples include Chaucer's "Miller's Tale", Behn's "Oroonoko", Defoe's "Moll Flanders", Richardson's "Pamela", Fielding's "Tom Jones", Dickens's "Great Expectations", Hardy's "On the Western Circuit", James's "The Beast in the Jungle", Joyce's "Grace", Conrad's "Shadow-Line", Woolf's "Unwritten Novel", Lawrence's "Fanny and Annie", Mansfield's "At the Bay", Fowles's "Enigma" and Swift's "Last Orders". This selection is focused on the transitional period from 19th-century realism to 20th-century modernism because during these decades traditional concepts of what counts as an event were variously problematized; therefore, these texts provide a particularly interesting field for testing the analytical capacity of the term of eventfulness.

For Henry Fielding, 'storytelling', whether in the form of a play, essay or novel, was a means of transmuting the dross of his own experiences.

In this important new critical biography, Ronald Paulson brilliantly demonstrates how Fielding's life and writings evolved according to his experiments with different professions. It is not sufficient to say that he moved from one literary genre to the next, from drama to essay, from satire to novel. As a playwright and theater manager he thematized the theater and its workings in his writings, moving on to do the same as a journalist, barrister, and finally magistrate. Tom Jones, for example, can be interpreted as a self-projection, seen from the perspective of a barrister, an advocate for the defense; or Billy Booth as a conflation of the author and his father, seen now from the perspective of a grim but just magistrate.

Each chapter in this intriguing book begins with an annotated chronology of the known facts, followed by analyses of the important issues. Paulson's account will be essential reading for all admirers of Fielding as well as serious students of his work.

Recent politically based works on the vampire novel have been orientated towards Irish or postcolonial contexts. In this work Matthew Gibson couches the work of Merimee, Polidori, Le Fanu, Stoker and Verne in the immediate and specific context in which their works were written - namely the right response to the Balkan, Ottoman and Austro-Hungarian politics. While tracing the views and opinions of the writers themselves, he also analyzes their works to reveal that the vampire acts as an allegory of the Near East through which they suggest (rather than avow) frequently unorthodox views, which are a challenge to critics who profess the 'orientalism' argument popular today.

This volume explores Graham Greene's literary career. Among other things, it explores his motives for writing; the literary and cinematic influences that shaped his work; his writing routine and the importance of his childhood experience. Greene was elusive, enigmatic and this book teases out the fiction from his autobiographies, the autobiography from his fictions, sharing Paul Theroux's view that you may not know Greene from his face or speech "but from his writing, you know everything".

In this thoughtful and compelling book, leading Spanish literature scholar Noel Valis re-examines the role of Catholicism in the modern Spanish novel. While other studies of fiction and faith have focused largely on religious themes, "Sacred Realism" views the religious impulse as a crisis of modernity: a fundamental catalyst in the creative and moral development of Spanish narrative.

Wilkie Collins is the only leading Victorian novelist whose letters have not been published. This two-volume edition, edited by William Baker and William Clarke, fills a gaping hole in any assessment of one of the nineteenth century's most loved novelists. It is also extremely timely. Two recent biographies have re-assessed his private life and his literary achievements. His best-known novels, The Women in White and The Moonstone, continue to feature on television, and most of his thirty-odd novels are still in print. This authorised edition reproduces his selection of around 700 key letters of the 2,000 known to be in existence, some recently discovered. Summaries and sources of the remaining letters are provided in an appendix.

A series of introductory books, the Genre Series offers students, writers and academics a window into some of the most popular topics, styles and periods in literature. Designed to be user-friendly, each volume shares the same structure, including: A broad definition of the genre and its essential elements; A timeline of historical developments; Critical concerns to bear in mind while reading; Detailed readings of several key texts; In-depth analysis of major themes and issues; Signposts for further study; A summary of the most important criticism in the field; A glossary of terms; An annotated, critical reading list.

Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.

Following the American War of Independence and the French Revolution, ideas of the 'Natural Rights of Man' (later distinguished into particular issues like rights of association, rights of women, slaves, children and animals) were publicly debated in England. Literary figures like Wollstonecraft, Godwin, Thelwall, Blake and Wordsworth reflected these struggles in their poetry and fiction. With the seminal influences of John Locke and Rousseau, these and many other writers laid for high Romantic Literature foundations that were not so much aesthetic as moral and political. This new study by R.S. White provides a reinterpretation of the Enlightenment as it is currently understood.

A study of London suburban-set writing, exploring the links between place and fiction. This book charts a picture of evolving themes and concerns around the legibility and meaning of habitat and home for the individual, and the serious challenges that suburbia sets for literature.

Pynchon and Philosophy radically reworks our readings of Thomas Pynchon alongside the theoretical perspectives of Wittgenstein, Foucault and Adorno. Rigorous yet readable, Pynchon and Philosophy seeks to recover philosophical readings of Pynchon that work harmoniously, rather than antagonistically, resulting in a wholly fresh approach. Dr. Martin Paul Eve is a lecturer in literature at the University of Lincoln, UK. In addition to editing the open access journal of Pynchon Studies, Orbit, he has work published or forthcoming in Textual Practise, Neo-Victorian Studies, C21, Pynchon Notes and several edited collections. This book was originally published with exclusive rights reserved by the Publisher in (2014) and was licensed as an open access publication in [SEPTEMBER 2021] under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license if changes were made. This is an open access book.

This is an introductory portrait of Thackeray the writer, focusing on his philosophy and religion, relations with women, his illustrations, his narrative strategies, and the demands his texts make on modern readers. Suggests themes and ways to read sample books rather than offering a comprehensive life or critical survey.

The "Author Chronologies Series" aims to provide a means whereby the precise chronological facts of an author's life and career can be seen at a glance. This chronology provides a synopsis of Joyce's first years in Dublin and, from 1900, a more detailed account of his life there and attempts to become established as a writer when living mainly in Trieste and Zurich; and finally (when he became world-famous) Paris, concluding with his death in 1941.

This stimulating study takes a fresh look at two of Dickens' most widely-studied texts. Part I uses carefully selected short extracts for close textual analysis, while Part II examines the historical and literary contexts and key criticism. The volume is an ideal introductory guide for those who are studying Dickens' novels for the first time.

Gustave Flaubert is probably the most famous novelist of nineteenth-century France, and his best known work, "Madame Bovary, " is read in numerous comparative literature and French courses. His fiction set the standard to which other authors turned to learn their craft, and his cult of art and his unrelenting search for stylistic perfection inspired many later writers, such as Maupassant, Proust, Conrad, Faulkner, and Joyce. His denunciation of materialistic, corrupt society; his fascination with altered states of consciousness; his oscillation between metaphysical longings and a radical nihilism; and his deep-seated mistrust of the adequacy of words themselves anticipate the works of contemporary authors. This reference is a convenient guide to his life and writings.

Included in this volume are several hundred alphabetically arranged entries on Flaubert's individual works and major characters; historical persons and events that shaped his life; the themes that run throughout his writings; the critical approaches employed by scholars studying his works; and related topics of interest. Each entry is written by an expert contributor and most close with a brief bibliography. All of his major works are treated at length, and the volume mentions nearly every unpublished project of his that has a title. The book concludes with a selected, general bibliography of major studies.

OurCommonDwelling explores why America's first literary circle turned to nature in the 1830s and '40s. When the New England Transcendentalists spiritualized nature, they were reacting to intense class conflict in the region's industrializing cities. Their goal was to find a secular foundation for their social authority as an intellectual elite. New England Transcendentalism engages with works by William Wordsworth, Henry David Thoreau, Ralph Waldo Emerson, Margaret Fuller, Nathaniel Hawthorne, and others. The works of these great authors, interpreted in historical context, show that both environmental exploitation and conscious love of nature co-evolved as part of the historical development of American capitalism.

James Joyce was one do the most influential modernists of the 20th century - famous for developing the 'stream of consciousness' technique in writing. In a millennial survey, "Ulysses" was voted the most popular novel of the century. The "Preface Books" series approaches the work of Joyce from a particular perspective which, by introducing the writer via a biographical sketch and a survey of his cultural and social context, encourages readers to understand his work in the period it was written. Sydney bolt's A Preface to Joyce provides a fascinating account of one of the greatest twentieth-century writers and will be essential reading for anyone interested in reading the works of Joyce.

This collection of essays provides the first comprehensive critical study of women as subjects and creators of medieval and early modern Scottish writing between the early fifteenth and late seventeenth centuries. Essays examine canonical and non-canonical literary, historiographical, and religious texts written in the Scots, Gaelic, and English languages. Challenging the received literary and cultural history of medieval and early modern Scotland, this volume brings to texts and writers, both established and newly discovered, a range of new theoretical approaches

Widely recommended, this guide to Conrad offers a vivid and incisive account of his life and literary career, and gives detailed attention to the contexts, themes, problems and paradoxes of his works.