In this work, Alan McCluskey explores materialism, in its many conceptual forms, in the contemporary cosmopolitan novel. The author applies a 'cosmopolitan materialist' lens to the novels of Caryl Phillips, J. M. Coetzee, and Philip Roth: three contemporary authors who hail from different parts of the world and produce highly dissimilar novels.

This landmark book of essays examines the development of women's letter writing from the late 15th to the early 18th century. It is the first book to deal comprehensively with women's letter writing during the Late Medieval and Early Modern period and shows that this was a larger and more socially diversified area of female activity than has generally been assumed. The essays, contributed by many of the leading researchers active in the field, illustrate women's engagement in various activities, both literary and political, social and religious.

Dickens's career as a journalist spanned four decades, during which he wrote over 350 articles: reports, sketches, reviews, leaders, exposblioges, satires and reminiscences. This project offers the first critical guide to over a million words of vintage Dickens, which have been much overlooked in continuous assessments and re-assessments of his novels. It provides both a biographical and socio-historical account of the main phases of Dickens's career as a journalist, and a critical assessment of the thematic and stylistic development of his work.

This book explores whether the post-9/11 novels of Rushdie, Hamid, Aslam and Shamsie can be read as part of an attempt to revise modern 'knowledge' of the Islamic world, using globally-distributed English-language literature to reframe Muslims' potential to connect with others. Focussing on novels including Shalimar the Clown, The Reluctant Fundamentalist, The Wasted Vigil, and Burnt Shadows, the author combines aesthetic, historical, political and spiritual considerations with analyses of the popular discourses and critical discussions surrounding the novels; and scrutinises how the writers have been appropriated as authentic spokespeople by dominant political and cultural forces. Finally, she explores how, as writers of Indian and Pakistani origin, Rushdie, Hamid, Aslam and Shamsie negotiate their identities, and the tensions of being seen to act as Muslim representatives, in relation to the complex international and geopolitical context in which they write.

'Beer offers an assemblage of discrete essays ( written in the spirit of the short story itself), connected by generic and thematic concerns, with the delightful result of giving us a series of lucidly written close readings from the perspective of what Virginia Woolf calls 'the common reader' - Katherine Joslin, Western Michigan University A wide range of short fiction by Kate Chopin, Edith Wharton and Charlotte Perkins Gilman is the focus for this study, examining both genre and theme. Chopin's short short stories, Wharton's novellas, Chopin's frankly erotic writing and the homilies in which Gilman warns of the dangers of the sexually transmitted disease are compared. There are also essays on ethnicity in the work of Chopin, Wharton's New England stories, Gilman's innovative use of genre and 'The Yellow Wallpaper' on film.

Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting - a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century novelists from Daniel Defoe to Ann Radcliffe referred to the visual arts, recalling specific names or artworks, but also artistic styles and conventions, in an attempt to define the generic constitution of their fictions. In this, the novelists took part in the discussion of the sister arts, not only by pointing to the affinities between them but also, more importantly, by recognising their potential to inform one another; in other words, they expressed a conviction that the theory of a new genre can be successfully rendered through meta-pictorial analogies. By tracing the uses of painting in eighteenth-century novelistic discourse, this book sheds new light on the history of the so-called "rise of the novel". The Open Access version of this book, available at https://www.taylorfrancis.com/books/painting-novel-jakub-lipski/10.4324/9781351137812, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Modernist Fiction and News characterizes uses novel reading of Gertrude Stein, James Joyce, John Dos Passos, and Virginia Woolf to explore how these authors engaged with a rapidly expanding news industry in order to establish an experimental space in which to represent experience with the hope of greater immediacy and faithfulness to reality.

A survey of criticism on King's book and Kubrick's film adaptation "The Shining."

Marking a major new reassessment of Camus' writing, this book investigates the nature and philosophical origins of Camus' thinking on "authenticity" and "the absurd" as these motions are expressed in "The Myth of Sisyphus" and "The Outsider", showing these books to be the product not only of a literary figure, but of a genuine philosopher as well. Moreover, the author provides a complete English-language translation of Camus' "Metaphysique Chretienne et Neoplatonisme" and underlines the importance of this study for the understanding of the early Camus. The book also contains analyses of the influence of St Augustine and Nietzsche on Camus.

This study of Lawrence's travel writings is the first book-length study to approach the subject with reference to contemporary postcolonial theory. Focusing on the writings of 1921-25, the period when Lawrence was most intensely engaged in travel, it includes chapters on "Sea and Sardinia, Kangaroo, The Plumed Serpent" and the essays and stories inspired by Lawrence's experience of the New World.

The continuing cultural encounters of the Americas, between European and indigenous cultures, and between scientific materialism and premodern supernaturalism, have originated new narrative forms. While supernatural short fiction of the Americas belongs to the broad category of the fantastic, which is generally approached synchronically, reading audiences of the past 200 years have shifted their beliefs about the supernatural several times. While nineteenth-century readers understood science as real and the supernatural as imaginary, modern audiences recognize both as inaccurate, a shift which allows authors of supernatural fiction to celebrate premodern indigenous beliefs which were once disdained by a materialist culture.

This book situates supernatural short fiction of the Americas within the changing cultural and epistemological contexts of the last 200 years and explores how authors have drawn upon a wealth of indigenous traditions. The book begins with a discussion of theories of the supernatural and the fantastic. It then looks at some of the first encounters of European and Native American supernatural beliefs and points to the common elements of these early traditions. The volume next focuses on American literature of the nineteenth century, which has a complex fusion of materialist biases and metaphysical fascinations. The final portion of the book gives greater attention to Spanish-American literature and the blending of the supernatural with attitudes of nostalgia and uncertainty.

Combining sustained empirical analysis of reading group conversations with four case studies of classic and contemporary novels: Things Fall Apart, White Teeth, Brick Lane and Small Island, this book pursues what can be gained through a comparative approach to reading and readerships.

More than one hundred years after being written, Great Expectations is still one of the most widely studied works of fiction. This casebook of historical documents, collateral readings and essays brings to life both Dickens' masterpiece and the social issues surrounding his work. The interdisciplinary approach offers students insight into the historically significant issues, such as child welfare, that ignited Dickens' creative and moral sensibilities. Newlin has unearthed significant documentation on the dilemma of Victorian women, supplying original social commentary such as Mary Wollstonecraft's 1792 A Vindication of the Rights of Women, and John Stuart Mill's 1861 The Subjection of Women. This work also addresses the transportation and deportation of convicts with first-hand accounts of the treatment of prisoners. Original materials describing the significance of class distinctions, with demographic data from 1834, point up the socio-economic gaps that stratified Victorian society. Other primary documents describe the physical settings such as the Marsh Country and the river, and Bow Street in London, that figure prominently in Great Expectations. This collection of sources will help broaden students' understanding of Great Expectations and places it within its historical context. A literary analysis chapter introduces students to the important themes and various writing techniques employed by Dickens. Each subsequent chapter offers original essays and explication of historical documents on significant issues. Each section concludes with thought-provoking study questions, topics for research, and lists of suggested readings. This volume will enhance students' reading of this classicand will facilitate further research for student and teacher alike.

Shanghai in the 1920s and 1930s - "the Paris of the Orient" - was both a glittering metropolis and a shadowy world of crime and social injustice. It was also home to Huo Sang and Bao Lang, fictional Chinese counterparts to Arthur Conan Doyle's Sherlock Holmes and Dr. Watson. The duo lived in a spacious apartment on Aiwen Road, where Huo Sang played the violin (badly) and smoked Golden Dragon cigarettes as he mulled over his cases. Cheng Xiaoqing (1893-1976), "The Grand Master" of twentieth-century Chinese detective fiction, had first encountered Conan Doyle's highly popular stories as an adolescent. In the ensuing years he played a major role in rendering them first into classical and later into vernacular Chinese. In the late 1910s, Cheng began writing detective fiction very much in Conan Doyle's style, with Bao as the Watson-like-I narrator - a still rare instance of so direct an appropriation from foreign fiction. Cheng Xiaoqing wrote detective stories to introduce the advantages of critical thinking to his readers, to encourage them to be skeptical and think deeply, because truth often lies beneath surface appearances. His attraction to the detective fiction genre can be traced to its reconciliation of the traditional and the modern. In "The Shoe," Huo Sang solves the case with careful reasoning, while "The Other Photograph" and "On the Huangpu" blend this reasoning with a sensationalism reminiscent of traditional Chinese fiction. "The Odd Tenant" and "The Examination Paper" also demonstrate the folly of first impressions. "At the Ball" and "Cat's-Eye" feature the South-China Swallow, a master thief who, like other outlaws in traditional tales, steals only from the rich and powerful. "A Summer Night's Tragedy" clearly shows Cheng's strategy of captivating his Chinese readers with recognizably native elements even as he espouses more globalized views of truth and justice.

Charlotte Bronte: legacies and afterlives is a timely reflection on the persistent fascination and creative engagement with Charlotte Bronte's life and work. The new essays in this volume, which cover the period from Bronte's first publication to the twenty-first century, explain why her work has endured in so many different forms and contexts. This book brings the story of Charlotte Bronte's legacy up to date, analysing the intriguing afterlives of characters such as Jane Eyre and Rochester in neo-Victorian fiction, cinema, television, the stage and, more recently, on the web. Taking a fresh look at 150 years of engagement with one of the best-loved novelists of the Victorian period, from obituaries to vlogs, from stage to screen, from novels to erotic makeovers, this book reveals the author's diverse and intriguing legacy. Engagingly written and illustrated, the book will appeal to both scholars and general readers. -- .

This book of essays is the first to probe Anais Nin's achievements as a literary artist. With an introduction by the editor, Suzanne Nalbantian, the collection examines the literary strategies of Nin in their psychoanalytical and stylistic dimensions. Various contributors scrutinize Nin's artistry, identifying her unique modernist techniques and her poetic vision. Others observe the transfer of her psychoanalytical positions to narrative. The volume also contains fresh views of Nin by her brother Joaquin Nin-Culmell as well as innovative analyses of the reception of her works.

Stevenson died at the age of 44, but despite such a short span he lived an incredibly active life during which he travelled widely and wrote a prodigious amount of fiction, essays and poetry. To browse through this Chronology is to follow in the footsteps of a man who was always on the move, always eager to journey onto the next place or to embark on a new literary project. J.R. Hammond, a lifelong student of Stevenson and author of A Robert Louis Stevenson Companion, offers a definitive chronology of RLS which takes account of the latest research into his life and times.

This book examines Austen's novels in relation to her philosophical and religious context, demonstrating that the combination of the classical and theological traditions of the virtues is central to her work. Austen's heroines learn to confront the fundamental ethical question of how to live their lives. Instead of defining virtue only in the narrow sense of female sexual virtue, Austen opens up questions about a plurality of virtues. In fresh readings of the six completed novels, plus Lady Susan, Emsley shows how Austen's complex imaginative representations of the tensions among the virtues engage with and expand on classical and Christian ethical thought.

Africa has long captured the Western imagination as a land shrouded in danger and mystery. British and American novels written before World War II established popular conventions and stereotypes about Africa that have been increasingly challenged by contemporary American novels set in Africa. Kuhne's book overviews the ways in which Africa has been employed as a powerful setting for American novels written since World War II. Kuhne argues that contemporary American novels with African settings are largely didactic, that these novels convey specific lessons about Africa and Africans, and that they compare African and American cultures in order to evaluate and critique the two worlds.

The book begins by summarizing the conventions and themes Westerners have traditionally associated with Africa and by detailing how British and American authors from Aphra Behn to Ernest Hemingway depicted Africa before World War II. It then looks at contemporary American novels set in invented African nations, novels that typically suggest that the problems that trouble actual African nations are the result of colonialism. A separate chapter then examines the African novels of African Americans, which generally aim to correct the historical record, refute stereotypes, and detail the horrors of the slave trade. The volume also looks at genre fiction set in Africa, while a final chapter discusses postcolonial novels with African settings.

Cult of Defeat in Mexico's Historical Fiction: Failure, Trauma, and Loss examines recent Mexican historical novels that highlight the mistakes of the nineteenth century for the purpose of responding to present crises. Over the last twenty years, historical novels have become a mainstay for major presses, surpassing other fictional genres in publication and sales. As these bestsellers enter the public sphere, they engage in a massive rewrite of the country's guiding fictions and national myths. This book argues that historical reconstructions of the nation's foundational period acquire deeper meaning when understood as part of broad contemporary debates about globalization, neoliberalism, political legitimacy, and the crises afflicting Mexican communities today.

The friendship between Dorothy Thompson and Rose Wilder Lane began in 1920 in the publicity office of the American Red Cross in Paris and continued until Thompson's death in 1961. Although both women are today remembered primarily for their connections with others - Thompson as the wife of Sinclair Lewis and Lane as the daughter of Laura Ingalls Wilder, author of the ""Little House"" books - each can be regarded as remarkable in her own right. Both women are described as having had a vital engagement with life that led them in fearless pursuit of experience. In 1939, Thompson appeared on the cover of ""Time"", which judged her second only to Eleanor Roosevelt among the influential women of the day. Typical of Lane were her travels through the mountains of Albania, the deserts of Syria and Soviet Georgia in the 1920s and her visit as a journalist to Vietnam in 1965 at the age of 78. The correspondence of these two women reveals their personal concerns, social ideas and political/economic philosophies and how they changed over time. Their letters tell the story of the first generation of women to come of age during the 20th century, as they tried to cope with problems that still face women today. Along with the letters themselves, Holtz has included annotations and footnotes that provide biographical information, as well as explaining personal and topical references.

This book focuses on how Austen's life and work is being re-framed and re-imagined in 20th and 21st century literature and culture. Tracing the connections between Modernist Austen in the early C20th and feminist and post-feminist appropriations in the later C20th, it examines how Austen emerged as a complex point of reference on the global stage.

This book examines how the process of nation-building in Egypt helped transform Egypt from an Ottoman province to an Arabic speaking national community. Through the discussion of the life and works of the prominent writer A'isha Taymur, Hatem gives insight into how literature and the changing gender roles of women and men contributed to the definition and development of a sense of community.""

This volume of international research provides a wide-ranging account of Jane Austen's reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. In historical terms, the survey ranges from the near-contemporary - since Austen's novels were available in French very soon after their original publication - to modern times, in those countries which for various reasons, linguistic, historical or ideological, have taken up the novels only in recent years. For many, Austen's novels are valued for their romantic content, as love stories, but increasingly they are being perceived as sophisticated, ironic narratives. In this, the quality of translation has been a significant factor and the many film and television adaptations have played an important part in establishing Austen's reputation amongst the public at large. It will be seen from this that across Europe Austen's 'reception history' is far from uniform and has been shaped by a complex of extra-literary forces.