Africa has long captured the Western imagination as a land shrouded in danger and mystery. British and American novels written before World War II established popular conventions and stereotypes about Africa that have been increasingly challenged by contemporary American novels set in Africa. Kuhne's book overviews the ways in which Africa has been employed as a powerful setting for American novels written since World War II. Kuhne argues that contemporary American novels with African settings are largely didactic, that these novels convey specific lessons about Africa and Africans, and that they compare African and American cultures in order to evaluate and critique the two worlds.

The book begins by summarizing the conventions and themes Westerners have traditionally associated with Africa and by detailing how British and American authors from Aphra Behn to Ernest Hemingway depicted Africa before World War II. It then looks at contemporary American novels set in invented African nations, novels that typically suggest that the problems that trouble actual African nations are the result of colonialism. A separate chapter then examines the African novels of African Americans, which generally aim to correct the historical record, refute stereotypes, and detail the horrors of the slave trade. The volume also looks at genre fiction set in Africa, while a final chapter discusses postcolonial novels with African settings.

The friendship between Dorothy Thompson and Rose Wilder Lane began in 1920 in the publicity office of the American Red Cross in Paris and continued until Thompson's death in 1961. Although both women are today remembered primarily for their connections with others - Thompson as the wife of Sinclair Lewis and Lane as the daughter of Laura Ingalls Wilder, author of the ""Little House"" books - each can be regarded as remarkable in her own right. Both women are described as having had a vital engagement with life that led them in fearless pursuit of experience. In 1939, Thompson appeared on the cover of ""Time"", which judged her second only to Eleanor Roosevelt among the influential women of the day. Typical of Lane were her travels through the mountains of Albania, the deserts of Syria and Soviet Georgia in the 1920s and her visit as a journalist to Vietnam in 1965 at the age of 78. The correspondence of these two women reveals their personal concerns, social ideas and political/economic philosophies and how they changed over time. Their letters tell the story of the first generation of women to come of age during the 20th century, as they tried to cope with problems that still face women today. Along with the letters themselves, Holtz has included annotations and footnotes that provide biographical information, as well as explaining personal and topical references.

This book focuses on how Austen's life and work is being re-framed and re-imagined in 20th and 21st century literature and culture. Tracing the connections between Modernist Austen in the early C20th and feminist and post-feminist appropriations in the later C20th, it examines how Austen emerged as a complex point of reference on the global stage.

This book examines how the process of nation-building in Egypt helped transform Egypt from an Ottoman province to an Arabic speaking national community. Through the discussion of the life and works of the prominent writer A'isha Taymur, Hatem gives insight into how literature and the changing gender roles of women and men contributed to the definition and development of a sense of community.""

This volume of international research provides a wide-ranging account of Jane Austen's reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. In historical terms, the survey ranges from the near-contemporary - since Austen's novels were available in French very soon after their original publication - to modern times, in those countries which for various reasons, linguistic, historical or ideological, have taken up the novels only in recent years. For many, Austen's novels are valued for their romantic content, as love stories, but increasingly they are being perceived as sophisticated, ironic narratives. In this, the quality of translation has been a significant factor and the many film and television adaptations have played an important part in establishing Austen's reputation amongst the public at large. It will be seen from this that across Europe Austen's 'reception history' is far from uniform and has been shaped by a complex of extra-literary forces.

Fiction, including novels, plays, and films, can be a powerful force in educating students and employees in ways that lectures, textbooks, articles, case studies, and other traditional teaching approaches cannot. Works of fiction can address a range of issues and topics, provide detailed real-life descriptions of the organizational contexts in which workers find themselves, and tell interesting, engaging, and memorable stories that are richer and more likely to stay with the reader or viewer longer than lectures and other teaching approaches. For these reasons, Exploring Capitalist Fiction: Business through Literature and Film analyzes 25 films, novels, and plays that engage the theories, concepts, and issues most relevant to the business world. Through critical examinations of works such as Atlas Shrugged and Wall Street, Younkins shows how fiction is a powerful teaching tool to sensitize business students without business experience and to educate and train managers in real businesses.

Since the emergence of Things Fall Apart in 1958, Chinua Achebe has come to be regarded by many as the 'Godfather' of modern African writing. Over 150 full length studies of his work have been published, together with many hundreds of scholarly articles. This Reader's Guide enables students to navigate the rich and bewildering field of Achebe criticism, setting out the key areas of critical debate, the most influential alternative approaches to his work and the controversies that have so often surrounded it. The Guide examines Achebe's key novels - with the main focus on Things Fall Apart - and also discusses his less well-known short fiction. Including discussion of important Nigerian scholarship that is often inaccessible, this is an invaluable introduction to the work of one of Africa's most important and popular writers.

The women's bestseller has become the acknowledged literary phenomenon of the last half-century. Madonne M. Miner takes the first critical look at this development and offers a serious reading of five of the most famous twentieth-century women's bestsellers--Gone with the Wind, Forever Amber, Peyton Place, Valley of the Dolls, and Scruples. She outlines repeated plot structures, image patterns, and thematic concerns. From these Miner constructs a twentieth-century white middle-class American woman's story, suggests ways in which female readers respond to women's bestsellers, and proposes a matrilineal linkage between the novels.

Why have so many prominent literary authors-from Philip Pullman and Jose Saramago to Michele Roberts and Colm Toibim-recently rewritten the canonical story of Jesus Christ? What does that say about our supposedly secular age? In this insightful study, Magdalena Maczynska defines and examines the genre of scriptural metafiction: novels that not only transform religious texts but also draw attention to these transformations. In addition to providing rich examples and close readings, Maczynska positions literary studies within interdisciplinary debates about religion and secularity. Her book demonstrates a surprising turn of events: even as contemporary novelists deconstruct the traditional categories of "secular" and "sacred" writing, they open up new spaces for scripture in contemporary culture.

Despite dying in relative obscurity, Jane Austen has become a global force as different readers across time, space, and media have responded to her work - beyond simply American and Great Britain, there are Janeites to be found in China, India, and across the globe. Many fans feel they have developed a personal relationship with Austen and her work. This volume examines the ways in which her novels affect individual psychologies and how Janeites in both the English and non-English speaking worlds experience her work, from visiting her home, to public re-enactments, to films based on her writings.

Combining sustained empirical analysis of reading group conversations with four case studies of classic and contemporary novels: Things Fall Apart, White Teeth, Brick Lane and Small Island, this book pursues what can be gained through a comparative approach to reading and readerships.

Pierre Courtade (1915-1963) was recognised by his peer group to be an independent, sharply intelligent thinker and a talented writer. His principal work consists of journalism -- near daily articles in the Communist press during the late 1940s and 1950s -- six novels (two unpublished) and two volumes of short stories.
This first study of Courtade examines the conflict between his private and public personas and in particular his role as a political commentator and as an artist struggling to reconcile his talent with the demands made by Party ideology. Courtade's life and work is analysed in light of archival material and interviews with people who knew and worked with him. The author assesses Courtade's contribution to French left-wing intellectual life and places him in the context of the evolution of French intellectuals' political commitment in the 20th century. As witness to some of the most critical periods in French history -- the Occupation and the Resistance, the Cold War and French involvement in Indo-China -- Courtade's responses provide fascinating insights and a new perspective on this turbulent time.

Published in 1962, Doris Lessing's The Golden Notebook merits fresh theoretical, geopolitical, autobiographical, and aesthetic approaches. Prompted by the novel's golden anniversary, the twelve essays collected in this volume provide fresh analyses along with appreciative memoirs for 21st century readers of this well-known masterpiece.

Cult of Defeat in Mexico's Historical Fiction: Failure, Trauma, and Loss examines recent Mexican historical novels that highlight the mistakes of the nineteenth century for the purpose of responding to present crises. Over the last twenty years, historical novels have become a mainstay for major presses, surpassing other fictional genres in publication and sales. As these bestsellers enter the public sphere, they engage in a massive rewrite of the country's guiding fictions and national myths. This book argues that historical reconstructions of the nation's foundational period acquire deeper meaning when understood as part of broad contemporary debates about globalization, neoliberalism, political legitimacy, and the crises afflicting Mexican communities today.

In this fascinating book, Reid examines Robert Louis Stevenson's writings in the context of late-Victorian evolutionist thought, arguing that an interest in 'primitive' culture is at the heart of his work. She investigates a wide range of Stevenson's writing, including "Dr Jekyll and Mr Hyde" and "Treasure Island," offering a new way of understanding the relationship between his Scottish and South Seas work. Reid's close attention to Stevenson's engagement with anthropological and psychological debate also illuminates the intersections between literature and science at the fin de siecle, and includes previously unpublished material from the Stevenson archive at Yale. Reid's interpretation offers a new way of understanding the relationship between his Scottish and South Seas work. Her analysis of Stevenson's engagement with anthropological and psychological debate also illuminates the dynamic intersections between literature and science at the fin de siecle.

*** PRE-ORDER the first gripping book in the brand new San Diego Case Files series by Sunday Times and New York Times bestseller Karen Rose *** Colton Driscoll is a compulsive liar. But there's one thing his psychologist Sam Reeves fears he is telling the truth about: murder. Concerned his patient has committed an awful crime and that the life of another girl could be under threat, Sam calls in an anonymous tip to the San Diego Police Department. Detective Kit McKittrick works homicide in the hope that one day she will find out what happened to her foster sister, Wren. When a tip comes in from an anonymous caller it leads her to the body of a girl whose murder has the hallmarks of a serial killer that has been at large for almost twenty years. It also leads her to the source of the information: Dr Sam Reeves. Will Kit be able to crack the cold case in time to stop another murder being committed? And is Sam Reeves being a concerned citizen trying to help, or is there another more sinister reason he has so much information? READERS LOVE KAREN ROSE: ''Karen Rose never disappoints!' 'She is phenomenal at weaving an absorbing, detailed plot full of suspense and all interwoven with a beautiful love story' 'These books will make you laugh, cry, rage and marvel at how the written word can inspire every emotion you have!' 'The characters are so well described you feel as if they are real people' 'I love this author's writing. Each book is like meeting up with old friends. I can't recommend it highly enough' 'If you haven't read her before, I heartily recommend her' 'She keeps you wanting to learn all about the characters and anticipating what is going to happen next. Highly recommend all of her books' 'I just couldn't put it down, I'd definitely recommend this author' 'It is just painstaking waiting for her next novel'

In this reassessment of Dickens, the author draws on the theories of Foucault, Deleuze and Guattari, in addition to Julia Kristeva and Edward Said, to situate Dickens within the discourses circulating within his society - in particular those associated with modernity. Focusing on Dickens's novels written after 1848, his relationship to modernity can be seen in his treatment of violence, seen in two forms in his writing: that of the state (in the rationalizing powers of Victorian bourgeois modernization), and physical violence, as portrayed in Dickens's criminals and interest in masochism and corpses.

Few attempts have been made to arrive at a sober assessment of Tolkien's achievement as a literary artist, and even fewer to define for him a place in 20th century literature. This book provides an introduction to Tolkien's work which also aims to redress these deficiencies in earlier criticism. Two chapters are devoted to "The Lord of the Rings", while a third explores the bewildering profusion of shorter works and the last considers the significance of Tolkien's life and career in the century of modernism. This book is designed to be of interest to students of literature and language.

The importance of science fiction to undergraduate literary studies cannot be underestimated. Its capacity to challenge students' social, political and cultural perspectives makes it invaluable in highlighting the contingent nature of contemporary society and the potential for change. "Teaching Science Fiction" is the first book in thirty years to address how science fiction might be taught to this effect. It presents comprehensive treatments of the major phases in the development of the genre including the scientific romance, Golden Age science fiction, the New Wave and science fiction's engagement with the postmodern. The book identifies and explores innovative teaching strategies which will both engage and challenge students whilst providing practical advice on how an sf course can be designed, delivered and evaluated. Sample syllabuses, a detailed chronology, a compact history of the genre and an extensive bibliography make this an invaluable guide for anyone teaching, or considering teaching, science fiction at undergraduate level.

Drawing on the discipline of stylistics, this book introduces a series of methodological tools and applies them to works by well-known Nigerian writers, including Abani, Adichie and Okri. In doing so, it demonstrates how attention to form fosters understanding of content in their work, as well as in African and postcolonial literatures more widely.

Despite the fact that a number of Rudolph Fisher's works appeared in national magazines such as Atlantic Monthly and McClure's, little critical attention has been devoted to his short fiction over the years. This collection brings together, for the first time, fifteen of Fisher's general adult stories, detective stories, and his stories for children, accompanied by an introduction, brief biography, and a chronology of his published work. The introductory essay explores the short story as a genre and examines Fisher's place in American short fiction.

In The Sappho History, Margaret Reynolds traces the story of the reception of Sappho's poetry and her afterlife in literature and art from the mid 18th century to the present day. For women writers in the Romantic period, she symbolized possibility; for the young Tennyson, she was a private ancestor helping him make his own name as a poet. Richly illustrated throughout, The Sappho History provides a new view of Western culture from the Romantic period to the Modern.

The New Atheist Novel is the first study of a major new genre of contemporary fiction. It examines how Richard Dawkins's so-called 'New Atheism' movement has caught the imagination of four eminent modern novelists: Ian McEwan, Martin Amis, Salman Rushdie and Philip Pullman. For McEwan and his contemporaries, the contemporary novel represents a new front in the ideological war against religion, religious fundamentalism and, after 9/11, religious terror: the novel apparently stands for everything freedom, individuality, rationality and even a secular experience of the transcendental that religion seeks to overthrow. In this book, Bradley and Tate offer a genealogy of the New Atheist Novel: where it comes from, what needs it serves and, most importantly, where it may go in the future. What is it? How does it dramatise the war between belief and non-belief? To what extent does it represent a genuine ideological alternative to the religious imaginary or does it merely repeat it in secularised form? This fascinating study offers an incisive critique of this contemporary testament of literary belief and unbelief.

This book presents a theoretical and historicized reading of the production of the 'autonomous' subject in Milton's prose and in Paradise Lost. It rejects the current orthodoxy that liberal humanism is just a form of domination, and reads Milton's texts as revolutionary. Although Milton participates in the formation of discourses of sexuality, labour and the nature of reason which come to be normative, neither Milton's texts nor modernity more generally can be understood without also accepting the dynamism inherent in the belief in individual freedom.

The brand new instalment in the top 10 bestselling Cornish Midwife series!It's the most wonderful time of the year... But for single mum and busy midwife Nadia, it's quickly turning into her worst Christmas ever. Her marriage is over, and whilst her husband has moved on, Nadia finds herself back home, squashed into her mum's spare room with her two small children. They might not be a perfect family anymore, but Nadia is determined to make this Christmas special for them. Dr Hamish Spencer totally understands Nadia's pain. As a fellow single parent, he's struggling to cope with a rebellious teen daughter and a precocious six-year-old! Perhaps if he and Nadia join forces, they could make this Christmas slightly more memorable for everyone? The last thing Nadia wants is a new man in her life, but she'd definitely like lovely Hamish as a friend. But Christmas has a way of melting the hardest of hearts and maybe a kiss under the mistletoe could change everything? Praise for The Cornish Midwife Series: 'Stunning setting, wonderful characters, and oozing with warmth. A triumph from Jo Bartlett.' Jessica Redland 'Perfectly written and set in the beating heart of a community, this story is a wonderful slice of Cornish escapism.' Helen J Rolfe "I absolutely love the Cornish Midwife series, especially being an aspiring midwife from Cornwall. Despite being fiction, these books never fail to motivate me to carry on studying when things get tough and really become The Cornish Midwife myself." Tegan from Reading with Tegs (book blogger and trainee midwife) "I get so absorbed in the books from the Cornish Midwife series, I can't put them down. The characters are like my colleagues, a tight group of people who love the job they do. The stories are truly captivating and make me feel like I am working alongside the characters, as the series mirrors my working life as a Midwifery Care Assistant so well." Sandra Twyman, Midwifery Care Assistant and avid reader