How are linguistic wars for global prominence literarily and linguistically inscribed in literature? This book focuses on the increasing presence of cosmetic multilingualism in prize-winning fiction, making a case for an emerging transparent-turn in which momentary multilingualism works in the service of long-term monolingualism.

The victory of the young religious politicians of the Justice and Development Party in 2002 and their new pro-European Union stance was proceded by the emergence of new Islamic intellectual, autobiographical, and literary accounts in the 90s. This book explores the changing understandings of Islam by focusing on the Islamist movement's production of literary fiction since the early 1980s. It contextualizes a close reading of exemplary novels within broader developments in Turkish society. The study sheds light on how the politics of gender, collective identity, idealism, and individual aspirations in a modern context are expressed, generated, and revised through literature.

The brand new instalment in the top 10 bestselling Cornish Midwife series!It's the most wonderful time of the year... But for single mum and busy midwife Nadia, it's quickly turning into her worst Christmas ever. Her marriage is over, and whilst her husband has moved on, Nadia finds herself back home, squashed into her mum's spare room with her two small children. They might not be a perfect family anymore, but Nadia is determined to make this Christmas special for them. Dr Hamish Spencer totally understands Nadia's pain. As a fellow single parent, he's struggling to cope with a rebellious teen daughter and a precocious six-year-old! Perhaps if he and Nadia join forces, they could make this Christmas slightly more memorable for everyone? The last thing Nadia wants is a new man in her life, but she'd definitely like lovely Hamish as a friend. But Christmas has a way of melting the hardest of hearts and maybe a kiss under the mistletoe could change everything? Praise for The Cornish Midwife Series: 'Stunning setting, wonderful characters, and oozing with warmth. A triumph from Jo Bartlett.' Jessica Redland 'Perfectly written and set in the beating heart of a community, this story is a wonderful slice of Cornish escapism.' Helen J Rolfe "I absolutely love the Cornish Midwife series, especially being an aspiring midwife from Cornwall. Despite being fiction, these books never fail to motivate me to carry on studying when things get tough and really become The Cornish Midwife myself." Tegan from Reading with Tegs (book blogger and trainee midwife) "I get so absorbed in the books from the Cornish Midwife series, I can't put them down. The characters are like my colleagues, a tight group of people who love the job they do. The stories are truly captivating and make me feel like I am working alongside the characters, as the series mirrors my working life as a Midwifery Care Assistant so well." Sandra Twyman, Midwifery Care Assistant and avid reader

Henry James remained throughout his life focused on his boyhood and early manhood, and correspondingly on younger boys and men, and John R. Bradley illustrates how it is in the context of such narcissism that James consistently dealt with male desire in his fiction. He also traces a more subtle but related trajectory in James's writing from a Classical to a Modernist gay discourse, which in turn is shown to have been paralleled by a shift in James's fiction from naturalistic beginnings to later stylistic evasion and obscurity. This radical book, which covers the whole of James's career, will quickly be recognized as a defining text in this emerging field of James studies.

Jag is ’n avontuur wat jou wegvoer van vier mure na die oop ruimtes van groot Afrika en jou laat kennis maak met ontbering en volharding, met lekker spog en lekker eet. En die oog, die kamera en die sakboekie vervang nie in een dag die jagroer nie. P.J. Schoeman se naam was vir geslagte Afrikaanslesers sinoniem met verhale waarin natuurkennis en natuurgevoeligheid saampraat. Vir diegene wat as jong lesers met Schoeman kennis gemaak het, sal die lees van hierdie hersiene heruitgawe ’n nostalgiese ervaring wees – ’n erfenis om aan vandag se jong lesers oor te dra.

"Cyberfiction: After the Future "explores a world where cybernetics sets the terms for life and culture--our world of ubiquitous info-tech, instantaneous capital flows, and immanent catastrophe. Economics fuses with technology to create a new kind of speculative fiction: cyberfiction. Paul Youngquist reveals the ways in which J. G. Ballard, Philip K. Dick, Samuel Delany, Octavia Butler, and William Gibson, among others, map a territory where information reigns supreme and the future is becoming a thing of the past.

"Myths and Fairy Tales in Contemporary Women's Fiction" explores contemporary feminist, postmodernist, and postcolonial women writers' use and revisions of fairy tales and myths. With close readings of works ranging from Margaret Atwood to Doris Lessing to Toni Morrison, Wilson examines meanings of myths and fairy tales as well as their varying techniques, images, intertexts, and genres. Although the writers represent several different nationalities and racial, ethnic, and cultural backgrounds, they employ a type of postcolonial literature that urges readers and societies beyond colonization. Wilson argues that the use of myths and fairy tales generally convey characters' transformation from alienation and symbolic amputation to greater consciousness, community, and wholeness, and it is in and through story that characters construct a hybrid way of establishing themselves in the larger world.

This volume discusses the emergence of writings by Black women, the major concerns and themes of their fiction, and its special role within, and unique reflection of, Afro-American culture. A work of literary criticism as well as cultural history, Prologue focuses in depth on ten novels illustrative of the novels' concerns during the periods 1891-1920, 1921-1945, and 1946-1965, and discusses their literary characteristics and aesthetic achievement. It discusses the broad characteristics of Afro-American fiction and compares it to mainstream American fiction. Its generously annotated bibliography contains entries for each of the fifty-eight novels on which the study is based.

Newly revised and enlarged, the second edition of A Conrad Chronology draws upon a rich range of published and unpublished materials. It offers a detailed factual record of Joseph Conrad's unfolding life as seaman and writer as well as tracing the compositional and publication history of his major works.

"A Tale of Two CitieS," does not waste a word in telling a humanly touching, suspenseful tale against the background of one of the most bloody events in history, the French Revolution. This collection of historical documents, collateral readings, and commentary will promote interdisciplinary study of the novel and enrich the student's understanding of the French Revolution and the significant issues it raised. Newlin, the author of "Everyone in DickenS" and "Every Thing in DickenS," has assembled a rich variety of materials. These include excerpts from Thomas Carlyle's work, "The French Revolution" (along with a discussion of Dickens's debt to that work), primary documents on mob behavior, the Fall of the Bastille, Thomas Paine and "The Rights of Man," due process of law, capital punishment and the development of the guillotine, prison isolation, human dissection and grave robbing, voices from prison during the Terror, and colorful extracts from the writings of travelers, victims, and executioners. A detailed chronology of the French Revolution, interwoven with fictional events from "A Tale of Two CitieS," and sketches of major political, military, and financial figures of the Revolution, will help the student to place the novel in historical context. France's Declaration of the Rights of Man is compared in detail with the American Declaration of Independence and the Constitution.

Each section of the casebook contains study questions, topics for research papers and class discussion, and lists of further reading for examining the events and issues of the novel. A glossary of terms unfamiliar to contemporary readers will help elucidate the text of "A Tale of Two CitieS." This is an ideal companion for teacher use and student research in interdisciplinary, English, and world history courses.

J. D. Salinger's 1951 novel, "The Catcher in the Rye", is the definitive coming-of-age novel and one of the most controversial, and successful, books of post-war America. Holden Caulfield remains one of the most famous characters in modern literature and has been a favourite for generations of students. This jargon-free study opens up ways of thinking about the novel, both in terms of wider context but also in close analysis. This introduction to the text is the ideal companion to study, offering guidance on: Literary and historical context; Language, style and form; Reading "The Catcher in the Rye"; Critical reception and publishing history; Adaptation and interpretation; and Further reading. "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

Literary modernism traditionally focuses on the writings of self-consciously avant-garde writers who attempted to break with literary and aesthetic forms inherited from the nineteenth-century. This view of Modernism has overlooked much of the social comedy of the period, assessing it as satiric and therefore conservative, reinforcing the very cultural values it sets out to critique. Examining the work of Virginia Woolf, Ivy Compton-Burnett, Evelyn Waugh, and Anthony Powell in light of psychoanalytic theories of joke-work and gallows humor, Colletta claims that dark humor is an important characteristic of Modernism.

Theology through mythology J. R. R. Tolkien was many things: English Catholic, father and husband, survivor of two world wars, Oxford professor, and author. But he was also a theologian. Tolkien's writings exhibit a coherent theology of God and his works, but Tolkien did not present his views with systematic arguments. Rather, he expressed theology through story. In Tolkien Dogmatics, Austin M. Freeman inspects Tolkien's entire corpus--The Hobbit, The Lord of the Rings, and beyond--as a window into his theology. In his stories, lectures, and letters, Tolkien creatively and carefully engaged with his Christian faith. Tolkien Dogmatics is a comprehensive manual of Tolkien's theological thought arranged in traditional systematic theology categories, with sections on God, revelation, creation, evil, Christ and salvation, the church, and last things. Through Tolkien's imagination, we reencounter our faith.

This original three-part study examines Russia, Russians and their culture in Joyce's life and establishes a Russian theme running through his work as a whole, from the earliest writings to Finnegans Wake. It discusses contacts and parallels between Joyce and three Russian figures: Bely, Nabokov and Eisenstein (and, more briefly, Pasternak). Thirdly, it details the Soviet reception of Joyce from 1922 until publication of the first Russian Ulysses in 1989, as well as surveying Marxist approaches to Joyce. A full bibliography of Russian and western sources is included.

This volume offers an interdisciplinary approach to six examples of West Indian fiction, combining symbolic anthropology with traditional literary criticism. Focusing on works by George Lamming and Wilson Harris, two vastly dissimilar Caribbean writers, Joyce Jonas identifies an emerging West Indian aesthetic, stressing the conflict between oral and written communication, and between folk culture and imperialist domination. By applying post-modernist literary theories to the texts, Dr. Jonas explores colonization as a key metaphor for exploitation of gender, class, race, and environment. The six novels surveyed all describe a "plantation landscape" within which the action takes place, and which provides a context for a study of the polarized world of colonizer and colonized. Two icons are employed in the analysis: the Great House, a colonial world view of binary oppositions, and Anancy, a trickster-figure of West Indian folklore. The first of the three essays focuses on the collision between imperialist culture and the submerged folk heritage. The second explores the phenomenon of exile through the artist-in-the-text, a feature common to all six novels that places the artist at the crossroads of a colonized world. Finally, the third essay blends the anthropological concept of liminality with a feminist perspective, widening the discussion to embrace all types of oppressive exploitation. With its subtle literary readings and its philosophical commentary, this volume will be a significant resource for courses in West Indian and Third World literature, literature and culture, and race and gender in literature. It will also be an important addition to academic and public libraries.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.

Making History New explores how several British modernists applied the experimental methods of literary modernism to the writing of narrative history and historical novels. The historical novel is usually assumed to be only a concern of either nineteenth century realism or postmodernism, but the historical works of Joseph Conrad, Ford Madox Ford and Rebecca West evidence a modernist obsession with historical narrative. Works like Nostromo, Parade's End and Black Lamb and Grey Falcon utilized literary techniques we have come to associate with modernism-fragmentation, subjectivity, nonlinearity-in their effort to narrate the past, but unlike many of their contemporaries they never jettisoned narrative as the primary means for textual engagements with the historical past. Such a divisioning between narrative and non-narrative modes of writing history also mark the field of historiography in the wake of the Holocaust, with poststructural challenges to narrative history compelling many historians to deprioritize the role of narrative. By contrast, many historians have experimented in "creative history," works of history that acknowledge the possible limitations of narrative but that attempt to ingest such problems into the very form of historical recreation. The modernist historians can provide models for such an enterprise, as they were aware of the pitfalls of narrative, but were also driven by an ethical imperative to relate the past in the forms of stories, and so employed modernist techniques to both signal the past but also stage the difficulties of the recreation of history in language.

Uniquely placed to explore the worldwide phenomenon of Stieg Larsson's Millennium trilogy beginning with The Girl with the Dragon Tattoo, the book offers the first full-length study of Larsson's work in both its written and filmed forms.

From the claustrophobic environment of Haworth Parsonage emerged an astonishing range and diversity of character and talent. Between them the two youngest Bronte sisters wrote three novels, each sharply individual in style, purpose and subject-matter. The title, first published in 1968, discusses and illustrates the similarities and differences in the writings of Emily and Anne Bronte, paying particular attention to their place in the development of the Victorian novel. He stresses the complexities of structure and characterisation in Wuthering Heights, introducing the reader first to the background of the novel. This book will be of interest to students of English Literature.

David Mitchell has emerged as one of the leading figures of the current "under-50" generation of contemporary British writers and is rapidly taking his place amongst British novelists with the gravitas of an Ishiguro or a McEwan. Written for a wide constituency of scholars, students, and readers of contemporary literature, " A Temporary Future: The Fiction of David Mitchell" explores Mitchell's primary concerns--including those of identity, history, language, imperialism, childhood, the environment, ethnicity--across the six novels published thus far, as well as his protean ability to write in multiple and diverse genres. It places Mitchell in the tradition of Murakami, Sebald, Ishiguro, and Rushdie--writers whose work explore narrative in an age of globalization and cosmopolitanism. O'Donnell traces the through-lines of Mitchell's work from "Ghostwritten "to "The Bone Clocks "and, with a chapter on each of the six novels, tracks the evolution of Mitchell's fictional project. The concluding chapter addresses Mitchell as a writer of the future.

'Meticulously researched and lucidly written, this volume will likely become and remain the definitive study of the history of works Hardy adapted for the stage and of the Hardy Players who, in the main, performed them.' - John J. Conlon, English Literature in Transition;'Much new research informs this first full-length study of Hardy's involvement in stage productions based on his own works. The result is a closely reasoned account of the conflict between his desire to see his plots and characters brought to the stage, and his awareness of the attending difficulties.' - M.S. Vogeler, Choice;Despite Hardy's lifelong interest in the theatre, this is the first comprehensive study of all aspects of his involvement with the stage, the only area of his literary activities left substantially unexplored. It discusses his own experiments at crafting scenarios and plays, all productions, both amateur and professional, with which he had any involvement, and his troubled negotiations with adapters, producers, and actors. It is fascinating for what it reveals about both the artist and the man, and offers particular insight into the paradoxical connections between the retiring Dorchester celebr

Old Norse texts offer many different ideas about what it is to be female, presenting women who occupy diverse social and economic positions or who have varying racial origins. Covering a much wider range of texts than have previous studies, this book presents a comprehensive and ground-breaking analysis of women in Old Norse literature. Raising new, probing questions, generated by theoretical insights from comparative studies, and from feminist, queer, monster and speech act theory, Johanna Katrin Frioriksdottir explores the many ways in which medieval Icelandic sagas construct the relationship between women and power. Illuminating the preoccupations, desires, and anxieties of the sagas' authors and audiences, this book offers excitingly fresh perspectives on how Icelandic prose genres mediate medieval attitudes to women, power, social organization, and ideal human behavior.

This new book on the Brontes concentrates on the way in which the literary interests and expressions of Charlotte and Emily were built up. It makes use of recent research into background and reading matter to investigate the development of the authors' poetry and novels.

Fairy Tales, Natural History and Victorian Culture examines how literary fairy tales were informed by natural historical knowledge in the Victorian period, as well as how popular science books used fairies to explain natural history at a time when 'nature' became a much debated word.

"Queer Narratives of the Caribbean Diaspora: Exploring Tactics" combines the fields of queer and diasporic writing. It opens up an entire new domain where social and cultural meanings of sexuality within Caribbean space become objects of historical, colonial and literary investigations. By juxtaposing queerness, nation and belonging, this book unlocks both disciplines, making them permeable to other contexts and perspectives. Exploring the works of writers such as Shani Mootoo, Jamaica Kincaid and Lawrence Scott, this book investigates the Western notions of sexual identity and belongingness alongside postcolonial deployments of nation, diaspora and sexuality. The book adds to the abundant fields of queer and diaspora studies by intersecting them, in order not only to render their ability to work together but also to expose their weaknesses and highly contested underpinnings.