This study examines James Herriot's five major books as carefully crafted volumes of autobiography based on the building block of the short story. In each of these works Herriot explores the fundamental choice of values underlying a happy and successful life. In his vision the bonds of affection and mutual dependence between all creatures, human and animal, form an enduring theme that lies at the heart of the choices he makes in his personal and professional life. This study will help the reader to understand the relationship between Herriot's stories and each book as a whole and to appreciate Herriot's work in the context of twentieth-century anxieties about identity and meaning.

Following a biographical chapter that describes the relationship between Herriot's life and literary work, Rossi discusses the genre of autobiography, the relationship between truth and fiction in modern autobiography, and Herriot's use of the genre. A separate chapter is then devoted to each of Herriot's works in turn: "All Creatures Great and Small," "All Things Bright and Beautiful," "All Things Wise and Wonderful," "The Lord God Made Them All," and DEGREES"Every Living Thing." The discussion of each work includes sections on plot development and narrative structure, character development, thematic issues, and alternative critical approaches that may be fruitfully applied to the book. Helpful appendices contain identifications of minor characters in the works. A complete bibliography of all of James Herriot's works, critical sources, and a listing of reviews of all of his works completes the volume. Because of the popularity of Herriot's work among adults and young adults this companion will be a key purchase for school and public libraries.

Using a cognitive approach to literature, Self-Consciousness in Modern British Fiction uncovers representations of self-consciousness in selected modern British novels, exposing it as complicating character development. This innovative study offers new readings of works by Conrad, Joyce, Lawrence, Woolf, and Lessing to demonstrate the emergence of a self who feels split from the world. Readings of individual novels are informed by early twentieth century British psychology and philosophy, and by contemporary scholarship in embodied cognition and narrative identity. The models of self-consciousness rendered visible by this analysis improve our understanding of modernist technical experiment with stream-of-consciousness and free indirect discourse.

Literature and Photography in Transition, 1850-1915 examines how British and American writers used early photography and film as illustrations and metaphors. It concentrates on five figures in particular: Henry Mayhew, Robert Louis Stevenson, Amy Levy, William Dean Howells, and Jack London.

This collection of essay by leading scholars in the field reveals the major contribution of puritan women to the intellectual culture of the early modern period, showing that women's roles with puritan and broader communities encompassed translating and disseminating key texts and producing an impressive body of original writing.

This volume moves the debate about literature and geography in a new direction by showing the significance of spatial settings in the enormous and complex field of popular fiction. Approaching popular genres as complicated systems of meaning, the collected essays model key theoretical and critical approaches for interrogating the meaning of space and place across diverse genres, including crime, thrillers, fantasy, science fiction, and romance. Including topics such as classic English ghost stories, blockbuster Antarctic thrillers, prize-winning Montreal crime fiction, J. R. R. Tolkien's Middle-earth, and China Mieville's Bas-Lag, among others, this book brings together analyses of the real-and-imagined settings of some of the most widely read authors and texts of the twentieth and twenty-first centuries to show how they have an immeasurable impact on our spatial awareness and imagination.

What do fictional representations of older women add to our understanding of a group of individuals often marginalized in our youth-oriented society? Starting from an overview of 19th-century women's fiction, this book explores this and other questions through close readings of the work of major 20th-century women novelists, considered in relation to these non-fictional perceptions.

This is a concise, readable and comprehensive introduction to Bram Stoker's classic "Dracula" (1897) for undergraduates. "Dracula" (1897) is one of the most commonly studied gothic novels and has been hugely influential through adaptations in fiction, on stage and in cinema. Offering an authoritative, up-to-date guide for students, this book introduces its context, language, themes, criticism and afterlife, leading students to a more sophisticated understanding of the text.It is the ideal guide to reading and studying the novel, setting "Dracula" in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, providing exemplary close readings, presenting an up-to-date account of its critical reception. It also includes an introduction to its substantial history as an adapted text on stage and screen focusing on the portrayal of the vampire from "Nosferatu" to "Interview with a Vampire". It includes points for discussion, suggestions for further study and an annotated guide to relevant reading."Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

Evil Children in Religion, Literature and Art explores the genesis, development, and religious significance of a literary and iconographic motif, involving a gang of urchins, usually male, who mock or assault a holy or eccentric person, typically an adult. Originating in the biblical tale of Elisha's mockery ( Kings 2.23-24), this motif recurs in literature, hagiography, and art, from antiquity up to our own time, strikingly defying the conventional Judeo-Christian and Romantic image of the child as a symbol of innocence.

The brand new novel from top 5 bestseller Louise Douglas.A notebook full of secrets, two untimely deaths - something sinister is stirring in the perfect seaside town of Morranez...It's summer and holidaymakers are flocking to the idyllic Brittany coast. But when first an old traveller woman dies in suspicious circumstances, and then a campaign of hate seemingly drives another victim to take his own life, events take a very dark turn. Mila Shepherd has come to France to look after her niece, Ani, following the accident in which both Ani's parents were lost at sea. Mila has moved into their family holiday home, as well as taken her sister Sophie's place in an agency which specialises in tracking down missing people, until new recruit Carter Jackson starts. It's clear that malevolent forces are at work in Morranez, but the local police are choosing to look the other way. Only Mila and Carter can uncover the truth about what's really going on in this beautiful, but mysterious place before anyone else suffers. But someone is desperate to protect a terrible truth, at any cost... Praise for Louise Douglas: 'I loved The Lost Notebook so much! From the opening lines, I was drawn in to a gripping story, beautifully written and so cleverly orchestrated. I rooted for the main character, I held my breath at the denouement and as for the climax of the book - just wow. Highly recommended.' Judy Leigh 'Louise Douglas achieves the impossible and gets better with every book.' Milly Johnson 'A brilliantly written, gripping, clever, compelling story, that I struggled to put down. The vivid descriptions, the evocative plot and the intrigue that Louise created, which had me constantly asking questions, made it a highly enjoyable, absolute treasure of a read.' Kim Nash on The Scarlet Dress 'Another stunning read from the exceptionally talented Louise Douglas! I love the way in which Louise creates such an atmospheric mystery, building the intrigue and suspense brick by brick. Her writing is always beautiful and multi-layered, her characters warm and relatable and the intriguing nature of the mystery makes this unputdownable.' Nicola Cornick on The Scarlet Dress 'A tender, heart-breaking, page-turning read'Rachel Hore on The House by the Sea 'The perfect combination of page-turning thriller and deeply emotional family story. Superb' Nicola Cornick on The House by the Sea 'Kept me guessing until the last few pages and the explosive ending took my breath away.' C.L. Taylor, author of The Accident on Your Beautiful Lies 'Beautifully written, chillingly atmospheric and utterly compelling, The Secret by the Lake is Louise Douglas at her brilliant best' Tammy Cohen, author of The Broken 'A master of her craft, Louise Douglas ratchets up the tension in this haunting and exquisitely written tale of buried secrets and past tragedy.' Amanda Jennings, author of Sworn Secret 'A clammy, atmospheric and suspenseful novel, it builds in tension all the way through to the startling final pages.' Sunday Express, S Magazine 'A chilling, unputdownable new novel from the bestselling author of The House By The Sea. 'A brilliantly written, gripping, clever, compelling story, that I struggled to put down.'

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Aristocratic women flourished in the Victorian literary world, their combination of class privilege and gendered exclusion generating distinctively socialized modes of participation in cultural and political activity. Their writing offers an important trope through which to consider the nature of political, private and public spheres. This book is an examination of the literary, social, and political significance of the lives and writings of aristocratic women in the mid-Victorian period.

Each of Thomas Hardy's novels is filled with striking visual images -- characters, interior settings, buildings, village scenes, and open tracts of land. These images are all rendered with a vitality and energy immediately recognizable as Hardy's own. In fact, Hardy, whose style owed much to his abilities as a draughtsman, once remarked that he saw his narratives as a series of images. J. B. Bullen explores this fascinating link between the image and the idea in the fiction of Thomas Hardy, and demonstrates how Hardy approached his work from a particular "point of view" which not only determined the lighting, composition, and structure of his literary visual effects, but which also allowed him to express emotions and ideas in the direct, "vividly visible" fashion that is the hallmark of his greatest fiction.

Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the "Sirens" episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the "pure music" of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.

This is a collection of research by leading international scholars on Beckett, as well as younger academics, analyses a number of Beckett's poems, plays and short stories through consideration of mortality and death. Death is indisputably central to Beckett's writing and reception. This collection of research considers a number of Beckett's poems, novels, plays and short stories through considerations of mortality and death. Chapters explore the theme of deathliness in relation to Beckett's work as a whole, through three main approaches. The first of these situates Beckett's thinking about death in his own writing and reading processes, particularly with respect to manuscript drafts and letters. The second on the death of the subject in Beckett links dominant 'poststructural' readings of Beckett's writing to the textual challenge exemplified by the "The Unnamable". A final approach explores psychology and death, with emphasis on deathly states like catatonia and Cotard's Syndrome that recur in Beckett's work. "Beckett and Death" offers a range of cutting-edge approaches to the trope of mortality, and a unique insight into the relationship of this theme to all aspects of Beckett's literature.

The title of this book, Derivative Lives, alludes to the challenge of finding one's way within the contemporary market of virtually limitless information and claims to veracity. Amid this profusion of options, it is easy to feel lost in spaces of uncertainty where biographical truth teeters between the real and the imaginative. The title thus also points to the prolific market of biographical novels that openly and intentionally play in the speculative space between the real and the fictional. Drawing on theories of risk and uncertainty, Derivative Lives considers the surge in biofiction in Spain and globally, relating literary expression to concepts such as circumstantiality, derivatives, speculation, and game studies.

Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewaltigung: coping with an uncertain but also unwritten future. Since its beginnings, German Science Fiction (or SF) has engaged with social change and technological progress, often drawing from utopian thought. The writer Kurd Lasswitz challenged the authoritarian Wilhelmine order; later, film director Fritz Lang provided a searing critique of Weimar society. Meanwhile utopian thinkers like Ernst Bloch and Herbert Marcuse insisted on the possibility of hope, even in the face of totalitarianism. During the Cold War, German utopian writing and filmmaking were vital both as a warning and as a creative imagining of possible futures. More recently, as rapid scientific and technological advances have continued, literary and cinematic responses have become increasingly dystopian in outlook, reflecting fears connected with globalization, advances in artificial intelligence and genetic engineering, and persistent challenges like climate change, hunger, migration, and terrorism. This book explores German SF's responses to the question how humanity can match technological advances with social, ethical, and moral progress. It surveys German utopian thought and the German SF tradition-both literary and cinematic-providing close readings of selected works that paradoxically reflect boundless optimism for the possibility of change and increasing pessimism in its likelihood. English translations are provided throughout. Building on its rich tradition but now confidently entering the mainstream, German SF attempts Zukunftsbewaltigung: coping with an uncertain but also unwritten future.

Although the exploration of space has long preoccupied authors and filmmakers, the development of an actual space program, discoveries about the true nature of space, and critical reconsiderations of America's frontier experiences have challenged and complicated conventional portrayals of humans in space. This volume reexamines the themes of space and the frontier in science fiction in light of recent scientific and literary developments. From this new perspective, we discern previously unnoticed commentaries from older authors, while newer writers either remain within a reassuring but obsolete tradition, venture into unexplored new realities, or abandon space to focus on other frontiers.

The intriguing contributions to this volume include a previously unpublished interview with Arthur C. Clarke, the world's greatest living author of science fiction; examinations of space opera by veteran author Jack Williamson and scholar David Pringle; surveys of space in science fiction film, and writer and producer Michael Cassutt's account of his efforts to launch a film based on a Clifford D. Simak novel; and speculations about future developments from noted writers Gregory Benford, Jack Dann, James Gunn, and Howard V. Hendrix.

""Trespassing Boundaries is an excellent collection of insightful and significant essays. Edited by the distinguished scholar-critics Kathryn N. Benzel and Ruth Hoberman--who themselves have contributed invaluable essays--this splendid volume will point the way to a reconsideration of Woolf's work in the genre of short fiction."--Daniel R. Schwarz, Professor of English and Stephen H. Weiss Presidential Fellow, Cornell University
""Trespassing Boundaries is a very welcome addition to Virginia Woolf studies and to narrative theory. The ten essays offer rich explorations from diverse viewpoints of Woolf's wonderful and provocative experiments in short fiction. Woolf scholars and narrative theorists will be consulting these essays for many years to come."--James Phelan, author of "Living to Tell about It: A Rhetoric and Ethics of Character Narration and editor of "Narrative

Posthuman Blackness and the Black Female Imagination examines the future-oriented visions of black subjectivity in works by contemporary black women writers, filmmakers, and musicians, including Toni Morrison, Octavia Butler, Julie Dash, and Janelle Monae. In this innovative study, Kristen Lillvis supplements historically situated conceptions of blackness with imaginative projections of black futures. This theoretical approach allows her to acknowledge the importance of history without positing a purely historical origin for black identities. The authors considered in this book set their stories in the past yet use their characters, particularly women characters, to show how the potential inherent in the future can inspire black authority and resistance. Lillvis introduces the term "posthuman blackness" to describe the empowered subjectivities black women and men develop through their simultaneous existence within past, present, and future temporalities. This project draws on posthuman theory - an area of study that examines the disrupted unities between biology and technology, the self and the outer world, and, most important for this project, history and potentiality - in its readings of a variety of imaginative works, including works of historical fiction such as Gayl Jones's Corregidora and Morrison's Beloved. Reading neo-slave narratives through posthuman theory reveals black identity and culture as temporally flexible, based in the potential of what is to come and the history of what has occurred.

This compelling New Casebook is the first essay collection devoted to the work of groundbreaking American author Robert Cormier. Written by a team of international children's literature experts, the volume offers a variety of critical and theoretical approaches to the range of Cormier's controversial young adult novels. The newly-commissioned essays explore the author's earlier best-known writings for teenagers as well as his later less critically examined texts, focussing on key issues such as adolescence, identity, bullying and child corruption. Recognizing Cormier's achievement, this long-overdue critical resource is essential reading for anyone with an interest in his influential work and lasting impact on young adult fiction.

An event, defined as the decisive turn, the surprising point in the plot of a narrative, constitutes its tellability, the motivation for reading it. This book describes a framework for a narratological definition of eventfulness and its dependence on the historical, socio-cultural and literary context. A series of fifteen analyses of British novels and tales, from late medieval and early modern times to the late 20th century, demonstrates how this concept can be put into practice for a new, specifically contextual interpretation of the central relevance of these texts. The examples include Chaucer's "Miller's Tale", Behn's "Oroonoko", Defoe's "Moll Flanders", Richardson's "Pamela", Fielding's "Tom Jones", Dickens's "Great Expectations", Hardy's "On the Western Circuit", James's "The Beast in the Jungle", Joyce's "Grace", Conrad's "Shadow-Line", Woolf's "Unwritten Novel", Lawrence's "Fanny and Annie", Mansfield's "At the Bay", Fowles's "Enigma" and Swift's "Last Orders". This selection is focused on the transitional period from 19th-century realism to 20th-century modernism because during these decades traditional concepts of what counts as an event were variously problematized; therefore, these texts provide a particularly interesting field for testing the analytical capacity of the term of eventfulness.

For Henry Fielding, 'storytelling', whether in the form of a play, essay or novel, was a means of transmuting the dross of his own experiences.

In this important new critical biography, Ronald Paulson brilliantly demonstrates how Fielding's life and writings evolved according to his experiments with different professions. It is not sufficient to say that he moved from one literary genre to the next, from drama to essay, from satire to novel. As a playwright and theater manager he thematized the theater and its workings in his writings, moving on to do the same as a journalist, barrister, and finally magistrate. Tom Jones, for example, can be interpreted as a self-projection, seen from the perspective of a barrister, an advocate for the defense; or Billy Booth as a conflation of the author and his father, seen now from the perspective of a grim but just magistrate.

Each chapter in this intriguing book begins with an annotated chronology of the known facts, followed by analyses of the important issues. Paulson's account will be essential reading for all admirers of Fielding as well as serious students of his work.

Recent politically based works on the vampire novel have been orientated towards Irish or postcolonial contexts. In this work Matthew Gibson couches the work of Merimee, Polidori, Le Fanu, Stoker and Verne in the immediate and specific context in which their works were written - namely the right response to the Balkan, Ottoman and Austro-Hungarian politics. While tracing the views and opinions of the writers themselves, he also analyzes their works to reveal that the vampire acts as an allegory of the Near East through which they suggest (rather than avow) frequently unorthodox views, which are a challenge to critics who profess the 'orientalism' argument popular today.

This volume explores Graham Greene's literary career. Among other things, it explores his motives for writing; the literary and cinematic influences that shaped his work; his writing routine and the importance of his childhood experience. Greene was elusive, enigmatic and this book teases out the fiction from his autobiographies, the autobiography from his fictions, sharing Paul Theroux's view that you may not know Greene from his face or speech "but from his writing, you know everything".