This book is a concise and engaging analysis of contemporary literature viewed through the critical lens of cosmopolitan theory. It covers a wide spectrum of issues including globalization, cosmopolitanism, nationhood, identity, philosophical nomadism, posthumanism, climate change, devolution and love.

This study of selected literary and cinematic works by Michael Ondaatje investigates the political potential of the Canadian authors aesthetics. Contributing to current debates about affect and representation, ideology critique and the artwork, trauma and testimony, this book uses the concept of the haptic to demonstrate how Ondaatjes multisensory, fluid and historically inflected writing can forge an enabling relationship between audience, author and text. This is where Ondaatjes micropolitics, often misconstrued as ideologically suspect aestheticism, emerges: a praxis that intimates how one can write and read politically with a difference.

"British Fiction and Cross-Cultural Encounters" reveals that British modernists read widely in anthropology and ethnography, conducted their own "fieldwork," and thematized the challenges of cultural encounters in their fiction. By bringing canonical and popular fiction together with travel writing, ethnographic monographs, and other anthropological texts, this interdisciplinary study demonstrates how ethnographic ideas and methods not only permeated the subject matter of literary modernism, but also helped stimulate many of its most important aesthetic innovations.

"A remarkable study, one that I recommend to any reader fascinated by the shaping of culture and the power of the psyche."
&3151;"The Forward"

How typical of his generation was T.S. Eliot when he complained that Hitler made an intelligent anti-semitism impossible for a generation? In her new book, Loathsome Jews and Engulfing Women, novelist and critic, Andrea Freud Loewenstein examines the persistent anti-semitic tendencies in modernist, British intellectual culture. Pursuing her subject with literary, historical, and psychological analyses, Loewenstein argues that this anti-semitism must be understood in terms of its metaphorical link with misogyny.

Situated in the context of the history of Jews in Britain, Loathsome Jews and Engulfing Women begins by questioning the widespread belief that the British government was a friend to the Jews in the 30s and 40s. Loewenstein shows that, as evident in the hypocrisy of many British governmental policies prior to and during WWII, Britain actively collaborated in the Jews' destruction. Against the backdrop of this tragic complicity in the Holocaust, Loewenstein evaluates Jewish stereotypes in the works of three representative twentieth-century British thinkers and writers. Her analysis provides a revealing critique of British modernism.

In a larger sense, Loathsome Jews and Engulfing Womenexplores the riddle of prejudice. Loewenstein argues that anti-semitism is nurtured in an environment populated by other hatreds --misogyny, homophobia, and racism. To explain the interaction of these prejudices, she develops an investigative model grounded in object relations theory and informed by the works of such theoretically diverse authors as Virginia Woolf, Kate Millett, and Alice Miller. Loewenstein lucidly argues within an autobiographical framework, insisting on the need for critics to . . . look within ourselves for 'that terrible other' rather than to complacently assume that we ourselves exist outside the ideology of power.

This well-written and readable book will be of interest to many people, ranging students of British history to psychoanalysts, from historians of Jewish culture to anyone interested in feminist and literary theory.

John Banville's Narcissistic Fictions is an exploration of Banville's novels from the point of view of various psychoanalytic understandings of the concept of narcissism. It presents this increasingly central figure in contemporary fiction as a writer for whom narcissism is both an essential truth of selfhood and a fundamental aspect of the writing of fiction. Though it deals with a number of theoretical concepts, it does so in a straightforward and highly accessible manner. The book is not simply a reading of a single, isolated aspect of Banville's work; rather, it presents narcissism as the key to understanding this writer, and as a way of bringing together the various disparate strands - thematic, stylistic and formal - of his complex and enigmatic oeuvre.

Who was the early twentieth-century masculine middlebrow reader? How did his reading choices respond to his environment? This book looks at British middlebrow writing and reading from the late Victorian period to the 1950s and examines the masculine reader and author, and how they challenged feminine middlebrow and literary modernism.

London has become the focus of a ferocious imaginative energy since the rise of Thatcher. "The Making of London" analyses the body of exceptional work by writers who have unconditionally committed their writing to the many lives of a city undergoing complex transformations. The book traces a major shift in the representation of the capital city, from the postmodern obsession with textuality, the shoring up of London's myths against a declining social fabric, and an exuberant multicultural utopia, to an anxious post-9/11 metropolis that has fallen apart. Is London undone? Authors covered include Maureen Duffy, Michael Moorcock, J. G. Ballard, Angela Carter, Iain Sinclair, Peter Ackroyd, Salman Rushdie, Martin Amis, Ian McEwan, Hanif Kureishi, Will Self, Zadie Smith and Monica Ali.

German sociology--indeed sociology as a discipline--belongs to modern times. This unusual anthology includes works by Theodor W. Adorno, Uta Gerhardt, Jnrgen Habermas, Max Horkheimer, Karl Ulrich Mayer, Georg Simmel, Roberto Michels, Max Weber, Hans Gerth, Hans Speier, Alfred Schutz, Alfred Weber, Karl Mannheim, Theodor Geiger, Ralf Dehrendorf, Rene Konig, Renate Mayntz, Reinhard Bendix, Claus Offe, and Stephan Leibfried. A substantive introductioni by Uta Gerhardt and detailed biographical sketches of the contributors will aid the general reader, student, and scholar alike.

David Gilmour's biography of Giuseppe di Lampedusa unearths the life story of the creator of "The Leopard", one of the great novels of the twentieth century. A book whose imagery, once tasted, haunts the reader forever. "The Leopard" describes the golden era of the nineteenth-century Sicily in all its sensual, fading, aristocratic glory. But beneath the surface lurk Sicily's millenial contagions - corruption, brutality and inequality. Who wrote this masterpiece, this work of art? the answer is as unlikely as one might hope. This is a fascinating meditation on what it is that makes a writer.

Most critics of southern novelist Eudora Welty have analyzed her work with a primary focus on her southern background. In Serious Daring from Within, Franziska Gygax instead uses a gender-specific approach to analyze Welty's novels, illustrating how Welty's narrative techniques establish female authority and frequently undermine patriarchal values. From this unique perspective, Gygax examines Delta Wedding, The Golden Apples, Losing Battles and The Optimist's Daughter, and argues that Eudora Welty indirectly and subtly created a radical vision of a female world. The study applies feminist literary theory when considering the various narrative structures of each novel. Scholars of literary criticism, southern literary studies and/or women's studies will find Serious Daring from Within enlightening and rewarding.

This comprehensive and sophisticated feminist analysis contradicts the negative evaluations of earlier feminist critics to define Oates' feminist accomplishments. Wesley presents Oates' fiction as a dynamic structure that grew out of her obsessive concern with the American family and shows her literary patterns of resistance to the gender ideology that shapes it. She illustrates how Oates' disturbing portrayals of troubled families can and do address complex issues of power in contemporary society--economic dislocation, gender inequity, and violence--as they are experienced in intimate relationships. The author defines and exemplifies the central concepts of family, power, and resistance in Oates' work with reference to her own literary criticism and the theoretical principles of Frederic Jameson. She begins by examining the presentation of the mother and the father in Oates' earliest works and then charts mother and daughter, brother and sister, and other family relationships. Wesley contends that the power dynamics of Oates' families relegate daughters to a position of impotence and sons to one of isolation and shows that the evolution of the children's refusal to identify themselves with their male or female models is a major focus in Oates' fiction.

This book re-reads the tangled relations of book culture and literary culture in the early nineteenth century by restoring to view the figure of the bookman and the effaced history of his book clubs. As outliers inserting themselves into the matrix of literary production rather than remaining within that of reception, both provoked debate by producing, writing, and circulating books in ways that expanded fundamental points of literary orientation in lateral directions not coincident with those of the literary sphere. Deploying a wide range of historical, archival and literary materials, the study combines the history and geography of books, cultural theory, and literary history to make visible a bookish array of alterative networks, genres, and locations that were obscured by the literary sphere in establishing its authority as arbiter of the modern book.

This book is a critical study of visual representations of Jose Marti-The National Hero of Cuba-, and the discourses of power that make it possible for Marti's images to be perceived as icons today. It argues that an observer of Marti's icons who is immersed in the Cuban national narrative experiences a retrospective reconstruction of those images by means of ideologically formed national discourses of power. Also, the obsessive reproduction of Marti's icons signals a melancholia for the loss of the martyr-hero. But instead of attempting to forget Marti, the book concludes that the utopian impulse of his memory should serve to resist melancholia and to visualize new forms of creative re-significations of Marti and, by extension, the nation. Contents: Gaze, Intentionality, and Manipulation Battling for the National Icon The Filming of a Memory Melancholia for Marti Afterthoughts: Resisting Cuban Melancholia

This monograph analyses the use of caricature as one of the key strategies in narrative fiction since the war. Close analysis of some of the best known post-war novelists, reveals how they use caricature to express postmodern conceptions of the self. In the process of moving away from the modernist focus on subjectivity, postmodern characterisation has often drawn on a much older satirical tradition which includes Hogarth and Gillray in the visual arts, and Dryden, Pope, Swift and Dickens in literature. Its key images depict the human as reduced to the status of an object, an animal or a machine, or the human body as dismembered to represent the fragmentation of the human spirit. Gregson argues that this return to caricature is symptomatic of a satirical attitude to the self which is particularly characteristic of contemporary culture.

This comprehensive introduction places the work of Julian Barnes into historical and theoretical context. Including a timeline of key dates, this guide explores his characteristic literary techniques, offers extensive readings of all ten novels and provides an overview of the varied critical reception his work has provoked.

This book is a comparative study of 12 works of fiction broadly representative of the Western canon. Its aim is to discover what gives these 12 works their lasting appeal and vitality over and beyond their formal qualities. It focuses on the interplay of text and subtext within each work after defining these terms at the outset. It then compares its 12 sample classics systematically in a conclusion that argues from the works themselves to classics in general.

Binion's key finding is that for a piece of fiction to feel deep, whole, and great, as classics do, its text must be underpinned from start to finish by a subtext, or alternative reading, which calls that text itself into question. A book for scholar, student and educated public alike, no serious reader will be able to consider what makes a classic without reference to this work.

Richard Wright is widely recognized as one of the most important African-American writers and as a significant 20th-century author. With the publication of Native Son in 1940, Wright established his enduring reputation as a man of letters. With the immense critical success of Native Son, Wright went on to author Black Boy, The Outsider, and Eight Men. His writings reflect his experiences growing up in the poverty and racial strife of the South, and his thoughts on major social issues. This volume traces the critical reception of Wright's major works, from the publication of Native Son to the present day. An introductory chapter overviews the critical response to his writings, while two biographical chapters discuss his writings in relation to his life. Sections are then devoted to Native Son, Black Boy, and The Outsider. Each of these sections presents reviews and articles reflecting the best criticism of Wright's works. A final section, "Richard Wright Today," offers contemporary assessments of Wright's reputation, as well as fascinating discussions of the recent Library of America editions of his works.

Texts and Readers in the Age of Marvell offers fresh perspectives from leading and emerging scholars on seventeenth-century British literature, with a focus on the surprising ways that texts interacted with writers and readers at specific cultural moments. With an eye to the elusive and complicated Andrew Marvell as tutelary figure of the age, the contributors have provided nuanced and sophisticated readings of a range of seventeenth-century authors, often foregrounding the uncertainties and complexities with which these writers were faced as the remarkable events of these years moved swiftly around them. The essays make important contributions, both methodological and critical, to the field of early modern studies and include examinations of prominent seventeenth-century figures such as John Milton, Andrew Marvell, John Dryden and Edmund Waller. -- .

Recently voted the best literary work of all time, Cervantes' Don Quixote is widely read by students and has had enormous influence on popular culture. Written by a leading Cervantes scholar yet accessible to students and general readers, this book conveniently introduces Cervantes' masterpiece. Included along with a detailed plot summary are chapters on the novel's background, themes, style, and reception. The volume closes with an extensive bibliographical essay and a selected, general bibliography. In 2002, the Norwegian Book Club, affiliated with the Nobel Prize organization, polled 100 writers from around the world, asking each to name the 10 best works of imaginative literature of all time. Cervantes' Don Quixote, though first published in 1605, was the overwhelming winner. Don Quixote is a favorite among students and general readers alike. It has been translated into more languages than any book other than the bible; adapted to the stage more than any other non-dramatic text; illustrated more than any other novel; and inspired more films than any other literary work. Written by a leading scholar yet accessible to high school students, this guide is an indispensable introduction to the world's most important novel. An introductory chapter overviews Cervantes' life and career and discusses the background of his novel. The book then provides a detailed plot summary of Don Quixote and considers the merits of different editions. It then looks at the cultural and historical contexts surrounding the novel and gives extensive attention to the work's themes, style, and reception. A bibliographical essay and selected, general bibliography of major studies conclude the volume.

Exploring the relationship between fiction and nation formation in the Muslim world through 12 unique studies from Azerbaijan, Libya, Iran, Algeria, and Yemen, amongst others, this book shows how fiction reflects and relates the complex entanglements of nation, religion, and modernity in the process of political and cultural identity formation.

Addressed to all readers of Dostoevsky, as well as to teachers, students, and specialists, this lucidly-written study approaches the underground man, Raskolnikov, and Ivan and Alyosha Karamazov as imagined human beings whose feelings, behaviors, and ideas are expressions of their personalities and experience. While asserting the autonomy of Dostoevsky's characters, Paris shows that there is a tension between them and the author's rhetoric and demonstrates that the characters often escape their illustrative roles. By paying close attention to mimetic detail, this book seeks to recover Dostoevsky's psychological intuitions and fully to appreciate his brilliance in characterization.

Hardy's Literary Language and Victorian Philology is the first detailed exploration of Hardy's linguistic `awkwardness', a subject that has long puzzled critics. Dennis Taylor's pioneering study shows that Hardy's language must be understood as a distinctive response to the philological and literary issues of his time. Deeply influenced by the Victorian historical study of language, Hardy deliberately incorporated into his own writing a sense of language's recent and hidden history, its multiple stages and classes, and its arbitrary motivations. Indeed, Taylor argues, Hardy provides an example of how a writer `purifies the dialect of the tribe' by inclusiveness, by heterogeniety, and by a sense of history which distinguishes Hardy from a more ahistorical, synchronic modernist aesthetic and which constitutes an ongoing challenge to literary language. In what is the first major treatment of a writer's relation to the Oxford English Dictionary, the author also examines the influence on Hardy's language of the founding and development in this period of the OED.

Cosmopolitanism and Place considers the way contemporary Anglophone fiction connects global identities with the experience in local places. Looking at fiction set in metropolises, regional cities, and rural communities, this book argues that the everyday experience of these places produces forms of wide connections that emphasize social justice.