Based on the Cambridge Edition of Lawrence's letters and works, this is a systematic study of his neglected early novels and short stories. Michael Black considers that these should be taken seriously as a representative part of Lawrence's entire output and demonstrates how they show originality. He places Lawrence in a new light as an artist, especially considering the relationship between his art and thought.

This book aims to put Walter de la Mare back on the literary map. A writer beloved by many, he has nevertheless remained on the sidelines of literary history. Walter de la Mare: Critical Appraisals promises to restore his reputation as one of the most memorably haunting of poets, as well as a peculiarly unnerving writer of ghost stories. A collection of varied, wide-ranging essays on de la Mare's poetry, stories, novels, reviews and lectures, it puts his work beside that of many of his famous contemporaries, including Thomas Hardy, Robert Frost, W. H. Auden, T. S. Eliot and Katherine Mansfield. It also contains an invaluable survey of his archive, much of it unpublished, and a number of newly commissioned poems reflecting on his legacy. This multifaceted volume will be of interest to students working on twentieth-century poetry, the short story, the nature and limits of modernism and British intellectual history, as well as on de la Mare himself. List of contributors: Catherine Charlwood, Guy Cuthbertson, Peter Davidson, Giles de la Mare, Andrew Doyle, Suzannah V. Evans, Adam Guy, Robin Holloway, Yui Kajita, Zaffar Kunial, Gregory Leadbetter, Angela Leighton, Erica McAlpine, Jenny McDonnell, Will May, Andrew Motion, Paul Muldoon, A. J. Nickerson, Seamus Perry, Adrian Poole, Camille Ralphs, Vidyan Ravinthiran, Peter Scupham, A. E. Stallings, Mark Valentine, Rory Waterman, Anne Welsh, David Wheatley, Rowan Williams, William Wootten.

Gun-toting, rough-riding, crack-shot women; train-robbing female bandits; blood-thirsty mothers who refuse to accept injustice-- these women appear in vigilante literature as protagonists that recognize the extent of their own exploitation and directly confront the causes. In this dynamic study, Graham-Bertolini provides the first analysis of vigilante women in contemporary American fiction and develops a model of vigilante heroines using literary and feminist theory. Through close-readings of important texts, including those by Flagg, Glaspell, Hong-Kington, Hurston, Rawlings, Walker, this analysis broadens our understanding of how law and culture infringe upon women's rights and joins the discussion about gender oppression and traditional identity politics.

One of America's most distinguished independent artists/intellectuals, Richard Kostelanetz, has written a prescient volume that uses, as a starting point, the philosopher Robin Collingwood's notion that "the historian and the novelist have much in common, for both attempt to define the largest lines of historical development." Aside from the introduction and conclusion, which were specifically written for this publication, these insightful chapters on four outstanding African-American novelists were composed and appeared in journals in the late 1960s. Kostelanetz saw the writing on the wall and told readers about it more than twenty years ago. In his analysis of the novels written by pioneering Black novelists James Weldon Johnson (1871-1938), W. E. B. Du Bois (1868-1963), Richard Wright (1908-1960), and Ralph Ellison (1914-), Kostelanetz culls their political meanings and interprets experience suggestive of political meanings. Kostelanetz places these meanings into a chronological framework that transforms the book from a political or literary history into a history of ideas in literature. This painstaking analysis of fiction--to deduce themes that are then interpreted as intellectual history--is an original scholarly approach to these novels. After presenting a typology of political alternatives for African-America, Kostelanetz looks at the work of writer/diplomat/editor James Weldon Johnson, whose groundbreaking novel, Autobiography of an Ex-Colored Man, appeared in 1912. Chapter three analyzes the novels of writer/editor/teacher W. E. B. Du Bois, whose work promoted greater understanding of African-Americans. Richard Wright, hailed as the most eloquent spokesman forAfrican-Americans of his generation upon publication of his powerful first novel, Native Son, is considered in the following chapter. Chapter five is devoted to Ralph Ellison whose first novel, The Invisible Man, won the National Book Award and achieved prominence as a primary text on the experience of Blacks in America. This close reading of fiction for political implications closes with an appendix of two essays also written in the 1960s about the figures and issues discussed in this study. The novels treated here retain a kind of "eye-witness account from the front" immediacy that, combined with Kostelanetz's enduring insights, will make Politics in the African-American Novel an important addition to courses in American history, African-American politics, or African-American literature. Informed general readers will also find much to ponder in this book.

Conrad's Secrets explores a range of knowledges which would have been familiar to Conrad and his original readers. Drawing on research into trade, policing, sexual and financial scandals, changing theories of trauma and contemporary war-crimes, the book provides contexts for Conrad's fictions and produces original readings of his work.

The gripping new revenge thriller from the bestselling author of The Fall and The Trap. No one can be trusted.... Amongst the wealth and glitter of St Tropez, Sky Kennedy is living her best life, with the perfect man by her side. Rich and gorgeous, Karim has shown her a world she could have barely imagined, and she doesn't want it to end. So when Karim suddenly sends her packing back to the UK, Sky is shocked - what could she have done to upset Karim? And will she ever see him again? Ryan Callahan has been tracking Karim for years and will do anything to bring the man down. He knows Karim is using Sky for his own ends and can't believe another young woman has fallen for Karim's lies. But maybe Sky could be the perfect bait to snare Karim once and for all... But Sky's no fool and she won't be played by either man. Because maybe there is a twist in this tale that no one saw coming.... Praise for Evie Hunter: 'A brilliant read that hooked me from the outset. The Fall is a tale of sweet revenge that I couldn't tear myself away from!' Bestselling author Gemma Rogers

This book is the first study of disability in postcolonial fiction. Focusing on canonical novels, it explores the metaphorical functions and material presence of disabled child characters. Barker argues that progressive disability politics emerge from postcolonial concerns, and establishes dialogues between postcolonialism and disability studies.

One of the most important Irish novelists of the twentieth century, Kate O'Brien (1897-1974) was also a pioneer of women's writing. In a career that spanned almost fifty years, nine novels, nine plays, two travelogues, and copious criticism, O'Brien rebelled against the narrow nationalism and restrictive Catholicism prevalent in independent Ireland. In this highly original approach to O'Brien's work, Davison traces the influence of three leading Spanish writers-Jacinto Benavente, Miguel de Cervantes, and Teresa of Avila. O'Brien's lifelong fascination with Spanish literature and culture offered an oblique way of resisting the Catholic and conservative imperatives of the Irish Free State. In a series of close comparative readings, Davison identifies the origin of O'Brien's creative disinhibition and ultimately situates her within a tradition of dissident Irish women writers.

This book presents critical readings of eight contemporary German novels which feature historically documented women as their main protagonist, and which reconstruct women's lives by combining source material and invention. Protagonists include Cornelia Goethe, Caroline Schlegel-Schelling, Karoline von Guenderrode and Charlotte Corday. Through a thorough examination of these novels, the wider complexities of female identity, feminism, literary technique and historiography are illuminated and discussed. The author examines how historical events are used to substantiate ideological positions and how the narrators consider this problematic aspect of their project.

"In recent years there has been a resurgence of interest in Hugo Gernsback, and the start of a serious study of the contribution he made to the development of science fiction. . . . It seemed to me that the time was due to reinvestigate the Gernsback era and dig into the facts surrounding the origins of Amazing Stories. I wanted to find out exactly why Hugo Gernsback had launched the magazine, what he was trying to achieve, and to consider what effects he had-good and bad. . . . Too many writers and editors from the Gernsback days have been unjustly neglected, or unfairly criticized. Now, I hope, Robert A. W. Lowndes and I have provided the grounds for a fair consideration of their efforts, and a true reconstruction of the development of science fiction. It's the closest to time travel you'll ever get. I hope you enjoy the trip."-Mike Ashley, Preface

This book guides readers through these and other important Steinbeck works, particularly those that are most often taught, including "The Pearl" (1945), "The Red Pony" (1933), and significant short fiction. Clear analysis of each work includes discussions of character development, plot and setting, thematic treatment, historical contexts, and alternate critical readings. A biographical chapter, as well as an examination of the author's contributions and career, helps readers gain a sense of Steinbeck the man and his position as one of America's most important writers.

Since the publication of "Tortilla Flat" in 1935, Steinbeck's treatment of American landscapes and themes has struck a chord with readers. His novels "Of Mice and Men" (1937), "The Grapes of Wrath" (1939), and "Cannery RoW" (1945) were instant critical and popular successes. Each went on to become a feature film, which added to Steinbeck's cultural impact. His works have long endured to earn a place in the canon of American Literature. This book guides readers through these and other important Steinbeck works, particularly those that are most often taught, including "The Pearl" (1945), "The Red Pony" (1933), and significant short fiction.

Clear analysis of each work includes discussions of character development, plot and setting, thematic treatment, historical contexts, and alternate critical readings. A biographical chapter, as well as an examination of the author's contributions and career, helps readers gain a sense of Steinbeck the man and his position as one of America's most important writers.

Locating literature at the intersection of distinct areas of thinking on the nature, scope and methods of knowledge - philosophy, theology, science, and the law - this book engages with literary texts across periods and genres to address questions of probability, problems of evidence, the uses of experiment and the poetics and ethics of doubt.

How is Hardy's development of thematics and characters matched by that of narrative techniques and his handling of time? This book uses narratological methods to stress the interdependence of content and expression in a key transitional writer between the Victorian and Modernist eras.

Reading a wide range of novels from post-war Germany to Israeli, Palestinian and postcolonial writers, The Politics of Jewishness in Contemporary World Literature is a comprehensive exploration of changing cultural perceptions of Jewishness in contemporary writing. Examining how representations of Jewishness in contemporary fiction have wrestled with such topics as the Holocaust, Israeli-Palestinian relations and Jewish diaspora experiences, Isabelle Hesse demonstrates the 'colonial' turn taken by these representations since the founding of the Jewish state. Following the dynamics of this turn, the book demonstrates new ways of questioning received ideas about victimhood and power in contemporary discussions of postcolonialism and world literature.

This book studies literary epiphany as a modality of character in the British and American novel. Epiphany presents a significant alternative to traditional models of linking the eye, the mind, and subject formation, an alternative that consistently attracts the language of spirituality, even in anti-supernatural texts. This book analyzes how these epiphanies become "spiritual" and how both character and narrative shape themselves like constellations around such moments. This study begins with James Joyce, 'inventor' of literary epiphany, and Martin Heidegger, who used the ancient Greek concepts behind 'epiphaneia' to re-define the concept of Being. Kim then offers readings of novels by Susan Warner, George Eliot, Edith Wharton, Virginia Woolf, and William Faulkner, each addressing a different form of epiphany.

Who Is in the House? provides the first scholarly historical and psychological analysis of both the content and the appeal of women's popular fiction in America during the past two centuries. Principal attention is given to the power of the images of home and mother, and to the theme of conflict between autonomy and dependence in the female characters.

This timely book treats Hardy's recurring use of one of the major informing myths of Western culture--that of a collision between a solar god and an earth goddess. Stave uses a chronological examination of Hardy's Wessex novels to highlight the author's evolving consciousness of the connections among patriarchy, Christianity, sexism, and classism. From the gentle affirmation of Far From the Madding Crowd to the grim Jude the Obscure, Stave paints a world in which the goddess figures die out, displaced by messianic gods, and a Pagan worldview gives way to a world devoid of spiritual meaning.

Through examining the work of W. B. Yeats, James Joyce, and Samuel Beckett, Katherine Ebury shows cosmology had a considerable impact on modernist creative strategies, developing alternative reading models of difficult texts such as Finnegans Wake and 'The Trilogy'.

To what extent did Charles Dickens see himself as a medium of forces beyond his conscious control? What did he think such subconscious mechanisms might be, and how did his thoughts on the subject play out in his writings? "Sensation and Sublimation in Charles Dickens" traces these questions through three Dickens novels: "Oliver Twist," "Dombey and Son," and "Bleak House." It is the first book-length study to approach Dickensian psychology from the vantage point of what the speculations of Dickens's--rather than of our own--had to say about mental phenomena, both normal and abnormal.

This collection of essays offers a comprehensive examination of texts that traditionally have been excluded from the main corpus of the ancient Greek novel and confined to the margins of the genre, such as the Life of Aesop, the Life of Alexander the Great, and the Acts of the Christian Martyrs. Through comparison and contrast, intertextual analysis and close examination, the boundaries of the dichotomy between the "fringe" vs. the "canonical" or "erotic" novel are explored, and so the generic identity of the texts in each group is more clearly outlined. The collective outcome brings the "fringe" from the periphery of scholarly research to the centre of critical attention, and provides methodological tools for the exploration of other "fringe" texts.

In correspondence, Willa Cather confessed to planting some of her allusions deep. This reader's companion contains thousands of lively and informative entries on persons, places, and events, fictional and real, and on quotations, works of art, and other items to reveal meanings or provide background for understanding Cather's fictional world. At the same time, it offers insights into her real world and time, her interests, and her astonishingly broad frame of reference. A lifetime project of encyclopedist John March, the once unwieldy manuscript and notes have been verified, clarified, amplified, and organized by literary scholar Marilyn Arnold, with the assistance of Debra Lynn Thornton. The goal was to develop a work that would be useful to the reader while preserving March's "authorial presence" has resulted in a dictionary that will both enlighten and delight.

In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'-in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.

"Victorian Medicine and Social Reform" traces Florence Nightingale's career as a reformer and Crimean war heroine. Her fame as a social activist and her writings including "Notes on Nursing" and "Notes on Matters Affecting the Health, ""Efficiency and Hospital Administration of the British Army"""influenced novelists such as Wilkie Collins, Elizabeth Gaskell, and George Eliot. Their novels of social realism, in turn, influenced Nightingale's later essays on poverty and Indian famine. This study draws original conclusions on the relationship between Nightingale's work and its historical context, gender politics, and such twenty-first-century analogues as celebrity activists Angelina Jolie, Al Gore, and Nicole Kidman.