This study confronts current influential theories that science fiction is either an American phenomenon or an international one. The study rejects the idea that British science fiction is distinguishable only by its pessimistic outlook--while also rejecting the idea that other designations, such as "scientific romance" or "speculative fiction," better fit the British product. Instead, the study traces the evolution of British science fiction, showing how H. G. Wells synthesized various strains in English literature, and how later writers, conscious of this Wellsian tradition, built upon Wells's literary achievement. An introduction defines what might reasonably be placed under the heading British science fiction, and why. Chapter 1 examines previous critical ideas about the nature of British science fiction, revealing that most of them are based on untested assumptions. Chapter 2 explores the significance of the dominant motif of the island in British SF --a motif that suggests that British SF and mainstream English literature have been long and fruitfully intertwined. Chapters 3 and 4 deal respectively with British disaster fiction before and after the Second World War. They focus on why British science fiction has so frequently seemed obsessed with catastrophe. Chapter 5, a polemical conclusion, deals with the future of British science fiction based on its current predicament. Ultimate Island forms a theoretical counterpart to the author's recently-published British Science Fiction: A Chronology 1478-1990 (Greenwood 1992), which defines the historical scope of the field.

One of Australia's most respected novelists, Alex Miller's writing is both popular and critically well-received. He is twice winner of Australia's premier literary prize, the Miles Franklin Award. He has said that writing is his way of 'locating connections' and his work is known for its deeply empathic engagement with relationships and cultures.This collection explores his early and later works, including Miller's best-known novels, The Ancestor Game, Journey to the Stone Country, Lovesong and Autumn Laing. Contributors examine his intricately constructed plots, his interest in the nature of home and migration, the representation in his work of Australian history and culture, and key recurring themes including art and Aboriginal issues. Also included is a memoir, illustrated by photographs from his personal collection, in which Alex Miller reflects on his writing life.With contributions from leading critics including Raimond Gaita, Peter Pierce, Ronald A. Sharp, Brenda Walker, Elizabeth Webby and Geordie Williamson, this collection is the first substantial critical analysis of Alex Miller's work. It is an invaluable resource for anyone teaching and studying contemporary Australian literature.

Readers have long been enthralled by the novels of Wilkie Collins, whose The Moonstone is considered the first modern detective novel. This book by Tamar Heller--the most comprehensive study of Collins' work ever written--places Collins within Victorian literary history, showing how his fiction transforms the conventions of the traditionally female genre of the Gothic novel and can be read as a critique of the gender and class distinctions that structured Victorian society. Heller offers an insightful account of the ways in which Collins' work in the female Gothic tradition influenced his characteristic themes and imagery. She also explores how this association with the genres of the Gothic and with controversial "sensation fiction" linked Collins with women writers and literary and social marginality during an era when novel writing was increasingly a male-defined and male-dominated profession. Heller argues that Collins' fictions reflect his own contradictory status as a Victorian writer; his novels focus on the relation of the writer to the literary marketplace and also on the intricate and ambivalent dialectic of masculine literary authority and feminine marginality. This study of Collins makes an original contribution to feminist literary criticism by demonstrating its value for the reexamination of an important male writer. In addition, by exploring the complexity of the relationship of a male writer to a feminine literary tradition, the book breaks new ground in the study of literary influence and in critical discussions of the literary canon.

?? [[ Best known as the author of imaginative short fiction, such as The Fall of the House of Usher and The Cask of Amontillado, and as the author of hauntingly sonorous poems such as The Raven, Edgar Allan Poe was a leading practitioner of the American Gothic and helped popularize the short story as a genre. This reference work assembles in dictionary format a complete and current body of information on Poe's life and work. More than 1900 entries cover all phases of Poe's art and literary criticism, his family relationships, his numerous travels and residences, and the abundance of critical responses to his works. Each entry provides bibliographical information, and the volume concludes with an extensive listing of works for further consideration. ]] ?? Best known for his mysterious and imaginative short fiction, such as The Fall of the House of Usher and The Cask of Amontillado, as well as hauntingly sonorous poems such as The Raven, Edgar Allan Poe has secured a lasting place in the American literary canon. He was one of the first American authors to be given serious attention in Europe, and his works popularized the Gothic, the short story, and detective fiction in America. Poe's works are frequently studied in schools and colleges, but he also retains his appeal as one of America's most demanding popular authors. His works reflect his vast and sometimes arcane erudition, his probing insights into the workings of the mind, his theories of literature and aesthetics, and his interest in science and the supernatural. Through more than 1900 alphabetically arranged entries, this reference book provides complete and current coverage of Poe's life and work. Some entries treat Poe's known reading and his responses to literary contemporaries and international literary figures. Others comment on the impact of various writers and literary traditions on Poe's imagination. Still others address Poe's views on subjects ranging from Shakespeare to mesmerism to phrenology. Each entry is supplemented by a bibliographical note which gives the basis for the entry and suggests sources for further investigation. Each entry for Poe's fiction and poetry contains a critical synopsis, and an extensive bibliography at the end of the volume lists the most important critical and biographical studies of Poe.

This book is the first dedicated volume of academic analysis on the monumental work of Elena Ferrante, Italy's most well-known contemporary writer. The Works of Elena Ferrante: Reconfiguring the Margins brings together the most exciting and innovative research on Ferrante's treatment of the intricacies of women's lives, relationships, struggles, and dilemmas to explore feminist theory in literature; questions of gender in twentieth-century Italy; and the psychological and material elements of marriage, motherhood, and divorce. Including an interview from Ann Goldstein, this volume goes beyond "Ferrante fever" to reveal the complexity and richness of a remarkable oeuvre.

Consisting of six essayistic chapters, this book centers on two seminal yet not often associated Irish texts: Gulliver's Travels by Jonathan Swift (1726) and A Portrait of the Artist as a Young Man by James Joyce (1916). Practicing a comparative way of reading indebted to T.S. Eliot, Atkins traces the patterns of response the protagonists of these works show in leaving home and separating themselves from family and friends. Both Lemuel Gulliver and Stephen Dedalus flee from the messy burdens of ordinary life, seeking a transcendent existence, which Gulliver finds in the Flying or Floating Island, Laputa, whereas Stephen in art. Atkins also shows how Swift and Joyce both stand opposed to their characters, joined in the understanding that an ordinary life and an extra-ordinary one are often inseparable. Thus, Gulliver's Travels and A Portrait of the Artist as a Young Man can appear as essential critiques of modern misunderstandings.

Emphasizing Frances Burney's professionalism and her courage, the author of this work aims to show the protean writer who recognized her abilities and exercised them, always carefully shaping her career. Though now frequently depicted as retiring, even fearful, Burney forced on her reading public themes they were scarcely ready for, flamboyantly mixing genres, writing comically about intimate violence. Not content in old age to be merely a literary icon, she privately recorded with increasing clarity the moments when the world lacerates the self.

Community in Twentieth Century Fiction is the first systematic study on the role that modern and contemporary fiction has played in the imaginary construction and deconstruction of human communities. Drawing on recent theoretical debate on the notion of community (Nancy, Blanchot, Badiou, Esposito), the essays in this collection examine narratives by Joyce, Waugh, Greene, LaGuma, Mansfield, Davies, O'Brien, Naipaul, DeLillo, Coetzee, Frame and Atwood. Through the integrated articulation of notions such as finitude, openness, exposure, immunity and death, we aim at uncovering the strategies of communal figuration at work in modern and contemporary fiction. Most of these strategies involve a rejection of organic communities based on essentialist fusion and an inclination to dramatize 'inoperative communities' (Nancy) of singularities aware of their own finitude and exposed to that of others.

This study traces the connection of infinity and Levinasian ethics in 21st-century fiction. It tackles the paradox of how infinity can be (re-)presented in the finite space between the covers of a book and finds an answer that combines conceptual metaphor theory with concepts from classical narratology and beyond, such as mise en abyme, textual circularity, intertextuality or omniscient narration. It argues that texts with such structures may be conceptualised as infinite via Lakoff and Nunez's Basic Metaphor of Infinity. The catachrestic transfer of infinity from structure to text means that the texts themselves are understood to be infinite. Taking its cue from the central role of the infinite in Emmanuel Levinas's ethics, the function of such 'fictions of infinity' turns out to be ethical: infinite textuality disrupts reading patterns and calls into question the reader's spontaneity to interpret. This hypothesis is put to the test in detailed readings of four 21st-century novels, David Mitchell's Cloud Atlas, Jeanette Winterson's The Stone Gods, Ian McEwan's Saturday and John Banville's The Infinities. This book thus combines ethical criticism with structural aesthetics to uncover ethical potential in fiction.

Lexicon Urthus is an alphabetical dictionary for the complete Urth Cycle by Gene Wolfe: The Shadow of the Torturer; The Claw of the Conciliator; The Sword of the Lictor; The Citadel of the Autarch; the sequel Urth of the New Sun; the novella Empires of Foliage and Flower; the short stories "The Cat," "The Map," and "The Old Woman Whose Rolling Pin Is the Sun"; and Gene Wolfe's own commentaries in The Castle of the Otter. The first edition was nominated for a World Fantasy Award. This second edition includes over 1,200 entries. When the first edition was published, Science Fiction Age said: "Lexicon Urthus makes a perfect gift for any fan of [Wolfe's] work, and from the way his words sell, it appears that there are many deserving readers out there waiting." Gary K. Wolfe, in Locus, said: "A convenient and well researched glossary of names and terms. . . . It provides enough of a gloss on the novels that it almost evokes Wolfe's distant future all by itself. . . . It can provide both a useful reference and a good deal of fun." Donald Keller said, in the New York Review of Science Fiction: "A fruitful product of obsession, this is a thorough . . . dictionary of the Urth Cycle. . . . Andre-Driussi's research has been exhaustive, and he has discovered many fascinating things . . . [it is] head-spinning to confront a myriad of small and large details, some merely interesting, others jawdropping."

This major study of a Markan genre, represented in the central section 8.27-10.4, ranges through Greek, rabbinic and early Christian literature, providing detailed comparison with the anecdotes in Lucian's Demonax and the Mishnah.Moeser concludes that the Markan anecdotes clearly follow the definition of, and typologies for, the Greek chreia. His analysis indicates that while the content of the three sets of anecdotes is peculiar to its respective cultural setting, the Greek, Jewish and Christian examples all function according to the purposes of the genre.

In addition to contributing significantly to the growing field of Burroughs scholarship, Burroughs Unbound also directly engages with the growing fields of textual studies, archival research, and genetic criticism, asking crucial questions thereby about the nature of archives and their relationship to a writer's work. These questions about the archive concern not only the literary medium. In the 1960s and 1970s Burroughs collaborated with filmmakers, sound technicians, and musicians, who helped re-contextualized his writings in other media. Burroughs Unbound examines these collaborations and explores how such multiple authorship complicates the authority of the archive as a final or complete repository of an author's work. It takes Burroughs seriously as a radical theorist and practitioner who critiqued drug laws, sexual practice, censorship, and what we today call a society of control. More broadly, his work continues to challenge our common assumptions about language, authorship, textual stability, and the archive in its broadest definition.

The late D. F. McKenzie worked on this comprehensive edition of the works of the playwright, poet, librettist, and novelist William Congreve for more than twenty years, until his sudden death in 1999. This was a task he had taken over from Herbert Davis, to whom this edition is dedicated. During that time McKenzie uncovered new verse and letters, collated Congreve's texts, recorded their complicated textual history, constructed appendices that shed light on the dramatic context in which Congreve worked, and examined how his contemporaries received Congreve's work. More importantly, McKenzie has convincingly re-evaluated Congreve's works and life to transform our image of the man and his reputation.
McKenzie here follows the editorial practice suggested in two early editions of the Works published by Congreve's friend, the bookseller Jacob Tonson, in 1710 and 1719. These three volumes follow a plan similar to that in the Tonson edition, with The Old Batchelor, The Double-Dealer, and Love for Love collected in the first, a central volume with The Way of the World, and a final volume with Congreve's novel Incognita, some of his prose works, letters, and later verse. In each case, Congreve's work is left to speak for itself, unencumbered by intrusive notes, textual apparatus, or collations, which are gathered instead near the end of each volume.
This edition will be an invaluable resource for scholars for many years to come. It is a monument to McKenzie's own scholarship as well as to the integrity of William Congreve.

Although John Steinbeck's novellas Of Mice and Men, The Red Pony, and The Pearl are works of fiction, they provide a window on the history of the times and places they portray. Studying the historical, social, economic, and regional background of each novella is important to fully understanding each work. This interdisciplinary collection of rich collateral materials features a variety of primary documents that shed light on the background of each of these novellas--the pioneer days and life on the Western frontier, the early history of California, the gold rush, the plight of the migrant worker during the Great Depression, the problems of the homeless and the hopeless, and oppression in Mexico in the early 20th century. Documents include memoirs of mountain men and pioneers, books of travel, sociological studies, a political treatise, a journal, reports of U.S. commissions, a comic memoir, and an interview with a Salvation Army general who worked with the downtrodden during the 1930s. Most of these materials are not available in printed form anywhere else. The purpose of this volume is to explore through analysis and collateral readings the pervasive theme in these novellas: the universality of humankind's often futile struggle for a better existence. Steinbeck shows that the American vision is shaped by the dream of a better life represented in the myth of the West. A social and political commentator, he dramatizes in all three novellas the social issues of the time. The first chapter of this study, a literary analysis, examines key themes common to all three novellas. The remaining chapters place the works in historical context. "Old California and the West" includes accounts of18th- and 19th-century travelers to California who dreamed of a better life. "Land Ownership" examines the meaning of land ownership in the West and its corruption. "The Vagrant Farm Worker: Homeless in Paradise" features memoirs and journals of itinerant workers as well as Mark Twain's Roughing It and a study of the hobo. "Losers of the American Dream" deals with the homeless and hopeless during the early years of this century and the Great Depression. "The American Dream in a Mexican Setting" illuminates the lives of the oppressed in Mexico which provoked a century of revolutions. Each chapter concludes with study questions, ideas for class discussion and student projects and papers, and a list of books for further reading. This is an ideal companion for teacher use and student research in English and American history classes.

By examining the representation of urban space in contemporary British fiction, this book argues that key to the political left's strategy was a model of action which folded politics into culture and elevated disenfranchisement to the status of a political principle.

This volume is a comprehensive collection of articles on Bunyan as well as including several broader views of the Nonconformist tradition.

Working from the premise that the Puritan construction of America as a return to Eden endures into American literature of the 20th century, Medoro focuses on the rhetoric of cyclical regeneration, blood, and damnation that accompanies this construction. She argues that a semiotics of menstruation infuses this rhetoric and informs the figuration of a feminine America in the nation's literary tradition: America, as a New World Eden, is haunted not only by the Fall, but also by the Curse of Eve. Placing Thomas Pynchon, William Faulkner, and Toni Morrison within this tradition, this book demonstrates that their novels link variations on the figure of the menstruating woman both to the bloody history of the United States and to a vision of the nation's redemptive promise.

Detailed readings of 9 novels--3 by each author--track references to menstruation and illuminate its tropological prevalence. The readings then develop a theory of menstruation as a kind of antidote functioning within narratives of violently spilled blood and blood purity. Each chapter draws on a range of disciplines--from medical history and mythography to anthropology and psychoanalysis--and situates its analysis of menstruation in relation to contemporary theories of female sexuality, human evolution, and the sacred.

Through a detailed study of Mayy Ziyadah's literary salon, Boutheina Khaldi sheds light on salon and epistolary culture in early twentieth-century Egypt and its role in Egypt's Nahdah (Awakening). Bringing together history, women's studies, Arabic literature, post-colonial literature, and media studies, she highlights the important and previously little-discussed contribution of Arab women to the project of modernity.

Ranging from soldiers reading newspapers at the front to authors' responses to the war, this book sheds new light on the reading habits and preferences of men and women, combatants and civilians, during the First World War. This is the first study of the conflict from the perspective of readers.

In recent years, controversy has surrounded the narrative turn in history and the historical turn in fiction. This book clarifies what is at stake, tracing connections between historiography and life-writing, arguing that the challenges posed in representing the past illuminate issues which are central to all literary narrative.

Jane Austen significantly shaped the development of the English novel, and her works continue to be read widely today. Though she is best known for her novels, "Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, " and "Persuasion," she also wrote poems, letters, prayers and various pieces of juvenalia. These writings have been attracting the attention of scholars; her major works have already generated a large body of scholarly and critical studies. This reference is a guide to her works and the response to them.

Austen's works are fraught with ambiguity. Because she was adept at displaying numerous aspects of an issue, her writings invite multiple interpretations. In light of the ambiguity of her texts, each of her major works is approached from a reader-response perspective, in which an expert contributor illuminates the reader's relationship to her writing. And because so many readers have had such varied responses to her novels, the volume also includes chapters summarizing the critical response to each of her major works. In addition, the book includes separate chapters on her poems, letters, and prayers.

Winner of the Nobel Prize for Literature in 1982 for his masterpiece "One Hundred Years of Solitude," Gabriel Garc DEGREESD'ia M DEGREESD'arquez had already earned tremendous respect and popularity in the years leading up to that honor, and remains, to date, an active and prolific writer. Readers are introduced to Garc DEGREESD'ia M DEGREESD'arquez with a vivid account of his fascinating life; from his friendships with poets and presidents, to his distinguished career as a journalist, novelist, and chronicler of the quintessential Latin American experience. This companion also helps students situate Garc DEGREESD'ia M DEGREESD'arquez within the canon of Western literature, exploring his contributions to the modern novel in general, and his forging of literary techniques, particularly magic realism, that have come to distinguish Latin American fiction.

Full literary analysis is given for "One Hundred Years of Solitude," as well as "Chronicle of a Death Foretold" (1981), "Love in the Time of Cholera" (1985), two additional novels, and five of Garc DEGREESD'ia M DEGREESD'arquez's best short stories. Students are given guidance in understanding the historical contexts, as well as the characters and themes that recur in these interrelated works. Narrative technique and alternative critical perspectives are also explored for each work, helping readers fully appreciate the literary accomplishments of Gabriel Garc DEGREESD'ia M DEGREESD'arquez.

This is the first book-length study to trace the origin of the essay to the brief narrative tale. While the form of the conte gave shape to the essay, the violence of the times destabilized a known genre to create a new one. It was the disruption of the times and the impact on Montaigne's personal and public life that led to the birth of the new form, a form he so aptly named the essay. Historic events and his reaction to the violence impacted and transformed Montaigne's work. We witness a change from the initial efficient style with which he had set out to interweave his own reflections, self-portraits, and anecdotes with the tales from ancient and contemporary storytellers, poets, and historians. Eventually the growing political disruption pulled Montaigne away from the exemplary claims of the tales to borrow from the more contingent, detailed observations of ethnographers and physicians.

Katherine Anne Porter's life closely paralleled that of her century not only in its span (1890-1980) but in its interests and contradictions. A communist sympathizer who became a quasi fascist, a cosmopolitan who embraced southern agrarianism, a femme fatale whose writings nonetheless evince feminist feeling, Porter embodied, often at their extremes, the major currents of her time and ours. In this new biography Janis P. Stout argues that these inconsistencies can be viewed as part and parcel of modernism itself.

This collection of fifteen original essays offers new perspectives on armed conflict as a central aspect of science fiction and fantasy writing. Looking past the superficial conventions associated with ray guns and aliens, swords and sorcerers, the contributors show how writers in the genre today are not so much imagining war more fully as they are completely re-imagining it. Science fiction and fantasy writing is no longer mired in epic or chivalric models but is responding to new and more complex ""real-world"" motivations for armed aggression: advances in weaponry, shifts in the theaters of war, and changes in battlefield conditions. Most of the papers were presented at the annual J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature, the field's most prestigious international gathering. The trend throughout the book is away from critical interest in stories of spatial or territorial conquest and toward works that deal with topics related to wars of temporal logistics and the internationalization of the combat zone, including urban street violence, gender conflicts, and resistance to runaway technology. The essays range from studies of the semantics and linguistics of warfare in science fiction to a critique of Osip Senkovsky's Fantastic Journeys of Baron Brambeus; from writer Joe Haldeman's assessment of the impact of his Vietnam experiences on his fiction to inquiries into a shared author/reader agenda in novels concerning potential mass destruction, including Stephen King's Dead Zone and M. J. Engh's Arslan. The collection also charts new directions in writing, such as the anti-apocalyptic science fiction of Samuel R. Delany, and embraces new modes of presentation, particularly computer animation and the bande dessinee, or illustrated narrative, as exemplified by French novelist Phillippe Druillet's La Nuit. Musician Bob Marley, film actor/directors Sylvester Stallone and Bruce Lee, and the cyberpunk film classics Terminator and the Road Warrior series are among other topics discussed. Together, the essays reinforce the editors' contention that the true function of these fantasies and science fictions is neither nostalgia nor fancy, but analysis. The contributors treat the texts they examine as a means not of playing war games but of understanding the role of war in the present and the future.