Boisterous, ribald, and ultimately shattering, Ken Kesey’s One Flew Over the Cuckoo’s Nest is the seminal novel of the 1960s that has left an indelible mark on the literature of our time. Here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy’s heroic attempt to do battle with the awesome powers that keep them all imprisoned.

This edition includes a new foreword by Kesey, a new text introduction by Robert Faggen, and line drawings the author made when writing the book, many never before published.

To what extent did Charles Dickens see himself as a medium of forces beyond his conscious control? What did he think such subconscious mechanisms might be, and how did his thoughts on the subject play out in his writings? "Sensation and Sublimation in Charles Dickens" traces these questions through three Dickens novels: "Oliver Twist," "Dombey and Son," and "Bleak House." It is the first book-length study to approach Dickensian psychology from the vantage point of what the speculations of Dickens's--rather than of our own--had to say about mental phenomena, both normal and abnormal.

One of America's most distinguished independent artists/intellectuals, Richard Kostelanetz, has written a prescient volume that uses, as a starting point, the philosopher Robin Collingwood's notion that "the historian and the novelist have much in common, for both attempt to define the largest lines of historical development." Aside from the introduction and conclusion, which were specifically written for this publication, these insightful chapters on four outstanding African-American novelists were composed and appeared in journals in the late 1960s. Kostelanetz saw the writing on the wall and told readers about it more than twenty years ago. In his analysis of the novels written by pioneering Black novelists James Weldon Johnson (1871-1938), W. E. B. Du Bois (1868-1963), Richard Wright (1908-1960), and Ralph Ellison (1914-), Kostelanetz culls their political meanings and interprets experience suggestive of political meanings. Kostelanetz places these meanings into a chronological framework that transforms the book from a political or literary history into a history of ideas in literature. This painstaking analysis of fiction--to deduce themes that are then interpreted as intellectual history--is an original scholarly approach to these novels. After presenting a typology of political alternatives for African-America, Kostelanetz looks at the work of writer/diplomat/editor James Weldon Johnson, whose groundbreaking novel, Autobiography of an Ex-Colored Man, appeared in 1912. Chapter three analyzes the novels of writer/editor/teacher W. E. B. Du Bois, whose work promoted greater understanding of African-Americans. Richard Wright, hailed as the most eloquent spokesman forAfrican-Americans of his generation upon publication of his powerful first novel, Native Son, is considered in the following chapter. Chapter five is devoted to Ralph Ellison whose first novel, The Invisible Man, won the National Book Award and achieved prominence as a primary text on the experience of Blacks in America. This close reading of fiction for political implications closes with an appendix of two essays also written in the 1960s about the figures and issues discussed in this study. The novels treated here retain a kind of "eye-witness account from the front" immediacy that, combined with Kostelanetz's enduring insights, will make Politics in the African-American Novel an important addition to courses in American history, African-American politics, or African-American literature. Informed general readers will also find much to ponder in this book.

This book presents critical readings of eight contemporary German novels which feature historically documented women as their main protagonist, and which reconstruct women's lives by combining source material and invention. Protagonists include Cornelia Goethe, Caroline Schlegel-Schelling, Karoline von Guenderrode and Charlotte Corday. Through a thorough examination of these novels, the wider complexities of female identity, feminism, literary technique and historiography are illuminated and discussed. The author examines how historical events are used to substantiate ideological positions and how the narrators consider this problematic aspect of their project.

This timely book treats Hardy's recurring use of one of the major informing myths of Western culture--that of a collision between a solar god and an earth goddess. Stave uses a chronological examination of Hardy's Wessex novels to highlight the author's evolving consciousness of the connections among patriarchy, Christianity, sexism, and classism. From the gentle affirmation of Far From the Madding Crowd to the grim Jude the Obscure, Stave paints a world in which the goddess figures die out, displaced by messianic gods, and a Pagan worldview gives way to a world devoid of spiritual meaning.

This lively, accessible book reveals the character - and timeliness - of Alexander Pope's thinking and art. G. Douglas Atkins focuses on the religious position of a poet who would not abandon the Roman Catholic Church. In our own highly partisan culture, such a position offers an important example. Bringing his expertise in religion and literature to bear, Atkins establishes that Pope was, as an anti-sectarian, not a Deist but a Catholic, a layman, and essayist. Through comparison with John Dryden, Jonathan Swift, and T.E. Eliot, this study sheds new light on 'The Universal Prayer, ' 'An Essay on Criticism, ' Moral Essays, and the four-part Dunciad. Ultimately, Pope emerges as a religious poet of the first rank.

Who Is in the House? provides the first scholarly historical and psychological analysis of both the content and the appeal of women's popular fiction in America during the past two centuries. Principal attention is given to the power of the images of home and mother, and to the theme of conflict between autonomy and dependence in the female characters.

In correspondence, Willa Cather confessed to planting some of her allusions deep. This reader's companion contains thousands of lively and informative entries on persons, places, and events, fictional and real, and on quotations, works of art, and other items to reveal meanings or provide background for understanding Cather's fictional world. At the same time, it offers insights into her real world and time, her interests, and her astonishingly broad frame of reference. A lifetime project of encyclopedist John March, the once unwieldy manuscript and notes have been verified, clarified, amplified, and organized by literary scholar Marilyn Arnold, with the assistance of Debra Lynn Thornton. The goal was to develop a work that would be useful to the reader while preserving March's "authorial presence" has resulted in a dictionary that will both enlighten and delight.

This work applies Mikhail Bakhtin's theory of literary discourse and the concept of carnivalisation to the work of Flann O'Brien. The author emphasises the political and social implications of the writings, arguing that O'Brien maintained a reflexive focus on language throughout his career.

Representation of desiring subjects in the novel is one of the most illuminating issues in the area of ancient gender and sexuality, for such narratives subject societal norms to acute critique. This volume brings together fourteen essays originally given as oral presentations at the Fourth International Conference on the Ancient Novel (ICAN IV), held in Lisbon in July 2008. Employing feminist and psychoanalytic approaches, each offers a provocative investigation of sexual subjectivity as presented in the text or texts under discussion. The collection as a whole demonstrates the gradual convergence of formerly distinct norms of gendered behavior under pressure of emerging social realities.The editors of this volume are all well-known scholars in the fields of ancient narrative and/or ancient sexuality. Contributors include leading experts in these fields and emerging scholars whose research suggests directions for future exploration.

"In recent years there has been a resurgence of interest in Hugo Gernsback, and the start of a serious study of the contribution he made to the development of science fiction. . . . It seemed to me that the time was due to reinvestigate the Gernsback era and dig into the facts surrounding the origins of Amazing Stories. I wanted to find out exactly why Hugo Gernsback had launched the magazine, what he was trying to achieve, and to consider what effects he had-good and bad. . . . Too many writers and editors from the Gernsback days have been unjustly neglected, or unfairly criticized. Now, I hope, Robert A. W. Lowndes and I have provided the grounds for a fair consideration of their efforts, and a true reconstruction of the development of science fiction. It's the closest to time travel you'll ever get. I hope you enjoy the trip."-Mike Ashley, Preface

William Weaks Morris was a writer defined in large measure by his southern roots. A seventh generation Mississippian, he grew up in Yazoo City, close enough to his mother's family to be frequently reminded of his heritage. Spending his college years at the University of Texas and Oxford University in England gave Morris a taste of the world and, perhaps, a deeper appreciation for his southern birthright. At the very least, these experiences gave him something to write home about. The product of exhaustive research, this volume is a comprehensive reference to Willie Morris' life and works. It also provides an in-depth literary biography based on hundreds of primary sources such as letters, newspaper articles and interviews. The book's principal focus, however, is Morris' literary legacy, which includes works such as North Toward Home, New York Days and My Dog Skip. Two annotated bibliographies - one for Morris' own writing and one focusing on secondary sources - comprise over 2100 entries. Each entry contains a concise, informative summary of the cited work. A chronology of Willie Morris' life and career is supplied for easy reference. Exclusive photographs, some provided by the Morris family, and an index are also included.

This book is about the manifestations and explorations of the heroic in narrative literature since around 1800. It traces the most important stages of this representation but also includes strands that have been marginalised or silenced in a dominant masculine and higher-class framework - the studies include explorations of female versions of the heroic, and they consider working-class and ethnic perspectives. The chapters in this volume each focus on a prominent conjuncture of texts, histories and approaches to the heroic. Taken together, they present an overview of the 'literary heroic' in fiction since the late eighteenth century.

Dudley Randall was one of the foremost voices in African American literature during the twentieth century, best known for his poetry and his work as the editor and publisher of Broadside Press in Detroit. While he published six books of poetry during his life, much of his work is currently out of print or fragmented among numerous anthologies. Roses and Revolutions: The Selected Writings of Dudley Randall brings together his most popular poems with his lesser-known short stories, first published in The Negro Digest during the 1960s, and several of his essays, which profoundly influenced the direction and attitude of the Black Arts movement. Roses and Revolutions: The Selected Writings of Dudley Randall is arranged in seven sections: "Images from Black Bottom," "Wars: At Home and Abroad," "The Civil Rights Era," "Poems on Miscellaneous Subjects," "Love Poems," "Dialectics of the Black Aesthetic," and "The Last Leap of the Muse." Poems and prose are mixed throughout the volume and are arranged roughly chronologically. Taken as a whole, Randall's writings showcase his skill as a wordsmith and his affinity for themes of love, human contradictions, and political action. His essays further contextualize his work by revealing his views on race and writing, aesthetic form, and literary and political history. Editor Melba Joyce Boyd introduces this collection with an overview of Randall's life and career. The collected writings in Roses and Revolutions not only confirm the talent and the creative intellect of Randall as an author and editor but also demonstrate why his voice remains relevant and impressive in the twenty-first century. Randall was named the first Poet Laureate of the City of Detroit and received numerous awards for his literary work, including the Life Achievement Award from the National Endowment of the Arts in 1986. Students and teachers of African American literature as well as readers of poetry will appreciate this landmark volume.

In a follow-up to his previous Homeric studies, noted classicist Paolo Vivante explores Homer's verse, highlighting rhythm rather than metre. Rhythmical qualities, he argues, constitute the force of the verse-for example, in the way the words take position and in the way each pause hints suspense, producing an immediate sense of time. Vivante's main concern is not with the techniques or rules of the verse-composition, but more philosophically with verse itself as a fundamental form of human expression. This study will be of interest to both students and scholars.

"Gambling permeated the daily lives of eighteenth-century Britons of all classes. This book explicates the relationship between the rampant gambling in eighteenth-century England, the new forms of gambling-inspired capitalism that transformed British society, and novels that interrogate the new socio-economy of long odds and lucky breaks"--

This essential discussion of Amy Tan's life and works is a necessity for high school students and an enriching supplement for book club members. A tour-de-force in Asian American writing, Amy Tan has created works that are essential to high school and undergraduate literature classes and are often book club selections. Reading Amy Tan is a handy resource that offers both groups plot summaries of five of Tan's novels, as well as character and thematic analysis. The handbook also provides an overview of Tan's life and discusses how she emerged onto the scene as a novelist. Tan's typical themes, including Asian American issues and mother-daughter relationships, are examined in relation to today's current events and pop culture. Readers will also discover how and where they can find Tan on the Internet, and how the media has received her works. The "What Do I Read Next" chapter will help readers find other authors and works that deal with similar subjects. This handbook is an indispensable tool for both high school and public libraries. Summarizes each of Tan's novels, offering a plot summary and a discussion of themes, settings, and characters Provides questions that can be used to generate classroom and book club discussion Includes sidebars to highlight interesting information about the author and her work Offers a selected, general bibliography of print and electronic resources to facilitate further study

This study focuses on how Frankenstein works: how the story is told and why it is so rich and gripping. Part I uses carefully selected short extracts for close textual analysis, while Part II examines Shelley's life, the historical and literary contexts of the novel, and offers a sample of key criticism.

Katherine Mansfield (1888-1923) was one of the leading figures in the development of the modernist short story and her writings were a profound influence on writers such as Virginia Woolf and D.H. Lawrence. Presenting for the first time draft manuscripts of some of her most important stories, this book gives scholars and students alike vivid new insight into Mansfield’s creative process. With manuscripts for each text presented in facsimile and transcript, detailed notes throughout compare early drafts with later revisions and the final published work. In the final section of the book leading scholars offer vivid new critical readings exploring the manuscript history of these stories. A detailed descriptive listing of the major Mansfield archives is also included to help researchers explore the work further. The stories included are: ‘Je ne parle pas francais’; ‘Sun and Moon’; ‘Revelations’; ‘The Stranger’; ‘The Daughters of the Late Colonel’; ‘Mr and Mrs Dove’; ‘Marriage à la Mode’; ‘The Voyage’; ‘Six Years After’; ‘The Fly’.

Women and Exile in Contemporary Irish Fiction examines the representation of the Irish woman migrant and ideas of exile in the contemporary Irish novel. Women have frequently been overlooked or made to serve an emblematic or symbolic function in the portrayal of exile in Irish writing, but more recent treatments of exile and emigration show a keen interest in reclaiming the history of the Irish woman emigrant and in explicitly addressing this lacuna. The book surveys how the Irish woman emigrant is imagined from the early twentieth century to the present day, and explores how six Irish authors - Julia O'Faolain, Edna O'Brien, Anne Enright, John McGahern, William Trevor and Colm Toibin - have contributed to the recovery of the story of the woman migrant. Particular emphasis is given to how these writers offer complex representations of women in relation to the Irish emigrant experience and respond to a range of different meanings of exile and emigration in an Irish context.

While the gender and age of the girl may seem to remove her from any significant contribution to empire, this book provides both a new perspective on familiar girls' literature, and the first detailed examination of lesser-known fiction relating the emergence of fictional girl adventurers, castaways and 'ripping' schoolgirls to the British Empire.

The detective figure in contemporary American crime fiction increasingly relies on revenge to bring about justice in a society where there has been a sharp decline in moral values. This study demonstrates how the notion of the detective as a moral exemplar or heroic ideal breaks down in the works of writers such as James Ellroy and Sara Paretsky.

Ethics and Affects in the Fiction of Alice Munro explores the representation of embodied ethics and affects in Alice Munro's writing. The collection illustrates how Munro's short stories powerfully intersect with important theoretical trends in literary studies, including affect studies, ethical criticism, age studies, disability studies, animal studies, and posthumanism. These essays offer us an Alice Munro who is not the kindly Canadian icon reinforcing small-town verities who was celebrated and perpetuated in acts of national pedagogy with her Nobel Prize win; they ponder, instead, an edgier, messier Munro whose fictions of affective and ethical perplexities disturb rather than comfort. In Munro's fiction, unruly embodiments and affects interfere with normative identity and humanist conventions of the human based on reason and rationality, destabilizing prevailing gender and sexual politics, ethical responsibilities, and affective economies. As these essays make clear, Munro's fiction reminds us of the consequences of everyday affects and the extraordinary ordinariness of the ethical encounters we engage again and again.