By the time of her death in 1992, Angela Carter had come to be regarded as one of the most successful and original British authors of the twentieth-century, and her writing has subsequently become the focus of a burgeoning body of criticism. This book disentangles the cult of Angela Carter as 'the fairy godmother of magical realism' from her own claims to be a materialist and a 'demythologiser' by placing her within the social, political and theoretical context within which she wrote. Drawing on Carter's own autobiographical articles as well as her novels and short stories, this study examines her engagement with topical issues such as national (particularly English) identity, class, politics and feminism, assessing the relationship between her life, her times and her art.

This book is the first full-length biographical and critical study of the American Realist author Harold Frederic (1856-1898). As London correspondent for the New York Times and the author of nine novels, Frederic was internationally known at the time of his death; today he is remembered mainly for his novel "The Damnation of Theron Ware" (1896). Drawing on archival and published material not available to earlier writers on Frederic, Myers paints a fascinating portrait of the man and his times as an expatriate in London in the 1890s, his friendship with James, Crane, Wells, and their circle, and the scandal surrounding his death at the age of 42.

Frederic was a colorful fellow. As a correspondent in London in the 1890s, he knew Henry James, Stephen Crane, George Gissing, and a host of other literary characters. He fully lived a bohemian life, keeping a real wife and a common-law wife simultaneously, fathering broods of children, writing journalism and novels at a great rate, and dying at 42 of overwork--partly because he let his second wife talk him into refusing medical help (leading to a scandalous court case). Myers concentrates on four main themes: Frederic as an expatriate; his work as representative of the transition from realism to naturalism in American literature; Frederic as a transitional author in the shift from 19th century to 20th century styles of publishing; and Frederic as a representative of the fin de siecle. Myers has worked extensively with Frederic's correspondence as well as in publishers' archives (especially Scribner's), and he sees Frederic as a writer who flourished just as the American literary marketplace was being transformed from the rather poky 19th-century model into the faster-paced 20th-century version so familiar today. This biography will interest not just specialists and Frederic scholars, but also anyone with an interest in American literary culture in one of its defining moments.

An enhanced exam section: expert guidance on approaching exam questions, writing high-quality responses and using critical interpretations, plus practice tasks and annotated sample answer extracts. Key skills covered: focused tasks to develop your analysis and understanding, plus regular study tips, revision questions and progress checks to track your learning. The most in-depth analysis: detailed text summaries and extract analysis to in-depth discussion of characters, themes, language, contexts and criticism, all helping you to succeed.

Appearing in book form for the first time, this treasure trove of letters illuminates the life of the beloved poet/writer from early childhood into middle age.

All her life, May Sarton carried on a voluminous private correspondence—with family, friends, and lovers. From the beginning, as these remarkable letters show, the essence of an extraordinary human being was present, her gifts ready to unfurl and mature.

Fittingly, an early letter thanks parents for books. Later we enter the world of the theater, then years rich with study, travel, teaching, and the discipline of craft. Sarton's deep anguish as World War II approaches pervades many letters, but readers will also encounter the things that gave Sarton joy: her love of flowers, her affection for animals, her celebration of beauty in all its guises.

As Sarton divides her time between America and Europe, in an era when ocean voyages were the norm, illustrious acquaintances and intimates are introduced, among them Eva Le Gallienne, Elizabeth Bowen, Virginia Woolf, Muriel Rukeyser, Julian and Juliette Huxley, and Louise Bogan. Always, Sarton's voice is clear and courageous, startlingly candid about her passions, her moods, and her vulnerabilities. Her words, seeming as fresh as when they were written, stand against the backdrop of the crucial events of the century as she invites old and new readers into her personal world.

Fiction can be a powerful force to educate students and employees in ways that lectures, textbooks, articles, case studies, and other traditional teaching approaches cannot. This anthology includes articles from a number of individuals from a range of different disciplines and perspectives. All of the contributors to Capitalism and Commerce in Imaginative Literature are committed to treating literary texts with integrity and believe that business should have a larger claim upon people's literary consciousness. In addition, they all value the important role of literature in dealing with the complexities of a capitalist culture. This collection of essays provides a means to appreciate the richness and variety of fictional portrayals of businesses and businesspersons. The works selected for examination reflect the variety of philosophical, political, economic, cultural, social, and ethical perspectives that have been found over time in American society. The novels and plays analyzed include high literature, mid-range literature, popular literature, ancient epics, grand narratives, hero tales, masterpieces, ideological texts, science fiction, and more. There are a great many works of literature waiting to be read and studied by business and economically-minded individuals from many different viewpoints and fields of study. This volume provides a space to explore a wide range of fictional works and opinions about them.

Nabokov gained international fame with 'Lolita', a highly erotic and morally disturbing novel. Through its comprehensive study of the amorous and sexual behaviors of Nabokov's characters this book shows how Eros, both as a clown or a pervert, contributes to the poetic excellence of his novels and accounts for the unfolding of the plots.

Jane Austen and the State of the Nation explores Jane Austen's references to politics and to political economics and concludes that Austen was a liberal Tory who remained consistent in her political agenda throughout her career as a novelist. Read with this historical background, Austen's books emerge as state-of-the-nation or political novels.

With the publication of this text, Karla Holloway becomes the first to produce a book-length analysis of Hurston's use of language in her four major novels. . . . Holloway supports all of her contentions by combining studies of African and Afro-American culture with Euramerican critical theories of semiology and structuralism. The result is a fascinating study of the shifting language of the narrators in each of Hurston's novels, and how these shifts relate to the emotional states of the characters and to the novelist herself. Choice In The Character of the Word: The Texts of Zora Neale Hurston, Karla F.C. Holloway breaks new ground by placing Hurston's life and writings in a context at once literary and political. In a political sense, Hurston envisioned herself as the embodiment of her African heritage and felt that her writing was its message. From a literary perspective, Hurston's work had a tremendous influence on her daughters: writers such as Alice Walker and Toni Morrison. Writing from the perspective of a black feminist, Holloway defines the milieu in which Hurston came of age and emphasizes the influence of this community upon her writing.

This book by one of the preeminent Virgil scholars of our day is the first comprehensive study of ekphrasis in Virgil's final masterpiece, the Aeneid. Virgil uses ekphrasis-a self-contained aside that generates a pause in the narrative to describe a work of art or other object-to tell us something about the grander text in which it is embedded, says Michael C. J. Putnam. Individually and as a group, Virgil's ekphrases enrich the reader's understanding of the meaning of the epic. Putnam shows how the descriptions of works of art, and of people, places, and even animals, provide metaphors for the entire poem and reinforce its powerful ambiguities. Putnam offers insightful analyses of the most extensive and famous ekphrases in the Aeneid-the paintings in Juno's temples in Carthage, the Daedalus frieze, and the shield of Aeneas. He also considers shorter and less well known examples-the stories of Ganymede, the Trojan shepherd swept into the sky by an amorous Jupiter; the fifty daughters of Danaus, ordered by their father to kill their husbands on their wedding night; and Virgil's original tale of a domesticated wild stag whose killing sparks a war between Trojans and Italians. These ekphrases incorporate major themes of the Aeneid, an enduring formative text of the Western tradition, and provide a rich variety of interpretive perspectives on the poem.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Letters Of Charles Dickens: 1836-1870; Volume 3 Of The Letters Of Charles Dickens; Charles Dickens Charles Dickens, Georgina Hogarth, Mary Dickens Chapman and Hall, 1882

This engrossing book describes how four twentieth-century women writers-Carson McCullers, Flannery O'Connor, Toni Morrison, and Grace Paley-have inherited and adapted the classical tradition of American romance fiction. Emily Miller Budick argues that this tradition, exemplified by the works of Nathaniel Hawthorne, Edgar Allan Poe, Herman Melville, Henry James, William Faulkner, and Ralph Ellison, is inherently skepticist, questioning whether and how we know reality. It is also sharply critical of the patriarchal bias of American culture, which is understood by these writers as a way of evading or settling philosophical doubt. Analyzing such works as The Scarlet Letter, Moby Dick, The Portrait of a Lady, The Sound and the Fury, As I Lay Dying, and Invisible Man, Budick explores this antipatriarchal critique and shows how it enables the twentieth-century women romancers to inherit the tradition. In their writings, however-in McCullers's Heart Is a Lonely Hunter, O'Connor's The Violent Bear It Away, Morrison's Song of Solomon and Beloved, and Paley's short stories-these writers do more than further the concerns of the male authors. They also explore the idea of maternal knowledge and think through alternatives not only to the patriarchal organization of society but to matriarchal constructions as well. Budick offers provocative insights into what it means to inherit a tradition--in particular across lines of gender, but also across lines of race--as she discusses the ways these four women writers revise the genre of romance to accommodate the exigencies of modern American society.

Writing Celebrity is divided into three major sections. The first part traces the rise of a national celebrity culture in the United States and examines the impact that this culture had on "literary" writing in the decades before World War II. The second two sections of the book demonstrate the relevance of celebrity for literary scholarship by re-evaluating the careers of two major American authors, F. Scott Fitzgerald and Gertrude Stein.

Raff sets her study in the early nineteenth century world, depicting the cultural debates and literary fandom that provided Austen a fertile playing field. She traces Austen's increasingly libidinal narrative presence (from early experiments in the narrator-reader relationship, to the seductive appeal of Mr. Darcy and Elizabeth Bennet in Pride and Prejudice, and on to the outright authorial titillation of Emma, Persuasion, and Northanger Abbey), while simultaneously offering analysis of her biography that connects prose and life. She targets Austen's experience in 1814 as romantic advisor to her niece Fanny Knight as pivotal to her shift to teacher-cum-paramour. The revelation of Austen's thoughts about writing and love-making and of the techniques she employed to seduce readers, display Austen's command over not just her famously effervescent prose, but also her notorious fan base. Raff's original and audacious argument is combined with a lively, conspiratorial style that will delight many readers, especially Jane Austen mavens, the bewitched Janeites, who will be gratified to find out that Austen doesn't just seem to be speaking to them-she was, in fact, consciously courting their affection all along.

A revisionist study of Mansfield as a profoundly colonial yet daringly experimental writer, at the forefront of modernism. The essays in this volume draw on the complete journals, letters and stories, to reveal Mansfield as a modernist who transcended her artistic influences through a supreme understanding of voice, being and subjectivity.

Myths of Power - Anniversary Edition sets out to interpret the fiction of the Bronte sisters in light of a Marxist analysis of the historical conditions in which it was produced. Its aim is not merely to relate literary facts, but by a close critical examination of the novels, to find in them a significant structure of ideas and values which related to the Brontes' ambiguous situation within the class-system of their society. Its intention is to forge close relations between the novels, nineteenth-century ideology, and historical forces, in order to illuminate the novels themselves in a radically new perspective. When originally published in 1975 (second edition in 1988), it was the first full-length Marxist study of the Brontes and is now reissued to celebrate 30 years since its first publication. It includes a new Introduction by Terry Eagleton which reflects on the changes which have happened in Marxist literary criticism since 1988, and situates this reissue of the second edition in current debates.

This is one of the first books to comprehensively explore representations of madness in postwar British and American Fiction. The five authors come from diverse backgrounds - literary studies, social psychology, medical psychiatry and psychiatric nursing - and as such the book's perspectives are informed through several discourses, making it a unique co-authored text in the discipline of Health Humanities. The book looks at representations of madness in a range of texts by postwar writers (such as Ken Kesey, Marge Piercy, Patrick McGrath, Leslie Marmon Silko, William Golding, Patrick Gale, William Burroughs and J.G. Ballard, to name a few), and explores the ways in which these representations help to shape public perceptions and experiences of mental disorder.
This book is relevant to both those with interests in literary studies and a vital read for psychiatric clinicians and professionals who are interested in how literature can inform and enhance clinical practices.

The first major socio-cultural study of manuscript letters and letter-writing practices in early modern England. Daybell examines a crucial period in the development of the English vernacular letter before Charles I's postal reforms in 1635, one that witnessed a significant extension of letter-writing skills throughout society.

Acknowledged as an original and important voice in American letters, Ann Beattie published her first short story at age twenty-five in 1972. Four years later, she issued her first short-story collection and first novel concurrently. This volume brings together book reviews, criticism, interviews, biographical materials, and bibliography spanning the entire corpus of Beattie's fiction to date---five short-story collections and four novels published through 1991. The editor's introduction analyzes the various critical stances, both positive and negative, informed also by her own 1992 interview with Beattie, which appears as the final selection. Newly commissioned essays supplement the reviews, articles, and earlier interviews to bring a wide range of contemporary theory to bear on the fiction. An extensive primary and secondary bibliography complete the work.

This resounding defence of the principles of free expression revisits the 'Satanic Verses' uproar of 1989, as well as subsequent incidents such as the Danish cartoons controversy, to argue that the human right of free speech is by no means so secure that it can be taken for granted.

"Narratives of Class in New Irish and Scottish Literature" argues that the outskirts of cities have become spaces for a new literature beyond boundaries of traditional notions of nation, class, and gender. These new constructions of dwellings and neighborhoods house new notions of the roles of women in the working class, a reconception paralleled by the use of the sorts of textual innovations once presumed to be the territory of metropolitan elites. Chapters on James Kelman, Roddy Doyle, Janice Galloway, and Eoin McNamee examine appropriations of voice, shifts in narrative perspective, and strategic uses of local vernacular as techniques that characterize the explosion of working-class literary production in Scotland and Ireland in the eighties and nineties.

Even in an age of emerging nationhood, English men and women still thought very much in terms of their parishes, towns, and counties. This book examines the vitality of early modern local consciousness and its deployment by writers to mediate the larger political, religious, and cultural changes of the sixteenth and seventeenth centuries.

In this first book-length study of Stevie Smith, Romana Huk reassesses the work of this major twentieth-century woman writer as emerging not only from the practices of female literary modernism, but also from within the tumultuous cultural context of mid-century Europe. Huk considers both the poems and the novels in the light of their cultural and literary context. Amongst the work treated here is Smith's rarely discussed trilogy of novels: Novel on Yellow Paper , Over the Frontier and The Holiday .

This classic novel of colonial Ceylon (Sri Lanka), was first published in 1913 and is written by a prominent member of the Bloomsbury group, husband of Virginia Woolf. It reads as if Thomas Hardy had been born among the heat, scent, sensuality and pungent mystery of the tropics. Translated into both Tamil and Sinhalese, it is one of the best-loved and best-known stories in Sri Lanka. It includes a new biographical afterword by Sir Christopher Ondaatje, author of "Woolf in Ceylon", and a short story, "Pearls before Swine", which vividly draws on Woolf's experience as a young District Commissioner. This book reeks of first-hand knowledge of the colonial experience, and of its profound, malign disregard for the psychology and culture of its subject peoples.