In this first book-length study of Stevie Smith, Romana Huk
reassesses the work of this major twentieth-century woman writer as
emerging not only from the practices of female literary modernism,
but also from within the tumultuous cultural context of mid-century
Europe. Huk considers both the poems and the novels in the light of
their cultural and literary context. Amongst the work treated here
is Smith's rarely discussed trilogy of novels: Novel on Yellow
Paper , Over the Frontier and The Holiday .
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