Addressed to all readers of Dostoevsky, as well as to teachers,
students, and specialists, this lucidly-written study approaches
the underground man, Raskolnikov, and Ivan and Alyosha Karamazov as
imagined human beings whose feelings, behaviors, and ideas are
expressions of their personalities and experience. While asserting
the autonomy of Dostoevsky's characters, Paris shows that there is
a tension between them and the author's rhetoric and demonstrates
that the characters often escape their illustrative roles. By
paying close attention to mimetic detail, this book seeks to
recover Dostoevsky's psychological intuitions and fully to
appreciate his brilliance in characterization.
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