In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural earth

Colour Index: PY43

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural earth

Colour Index: a.s.

Colour index number: a.s.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: a.s.

Colour Index: a.s.

Colour index number: a.s.

Lightfastness: Lightfast pigment according to ASTM category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Synthetic iron oxide

Colour Index: PR101

Colour index number: n.a.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Zinc oxide-Titanium dioxide-Zinc iron oxide-Condensed azo

Colour Index: PW4-PW6-PY119-PR214

Colour index number: a.s.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Nickel titanate

Colour Index: PY53

Colour index number: 77788

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Pyrozolo chinazolon

Colour Index: PO67

Colour index number: 12915

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque.

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Anthraquinone

Colour Index: PR177

Colour index number: 73900

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Anthraquinone-Anthraquinoe-Azocondensation

Colour Index: PR168-PR177-PBR23

Colour index number: 59300-73900-20060

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Synthetic ultramarine

Colour Index: PR259

Colour index number: 77007

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Phthalocyanine

Colour Index: PB15

Colour index number: 74160

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Barium manganate-Manganese ammonium pyrophosphate

Colour Index: PB33-PV16

Colour index number: n.a. 77742

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Oxides of cobalt and zinc

Colour Index: PG19

Colour index number: n.a.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Oxides of cobalt-Nickel-Titanium

Colour Index: PG50

Colour index number: n.a.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural iron oxide-Natural iron oxide-Phthalocyanine

Colour Index: PR101-PY42-PG7

Colour index number: 77491-77492-74260

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Synthetic iron oxide-Synthetic iron oxide

Colour Index: PY42-PR101

Colour index number: 77492-n.a.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural earth-Zinc oxide-Natural umber

Colour Index: PG23-PW4-PBR7

Colour index number: a.s.-77947-77492

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Zinc oxide-Titanium dioxide-synthetic ultramarine-Carbon black

Colour Index: PW4-PW6-PB29-PBL7

Colour index number: 77947-77891-77007-77266

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

Crimson Lake:Transparency: Transparent Lightfastness: GoodPigment Index: PR177ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.

Vermillion Hue:Transparency: Opaque Lightfastness: FairPigment Index: PR48:1 PY1ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.

Permanent Yellow Light:Transparency: Semi-Opaque Lightfastness: GoodPigment Index: PY1ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.

Permanent Yellow Orange:Transparency: Semi-Opaque Lightfastness: FairPigment Index: PY1 PO13ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.

Raw Umber Light:Transparency: Opaque Lightfastness: ExcellentPigment Index: PY43ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.

Coffee Brown:Transparency: Semi-Opaque Lightfastness: GoodPigment Index: PR177 PY128 PG7ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.

Olive Green:Transparency: Semi-Transparent Lightfastness: GoodPigment Index: PR177 PY17 PG8 PB29ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.