PY74. Slow Drying. Transparent. Very Good Lightfastness. High Oil Content.

One of the oldest established organic lakes, Arylide Yellow G, this is a warmer version of Bright Yellow Lake, with similar properties. Deceptively transparent but with strong tint power, it runs through mixes with a milder and more golden range of undertones.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Cadmium Zinc SulphoselenideClassification: MixtureColour Index: PY35/PO20Vehicle: Linseed OilHiding power: OpaquePigment Loading: HighConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 0817Series: 5

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Synthetic ultramarine

Colour Index: PB29

Colour index number: 77007

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Series number: 4

Chemical Description: Cadmium sulphoselenide, Cadmium sulphoselenide

Colour index name: PO20, PR108

Colour index number: 77202, 77202

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O



Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the World's Finest Colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

10 x 40ml tubes including the following colours:1 x Unbleached Titanium Dioxide (PW 6.1, Fast Drying Speed, Opaque, Excellent Lightfastness, Low Oil Content)1 x Warm White (PW 6, PW 4 & PY 42, Average Drying Speed, Excellent Lightfastness, Opaque/High Tint Power, Low Oil Content)1 x Yellow Lake Deep (PY139, Slow Drying Speed, Transparent, Excellent Lightfastness, High Oil Content & Tint Power)1 x Yellow Ochre Deep (PY 42, Fast Drying Speed, Semi Transparent, Excellent Lightfastness, Average Oil Content)1 x Venetian Red (PR101, Fast Drying Speed, Opaque, Excellent Lightfastness, Lower than average Oil Content)1 x Scarlet Lake (PR170, Average Drying Speed, Slightly Opaque, Excellent Lightfastness, High Oil Content)1 x Burnt Umber (PBr 6, Fast Drying Speed, Semi-Opaque, Excellent Lightfastness, Average Oil Content)1 x Italian Green Umber (PBr 7, Fast Drying Speed, Slightly Transparent, Excellent Lightfastness, Average Oil Content)1 x Phthalo Blue & Zinc White (PB 15.4 & PW4, Average Drying Speed, Opaque, Excellent Lightfastness, Low Oil Content)1 x Ultramarine Blue (PB 29, Average Drying Speed, Transparent Covering, Excellent Lightfastness, Average Tint Power & Oil Content)

Cadmium Lemon: This is the coolest shade of Cadmium Yellow.Pigment: CP cadmium zinc sulfide (PY35)Vehicle: Alkali refined linseed oilLightfastness I, Series 4, OPAQUE

pdf=Gamblin Artists Oil Yellow Cadmiums Data Sheet.pdf Gamblin Artists Oil Yellow Cadmiums Data Sheet

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, used to obtain optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.This is a 40ml tube of Old Holland Classic Oil Paint in Cobalt Blue.pdf=oldhollandoils.pdf Old Holland Classic Oil Colour Chart

Series number: 2

Chemical Description: Arylide yellow

Colour index name: PY3

Colour index number: 11710

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: ST



Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the World's Finest Colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Transparent Yellow Ochre. Excellent for glazing.Pigment: Transparent Mars Yellow (PY 42)Vehicle: Alkali refined linseed oilLightfastness I, Series 3, TRANSPARENT

pdf=Gamblin Artists Oil Van Dyke Brown Data Sheet.pdf Gamblin Artists Oil Van Dyke Brown Data Sheet

PR 122. Average Drying. Transparent. Excellent Lightfastness. High Oil Content.

Quinacridone Y, a very lightfast organic pigment, with strong bluish overtones which shine through if it is used as a glaze. When made into hues it presents a wonderful range of decadent, strong cool pinks which evoke rich satins. When added 50/50 to Ultramarine the results are a spectacular range of violets, which, when hued themselves, have an almost stain-glass quality. In mixes with yellow lakes the results are ranges of diaphanous, ambivalent pinks marvellous in certain flesh painting.

High quality yet economical oil colour

Well-balanced colour spectrum of 48 brilliant colours

High concentration of pigments for an exceptional colour intensity

Excellent lightfastness

25 single-pigment-colours

Use of especially refined linseed oil and sunflower oil (pharmaceutical quality), no tendency of yellowing

Distinctive smooth buttery consistency through the use of bees wax

Surface drying in 2 to 4 days

Traditional production on three roll mills

A spoor (0.5-1.5%) of the finest bees wax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are only pure vegetable linseed and sunflower oils in special quality.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Colour: Viridian Hue
Pigment Index: PG7
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Tradition. The original formula handed down through generations exactly as it had been conceived. Oil plus pigment, period. Faithfully carrying through time the elements required by master painters united in seeking fine execution and quality mediums. Historic tonalities, unattainable mixtures, tints now impossible to find whose roots are in the Italian painting that the whole world admires and extols. Like a force abiding by transcendent principles, flowing through the ages. Artisti still bears the label of the A series that Gianni Maimeri designed in 1923. One hundred and two colours, in a balanced division. Five differently toned whites. Seventeen natural earth tones. Three chrome yellows. No colours with low light resistance. No substance considered harmful is used.

Colour: Titanium White
Pigment Index: PW6 PW4
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

PR 101. Very Fast Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.

A deeper and cooler shade of synthetic Iron Oxide with great colorific density and which makes hues with conspicuously purplish undertones, and which some painters value for rendering flesh tones in interior light.

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Nickel titanate

Colour Index: PY53

Colour index number: 77788

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural earth-Zinc oxide-Natural umber

Colour Index: PG23-PW4-PBR7

Colour index number: a.s.-77947-77492

Lightfastness: Lightfast pigment according to ASTM category 1 and 2

Opacity/Transparency: Opaque

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Pigment classification : Barium manganate

Colour index : PB33

Colour index number : n.a. 77112

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Semi-transparent