Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

This is a good glazing colour with a subtle and interesting blueish shade. When mixed with white it produces a rich range of vivid purple. The tinting power is very high.

Isaro paints are handmade by Isabelle Roelofs in Belgium. She is one of the few, if not the only, color women. The Isaro oil paints which are beautifully packaged, are all made from carefully selected, lightfast pigments and pure linseed oil and are on par with the other professional oil paints available on the current market.
Isabelle has a deep passion for coloring making; when selecting pigments she chooses from both classical pigments (cadmium, cobalt, iron oxide ...) and modern pigments (quinacridones, dioxazine, DPP ...) as well as the historical pigments (cochineal, indigo, smalt, azurite...) to produce these stunning and reliable oil paints with an excellent lightfastness. All the oil colors in the Isaro range are crushed with pure linseed oil because of it’s potential for high saturation and because it produces a protective film (linoxyn) which is very resistant.

PB29 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.

A deeper version of the blend above, useful for such features as architectural modelling in backgrounds.

PV15. Average Drying. Transparent. Excellent Lightfastness. Average Oil Content.

A variant of Ultramarine pigment, achieved when slightly altering the manufacture of the blue shade, Sodium Sulphosilicate, by heating it with Chloride. The result is a weaker, more violet pigment which has low tint power and a degree of transparency that lends itself to being exploited in glazes or thin bodycolour. In hues it becomes a high-keyed, rather fluffy mauve which landscapists have found apposite for the brighter tones of clear skies and for the modelling of sunlit clouds.

Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin. A cool purple made with Ultramarine Violet and Blue pigments. Extremely opaque and luminous.

PV16. Average Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.

Manganese Ammonium Pyrophosphate, a heavy, bold Violet which was first made in Germany in 1868; one of the mid-19th century wave of synthetic inorganic metal salts which so changed the artist.

PR 101. Very Fast Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.

A deeper and cooler shade of synthetic Iron Oxide with great colorific density and which makes hues with conspicuously purplish undertones, and which some painters value for rendering flesh tones in interior light.

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Michael Harding paints are made by hand, using techniques which date back to the days of the Old Masters. Harding will not claim that his paints will turn you into a great painter, but he does promise they will have a profound effect on your work. Your colors will be stronger and richer, and you will find the texture of the paint incomparable. You will love working with them.

Colour: Michael Harding Vandyke BrownPigment Index: PBr8Semi TransparentLightfastness: ExcellentPrice Series: 1This dark brown is a solid alternative to blacks and is reminiscent of the backgrounds of Flemish portraits.Michael Harding Oil Colours are among the finest oil paints available to artists today. The colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

Michael Harding paints are made by hand, using techniques which date back to the days of the Old Masters. Harding will not claim that his paints will turn you into a great painter, but he does promise they will have a profound effect on your work. Your colors will be stronger and richer, and you will find the texture of the paint incomparable. You will love working with them.

PR 108. Fast Drying. Opaque. Excellent Lightfastness. Low Oil content.

A crisp, zingy red with the usual Cadmium characteristics, high tint power and opacity, and which can present warm, almost fiery hues when mixed with a more transparent White, such as Zinc.

Colour: Michael Harding Cobalt TealPigment Index: PG50Transparency: OpaqueLightfastness: ExcellentPrice Series: 5This vivid inorganic colour is great for landscape, portrait and non figurative painters thanks to its excellent handling and coverage. Michael Harding Oil Colours are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

PB36. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.

Colour: Michael Harding Italian Brown OchrePigment Index: PY42Semi TransparentLightfastness: ExcellentPrice Series: 2Italian Brown Ochre is an interesting natural earth with the most wonderful transparent under colour. Excellent for both portraits and landscapes.Michael Harding Oil Colours are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: PeryleneClassification: Synthetic OrganicColour Index: PR179Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 2-5 daysASTM: IProduct Code: 0859Series: 6

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues. Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern. pdf=GamblinArtistsOilColourChart.pdf Gamblin Artists Oil Colour Chart

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into their Artist Oils'. In addition, they use the same process of mixing, milling, filling, and hand labelling.

To ensure the 1980 colours are affordable, Gamblin formulates them with pure pigments, refined linseed oil and marble dust (calcium carbonate). This is different to many other paint manufacturers who use gels and waxes to stiffen colours, or even replace traditional pigments with less expensive ones.

With 1980 colours, artists can pay less and experience colours that are great quality, without homogenized texture or muddy colour mixtures.

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues.

Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern.

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues. Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern. pdf=GamblinArtistsOilColourChart.pdf Gamblin Artists Oil Colour Chart

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues.

Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern.

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues.

Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Colour: Michael Harding Vine BlackPigment Index: PBk11Semi TransparentLightfastness: ExcellentPrice Series: 1Another useful alternative to the existing blacks with a cool, almost slightly yellow undertone when thinned.Michael Harding Oil Colours are among the finest oil paints available to artists today. The colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin. A fresh and bright pink with a hint of orange. It is transparent and has an extremely high tinting strength.