Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

PB29, Average Drying, Semi Transparant, Low Oil Content, Average Tint Power, Non-Toxic There are a few special pigment colours in the range; an example is a genuine Afghan lapis lazuli. The first and most noticeable thing about the lapis lazuli compared to the modern synthetic equivalent ultramarine blue, is the considerably less tinting and covering power and its slightly dirtier colour, though neither of these traits should be seen to detract from the natural beauty.

PV14. Fast Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.

This shade of Cobalt Phosphate was only obtainable when the natural ore was superseded by more refined processes of manufacture. It has a heavier, richer appearance than its lighter counterpart, but its comparatively weak tint power means that it will not unduly push mixes towards a deeper bluish result. Interesting effects when glazed over with yellow lake colours.

PV14. Fast Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.

First made from the rare ore of Cobalt Phosphate in the mid-19th century, this is now a synthetic inorganic pigment, of which the lighter shade is closer to the original, natural version. It has a very delicate shade of violet which appears quite opaque in mass-tone, but which quickly becomes transparent when applied thinly, and when glazed over a white ground, gives a very interesting range of bluish pinks. The hues are equally restrained.

PG19. Fast Drying. Semi-Opaque. Excellent Lightfastness. Low Oil Content.

A heavy, dense blue-green, with low tint power, introduced, with so many inorganic metallic pigments, 1830-40. It is a compound of Cobalt and Zinc Oxides, with grey-blue undertones which do not overturn mixes and form interesting effects when combined with the Yellow Lakes.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: DioxazineClassification: Synthetic OrganicColour Index: PV23 (51319)Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0892Series: 4

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Cobalt AluminateClassification: Synthetic InorganicColour Index: PB28 (77346)Vehicle: Safflower OilHiding power: Semi-OpaquePigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0866Series: 6

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Nickel Azo/Arylide/ PhthalocyanineClassification: MixtureColour Index: PY150/PY74/PG7Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 3-6 daysASTM: IIProduct Code: 0865Series: 3

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Arylide 10G / PhthalocyanineClassification: Synthetic OrganicColour Index: PG7/PY3Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 0862Series: 2

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Natural Iron OxideClassification: Natural InorganicColour Index: PY43 (77491)Vehicle: Linseed OilHiding power: Semi-OpaquePigment Loading: MediumConsistency: Soft butterDrying rate: 2-4 daysASTM: IProduct Code: 0853Series: 2

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Nickel Azo ComplexClassification: Synthetic OrganicColour Index: PY150 (12764)Vehicle: Linseed OilHiding power: TransparentPigment Loading: Medium-HighConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0851Series: 4

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Prepared Iron OxideClassification: Synthetic InorganicColour Index: PBr6 (77492)Vehicle: Linseed OilHiding power: OpaquePigment Loading: MediumConsistency: Soft butterDrying rate: 2-4 daysASTM: IProduct Code: 0834Series: 1

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Nickel Antimony TitanateClassification: Synthetic InorganicColour Index: PY53 (77788)Vehicle: Safflower OilHiding power: OpaquePigment Loading: HighConsistency: StiffDrying rate: 3-6 daysASTM: IProduct Code: 0832Series: 2

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Prepared Iron OxideClassification: Synthetic InorganicColour Index: PR101 (77491)Vehicle: Linseed OilHiding power: OpaquePigment Loading: Normal-highConsistency: Dense butterDrying rate: 2-5 daysASTM: IProduct Code: 0826Series: 1

Titanium-Zinc White: Most useful all-purpose oil painting white. An excellent mixing white, T-Z White combines the soft texture and opacity of Titanium with the creamy transparency of Zinc for less "chalky" mixtures. Consider using T-Z White for colour-mixing because it takes so much colour to tint Titanium.Pigment: Titanium dioxide, zinc oxide (PW 6, PW 4)Vehicle: Safflower OilLightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Oil Whites Data Sheet.pdf Gamblin Artists Oil Whites Data Sheet

Titanium Buff: A light, yellow-grey made from a compound of titanium dioxide and iron oxide. This popular colour is valuable in figurative and landscape painting.

Pigment: Titanium dioxide (PW 6)Vehicle: Alkali refined linseed oilLightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Oil Titanium Buff Data Sheet.pdf Gamblin Artists Oil Titanium Buff Data Sheet

Cool White: Perfect for painters working in cool light situations, such as painting under an overcast sky. Based on our Titanium Zinc White formula, it has a perfect balance of blue pigment to lighten and cool other colours, while maintaining their hue.

Pigment: Titanium dioxide, copper phthalocyanine, zinc oxide (PW 6, PB 15:2, PW 4) Vehicle: Safflower oil Lightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Cool White Data Sheet.pdf Gamblin Artists Cool White Data Sheet

Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Phthalo Green Yellow Shade (PG 36, Series 4). This green is dark in mass tone, very transparent with strong tinting power for mixing clear colours. Slightly warmer than Phthalo Green (Blue Shade).Lightfastness: III - ExcellentTransparency: Transparent

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.