|
|
Arts & Crafts > Fine Art Supplies > Oil Painting > Oil Colour
M. Graham's Turquoise has a deep mass tone and a green blue under tone capable of producing gem-like transparent blue glazes.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Terra Rose is a cool tinting earth red that compliments the warmth of Burnt Sienna. Exceptional tinting strength and opacity.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
M. Graham's Scarlet Pyrrol is a vivid fiery orange with incredible strength. Useful in both mixing and as a glaze. Its mass tone resembles the old orange vermillion found in 19th century landscapes.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Subtle and subdued rich earthen yellow with a hint of orange. More opaque than M. Graham's Transparent Yellow Iron Oxide.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
An emerald shade Phthalocyanine with exceptionally dark mass-tone and radiant yellow undertones. A luminous glazing green.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Phthalocyanine Green is a strong blue shade of green with exceptional intensity and transparency.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Phthalocyanine Blue Red Shade has a deep vibrant mass tone and a pure clean transparent red undertone. A perfect glazing blue with exceptional tinting strength.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
M. Graham's Permanent Green Pale has a stunning lime green mass-tone blended with a strong yellow-green undertone. Light and spring like.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Permanent Green Light is a cool emerald shade of green with more warmth than Viridian.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Olive Green is a subdued earthen green glazing color. Perfect for reducing the chromatic intensity of glazing reds such as Quinacridones.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Nickel Quinacridone Gold is a red shade, golden russet glazing color. It has a rich muted mass-tone and a fiery golden undertone.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
M. Graham's Nickel Azo Yellow has a warm, deep yellow mass-tone and a vibrant yellow undertone. Translucent in heavier applications and very transparent in glazes. It yields a bright sunny, glowing yellow when tinted with white.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Mars Black is the most opaque black in this range, with a neutral tint. Not as black as Ivory Black, it has a firm feeling under the brush and good flow.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Maroon Perylene is a deep, warm and earthy transparent red. It has fiery undertones in glazes and a great depth in mass-tone. Perfect to reduce intensity in any green.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Lamp Black is a very cool tinting carbon black with great strength.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
M. Graham's Emerald Green is an appealing, lively 19th century green featured in many impressionist paintings. Great addition to any plein-air palette.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Cobalt Turquoise is a soft, rich and almost earthy color. Ideal to deepen and enrich other cobalts or used to create complex mixtures with Burnt Sienna.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
M. Graham's Cobalt Blue is a bright, clean, primary blue with excellent handling properties.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
M. Graham's Chromium Oxide Green is subtle and extremely opaque pure earthy green with very high tinting strength. Combined with earthy reds this special green creates soft, gentle greys.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Chroma Black is the perfect mixing black. Chromatically neutral, semi-transparent and gentle in strength. Especially useful to reduce the intensity of greens.
These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.
Jackson’s Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant.
The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process.
We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson’s oil paints.
Jackson’s Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant.
The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process.
We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson’s oil paints.
Jackson’s Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant.
The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process.
We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson’s oil paints.
Jackson’s Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant.
The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process.
We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson’s oil paints.
Jackson’s Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant.
The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process.
We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson’s oil paints.
|
|