In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Oxides of cobalt-Nickel and titanium

Colour Index: PG50

Colour index number: 77377

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Monoazo-Phthalocyanine

Colour Index: PY3-PG36-PB15

Colour index number: 11710-74265-74160

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Monoazo-Monoazo-Phthalocyanine-Nickel titanate

Colour Index: PY3-PY74-PG36

Colour index number: 11710-21090-74265

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Azocondensation-Phthalocyanine-Carbonblack

Colour Index: PY95-PG7-PBL7

Colour index number: 20034-74260-77266

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural iron oxide-Phthalocyanine-Carbon black

Colour Index: PY42-PG7-PBL7

Colour index number: 77492-74260-77266

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Zinc oxide-Titanium dioxide-Synthetic iron oxide

Colour Index: PW4-PW6-PY42

Colour index number: 77947-77891-77492

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Chrome titanate

Colour Index: PBR24

Colour index number: n.a.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Synthetic iron oxide

Colour Index: PY42

Colour index number: 77492

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural ochre

Colour Index: n.a.

Colour index number: n.a.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Azocondensation

Colour Index: PY95-PY74-PY119

Colour index number: 20034-21090-77496

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural ochre

Colour Index: a.s.

Colour index number: a.s.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Synthetic iron oxide-Synthetic iron oxide-Synthetic iron oxide

Colour Index: PR101-PBL11-PY42

Colour index number: 77491-77499-77492

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural Umber

Colour index number: a.s.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural earth-Zinc oxide-Natural umber

Colour Index: PG23-PW4-PBR7

Colour index number: a.s.-77947-77492

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Zinc oxide-Titanium dioxide-synthetic ultramarine-Carbon black

Colour Index: PW4-PW6-PB29-PBL7

Colour index number: 77947-77891-77007-77266

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.