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Arts & Crafts > Fine Art Supplies > Oil Painting > Oil Colour
Cadmium Red Deep is a purple red shade that is deep in masstone and very cool in undertone.
Cadmium Red is a deep middle value red with a cool undertone.
Cadmium Orange is an opaque and luminous shade of orange. An excellent color well suited to landscapes.
Bismuth Yellow is a cool primary yellow that delivers a rich buttery feel under the brush and offers superior opacity for a primary yellow.
Azo Orange is an intense warm orange, crafted with a contemporary high performance pigment. This color delivers a glowing rich mass tone with brilliant tint.
Azo Coral is a semi-transparent glazing orange with a vibrant, red-leaning mass tone and a beautiful orange undertone.
Anthraquinone Red has a deep madder mass tone combined with brilliant, clean tints. This transparent red offers a lightfast alternative to Alizarin.
Anthraquinone Blue is a red leaning primary blue with smokey intensity. Ideal for glazes and unusual color mixes.
Zinc White is a semi-opaque tinting and scumbling white. Produces cool tints with excellent resistance to yellowing.
Ultramarine Blue is a red shade Ultramarine with depth and intensity. A genuine replacement for the original lapis pigment. Wonderful alone or mixed with Anthraquinone Red for violets.
Subtle and subdued rich earthen yellow with a hint of orange. More opaque than M. Graham's Transparent Yellow Iron Oxide.
Phthalocyanine Green is a strong blue shade of green with exceptional intensity and transparency.
Phthalocyanine Blue is a brilliant green shade of blue with vibrant and intense high tinting strength.
Permanent Green Light is a cool emerald shade of green with more warmth than Viridian.
This is a primary red close to Cadmium Red Light in masstone, with a clean, intense tint.
Mars Black is the most opaque black in this range, with a neutral tint. Not as black as Ivory Black, it has a firm feeling under the brush and good flow.
M. Graham's Ivory Black is a pure, rich black leaning to the warm side of the color spectrum. The go-to black for mixing and creating useful greys. Much stronger than most Ivory Blacks.
Dioxazine Purple has a dark purple mass tone with a bright, blue-violet tint. Bluer than Quinacridone Violet.
M. Graham's Cobalt Blue is a bright, clean, primary blue with excellent handling properties.
Cadmium Red is a deep middle value red with a cool undertone.
Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast
Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast
Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast
Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Arylide 10GClassification: Synthetic OrganicColour Index: PY3 (11710)Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0816Series: 2
Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Diketopyrrolo PyrroleClassification: Synthetic OrganicColour Index: PR254 (56110)Vehicle: Linseed OilHiding power: OpaquePigment Loading: MediumConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 08102Series: 4 |
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