Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Series number: 1

Chemical Description: Synthetic iron oxide

Colour index name: PR101

Colour index number: 77491

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T

A high level of pigmentation provides good covering power and tinting strength. While it can't match the superior pigment load of Artists' Oil Colour, the Winton range is much stronger than many other artists' quality ranges.The economical cost has been achieved through the use of moderately priced pigments rather than lessening the pigment content to an unacceptable level. Winsor & Newton formulation, manufacture and quality control ensure a product of absolute excellence. The Winton range has a more uniform consistency than Artists' Oil Colour and is slightly stiffer. It offers excellent retention of brush and palette knife strokes.

Series number: 1

Chemical Description: Arylide yellow

Colour index name: PY65

Colour index number: 11740

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O

A high level of pigmentation provides good covering power and tinting strength. While it can't match the superior pigment load of Artists' Oil Colour, the Winton range is much stronger than many other artists' quality ranges.The economical cost has been achieved through the use of moderately priced pigments rather than lessening the pigment content to an unacceptable level. Winsor & Newton formulation, manufacture and quality control ensure a product of absolute excellence. The Winton range has a more uniform consistency than Artists' Oil Colour and is slightly stiffer. It offers excellent retention of brush and palette knife strokes.

Series number: 1

Chemical Description: Bone black

Colour index name: PBk9

Colour index number: 77267

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

A high level of pigmentation provides good covering power and tinting strength. While it can't match the superior pigment load of Artists' Oil Colour, the Winton range is much stronger than many other artists' quality ranges.The economical cost has been achieved through the use of moderately priced pigments rather than lessening the pigment content to an unacceptable level. Winsor & Newton formulation, manufacture and quality control ensure a product of absolute excellence. The Winton range has a more uniform consistency than Artists' Oil Colour and is slightly stiffer. It offers excellent retention of brush and palette knife strokes.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Titanium DioxideClassification: Synthetic InorganicColour Index: PW6.1 (77891)Vehicle: Linseed OilHiding power: OpaquePigment Loading: HighConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 0838Series: 1

Colour: Titanium White
Pigment Index: PW6 PW4
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: French Ultramarine
Pigment Index: PB29
Colour Lightfastness: Good
Colour Transparency: Semi-Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Burnt Sienna
Pigment Index: PR101
Colour Lightfastness: Excellent
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Burnt Umber
Pigment Index: PBr7
Colour Lightfastness: Excellent
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Colour: Raw Umber
Pigment Index: PBr7
Colour Lightfastness: Excellent
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Sap Green
Pigment Index: PG7 PY73 PR101
Colour Lightfastness: Good
Colour Transparency: Semi-Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Cadmium Orange Hue
Pigment Index: PO34 PY73 PY42
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.