Cobalt Turquoise is a soft, rich and almost earthy color. Ideal to deepen and enrich other cobalts or used to create complex mixtures with Burnt Sienna.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

M. Graham's Cobalt Blue is a bright, clean, primary blue with excellent handling properties.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

M. Graham's Chromium Oxide Green is subtle and extremely opaque pure earthy green with very high tinting strength. Combined with earthy reds this special green creates soft, gentle greys.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Chroma Black is the perfect mixing black. Chromatically neutral, semi-transparent and gentle in strength. Especially useful to reduce the intensity of greens.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colors. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colors. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

PB29, Average Drying, Semi Transparant, Low Oil Content, Average Tint Power, Non-Toxic There are a few special pigment colours in the range; an example is a genuine Afghan lapis lazuli. The first and most noticeable thing about the lapis lazuli compared to the modern synthetic equivalent ultramarine blue, is the considerably less tinting and covering power and its slightly dirtier colour, though neither of these traits should be seen to detract from the natural beauty.

PV14. Fast Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.

First made from the rare ore of Cobalt Phosphate in the mid-19th century, this is now a synthetic inorganic pigment, of which the lighter shade is closer to the original, natural version. It has a very delicate shade of violet which appears quite opaque in mass-tone, but which quickly becomes transparent when applied thinly, and when glazed over a white ground, gives a very interesting range of bluish pinks. The hues are equally restrained.

PG19. Fast Drying. Semi-Opaque. Excellent Lightfastness. Low Oil Content.

A heavy, dense blue-green, with low tint power, introduced, with so many inorganic metallic pigments, 1830-40. It is a compound of Cobalt and Zinc Oxides, with grey-blue undertones which do not overturn mixes and form interesting effects when combined with the Yellow Lakes.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: DioxazineClassification: Synthetic OrganicColour Index: PV23 (51319)Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0892Series: 4

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Cobalt AluminateClassification: Synthetic InorganicColour Index: PB28 (77346)Vehicle: Safflower OilHiding power: Semi-OpaquePigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0866Series: 6

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Nickel Azo/Arylide/ PhthalocyanineClassification: MixtureColour Index: PY150/PY74/PG7Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 3-6 daysASTM: IIProduct Code: 0865Series: 3

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Arylide 10G / PhthalocyanineClassification: Synthetic OrganicColour Index: PG7/PY3Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 0862Series: 2