The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Monoazo

Colour Index: PY3

Colour index number: 11710

Lightfastness: Lightfast pigment according to ASTM category 1 and 2

Opacity/Transparency: Semi-opaque

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Pigment classification :Pyrozolo chinazolon

Colour index :PO67

Colour index number :12915

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency :Opaque.

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength.

R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you.

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

PBr 7. Very Fast Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.

One of the calcined Iron Oxide Earths, of such antiquity and usefulness it barely needs an introduction. It makes rich but subdued pinks, which reveal how transparent and warm are its undertones. Its tint power is noticeably stronger than the more opaque Earths.

High quality yet economical oil colour

Well-balanced colour spectrum of 48 brilliant colours

High concentration of pigments for an exceptional colour intensity

Excellent lightfastness

25 single-pigment-colours

Use of especially refined linseed oil and sunflower oil (pharmaceutical quality), no tendency of yellowing

Distinctive smooth buttery consistency through the use of bees wax

Surface drying in 2 to 4 days

Traditional production on three roll mills

A spoor (0.5-1.5%) of the finest bees wax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are only pure vegetable linseed and sunflower oils in special quality.

Pigment classification : Zinc oxide-Naphtol as.-Quinacridone

Colour index : PW4-PR112-PR122

Colour index number :77947-12370-73915

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Semi-opaque

Charvin has a long tradition of producing artists’ oil colour using high quality ingredients and traditional processes. Established in 1830 and based in Cannes on the French Riviera, Charvin slowly and expertly produces oil colour with a dedication to detail to ensure consistent and creamy colours that are full of character.Charvin Extra Fine Artist Oil colours are made according to some of the oldest recipes still in use. The highest possible concentration of pigment is combined with the principle binder, poppy oil, which is non-yellowing and gives a creamy texture and richness. The extensive range of colours are permanent and lightfast, and are ideal for traditional and modern techniques. Please note: due to trading agreements we are unable to ship this product to the US, Canada, or the Caribbean.

Shiva Professional Oil Paint Sticks are made with refined linseed oil blended with high-quality pigment and solidified into a convenient stick form. Ideal for sketching and outlining, these sticks are an effective medium to think out shape, composition and colour, without a palette or mixing cup. The Colourless Blender can be used to smooth the outlines and blend the colours. They are also a useful for helping grasp fundamentals of oil painting without messy mixing and clean-up. In most cases, the paint dries in 24 hours. Shiva Professional Oil Paint Sticks can be spread or blended and used in conjunction with conventional oil paints. They are self-sealing, just peel the seal before using. There are no unpleasant odours or fumes, so you can paint anywhere and on almost any surface - from paper to panel to fabric. Thinners, turpentine and linseed oil work as they do with conventional oil paints. Varnishes may be applied to finished paintings after they are completely dry. Available in 51 professional colours, 12 student colours, and 16 iridescent colours.

Shiva Professional Oil Paint Sticks are made with refined linseed oil blended with high-quality pigment and solidified into a convenient stick form. Ideal for sketching and outlining, these sticks are an effective medium to think out shape, composition and colour, without a palette or mixing cup. The Colourless Blender can be used to smooth the outlines and blend the colours. They are also a useful for helping grasp fundamentals of oil painting without messy mixing and clean-up. In most cases, the paint dries in 24 hours. Shiva Professional Oil Paint Sticks can be spread or blended and used in conjunction with conventional oil paints. They are self-sealing, just peel the seal before using. There are no unpleasant odours or fumes, so you can paint anywhere and on almost any surface - from paper to panel to fabric. Thinners, turpentine and linseed oil work as they do with conventional oil paints. Varnishes may be applied to finished paintings after they are completely dry. Available in 51 professional colours, 12 student colours, and 16 iridescent colours.

Permanent White:Transparency: Semi-Opaque Lightfastness: ExcellentPigment Index: PW6ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Indanthrone

Colour Index: PB60

Colour index number: 69800

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Synthetic iron oxide

Colour Index: PR101

Colour index number: n.a.

Lightfastness: Lightfast pigment according to ASTM category 1 and 2

Opacity/Transparency: Opaque

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Green Grey:Transparency: Semi-Opaque Lightfastness: GoodPigment Index: PR101 PY42 PG7 PW4ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.

High quality yet economical oil colour

Well-balanced colour spectrum of 48 brilliant colours

High concentration of pigments for an exceptional colour intensity

Excellent lightfastness

25 single-pigment-colours

Use of especially refined linseed oil and sunflower oil (pharmaceutical quality), no tendency of yellowing

Distinctive smooth buttery consistency through the use of bees wax

Surface drying in 2 to 4 days

Traditional production on three roll mills

A spoor (0.5-1.5%) of the finest bees wax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are only pure vegetable linseed and sunflower oils in special quality.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.