How can the stories of the Hebrew Bible be read for their ethical value? Eryl W. Davies uses the narratives of King David in order to explore this, basing his argument on Martha Nussbaum's notion that a sensitive and informed commentary can unpack the complexity of fictional accounts. Davies discusses David and Michal in 1 Sam. 19:11-17; David and Jonathan in 1 Sam. 20; David and Bathsheba in 2 Sam. 11; Nathan's parable in 2 Sam. 12; and the rape of Tamar in 2 Sam. 13. By examining these narratives, Davies shows that a fruitful and constructive dialogue is possible between biblical ethics and modern philosophy. He also emphasizes the ethical accountability of biblical scholars and their responsibility to evaluate the moral teaching that the biblical narratives have to offer.

Pikor anaylzes the land of Israel in the book of Ezekiel showing how its preoccupation with the Babylonian exile and the loss of the Promised Land that this entails is directly linked to the danger this poses to Israel's covenant with God. Pikor examines the motif of land in its literary and historical contexts and in relation to the oracles of salvation in chapters 34-39 as well as the vision of the new Israel and the return of Yahweh's Glory to the temple. Pikor begins by examining the motif of land in its literary and historical contexts. The main body of the book then addresses specific sections of Ezekiel. Chapter two analyzes the oracles of punishment addressed to Israel, in which the land undergoes a process of anthropomorphization. Chapter three situates the punishment experienced by Ezekiel and his listeners in a broader historical context suggested by the prophet in Ezekiel 20. Chapter four analyses the oracles of salvation in Ezekiel 34-39, in which the restoration of the land of Israel remains intertwined with the promise of the new covenant. Finally, chapter five addresses the closing vision of the new Israel (Ezekiel 40-48), which is characterized by the territorial dimension of the future restoration. This feature is shown via analysis of the rhetoric of the land, the crucial element of which is the return of Yahweh's Glory to the temple. God's presence adds sacral value to the land in which his covenant with his people is to be realized. The covenant will be finalized through Israel's repopulation of the renewed land.

In his Second Inaugural Address, delivered as the nation was in the throes of the Civil War, Abraham Lincoln proclaimed that both sides "read the same Bible and pray to the same God, and each invokes His aid against the other." He wasn't speaking metaphorically: the Bible was frequently wielded as a weapon in support of both North and South. As James P. Byrd reveals in this insightful narrative, no book was more important to the Civil War than the Bible. From Massachusetts to Mississippi and beyond, the Bible was the nation's most read and respected book. It presented a drama of salvation and damnation, of providence and judgment, of sacred history and sacrifice. When Americans argued over the issues that divided them - slavery, secession, patriotism, authority, white supremacy, and violence - the Bible was the book they most often invoked. Soldiers fought the Civil War with Bibles in hand, and both sides called the war just and sacred. In scripture, both Union and Confederate soldiers found inspiration for dying-and for killing-on a scale never before seen in the nation's history. With approximately 750,000 fatalities, the Civil War was the deadliest of the nation's wars, leading many to turn to the Bible not just to fight but to deal with its inevitable trauma. A fascinating overview of religious and military conflict, A Holy Baptism of Fire and Blood draws on an astonishing array of sources to demonstrate the many ways that Americans enlisted the Bible in the nation's bloodiest, and arguably most biblically-saturated conflict.

Michael R. Stead introduces the books of Haggai, Zechariah, and Malachi in light of the latest biblical scholarship. Over the past four decades, there has been an explosion of interest in the postexilic prophets and their role within the Book of the Twelve, which has coincided with paradigm shifts in biblical studies generally. This study guide integrates insights from both historio-critical and literary approaches to examine the authorship, form, structure, and composition of these texts. In particular, this guide explores how the intertextual connections with other scriptures help to shape their meaning. It includes a concise section-by-section overview that highlights key interpretive issues and guides readers in their approach to the text.

The biblical apocalyptic books of Daniel and Revelation are, for better or worse, polarizing. Interpreters have long read and searched these books for clues about how their worlds will "end," which each new interpreter promising to have "unlocked" how Daniel and Revelation work together to uncover a divine plan for prophetic fulfillment. Redding uses the Vision of the Fourth Beast from Daniel 7 as a case study to consider how interpretations of texts take on lives of their own, eventually wedding interpretation with text and prompting the question: what even is a text? Is it what is on the page, something interpreters put there, or a combination of both? Starting with the literature of the Levant, this work traces the use of motifs, images, and themes through Daniel, Revelation, and into pre-Enlightenment Christian thinkers to consider hermeneutical trajectories that shaped (and continue to shape) how modern readers engage biblical apocalyptic literature.

Biblical scholarship today is divided between two mutually exclusive concepts of the emergence of monotheism: an early-monotheistic Yahwism paradigm and a native-pantheon paradigm. This study identifies five main stages on Israel's journey towards monotheism. Rather than deciding whether Yahweh was originally a god of the Baal-type or of the El-type, this work shuns origins and focuses instead on the first period for which there are abundant sources, the Omride era. Non-biblical sources depict a significantly different situation from the Baalism the Elijah cycle ascribes to King Achab. The novelty of the present study is to take this paradox seriously and identify the Omride dynasty as the first stage in the rise of Yahweh as the main god of Israel. Why Jerusalem later painted the Omrides as anti-Yahweh idolaters is then explained as the need to distance itself from the near-by sanctuary of Bethel by assuming the Omride heritage without admitting its northern Israelite origins. The contribution of the Priestly document and of Deutero-Isaiah during the Persian era comprise the next phase, before the strict Yahwism achieved in Daniel 7 completes the emergence of biblical Yahwism as a truly monotheistic religion.

Stephanie Day Powell illuminates the myriad forms of persuasion, inducement, discontent, and heartbreak experienced by readers of Ruth. Writing from a lesbian perspective, Powell draws upon biblical scholarship, contemporary film and literature, narrative studies, feminist and queer theories, trauma studies and psychoanalytic theory to trace the workings of desire that produced the book of Ruth and shaped its history of reception. Wrestling with the arguments for and against reading Ruth as a love story between women, Powell gleans new insights into the ancient world in which Ruth was written. Ruth is known as a tale of two courageous women, the Moabite Ruth and her Israelite mother-in-law Naomi. As widows with scarce means of financial or social support, Ruth and Naomi are forced to creatively subvert the economic and legal systems of their day in order to survive. Through exceptional acts of loyalty, they, along with their kinsman Boaz, re-establish the bonds of family and community, while preserving the line of Israel's great king David. Yet for many, the story of Ruth is deeply dissatisfying. Scholars increasingly recognize how Ruth's textual "gaps" and ambiguities render conventional interpretations of the book's meaning and purpose uncertain. Feminist and queer interpreters question the appropriation of a woman's story to uphold patriarchal institutions and heteronormative values. Such avenues of inquiry lend themselves to questions of narrative desire, that is, the study of how stories frame our desires and how our own complex longings affect the way we read.

This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible's most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text. Leneman first discusses how Eve's inner thoughts are explored by noted French composers Jules Massenet and Gabriel Faure. The text then enters the deep waters of Noah's flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saens and Donizetti. Two major 19th century oratorio settings of Abraham's story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca's story are found in works by Cesar Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Celanie Carissan. Finally, Leneman shows how Joseph's story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Mehul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis.