Hebrew tradition presents Haggai and Zechariah as prophetic figures arising in the wake of the Babylonian exile with an agenda of restoration for the early Persian period community in Yehud. This agenda, however, was not original to these prophets, but rather drawn from the earlier traditions of Israel. In recent years there has been a flurry of scholarly attention on the relationship between these Persian period prophets and the earlier traditions with a view to the ways in which these prophets draw on earlier tradition in innovative ways. It is time to take stock of these many contributions and provide a venue for dialogue and evaluation.

With the aid of computers, it is becoming possible to clarify some longstanding disputes over Biblical authorship. Using statistical analysis of linguistic usage, Kenny reexamines the authorship of Revelation, the relationship between Luke and the Acts, and the complex problem of the Pauline corpus. He also comments on the general merits of the stylometric approach to textual analysis.

One hundred and fifty years of sustained archaeological investigation has yielded a more complete picture of the ancient Near East. The Old Testament in Archaeology and History combines the most significant of these archaeological findings with those of modern historical and literary analysis of the Bible to recount the history of ancient Israel and its neighboring nations and empires. Eighteen international authorities contribute chapters to this introductory volume. After exploring the history of modern archaeological research in the Near East and the evolution of "biblical archaeology" as a discipline, this textbook follows the Old Testament's general chronological order, covering such key aspects as the exodus from Egypt, Israel's settlement in Canaan, the rise of the monarchy under David and Solomon, the period of the two kingdoms and their encounters with Assyrian power, the kingdoms' ultimate demise, the exile of Judahites to Babylonia, and the Judahites' return to Jerusalem under the Persians along with the advent of "Jewish" identity.Each chapter is tailored for an audience new to the history of ancient Israel in its biblical and ancient Near Eastern setting. The end result is an introduction to ancient Israel combined with and illuminated by more than a century of archaeological research. The volume brings together the strongest results of modern research into the biblical text and narrative with archaeological and historical analysis to create an understanding of ancient Israel as a political and religious entity based on the broadest foundation of evidence. This combination of literary and archaeological data provides new insights into the complex reality experienced by the peoples reflected in the biblical narratives.

What difference would it make for Old Testament theology if we turned our attention from the more dramatic, forceful "mighty acts of God" to the more subdued, but more realistic themes of later writings in the Hebrew Bible? The result, Mark McEntire argues, would be a more mature theology that would enable us to respond more realistically and creatively to the unprecedented challenges of the present age.

Celebrating the five hundredth volume, this Festschrift honors David M. Gunn, one of the founders of the Journal of Old Testament Studies, later the Library of Hebrew Bible/Old Testament Studies, and offers essays representing cutting-edge interpretations of the David material in the Hebrew Bible and later literary and popular culture. Essays in Part One, Relating to David, present David in relationship to other characters in Samuel. These essays demonstrate the value of close reading, analysis of literary structure, and creative, disciplined readerly imagination in interpreting biblical texts in general and understanding the character of David in particular. Part Two, Reading David, expands the narrative horizon. These essays analyze the use of the David character in larger biblical narrative contexts. David is understood as a literary icon that communicates and disrupts meaning in different ways in different context. More complex modes of interpretation enter in, including theories of metaphor, memory and history, psychoanalysis, and post-colonialism. Part Three, Singing David, shifts the focus to the portrayal of David as singer and psalmist, interweaving in mutually informative ways both with visual evidence from the ancient Near East depicting court musicians and with the titles and language of the biblical psalms. Part Four, Receiving David, highlights moments in the long history of interpretation of the king in popular culture, including poetry, visual art, theatre, and children's literature. Finally, the essays in Part Five, Re-locating David, represent some of the intellectually and ethically vital interpretative work going on in contexts outside the U.S. and Europe.

In this book Helen Paynter offers a radical re-evalution of the central section of Kings. Reading with attention to the literary devices of carnivalization and mirroring, she demonstrates that it contains a florid satire on kings, prophets and nations. Building on the work of humorists, literary critics and biblical scholars, the author constructs diagnostic criteria for carnivalization (seriocomedy), and identifies an abundance of these features within the Elijah/Elisha and Aram narratives, showing how literary mirroring further enhances their satirical effect. This book will be of particular interest to students and scholars concerned with the Hebrew Bible as literature but will be valued by those who favour more historical approaches for its insights into the Hebrew text.

Biblical Reception is rapidly becoming the go-to annual publication for all matters related to the reception of the bible. The annual addresses all kinds of use of the bible in art, music, literature, film and popular culture, as well as in the history of interpretation. For this fourth edition of the annual, guest editor David Tollerton has commissioned pieces specifically on the use of the bible in one film: Exodus: Gods and Kings and these chapters consider how the film uses the bible, and how the bible functions within the film.

In Portraits of a Mature God, Mark McEntire traced the narrative development of the divine character in the Old Testament, placing the God portrayed at the end of that long story at the center of theological discussion. He showed that Israel's understanding of God had developed into a complex, multipurpose being who could work within a new reality, a world that included a semiautonomous province of Yehud and a burgeoning Mesopotamian-Mediterranean world in which the Jewish people lived and moved in a growing diversity of ways. Now, McEntire continues that story beyond the narrative end of the Hebrew Bible as Israel and Israel's God moved into the Hellenistic world. The "narrative" McEntire perceives in the apocryphal literature describes a God protecting and guiding the scattered and persecuted, a God responding to suffering in revolt, and a God disclosing mysteries, yet also hidden in the symbolism of dreams and visions. McEntire here provides a coherent and compelling account of theological perspectives in the apocryphal writings and beyond.

For almost 3000 years the story of Jonah has intrigued, amused,inspired, encouraged, a,d challenged people of faith. This timeless story about one imperfect, complex man and his difficult relationship with God continues to engage contemporary audiences. Jonah enjoys a unique place in salvation history. His life reprises the actions of key Old Testament figures and also points forward to the New Testament and the coming Messiah. Jonah's story is a beautiful, complex, artfully crafted, work of minimalist literature which speaks a profound and resounding message of grace that still captures the human heart. This book is designed to facilitate a 40 day, shared journey through the book of Jonah. The radical revelation of the book of Jonah is that God's grace is wild. It refuses all human attempts to tame, domesticate, or restrain it. This grace continually bursts forth, in the most unexpected of places,and reaches out to the most unlikely of people.

Many scholars have approached both the origins of ancient city laments in some of the oldest Sumerian texts and how this "genre" found its way into the Tanakh/Old Testament. Randall Heskett goes a step further. He uses both historical criticism and a form-critical approach to analyze and assess "Lamentation and Restoration of Destroyed Cities" as oral traditions of ancient Israelite prophetic genres. He also shows how a later exilic/post-exilic redactional framework may have semantically transformed older prophetic genres about destruction and restoration to be reflexes of the events around 587 BCE.

Most studies of the history of interpretation of Song of Songs focus on its interpretation from late antiquity to modernity. In My Perfect One, Jonathan Kaplan examines earlier rabbinic interpretation of this work by investigating an underappreciated collection of works of rabbinic literature from the first few centuries of the Common Era, known as the tannaitic midrashim. In a departure from earlier scholarship that too quickly classified rabbinic interpretation of Song of Songs as allegorical, Kaplan advocates a more nuanced understanding of the approach of the early sages, who read Song of Songs employing typological interpretation in order to correlate Scripture with exemplary events in Israel's history. Throughout the book Kaplan explores ways in which this portrayal helped shape a model vision of rabbinic piety as well as an idealized portrayal of their beloved, God, in the wake of the destruction, dislocation, and loss the Jewish community experienced in the first two centuries of the Common Era. The archetypal language of Song of Songs provided, as Kaplan argues, a textual landscape in which to imagine an idyllic construction of Israel's relationship to her beloved, marked by mutual devotion and fidelity. Through this approach to Song of Songs, the Tannaim helped lay the foundations for later Jewish thought of a robust theology of intimacy in God's relationship with the Jewish people.

How should we understand biblical texts where God is depicted as acting irrationally, violently, or destructively? If we distance ourselves from disturbing portrayals of God, how should we understand the authority of Scripture? How does the often wrathful God portrayed in the Old Testament relate to the God of love proclaimed in the New Testament? Is that contrast even accurate? Disturbing Divine Behavior addresses these perennially vexing questions for the student of the Bible. Eric A. Seibert calls for an engaged and discerning reading of the Old Testament that distinguishes the particular literary and theological goals achieved through narrative characterizations of God from the rich understanding of the divine to which the Old Testament as a whole points. Providing illuminating reflections on theological reading as well, this book will be a welcome resource for any readers who puzzle over disturbing representations of God in the Bible.

Since James Barr's work in the 1960s, the challenge for Hebrew scholars has been to continue to apply the insights of linguistic semantics to the study of biblical Hebrew. This book begins by describing a range of approaches to semantic and grammatical analysis, including structural semantics, cognitive linguistics and cognitive metaphors, frame semantics, and William Croft's Radical Construction Grammar. It then seeks to integrate these, formulating a dynamic approach to lexical semantic analysis based on conceptual frames, using corpus annotation. The model is applied to biblical Hebrew in a detailed study of a family of words related to "exploring," "searching," and "seeking." The results demonstrate the value and potential of cognitive, frame-based approaches to biblical Hebrew lexicology.

The Peshitta is the Syriac translation of the Old Testament made on the basis of the Hebrew text during the second century CE. Much like the Greek translations of the Old Testament, this document is an important source for our knowledge of the text of the Old Testament. Its language is also of great interest to linguists. Moreover, as Bible of the Syriac Churches it is used in sermons, commentaries, poetry, prayers, and hymns. Many terms specific to the spirituality of the Syriac Churches have their origins in this ancient and reliable version of the Old Testament. The present edition, published by the Peshitta Institute in Leiden on behalf of the International Organization for the Study of the Old Testament, is the first scholarly one of this text. It presents the evidence of all known ancient manuscripts and gives full introductions to the individual books. This volume contains Canticles or Odes, Prayer of Manasseh, Apocryphal psalms, Psalms of Solomon, Tobit, and I(3) Esdras.

The volume brings together eight new essays on Amos, which focus on a range of issues within the book. They represent a number of different approaches to the text from the text-critical to teh psychoanalytical, and from composition to reception. Arising out of a symposium to honour John Barton for his 60th birthday, the essays all respond, either directly or indirectly, to his Amos's Oracles Against the Nations, and to his lifelong concern with both ethics and method in biblical study.

Weariness. Wonder. Joy. Longing. Anger. These are the feelings of the Psalms: honest expressions of pain and joy penned by real people in the midst of real life circumstances. Though they were written centuries ago, the Psalms still resonate deeply with us today, giving voice to our thoughts and longings: "Out of the depths I cry to you, O LORD." (Psalm 130:1) "God is our refuge and strength, an ever-present help in trouble." (Psalm 46:1) "As the deer pants for streams of water, so my soul pants for you, O God." (Psalm 84:2) In Learning to Pray Through the Psalms, James W. Sire teaches us to take our appreciation for this rich book of Scripture a step further. Choosing ten specific psalms, Sire offers background information that helps us read each one with deeper insight and then lays out a meditative, step-by-step approach to using the psalmists' words as a guide for our own personal conversation with God. A group study is also included in each chapter, along with a guide for praying through the psalm in community. The Lord loves when his people pray. And his Word is a powerful tool for framing honest, intimate prayers. Sire's innovative approach will enrich our minds and our souls as we read more perceptively and pray with all of our emotions.

This monograph on biblical linguistics is a highly specialized, pragmatic investigation of the controversial question of 'foregrounding' - the deviation from some norm or convention - in Old Testament narratives. The author presents and examines the two main sources of pragmatic foregrounding: events or states deviating from well-established schemata, structures of reader expectation that can be manipulated by the narrator to highlight specific 'chunks' of discourse; and evaluative devices, which are used by the narrator to indicate to the reader the point of the story and direct its interpretation. Cotrozzi critiques the particular evaluative device known as the 'historic present', a narrative strategy that employs the present tense to describe past event. He tests two main theories that support this device by using a cross-linguistic model of the historical present drawing upon a variety of languages. Cotrozzi ultimately refutes these theories with a thorough examination and detailed refutation. He concludes with a study of a particular Hebraic verb as a particular marker of represented perception, a technique whereby the character's perceptions are expressed directly from its point of view. Over the last 30 years this pioneering series has established an unrivaled reputation for cutting-edge international scholarship in Biblical Studies and has attracted leading authors and editors in the field. The series takes many original and creative approaches to its subjects, including innovative work from historical and theological perspectives, social-scientific and literary theory, and more recent developments in cultural studies and reception history.

This volume brings gender studies to bear on Micah's powerful rhetoric, interpreting the book within its ancient and modern contexts. Julia M. O'Brien traces resonances of Micah's language within the Persian Period community in which the book was composed, evaluating recent study of the period and the dynamics of power reflected in ancient sources. Also sampling the book's reception by diverse readers in various time periods, she considers the real-life implications of Micah's gender constructs. By bringing the ancient and modern contexts of Micah into view, the volume encourages readers to reflect on the significance of Micah's construction of the world. Micah's perspective on sin, salvation, the human condition, and the nature of YHWH affects the way people live-in part by shaping their own thought and in part by shaping the power structures in which they live. O'Brien's engagement with Micah invites readers to discern in community their own hopes and dreams: What is justice? What should the future look like? What should we hope for? From the Wisdom Commentary series Feminist biblical interpretation has reached a level of maturity that now makes possible a commentary series on every book of the Bible. It is our hope that Wisdom Commentary, by making the best of current feminist biblical scholarship available in an accessible format to ministers, preachers, teachers, scholars, and students, will aid all readers in their advancement toward God's vision of dignity, equality, and justice for all. The aim of this commentary is to provide feminist interpretation of Scripture in serious, scholarly engagement with the whole text, not only those texts that explicitly mention women. A central concern is the world in front of the text, that is, how the text is heard and appropriated by women. At the same time, this commentary aims to be faithful to the ancient text, to explicate the world behind the text, where appropriate, and not impose contemporary questions onto the ancient texts. The commentary addresses not only issues of gender (which are primary in this project) but also those of power, authority, ethnicity, racism, and classism, which all intersect. Each volume incorporates diverse voices and differing interpretations from different parts of the world, showing the importance of social location in the process of interpretation and that there is no single definitive feminist interpretation of a text.

The less-discussed character in the Bible is the woman: two talking animals therein have sometimes received more page space. This volume shines the light of close scrutiny in the less-trodden direction and focuses on biblical and allied women, or on the feminine side of Creation. Biblical women are compared to mythical characters from the wider Middle East or from contemporary literature, and feminist/womanist perspectives are discussed alongside traditional and theological perspectives.