The current consensus amongst critical scholars is that the book of Daniel is a work of fiction. In Historical Issues in the Book of Daniel Thomas Gaston reviews and re-appraises the historical evidence for the events recorded in the book of Daniel, as well as considering several other connected textual and theological issues. Through scrupulous academic argument Gaston concludes that the book of Daniel stands up to historical scrutiny.

In the last several decades, interest in the Exilic and Postexilic periods of ancient Israel's history has grown, especially as this era has been recognized to be important for the formation of the Hebrew Bible. One of the scholars at the forefront of interest in this period is Sara Japhet, now Yehezkel Kaufmann Professor Emeritus in the Department of Bible at the Hebrew University of Jerusalem. This volume, which is based on Japhet's 1973 Ph.D. dissertation at the Hebrew University (published in Hebrew in 1978), was first published in English in 1989 and rapidly was recognized as a major distillation of the themes underlying the ideology of the book of Chronicles. The book of Chronicles, written at the end of the fourth century B.C.E., relates the history of Israel from its beginnings with the creation of man to the return from exile with the declaration of Cyrus. The historical and theological points of departure of the Chronicler's description are to be found in the realities of his own day. Through this historical composition, he attempts to imbue with new meaning the two components of Israel's life: the past, which through its sublimation and transformation into a norm was in danger of becoming remote and irrelevant, and the present, which is granted full legitimization by demonstrating its continuity with this past. The one is interpreted in terms of the other. Japhet's study strives to reveal the Chronicler's views and perspectives on all the major issues of Israel's history and religion, unveiling his role as a bridge between biblical and postbiblical faith. The book has been out of print for a number of years; this edition, which has been completely retypeset (so that it is more readable), makes an important contribution to the growing body of literature that explores the development of Israelite religion during the time of the formation of the Hebrew Scriptures. Japhet's ground-breaking work continues to make a lasting contribution to our understanding of the historical and theological position of the Chronicler.

This book is the first detailed investigation of the translation of the Hebrew verbs of Chronicles into Greek, especially from the perspective of two diachronic developments: that of the Hebrew verbal system and that of the trend toward a more literal translation of the Bible. The translation provides a view of the Hebrew verbal system in the Hellenistic period (approx. 150 BCE) as part of the continuum in the development of the Hebrew verbal system from classical biblical Hebrew to Mishnaic Hebrew. The translation also testifies to the trend in the process of the translation of the Bible from the freer (but still literal) translation of the Pentateuch and Samuel/Kings to the slavishly literal translation of Aquila.

This volume in the Belief series provides a new and interesting theological interpretation of Genesis through the themes of liberation and the concerns of the poor and marginalized. De La Torre remembers Jacob's wrestling at Peniel (Gen. 32:24-32), and finds that "there are consequences when we truly wrestle with the biblical text, struggling to see the face of God." This commentary provides theological and ethical insights that enables the book of Genesis to speak powerfully today. The volumes in Belief: A Theological Commentary on the Bible from Westminster John Knox Press offer a fresh and invigorating approach to all the books of the Bible. Building on a wide range of sources from biblical studies, the history of theology, the church's liturgical and musical traditions, contemporary culture, and the Christian tradition, noted scholars focus less on traditional historical and literary angles in favor of a theologically focused commentary that considers the contemporary relevance of the texts. This series is an invaluable resource for those who want to probe beyond the backgrounds and words of biblical texts to their deep theological and ethical meanings for the church today.

Paul Hedley Jones presents a coherent reading of 1 Kings 13 that is attentive to literary, historical and theological concerns. Beginning with a summary and evaluation of Karl Barth's overtly theological exposition of the chapter - as set out in his Church Dogmatics - Jones explores how this analysis was received and critiqued by Barth's academic peers, who focused on very different questions, priorities and methods. By highlighting substantive material in the text for further investigation, Jones sheds light on a range of hermeneutical issues that support exegetical work unseen, and additionally provides a wider scope of opinion into the conversation by reviewing the work of other scholars whose methods and priorities also diverge from those of Barth and his contemporaries. After evaluating four additional in-depth readings of 1 Kings 13, Jones presents a more theoretical discussion about perceived dichotomies in biblical studies that tend to surface regularly in methodological debates. This volume culminates with Jones' original exposition of the chapter, which offers an interpretation that reads 1 Kings 13 as a narrative analogy, where the figure of Josiah functions as a hermeneutical key to understanding the dynamics of the story.

The reception of early Jewish/Israelite texts in early Christianity provides valuable insights into the hermeneutics of ancient authors and studies in this regard are vital for an understanding of their theology/ies. By focusing particularly on the reception of the Psalms through the hand of the unknown author of Hebrews, Old Testament and New Testament scholars combine forces in this collection to determine the shifts in interpretation of the Psalms that took place during the processes of (re)interpretation within the work of a particular early Christian writer. By paying careful attention to the original reading(s) of the text versions utilized as well as to the manner in which those texts were embedded in a later literary context by the author of Hebrews, they provide a window into the trajectories of the Psalm traditions. A contextual contribution illustrates the versification of the Psalms in a contemporary African language, Afrikaans, to illustrate how the Psalms' reception remains a vivid endeavor in current times.

Power and Politics in the Book of Judges studies political culture and behavior in premonarchic Israel, focusing on the protagonists in the book of Judges. Although the sixth-century BCE Deuteronomistic editor portrayed them as moral champions and called them "judges," the original bardic storytellers and the men and women of valor themselves were preoccupied with the problem of gaining and maintaining political power. John C. Yoder considers the variety of strategies the men and women of valor used to gain and consolidate their power, including the use of violence, the redistribution of patronage, and the control of the labor and reproductive capacity of subordinates. They relied heavily, however, on other strategies that did not deplete their wealth or require the constant exercise of force: mobilizing and dispensing indigenous knowledge, cultivating a reputation for reliability and honor, and positioning themselves as skillful mediators between the realms of earth and heaven, using their association with YHWH to advance their political, economic, or military agenda.

Amy Kalmanofsky applies horror theory to the book of "Jeremiah" and considers the nature of biblical horror and the objects that provoke horror, as well as the ways texts like "Jeremiah" work to elicit horror from their audience.Among the many strategies of persuasive speech, biblical prophets often employ a rhetoric of horror. Prophets use verbal threats and graphic images of destruction to terrify their audience. Contemporary horror theory provides insight into the rhetoric of horror employed by the prophets.Kalmanofsky begins by analyzing the emotional response of horror as reflected in characters' reactions to terrifying entities in the book of "Jeremiah". Horror, she concludes, is a composite emotion consisting of fear in response to a threatening entity and a corresponding response of shame either directed toward one's self or felt on behalf of another. Having considered the nature of horror, she turns to the objects that elicit horror and consider their ontological qualities and the nature of the threat they pose.There are two central monstrous figures in the book of "Jeremiah" - aggressor God and defeated Israel. Both of these monsters refuse to be integrated into and threaten to disintegrate the expected order of the universe. She then presents a close, rhetorical reading of "Jeremiah" 6 and consider the way this text works to horrify its audience. The book concludes by considering fear's place within religious experience and the theological implications of a rhetoric that portrays God and Israel as monsters.Over the last 30 years this pioneering series has established an unrivalled reputation for cutting-edge international scholarship in Biblical Studies and has attracted leading authors and editors in the field. The series takes many original and creative approaches to its subjects, including innovative work from historical and theological perspectives, social-scientific and literary theory, and more recent developments in cultural studies and reception history.

This book investigates the character of the Peshitta in Psalms 90-150 in order to facilitate the proper use of this version in textual criticism. It identifies the Peshitta's translation techniques and it discusses the version's interpretation of difficult passages in the Hebrew text. The question of the Hebrew Vorlage behind the Peshitta Psalter is raised. Also investigated here is the relationship between the Peshitta Psalms and the LXX and Targum, and an assessment of the supposed influence of these versions on the Peshitta Psalter is offered. Inquiry is made into the theology of the translation, the identity of the translators, and the relationships among the manuscripts of the Peshitta Psalter. This text is designed as a tool for scholars who, when confronted by critical questions in the Psalter, seek to understand the readings preserved in the Peshitta.

In this study, the war stories from the Old Testament book of Kings are compared to ten extrabiblical texts. Narratological analysis is applied to deconstruct the ideology of the respective literary compositions. The Old Testament ideology of war seems to be neither typically Israelite, as Gerhardt von Rad put it, nor commonly Ancient Near Eastern, as Manfred Weippert thought it to be. This poses the question whether the reading experience of biblical war stories is so very different from, for instance, Assyrian royal inscriptions, both in terms of its literary value and its ideological bias. Narratological analysis turns out to be a strong tool for explaining the similarities and distinctive features of the respective texts.

Konrad Schmid is a Swiss biblical scholar who belongs to a larger group of Continental researchers proposing new directions in the study of the Pentateuch. In this volume, a translation of his Erzvater und Exodus, Schmid argues that the ancestor tradition in Genesis and the Moses story in Exodus were two competing traditions of Israel's origins and were not combined until the time of the Priestly Code-that is, the early Persian period. Schmid interacts with the long tradition of European scholarship on the Hebrew Bible but departs from some of the main tenets of the Documentary Hypothesis: he argues that the pre-Priestly material in both text blocks is literarily and theologically so divergent that their present linkage is more appropriately interpreted as the result of a secondary redaction than as thematic variation stemming from J's oral prehistory. He dates Genesis-2 Kings to the Persian period and considers it a redactional work that, in its present shape, is a historical introduction to the message of future hope presented in the prophetic corpus of Isaiah-Malachi. Scholars and students alike will be pleased that this translation makes Schmid's important work readily available in English, both for the contributions made by Schmid and the summary of continental interpretation that he presents. In this edition, some passages have been expanded or modified in order to clarify issues or to engage with more-recent scholarship. The notes and bibliography have also been updated. Dr. Schmid is Professor of Old Testament and Early Judaism at the University of Zurich.

This monograph examines the manuscript variants of the Peshitta (the standard Syriac translation) of Kings, with special attention to the manuscript 9a1. Manuscript 9a1 is of critical importance for the textual history of Kings, and Walter argues that there is overwhelming evidence that the non-9a1 Mss attest to an extensive revision. This monograph also discusses translation features of the Peshitta of Kings with special attention paid to harmonization and the leveling and dissimulation of vocabulary. Walter also treats the vorlage for the translation and treats its relation to the LXX and the Targumim.

This work examines some of the stories in "1 Sam." 16-25 with the particular focus placed on Saul, Doeg, Nabal and the 'son of Jesse'. It seeks to discover new meaning in the structure as well as in the characters' functions in the narratives by studying the stories synchronically and diachronically.This work examines some of the stories in "1 Sam." 16-25 with the particular focus placed on Saul, Doeg, Nabal and the "son of Jesse." It seeks to discover new meaning in the structure as well as in the characters' functions in the narratives by studying the stories synchronically and diachronically.One of the mysterious characters in "1 Samuel" that has puzzled many a scholar is Nabal the Calebite. This study scrutinizes the elements of his characterization in "1 Sam." 25 and considers his abuses of the 'son of Jesse', the contextual role of the geographic setting and political environment during King Saul's reign. Similarly, this volume studies the function of the character of Doeg the Edomite in "1 Sam." 21 and 22 regarding his Edomite origin, his particular business in Nob and his official status in Saul's court.The phrase the 'son of Jesse' is quite important in "1 Samuel" and serves a particular purpose in the thematic development in the second half of the book. Viewed against the background of the Saul/David relationship, it underscores the superiority of the Davidic person in advancing the divine plan for the nation of Israel.The determination of the book's historical context is the key to understanding the multilayered messages. The roles of history and ideology in making these stories are also considered with the proposal that the making of the book(s) of "Samuel" after the Exile (5th c. B.C.) might have been instigated by the writer's desire to create the context needed for further development of the messianic ideas.Over the last 30 years this pioneering series has established an unrivalled reputation for cutting-edge international scholarship in Biblical Studies and has attracted leading authors and editors in the field. The series takes many original and creative approaches to its subjects, including innovative work from historical and theological perspectives, social-scientific and literary theory, and more recent developments in cultural studies and reception history.

Reform-minded movements have long appealed to the Apocalypse, for it served to whet the visionary appetite. Early in the church's history speculation grew up around the text - Revelation 11:3-13 - depicting two witnesses, or prophets, who preach at the end of history against the beast from the abyss, the epitome of evil, called Antichrist. Different interpretive methodologies have discovered different meanings in the text, and a symbolic value for political or ecclesial reform has been identified with it throughout the history of its use. The witnesses have been linked to a time of culminating evil, to the final proclamation of hope, and to the end of history associated with divine judgment. Such speculation found ample expression in medieval literature, art, and drama. In the writings of reformers, however, the story acquired increased social implications. The text of the Apocalypse came to lend visionary strength to Protestant piety, polity, and political activity, and the adventual witnesses became increasingly visible in Protestant polemics. Anglo-American commentators, in particular, have used the text both for self-identity and as part of a formula for plotting the onset of Christ's millennial reign. Tracing the history of how the Apocalypse was read, Preaching in the Last Days sheds light on how social groups are formed through ideas occasioned by texts. Petersen's study provides a fascinating look at the theological significance of how we read biblical texts and offers new insights on the development of culture, the Christian movement, and its churches. The book has added importance for understanding the assumptions behind the ways in which the book of Revelation is read andused in our own day.

Hebrew tradition presents Haggai and Zechariah as prophetic figures arising in the wake of the Babylonian exile with an agenda of restoration for the early Persian period community in Yehud. This agenda, however, was not original to these prophets, but rather drawn from the earlier traditions of Israel. In recent years there has been a flurry of scholarly attention on the relationship between these Persian period prophets and the earlier traditions with a view to the ways in which these prophets draw on earlier tradition in innovative ways. It is time to take stock of these many contributions and provide a venue for dialogue and evaluation.

The interpretation of certain key texts in the Bible by two Dominican Friars: the celebrated preacher and author Timothy Radcliffe and the Director of the Biblical Institute in Jerusalem Lukasz Popko. When the Lord first spoke to Samuel in the Old Testament, he did not understand. So it is in the modern secular world that we too have muffled our ears. How are we, like Samuel, to hear God speaking to us in the words of hope and joy in a way that will make our ears tingle? As the Psalmist says, we have 'ears and hear not'. Some people dismiss such sentiments in the Bible as products of long-dead cultures that have nothing to do with us. As with other religions, which have sacred texts, many hear them as celestial commandments demanding unthinking submission. But God does not address us through a celestial megaphone. Revelation is God's conversation with his people through which they may become the friends of God. The novelty of Biblical revelation consists in the fact that God becomes known to us through the dialogue which he desires to have with us. How can we learn to listen to our God and join Him in the conversation?

With the aid of computers, it is becoming possible to clarify some longstanding disputes over Biblical authorship. Using statistical analysis of linguistic usage, Kenny reexamines the authorship of Revelation, the relationship between Luke and the Acts, and the complex problem of the Pauline corpus. He also comments on the general merits of the stylometric approach to textual analysis.

The book of Jeremiah poses a challenge to biblical scholarship in terms of its literary composition and textual fluidity. This study offers an innovative approach to the problem by focusing on an instructive case study. Building on the critical recognition that the prophecy contained in Jer 10:1-16 is a composite text, this study systematically discusses the various literary strands discernible in the prophecy: satirical depictions of idolatry, an Aramaic citation, and hymnic passages. A chapter is devoted to each strand, revealing its compositional development-from the earliest recoverable stages down to its late reception. A range of pertinent evidence-culled from the literary, text-critical, and linguistic realms-is examined and sets within broader perspectives, with an eye open to cultural history and the development of theological outlook. The investigation of a particular text has important implications for the textual and compositional history of Jeremiah as a whole. Rather than settling for the common opinion that Jeremiah developed in two main stages, reflected in the MT and LXX respectively, a nuanced supplementary model is advocated, which better accords with the complexity of the available evidence.

One hundred and fifty years of sustained archaeological investigation has yielded a more complete picture of the ancient Near East. The Old Testament in Archaeology and History combines the most significant of these archaeological findings with those of modern historical and literary analysis of the Bible to recount the history of ancient Israel and its neighboring nations and empires. Eighteen international authorities contribute chapters to this introductory volume. After exploring the history of modern archaeological research in the Near East and the evolution of "biblical archaeology" as a discipline, this textbook follows the Old Testament's general chronological order, covering such key aspects as the exodus from Egypt, Israel's settlement in Canaan, the rise of the monarchy under David and Solomon, the period of the two kingdoms and their encounters with Assyrian power, the kingdoms' ultimate demise, the exile of Judahites to Babylonia, and the Judahites' return to Jerusalem under the Persians along with the advent of "Jewish" identity.Each chapter is tailored for an audience new to the history of ancient Israel in its biblical and ancient Near Eastern setting. The end result is an introduction to ancient Israel combined with and illuminated by more than a century of archaeological research. The volume brings together the strongest results of modern research into the biblical text and narrative with archaeological and historical analysis to create an understanding of ancient Israel as a political and religious entity based on the broadest foundation of evidence. This combination of literary and archaeological data provides new insights into the complex reality experienced by the peoples reflected in the biblical narratives.

What difference would it make for Old Testament theology if we turned our attention from the more dramatic, forceful "mighty acts of God" to the more subdued, but more realistic themes of later writings in the Hebrew Bible? The result, Mark McEntire argues, would be a more mature theology that would enable us to respond more realistically and creatively to the unprecedented challenges of the present age.

Celebrating the five hundredth volume, this Festschrift honors David M. Gunn, one of the founders of the Journal of Old Testament Studies, later the Library of Hebrew Bible/Old Testament Studies, and offers essays representing cutting-edge interpretations of the David material in the Hebrew Bible and later literary and popular culture. Essays in Part One, Relating to David, present David in relationship to other characters in Samuel. These essays demonstrate the value of close reading, analysis of literary structure, and creative, disciplined readerly imagination in interpreting biblical texts in general and understanding the character of David in particular. Part Two, Reading David, expands the narrative horizon. These essays analyze the use of the David character in larger biblical narrative contexts. David is understood as a literary icon that communicates and disrupts meaning in different ways in different context. More complex modes of interpretation enter in, including theories of metaphor, memory and history, psychoanalysis, and post-colonialism. Part Three, Singing David, shifts the focus to the portrayal of David as singer and psalmist, interweaving in mutually informative ways both with visual evidence from the ancient Near East depicting court musicians and with the titles and language of the biblical psalms. Part Four, Receiving David, highlights moments in the long history of interpretation of the king in popular culture, including poetry, visual art, theatre, and children's literature. Finally, the essays in Part Five, Re-locating David, represent some of the intellectually and ethically vital interpretative work going on in contexts outside the U.S. and Europe.

In this book Helen Paynter offers a radical re-evalution of the central section of Kings. Reading with attention to the literary devices of carnivalization and mirroring, she demonstrates that it contains a florid satire on kings, prophets and nations. Building on the work of humorists, literary critics and biblical scholars, the author constructs diagnostic criteria for carnivalization (seriocomedy), and identifies an abundance of these features within the Elijah/Elisha and Aram narratives, showing how literary mirroring further enhances their satirical effect. This book will be of particular interest to students and scholars concerned with the Hebrew Bible as literature but will be valued by those who favour more historical approaches for its insights into the Hebrew text.

Biblical Reception is rapidly becoming the go-to annual publication for all matters related to the reception of the bible. The annual addresses all kinds of use of the bible in art, music, literature, film and popular culture, as well as in the history of interpretation. For this fourth edition of the annual, guest editor David Tollerton has commissioned pieces specifically on the use of the bible in one film: Exodus: Gods and Kings and these chapters consider how the film uses the bible, and how the bible functions within the film.