Was Esther unique - an anomaly in patriarchal society? Conventionally, scholars see ancient Israelite and Jewish women as excluded from the public world, their power concentrated instead in the domestic realm and exercised through familial structures. Rebecca S. Hancock demonstrates, in contrast, that because of the patrimonial character of ancient Jewish society, the state was often organized along familial lines. The presence of women in roles of queen consort or queen is therefore a key political, and not simply domestic, feature.Attention to the narrative of Esther and comparison with Hellenistic and Persian historiography depicting "wise women" acting in royal contexts reveals that Esther is in fact representative of a wider tradition. Women could participate in political life structured along familial and kinship lines. Further, Hancock's demonstration qualifies the bifurcation of "public" (male-dominated) and "private" (female-dominated) space in the ancient Near East.

The Peshitta is the Syriac translation of the Old Testament made on the basis of the Hebrew text during the second century CE. Much like the Greek translations of the Old Testament, this document is an important source for our knowledge of the text of the Old Testament. Its language is also of great interest to linguists. Moreover, as Bible of the Syriac Churches it is used in sermons, commentaries, poetry, prayers, and hymns. Many terms specific to the spirituality of the Syriac Churches have their origins in this ancient and reliable version of the Old Testament. The present edition, published by the Peshitta Institute in Leiden on behalf of the International Organization for the Study of the Old Testament, is the first scholarly one of this text. It presents the evidence of all known ancient manuscripts and gives full introductions to the individual books. This volume contains Preface. - Genesis; Exodus.

This book is concerned with ascertaining the value of having two versions of the same monarchic history of Israel within the Hebrew Bible (focusing on the books of Kings and Chronicles). It is furthermore concerned with how the book of Chronicles is read in relation to the book of Kings as Chronicles is so often considered to be a later rewritten text drawing upon an earlier version of the Masoretic Text of Samuel and Kings. The predominant scholarly approach to reading the book of Chronicles is to read it in light of how the Chronicler emended his source texts (additions, omissions, harmonizations). This approach has yielded great success in our understanding of the Chronicler's theology and rhetoric. However, Cook asserts, it has also failed to consider how the book of Chronicles can be read as an autonomous and coherent document. That is, a diachronic approach to reading Chronicles sometimes misses the theological and rhetorical features of the text in its final form. This book shows the great benefit of reading these narratives as autonomous and coherent by using the Solomon narratives as a case study. These narratives are first read individually, and then together, so as to ascertain their uniqueness vis-a-vis one another. Finally, Cook addresses questions related to the concordance of these narratives as well as their purposes within their respective larger literary contexts.

For many readers, Genesis 1-2 is simply the biblical account of creation. But ancient Israel could speak of creation in different ways, and the cultures of the ancient near east provided an even richer repertoire of creation myths. Mark S. Smith explores the nuances of what would become the premiere creation account in the Hebrew Bible and the serene priestly theology that informed it. That vision of an ordered cosmos, Smith argues, is evidence of the emergence of a mystical theology among priests in post-exilic Israel, and the placement of Genesis 1-2 at the beginning of Israel's great epic is their sustained critique of the theology of divine conflict that saturated ancient near eastern creation myths. Smith's treatment of Genesis 1 provides rich historical and theological insights into the biblical presentation of creation and the Creator.

A comprehensive examination of the Chronicles by Curtis and Madsen, including critical discussions on historical and religious value, variations of the text and the genealogy and history of David, Solomon and Judah.

Memory and Covenant combines a close reading of texts in the deuteronomic, priestly, and holiness traditions with analysis of ritual and scrutiny of the different terminology used in each tradition regarding memory. Ellman demonstrates that the exploration of the concept of memory is critical to understanding the overall cosmologies, theologies, and religious programs of these distinct traditions. All three regard memory as a vital element of religious practice and as the principal instrument of covenant fidelity - but in very different ways. Ellman shows that for the deuteronomic tradition, memory is an epistemological and pedagogical means for keeping Israel faithful to its God and God's commandments, even when Israelites are far from the temple and its worship. The priestly tradition, however, understands that the covenant depends on God's memory, which must be aroused by the sensory stimuli of the temple cult. The holiness school incorporates the priestly idea of sensory memory but places responsibility for remembering on Israel. A subsequent layer of priestly tradition revives the centrality of God's memory within a thorough-going theology uniting temple worship with creation.

"Zechariah" 1-8 is a deeply intertextual work which takes up formerly disparate streams of tradition - especially various elements of what it calls 'the former prophets' - and creatively combines these traditions, in applying them to a post-exilic context. This fact means that "Zechariah" 1-8 is situated in a dual context - the literary context of 'the former prophets', and the historical context of the early post-exilic period. This work seeks to understand "Zechariah" 1-8 in the light of its dual context. When "Zechariah" 1-8 is read in this way, a number of otherwise perplexing passages are made clearer, and the message of the work as a whole is better understood. This book offers a critique of and refinement to the approaches of intertextuality/inner-biblical allusion/tradition history in understanding the effect of 'texts re-using texts'. Against a recent trend which seeks to limit this phenomenon to 'verbal repetition', it demonstrates that "Zechariah" 1-8 involves the use of a wide variety of literary devices (including thematic allusions, 'ungramaticalities', and sustained allusions) to make connections with other texts. The kind of 'intertextual' approach followed in this study demonstrates that intertextuality does not necessarily lead to radical indeterminacy (as claimed by some), and instead actually aids in the limiting the possible ranges of meaning. The manner in which "Zechariah" 1-8 invokes/re-activates/ re-applies the words of the 'former prophets' raises important issues related to prophecy and fulfilment, history and eschatology, and the development of 'apocalyptic', which are addressed in the course of this enquiry. Over the last 30 years this pioneering series has established an unrivaled reputation for cutting-edge international scholarship in Biblical Studies and has attracted leading authors and editors in the field. The series takes many original and creative approaches to its subjects, including innovative work from historical and theological perspectives, social-scientific and literary theory, and more recent developments in cultural studies and reception history.

Deuteronomy 32:47 says the Pentateuch should not be 'an empty matter.' This new anthology from Beth Kissileff fills Genesis with meaning, gathering intellectuals and thinkers who use their professional knowledge to illuminate the Biblical text. These writers use insights from psychology, law, political science, literature, and other scholarly fields, to create an original constellation of modern Biblical readings, and receptions of Genesis: A scientist of appetite on Eve's eating behavior; law professors on contracts in Genesis, and on collective punishment; an anthropologist on the nature of human strife in the Cain and Abel story; political scientists on the nature of Biblical games, Abraham's resistance, and collective action. The highly distinguished contributors include Alan Dershowitz and Ruth Westheimer, the novelists Rebecca Newberger Goldstein and Dara Horn, critics Ilan Stavans and Sander Gilman, historian Russell Jacoby, poets Alicia Suskin Ostriker and Jacqueline Osherow, and food writer Joan Nathan.

David Janzen argues that the Book of Chronicles is a document with a political message as well as a theological one and moreover, that the book's politics explain its theology. The author of Chronicles was part of a 4th century B.C.E. group within the post-exilic Judean community that hoped to see the Davidides restored to power, and he or she composed this work to promote a restoration of this house to the position of a client monarchy within the Persian Empire. Once this is understood as the political motivation for the work's composition, the reasons behind the Chronicler's particular alterations to source material and emphasis of certain issues becomes clear. The doctrine of immediate retribution, the role of 'all Israel' at important junctures in Judah's past, the promotion of Levitical status and authority, the virtual joint reign of David and Solomon, and the decision to begin the narrative with Saul's death can all be explained as ways in which the Chronicler tries to assure the 4th century assembly that a change in local government to Davidic client rule would benefit them. It is not necessary to argue that Chronicles is either pro-Davidic or pro-Levitical; it is both, and the attention Chronicles pays to the Levites is done in the service of winning over a group within the temple personnel to the pro-Davidic cause, just as many of its other features were designed to appeal to other interest groups within the assembly.

The issue of the so-called Elohistic Psalter has intrigued biblical scholars since the rise of the historical-critical enterprise. Scholars have attempted to discover why the name Elohim is used almost exclusively within Pss 42-83, and in particular they have attempted to identify the historical circumstances which explain this phenomenon. Traditionally, an original Yhwh was understood to have been replaced by Elohim. Nevertheless, throughout the modern period there remains no convincing account for this data.However, Frank-Lothar Hossfeld and the late Erich Zenger propose that the use of the title Elohim is theologically motivated, and they account for this phenomenon in their redaction-historical work. This investigation builds upon their work (1) by integrating insights from Dell Hymes, William Miles Foley, and Susan Niditch with regard to oral-traditional cultures, and (2) by following the text-linguistic approach of Eep Talstra and Christof Hardmeier and listening to canonical texture as a faithful witness to Israel's religious traditions. In building upon the work of Hossfeld and Zenger, Wardlaw proposes that the name Elohim within the Psalms is a theologically-laden term, and that its usage is related to pentateuchal traditions. First, this study describes the relationship between the book of Psalms and the Pentateuch (i.e., cohesion). Second, this study comments on the dating of the pentateuchal materials within which the relevant phenomena are found. Third, the semantic associations of the name Elohim are identified, as well as their relation to usage within the Psalms.

This volume contains twelve articles that shed new light on the Book of Isaiah, covering a wide array of historical, linguistic and theological topics. The various aspects of God's intervention at different points of human history is a main focus of the studies. The collection is marked by a broad diversity in approaches and theological background, and is a useful tool especially for scholars, students and pastors.

The story of Abraham and Isaac is a story of near universal importance. Sitting near the core of three of the world's great religious traditions, this nineteen verse story opens a world of interpretive possibilities, raising questions of family, loyalty, faith, and choices that are common to all.This collection of essays takes up the question of how our interpretation of this pivotal text has changed over time, and how, even in unlikely intellectual places, the story influences our thought.It begins by exploring various readings of Abraham and the Akedah story throughout the traditional lenses of Judaism, Christianity, and Islam. From there, it moves into modern and postmodern readings, including how such varied thinkers as Kant and Kierkegaard, Kafka and Derrida have enaged the text.The book demonstrates the diversity of interpretations, and the dramatic impact of the story on the western intellectual tradition.

Did Zechariah really see visions? This question cannot be definitely answered, so the idea must remain a hypothesis. Here, Tiemeyer shows that this hypothesis is nonetheless reasonable and instrumental in shedding light on matters in Zechariah's vision report that are otherwise unclear. Tracking through each verse of the text, the key exegetical problems are covered, including the topics of the distinction between visions and dreams, dream classification, conflicting sources of evidence for dream experiences, and rhetorical imagery as opposed to dream experience. Further attention is focused on the transmission of the divine message to Zechariah, with the key question raised of whether a visual or oral impression is described. Tiemeyer's study further demonstrates that Zech 1-6 depicts a three-tier reality. This description seeks to convey the seer's visionary experience to his readers. In a trance state, Zechariah communicates with the Interpreting Angel, while also receiving glimpses of a deeper reality known as the 'visionary world.'

It has been hard to categorise and identify the 'Wisdom psalms' within the Psalter. Interpreters have produced different lists of wisdom psalms of greatly varying lengths, and individual scholars often change their choices over time. Cheung re-examines the issues at stake in identifying this group of psalms in order to better describe the configuration of this psalmic genre. Past scholarship has failed to settle this issue because of the use of unfit criteria and an ill-understood concept of genre. With the aid of the concepts of 'family resemblance' and 'prototypes', this book proposes to define 'wisdom psalms' as a psalm family which is characterised by a wisdom-oriented constellation of its generic features. Three such features are identified after a fresh assessment of the most typical characteristics of 'wisdom literature'. This proposed method is put to test in the extensive study of seven psalms (37, 49, 73, 128, 32, 39, and 19) and the three criteria are verified to be suitable descriptors of the 'wisdom psalm' family. Cheung also explores questions related to the wisdom-cult disparity, Joban parallels as wisdom indicators, and the wisdom-orientation of 'torah psalms'.

Study of the book of Isaiah has in recent times been strongly marked by a tension between synchronic and diachronic approaches. The first is favoured mainly by English-speaking, the second by German-speaking scholars. Berges's book attempts to mediate between the two poles, arguing that the final form analysis and the tracing of the development of that form are deeply interdependent. This new research paradigm is applied here to the entire text of the book of Isaiah. Berges works consistently from the synchronic to the diachronic and back again to the evolved synchronous final form. Features that have been repeatedly observed-the cross-connections, key word associations, resumption of themes, and especially the bracketing of the book by chaps. 1 and 66-are traces of a deliberate interweaving of various small compositions as well as of larger literary redactions. The paradigm most suited to the book of Isaiah in all its complexity is not that of one comprehensive overall structure or final redaction, but that of smaller compositions that build on one another, come into conversation with one another, and, each in its own way, bring into play specific contemporary problems. We should not force a common thematic denominator on the book, but it becomes clear that Jerusalem and Zion belong to the basic tenor of the book of Isaiah as it was developed and refashioned through the centuries. The Book of Isaiah: Its Composition and Final Form is translated by Millard C. Lind from its German original, Das Buch Jesaja: Komposition und Endgestalt (Freiburg: Herder, 1998).

The book of Ruth is one of the Bible's most enduring and beloved stories. At first glance, the story appears to be a simple tale of hardship and good fortune, but a close reading of the short book yields wonderful new insights. Kirsten Nielsen's comments on the book of Ruth paint a rich and subtle portrait of the characters involved in the story. She carefully traces the many connections between this biblical book and the wider context of other biblical passages, including earlier stories such as the story of Judah and Tamar, and later adaptations such as the Targum to Ruth. Nielsen provides the reader an entry to this nuanced intertextual world.

Violence disturbs. And violent depictions, when encountered in the biblical texts, are all the more disconcerting. Isaiah 63:1-6 is an illustrative instance. The prophetic text presents the "Arriving One" in gory details ('trampling down people'; 'pouring out their lifeblood' v.6). Further, the introductory note that the Arriving One is "coming from Edom" (cf. v.1) may suggest Israel's unrelenting animosity towards Edom. These two themes: the "gory depiction" and "coming from Edom" are addressed in this book. Irudayaraj uses a social identity reading to show how Edom is consistently pictured as Israel's proximate and yet 'other'-ed entity. Approaching Edom as such thus helps situate the animosity within a larger prophetic vision of identity construction in the postexilic Third Isaian context. By adopting an iconographic reading of Isaiah 63:1-6, Irudayaraj shows how the prophetic portrayal of the 'Arriving One' in descriptions where it is clear that the 'Arriving One' is a marginalised identity correlates with the experiences of the "stooped" exiles (cf 51:14). He also demonstrates that the text leaves behind emphatic affirmations ('mighty' and 'splendidly robed' cf. v.1; "alone" cf. v.3), by which the relegated voice of the divine reasserts itself. It is in this divine reassertion that the hope of the Isaian community's reclamation of its own identity rests.

Working from the conviction that Genesis can be read as a coherent whole, this commentary foregrounds the sophistication of Hebrew narrative art, in particular its depiction of plot and character, and the interpretative possibilities raised by its intertextuality. Apparently simple and independent episodes emerge as complex and interconnected, constantly challenging readers to readjust their assessments of characters and expectations of plot development. Approaching the text predominantly from a 'first-time' reader's perspective, the narrative's surprises, ironies and innovations are underscored.

"The Book of Job in Form" presents to the reader a platform for a personal and intensive encounter with a great work of art. Its bilingual centre offers the text in Hebrew and English, and shows the forty poems in their original form, in 412 strophes and 165 stanzas. The commentary points out how these proportions and the remarkable precision of the poet (who counted syllables on all text levels) affect the thematics of the book, so that the portrait of the hero can be redrawn; his stubbornly defended integrity meets vindication and his last words, generally misunderstood, require a positive understanding. The poetry and its slim framework in prose are a unified composition which deserves a synchronic approach.