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Lao Tzu, the legendary author of the Tao Te Ching, is also credited with the authorship of the Hua Hu Ching, which embodies some of his later teachings. During a time of political turmoil in the fourteenth century, all copies of this work were banned and ordered to be burned. Thus, few if any complete and accurate manuscripts exist today. Fortunately, the complete teachings of the Hua Hu Ching have been preserved through the oral transmission of generation after generation of Taoist masters to their disciples. In this book, Master Ni, heir to that orally transmitted wisdom, offers a superlative rendering of this reassured teaching.

Of particular interest for its application to business strategizing, this edition of the well-known ancient Chinese classic I Ching (The Book of Changes) guides readers through the intricacies of group dynamics and relationships within organizations of all kinds. The root text is supported by a commentary from the eleventh-century scholar Cheng-Yi, founder of the movement known as Lixue, the study of inner design. Cheng contended that by understanding the pattern of events--the inner design of nature--one can bring about mutual understanding and cooperation among people in groups, thus facilitating the accomplishment of any tasks they might undertake. The translator's extensive introduction gives specific, systematic guidelines for consulting the I Ching for greatest understanding and best results. Included in the afterward is a profile of the modern and Japanese organizational genius Matsushita Konosuke, founder of Panasonic and other multinational corporations, whose success has been built on the principles of the I Ching.

With more than four thousand entries and over one hundred illustrations, this encyclopedia offers a complete survey of the four major religious traditions of Asia. It is designed not only for students and scholars but also to help general readers find their way through the thicket of unfamiliar words and concepts that are often encountered today in various fields such as the health professions, psychotherapy, the sciences, and the media. Among the subjects covered are:
- Important terms such as "chakra," "karma," "koan," "nirvana," "tantra," "Tao," and "yin-yang"
- The lives and teachings of mystics, philosophers, and masters of meditation
- Basic texts and scriptures
- Sects and schools of thought
- Mythological figures and events

In addition, pronunciation tables, a comprehensive bibliography, and a Ch'an/Zen Lineage Chart are provided.

Called "a first rate piece of work" by T.S. Eliot, this book offers a comprehensive discussion of Taoism, one of the world's major religions, as well as a study of the Tao te ching, the best known Taoist text and Lao-tzu as a Taoist prototype. "Clarifies a large area of literature and history that has been a mystery to the West and makes fascinating reading even for those whose interest is casual." -The New Yorker

In 1950, Krishnamurti said: "If we are concerned with our own lives, if we understand our relationship with others, we will have created a new society; otherwise, we will but perpetuate the present chaotic mess and confusion."

Providing a far-reaching basis for solving many of the world's crises, On Relationship brings together Krishnamurti's most essential teachings on the individual's relationship to other people and institutions. The renowned teacher makes clear that the way we handle personal crises and relationships links us to the problems of all people and has a larger, global meaning. Ending the causes of war, for instance, cannot truly begin until we perform simple, but often ignored, tasks such as reconciling with estranged family members, keeping our homes in order, and respecting others.

This is a view of Chinese religion from the Taoist perspective, derived from fieldwork in Taiwan, Hong Kong and the People's Republic of China. The book is based on the Taoist hypothesis that all Chinese rites of passage and festivals are structured by the Yin-Yang five element cosmology. Buddhist and Taoist meditations of emptying, marriage, birthing, initiation, burial, ancestor rituals and the annual festivals are described through the eyes of the experts called on to serve family and village needs. The work ends with a view of religion in the People's Republic of China during a period of renewal and restoration.

Understanding Reality (Chinese Wu Chen P'ien) is one of the basic classics of Taoist spiritual alchemy as practiced in the Complete Reality (Ch'uan-chen) school of Taoism. Writing in the year 1841, the Taoist Chu Chung-t'ang described its status within the tradition in these terms: 11 Wei Po-yang of the Eastern Han dynasty (23-220 C.E.) first revealed the celestial mechanism and expounded its esoteric truths, composing the Ts'an T'ung Ch'i ... In the Sung dynasty (960-1279) Chang Tzu-yang composed the Wu Chen P'ien. Both texts are perennial guides to the study of the Tao."

Confucianism demonstrates a remarkable wealth of resources for rethinking human-earth relations. This second volume in the series on religions of the world and the environment includes sixteen essays that address the ecological crisis and the question of Confucianism from three perspectives: the historical describes this East Asian tradition's views of nature, social ethics, and cosmology, which may shed light on contemporary problems; a dialogical approach links Confucianism to other philosophic and religious traditions; an examination of engaged Confucianism looks at its involvement in concrete ecological issues.

Western Christians often despair of finding meaning in the paradoxical statement that God is both "One" and "Three". The problem, says Jung Young Lee, is not with the doctrine of the Trinity itself; rather, it is with the Western conceptual tendency to view reality in exclusive, "either/or" terms. The Trinity is at its heart an inclusive doctrine of one God who is nonetheless three distinct persons. In order to grasp this fact, we need different conceptual categories, not only with which to view God, but all of reality. The Asian philosophical construct of yin and yang can offer a way out of this problem, with its inherently "both/and" way of thinking. Drawing on a variety of East Asian religious traditions, Lee offers a creative reinterpretation of this central Christian doctrine. He shows how a global perspective can illuminate Western theological constructs as he establishes the necessity of a contextual approach to the doctrine of the Trinity.

'The Tao of Joy Every Day' contains Taoist sayings, wisdom, and stories all designed to bring awareness and understanding of what makes our lives meaningful, especially in a world that seems hurried and crazed.

The TAO-TE-CHING, the ancient Taoist text written by philospher Lao-Tzu in the sixth century B.C., has inspired millions of people from all different backgrounds. This beautiful edition contains Chinese characters alongside the English text and is illustrated with black and white drawings. Commentary from the translators helps to illuminate the ideas discussed in the text so that modern-day readers can fully appreciate the meaning.

Written during the Golden Age of Chinese philosophy, and composed partly in prose and partly in verse, the Tao Te Ching is the most terse and economical of the world's great religious texts. In a series of short, profound chapters it elucidates the idea of the Tao, or the Way, and of Te - Virtue, or Power - ideas that in their ethical, practical and spiritual dimensions have become essential to the life of China's powerful civilization. The Tao Te Ching has been translated into Western languages more times than any other Chinese work. It speaks of the ineffable in a secular manner and its imagery, drawn from the natural world, transcends time and place. The application of its wisdom to modern times is both instructive and provocative - for the individual, lessons in self-awareness and spontaneity, placing stillness and consciousness of the word around above ceaseless activity; for leaders of society, how to govern with integrity, to perform unobtrusively the task in hand and never to utter words lightly; for both, the futility of striving for personal success. D. C. Lau's classic English version remains a touchstone of accuracy. Informed by the most impressive scholarship this is a translation both for academic study and for general readers who prefer to reflect on the meaning of this ancient text unencumbered by the subjective interpretations and poetic licence of more recent 'inspirational' translations. Sarah Allan's masterly introduction discusses the origins of the work, sheds light on the ambiguities of its language, and places it firmly in its historical and philosophical context. The Everyman edition uses Lau's translation of the Ma Wang Tui manuscripts (discovered in 1973) in the revised 1989 version published by The Chinese University Press. The iconic text is presented uncluttered by explanatory notes. A chronology and glossary are included, together with the translator's informative appendices.

Despite Taiwan's rise as an economic force in the world, modernity has not led to a Weberian process of disenchantment or curbed religiosity. To the contrary, other factors--social, economic, political--have stimulated religion. How and why this has happened are central issues in this book.

One part of Taiwan's flourishing religious culture is the elaborate and colorful procession of local gods accompanied by troupes of musicians and dancers. Among them are performers with outlandishly painted faces portraying underworld generals who serve the gods and punish the living. Through their performances, these troupes claim to exorcise harmful forces from the community.

In conducting fieldwork among these troupes, Donald Sutton confronted their claims to a long history--when all evidence indicated that the troupes had been insignificant until the 1970s--and their assertions of devotion to tradition given the diversity of performances. Concentrating on the stylistic variations in performances, the author describes the troupes as organizations shaped by the "market forces" of supply and demand in the culture of religious festivals. By focusing on performances as the nexus of market and art, he shows how bodily performance is the site where religious statements are made and the power of the gods made visible.

Immortal Wishes is a powerful ethnographic rendering of religious experiences of landscape, healing, and self-fashioning on a northern Japanese sacred mountain. Working at the intersection of anthropology, religion, and Japan studies, Ellen Schattschneider focuses on Akakura Mountain Shrine, a popular Shinto institution founded by a rural woman in the 1920s. For decades, local spirit mediums and worshipers, predominantly women, have undertaken extended periods of shugyo (ascetic discipline) within the shrine and on the mountain's slopes. Schattschneider argues that their elaborate, transforming repertoire of ritual practice and ascetic discipline has been generated by complex social and historical tensions largely emerging out of the uneasy status of the surrounding area within the modern nation's industrial and postindustrial economies.Schattschneider shows how, through dedicated work at the shrine including demanding ascents up the sacred mountain, the worshipers come to associate the rugged mountain landscape with their personal biographies, the life histories of certain exemplary predecessors and ancestors, and the collective biography of the extended congregation. She contends that this body of ritual practice presents worshipers with fields of imaginative possibilities through which they may dramatize or reflect upon the nature of their relations with loved ones, ancestors, and divinities. In some cases, worshipers significantly redress traumas in their own lives or in those of their families. In other instances, these ritualized processes lead to deepening crises of the self, the accelerated fragmentation of local households, and apprehension of possession by demons or ancestral forces. Immortal Wishes reveals how these varied practices and outcomes have over time been incorporated into the changing organization of ritual, space, and time on the mountainscape. For more information about this book and to read an excerpt, please click here.

The Qianlong emperor, who dominated the religious and political life of 18th-century China, was in turn ruled by elaborate ritual prescriptions. These texts determined what he wore and ate, how he moved, and above all how he performed the yearly Grand Sacrifices. In this study, Angela Zito offers an analysis of the way ritualizing power was produced jointly by the throne and the official literati who dictated these prescriptions. Forging a critical cultural historical method that challenges traditional categories of Chinese studies, Zito shows that in their "performance", the ritual texts literally embodied the metaphysics upon which imperial power rested. By combining rule through the brush (the production of ritual texts), with rule through the body (mandated performance), the throne both exhibited its power and attempted to control resistance to it. Encompassing Chinese history, anthropology, religion, and performance and cultural studies, this book seeks to bring a new perspective to the human sciences.

What Is Taoism? traces, in nontechnical language, the history of the development of this often baffling doctrine. Creel shows that there has not been one "Taoism," but at least three, in some respects incompatible and often antagonistic. In eight closely related papers, Creel explicates the widely used concepts he originally introduced of "contemplative Taoism," "purposive Taoism," and "Hsien Taoism." He also discusses Shen Pu-hai, a political philosopher of the fourth century B.C.; the curious interplay between Confucianism, Taoism, and "Legalism" in the second century B.C.; and the role of the horse in Chinese history.

The political influence of temples in pre-modern Japan, most clearly manifested in divine demonstrations, has traditionally been condemned and is poorly understood. In an impressive examination of this intriguing aspect of medieval Japan, Mikael Adolphson employs a wide range of previously neglected sources (court diaries, abbot appointment records, war chronicles, narrative picture scrolls) to argue that religious protest was a symptom of political factionalism in the capital rather than its cause. It is his contention that religious violence can be traced primarily to attempts by secular leaders to re-arrange religious and political hierarchies to their own advantage, thereby leaving disfavored religious institutions to fend for their accustomed rights and status. In this context, divine demonstrations became the preferred negotiating tool for monastic complexes. For almost three centuries, such strategies allowed a handful of elite temples to maintain enough of an equilibrium to sustain and defend the old style of rulership even against the efforts of the Ashikaga Shogunate in the mid-fourteenth century.

By acknowledging temples and monks as legitimate co-rulers, The Gates of Power provides a new synthesis of Japanese rulership from the late Heian (794-1185) to the early Muromachi (1336-1573) eras, offering a unique and comprehensive analysis that brings together the spheres of art, religion, ideas, and politics in medieval Japan.