Avoiding sensationalism and date-speculating, respected Bible teacher Amir Tsarfati uses his unique perspective as an Israeli Christian to lead you through a fascinating modern-day description of God's plan for the end of the world.

Grounded from start to finish in Scripture, the book reveals how the Rapture, the imminent rise of the Antichrist, and the tragic horrors of the Great Tribulation will play out in our world today. He also helps you understand the roles--and fates--of Russia, Iran, Syria, Turkey, the European Union, the United States of America, and Israel in the end times, showing just how biblical prophecies are being fulfilled in our time.

But above all, he offers hope that in the midst of chaos and horror, God is ultimately in control, and those who belong to him will be safe with him.

God, as depicted in popular evangelical literature, is loving and friendly, described in heartfelt, often saccharine prose evocative of nostalgia, comfortable domesticity, and familial love. This emotional appeal is a widely-adopted strategy of the writers most popular among American evangelicals, including such high-profile pastors as Max Lucado, Rick Warren, and Joel Osteen. Todd M. Brenneman offers an in-depth examination of this previously unexplored aspect of American evangelical identity: sentimentality, which aims to produce an emotional response by appealing to readers' notions of familial relationships, superimposed on their relationship with God. Brenneman argues that evangelicals use sentimentality to establish authority in the public sphere-authority that is, by its emotional nature, unassailable by rational investigation. Evangelicals also deploy sentimentality to try to bring about change in society, though, as Brenneman shows, the sentimental focus on individual emotion and experience can undermine the evangelical agenda. Sentimentality not only allows evangelicals to sidestep intellectual questioning, but sets the stage for doctrinal change as well as weakening the evangelical vision of transforming society into the kingdom of God.

Exploring one of the most controversial figures in recent evangelical theology, this book thoroughly examines core features of Stanley J. Grenz's Trinitarian vision.

In our day, a powerful revelation has been released, teaching all believers how to enter the realm of breakthrough prayer and Kingdom authority—the Courts of Heaven.

As a believer operating in the Courts of Heaven, you have been granted the legal right to issue divine restraining orders against satan and his demons!

Through revelatory insights, Biblical examples, and supernatural testimonies, Dr. Francis Myles invites you to enter Heaven’s courtrooms, step into your place of spiritual governance, and release divine restraining orders that destroy the schemes of the enemy!

This groundbreaking teaching will empower you to:

• Restrain the devil’s power against your life.
• Increase your spiritual authority as a judge in the Courts of Heaven.
• Identify and overcome the “Delilah Spirit” that aims at your destiny.
• Apply practices modeled by key biblical figures to issue divine restraining orders.

Featuring a special chapter from bestselling author Robert Henderson, this fresh teaching includes 18 powerful activation prayers for issuing divine restraining orders against spiritual attacks, abuse, witchcraft, the spirit of poverty, premature death, and more.

Learn to demolish the adversary’s plots and step into the fullness of your Kingdom destiny!

When Art Disrupts Religion opens at London's Tate Modern Museum, with a young Evangelical man contemplating a painting by Mark Rothko, an aesthetic experience that proves disruptive to his religious life. Without those moments with Rothko, he says, "there never would have been an undoing of my conservative Evangelical worldview." The memoirs, interviews, and ethnographic field notes gathered by Philip Francis for this book lay bare the power of the arts to unsettle and overturn deeply ingrained religious beliefs and practices. Francis explores the aesthetic disturbances of more than 80 Evangelical respondants. From the paintings of Rothko to the films of Ingmar Bergman, from The Brothers Karamozov to The Freewheelin' Bob Dylan, Francis finds that the arts function as sites of "defamiliarization," "comfort in uncertainty," "a stand-in for faith" and a "surrogate transcendence." Bridging the gap between aesthetic theory and lived religion, this book sheds light on the complex interrelationship of religion and art in the modern West, and the role of the arts in education and social life.