Properties :QUALITY: Deep and glossy, transparent or opaque, with a superb enamelled appearance after baking. The range includes 10 shimmering colours, twinkling and iridescent effects, particularly opaque and covering. Excellent lightfastness.COLOUR MIXABILITY: Colours can be mixed together.DRYING: Tack free in a few minutes, fully dry in a minimum of 24 hours. Baking all colours and auxiliary products in the range : 35 minutes at 150°C (300°F) in domestic oven, after minimum 24 hours drying. For the markers: Allow to air dry 72 hours for decorative use with light washing and no soaking.Product Usage :Porcelaine 150 can be applied to all heat-stable bases that are able to withstand a temperature of 150°C (300°F), such as porcelain, china, glazed earthenware, terracotta, metal, enameled sheet steel, copper and glass. The choice of base enables numerous effects to be produced and experiments to be made with the transparency and intensity of the colours. Porcelaine 150 makes professional enameling available to all, with a new generation of 46 colours, glazed by simply baking at 150°C (300°F) in any domestic oven. In bottle, tube and marker, which can be mixed together, deep and glossy, transparent or opaque, with a superb enameled appearance after baking. Many applications are possible with Porcelaine 150: with brushes and also with sponge and stencil. The Porcelaine 150 outliners, in tube with nozzle, can be used for outlining work and screen printing. The markers are recommended for lines and writing. Shake well before use. Press tip repeatedly to start ink flow. Allow to air dry 72 hours for decorative use with light washing and no soaking. For dishwasher resistance, allow to air dry 24 hour after application then bake in oven for 35 minutes at 150°C (300°F). Store flatwise. Keep away from freezing.

Colourist Heat Transfer Paints allow you to create multi-coloured designs without specialist equipment. Using just a domestic iron you can print onto fabric, bags, Tshirts, coasters, placemats, bunting, tiles, jigsaws, Christmas decorations and many other items. You can use different painting techniques such as stamping, cut-outs and stencilling.Colourist Heat Transfer Paints should be printed onto 100% synthetic surfaces for the most vibrant, colourfast effects. Use polyester or acrylic for the best results. Mixed fibres can be used - the higher the synthetic content, the stronger the printed colours will be.

QUALITY: Water based Gutta, pearly and opaque is used to draw outlines in silk painting. MIXABILITY OF COLOURS: No.DRYING: Air dry in 30 minutes. SURFACES: All kinds of silk. DILUTION: Useless. Opacity: Opaque. Finish: Pearly. FIXING: 3-4 minutes on the back side of the fabric with a hot iron. CARE (Surfaces decorated) : 48 hours after fixing, the gutta is resistant to hand washing with water and dry cleaning. Water-based Gutta:Water-based Guttas have a thick consistency and are ideal for drawing outlines. Pearlescent, they can be applied directly from the nozzle tube. They penetrate perfectly through the fibres of the fabric, thus creating a barrier to the Setasilk colours which are applied afterwards. Once they are set with an iron, these Guttas are wash resistant.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Handover’s natural sea sponges measure 5 inches across for the “medium” up to 7 inches across for the extra large. They are perfect for the sponging effects achieved by specialist decorators.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

The Montana Acrylic Marker Fine is a high quality water based paint marker available in 24 vibrant colours that match to corresponding colours in the Montana Gold spray paint series. The highly pigmented paint is light-fast, high covering, water proof and abrasion proof allowing application to almost any surface. The optimum flow control pump-valve system allows accurate handling and application. The transparent marker bodies allow for easy assesment of remaining marker content. Replacement tips are seperately available. The solvent free Acrylic Marker range is ACMI approved and carries the AP mark of non-toxicity. Use on almost any surface. Ideal for interior use - for exterior use, please use Montana Gold Varnish for sealing.

* Color matching: Due to a different paint base between Acrylic markers (water-based) and Montana GOLD spray paint (solvent-based), for best colour matching results apply a coat of Montana Gold 400ml Gloss Varnish for one even finish. Slight differences may appear due to used substrate or ground. 100% colour match is not guaranteed. Always test before use.

B&J® Original Formula “The Masters”® Artist Hand Soap cleans gently cleans hands of oil and acrylic paint, stains, grease, inks, and more. Keeps hands soft with a refreshing spearmint scent. “The Masters”® Hand Soap is specially formulated to remove petroleum-based paint or materials without harsh and messy thinners. It removes dried-on paint with just water. It's non-abrasive, and leaves hands soft. Use it in the art room and for other dirty tasks around the house. “The Masters”® conditions as it cleans and contains no lanolin. This environmentally safe soap comes in a 4.5 oz (127 g) bar. Available in 2 sizes: 1.5 oz, 4.5 oz

This refill pack is designed to fit the Montana Acrylic Marker, a high quality water based paint marker available in 24 vibrant colours that match to corresponding colours in the Montana Gold spray paint series. The highly pigmented paint is light-fast, high covering, water proof and abrasion proof allowing application to almost any surface. This 180 ml bottle contains Shock Blue Light paint.

Handover’s natural sea sponges measure 5 inches across for the “medium” up to 7 inches across for the extra large. They are perfect for the sponging effects achieved by specialist decorators.

Similar to the white stencil brushes but the black bristle is slightly coarser. A wide range of sizes for the stenciller.

XL Crackle Paste is designed for adding textural effects and impasto to artworks on a range of surfaces.

The kit consists of two parts, a white base (primer) and the XL Crackle paste for the top layer. The primer adheres well to materials such as canvas, wood, styrofoam, plastic, glass or metal. It is not suitable for materials made of silicone. The primer adheres perfectly to the crackle paste and can be pigmented before application.

The XL Crackle Paste is a structural paste for the production of cracks, which appear as the paste dries. These cracks are deeper and wider the thicker you apply the XL Crackle Paste - a layer of up to 50mm thick is possible. Paint can be sprayed or painted over the crackle paste after application - please see below for more information.

Base Layer: Component 1 : Base / primer (small container). Apply the white primer paste as a base coat on your surface / substrate. Apply a thin and uniform layer. The primer adheres well to canvas, wood, styrofoam, plastic, glass or metal. It will not bond well to silicone or materials with silicone content.

XL Crackle Paste: The XL Crackle Paste is a structure paste for the creation of cracks. Cracks will appear as the paste dries. The cracks will be deeper and wider the thicker you apply the XL Crackle Paste. A layer thickness up to 50 mm is possible. Adhesion of the XL paste to the Base / primer (component 1) is excellent. Optimum results are achieved at temperatures of 18–25°C.

Tinting the base layer: The Base primer is white by default. When you apply the XL Crackle Paste on top, cracks will appear in the paste and the white colour of the
primer will be visible underneath and show through the cracks. Use regular acrylic paint or acrylic inks as a pigment to get the colour shade you desire.
Simply mix them into the Base primer by adding a maximum of 20% pigment. For example, if you need a total of 100g to prime your painting surface, you can use 80g of primer and 20g of paint (or more primer and less paint). You can introduce more flashy colours by mixing
shimmering pigments into the primer or use EliGlow Photo Luminescent pigment powders to provide a radiance to your crackle art. You are limited only by your own imagination!

Pigmenting the XL Crackle paste: By default the XL crackle paste is beige in colour. The paste itself cannot be coloured before application, but you can still colour your cracks afterwards. You have two options for doing this:
Option A: Spray the XL Crackle Paste with spraypaint immediately after application (i.e. when still wet). The paste will break apart and as it dries and you will obtain coloured cracks.
Option B: Let the XL crackle paste dry, then paint the surface as desired. You can either select individual cracks or paint the entire surface. With this technique take care not to let the paint run into the cracks otherwise you will no longer have a colour contrast

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Quality:

Transparent, intense and very bright colours. Solvent based, ready to use. Good lightfastness. Use with the cerne relief.

Colour mixability:

Colours can be mixed together.

Drying:

Tack-free in one hour, fully dry in 8 hours if led in thin coats.

Surfaces:

Glass, polyester, acetate ..

Thinner:

Odourless mineral spirit or white spirit.

Opacity:

Transparent and opaque colours

Finish:

Brilliant.

Pébéo's Vitrail is applied with a brush to all carefully degreased transparent surfaces : glass, acetate, polyester, plexiglas.

Product Usage: • Objects decorated with Vitrail colours should not be considered for practical usage and are intended for decorative purposes only. Furthermore only surfaces not destined to be put in contact with food should be decorated. • Keep out of reach of children. If swallowed seek prompt medical attention and present the packaging or label.

Using this ideal marbling paint, beautiful marble effects can be achieved on many different substrates. Suitable for use on plastic eggs and balls (always try a test area first on plastic objects), glass, acrylic, wood, papier mâché, blown eggs, candles, metal and polystyrene. All objects should be plain and paint-free. Papers, Japanese paper, many fabrics and silks can also be marbled using Marabu-easy marble. The paint is organic solvent based and is touch-dry after about 15 minutes. The paint is not permanent and will wipe off with a damp cloth after drying; therefore the decorated objects are not washable and not wash-resistant.

Round badger brushes with a domed head which are ideal for blending or softening smaller areas such as picture frames.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Product Usage :Porcelaine 150 can be applied to all heat-stable bases that are able to withstand a temperature of 150°C (300°F), such as porcelain, china, glazed earthenware, terracotta, metal, enameled sheet steel, copper and glass. The choice of base enables numerous effects to be produced and experiments to be made with the transparency and intensity of the colours. Porcelaine 150 makes professional enameling available to all, with a new generation of 46 colours, glazed by simply baking at 150°C (300°F) in any domestic oven. In bottle, tube and marker, which can be mixed together, deep and glossy, transparent or opaque, with a superb enameled appearance after baking. Many applications are possible with Porcelaine 150: with brushes and also with sponge and stencil. The Porcelaine 150 outliners, in tube with nozzle, can be used for outlining work and screen printing. For dishwasher resistance, allow to air dry 24 hour after application then bake in oven for 35 minutes at 150°C (300°F). Store flatwise. Keep away from freezing.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

This Painting On Glass Discovery Set contains:

6 x 20ml Assorted Vitrail Colours (crimson, lemon, orange, chartreuse green, sky blue and gold).

Product Usage: • PEBEO’s Vitrail opaque is applied with a brush or a sponge to all carefully degreased surfaces. • Mix the colours thoroughly with a stick prior to use. • Can be used with Vitrail transparent colours for creating contrasts between transparency and opacity. • Vitrail Opaque colours may also be used with the bowl technique. • Can be used with VITRAIL Cerne Relief outliners. • Objects decorated with Vitrail colours should not be considered for practical usage and are intended for decorative purposes only. Furthermore only surfaces not destined to be put in contact with food should be decorated. • Keep out of reach of children. If swallowed seek prompt medical attention and present the packaging or label.

The blend of filaments used to to create Gold Nylon brushes is specially selected to ensure excellent snap, fine points and sharp edges. These brushes are extremely durable and easy to clean.

Dala rubber rollers are robust, plastic handled brayers with hard rubber rollers and are suited to the spreading of ink; paint; glue and more. Useful for print making and large scale gluing applications.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Using this ideal marbling paint, beautiful marble effects can be achieved on many different substrates. Suitable for use on plastic eggs and balls (always try a test area first on plastic objects), glass, acrylic, wood, papier mâché, blown eggs, candles, metal and polystyrene. All objects should be plain and paint-free. Papers, Japanese paper, many fabrics and silks can also be marbled using Marabu-easy marble. The paint is organic solvent based and is touch-dry after about 15 minutes. The paint is not permanent and will wipe off with a damp cloth after drying; therefore the decorated objects are not washable and not wash-resistant.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.