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Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings
One of the most unexpectedly useful things we can do when we're feeling glum or out of sorts is to look at pictures. The best works of art can lift our spirits, remind us of what we love and return perspective to our situation. A few moments in front of the right picture can rescue us. This is a collection of 100 of the world's most consoling and uplifting images, accompanied by small essays that talk about the works in a way that offers us comfort and inspiration. The images in the book range wildly across time and space: from ancient to modern art, east to west, north to south, taking in photography, painting, abstract and figurative art. All the images have been carefully chosen to help us with a particular problem we might face: a broken heart, a difficulty at work, the meanness of others, the challenges of family and friends We're invited to look at art with unusual depth and then find our way towards new hope and courage. This is a portable museum dedicated to beauty and consolation, a unique book about art which is also about psychology and healing: a true piece of art therapy.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Mabel Allington Royds (1874-1941) was born in Bedford. At age 15 she won a scholarship to London's Royal Academy but opted to study at the Slade. She is famed for her colourful woodcuts of flowers, along with Biblical and Indian scenes, her technique was indebted to Japanese woodcuts. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history.
Learn to paint tropical watercolor flowers and foliage in simple steps with this free and easy approach to watercolor painting for beginners. Marie Boudon's beautifully presented creative course will get you started in this expressive and fun medium. Find out about the essential materials you need, learn about color mixing for an on-trend jungle palette, get expert tips on transparency, overlays and negative space, discover ideas for compositions and then work step-by-step through over 20 tutorials for jungle plants and flowers. From palm trees, monstera leaves and other jungle foliage to tropical flowers such as hibiscus, bird of paradise and anthurium, you'll find easy exercises and inspiring ideas for jungle-themed art, which is a huge trend in interiors and surface pattern design. Along the way, be inspired by Marie's gorgeous ideas for presenting the finished work as art pieces, journal pages, handmade stationery and greetings cards, inspirational quote frames, personalized gifts and more.
This practical guide is perfect for those looking to try this ancient art form for the first time! In this book, Japanese master artist Shozo Koike reveals the simple secrets of Sumi-e, offering step-by-step instructions with clear photographs and online video tutorials showing you how to paint 19 traditional subjects. Sumi-e is the meditative Japanese form of ink painting taught by Zen Buddhist monks to encourage mindfulness and an awareness of our surroundings. It uses only ink, water, a brush and paper to capture natural objects and landscapes in a vivid, spontaneous fashion. Koike begins with the basics--what to buy and how to prepare the ink in a traditional inkstone. Next, he shows you how to practice the 11 basic brushstrokes used for all Sumi-e paintings. The 19 traditional subjects taught in this book include: Flowers like orchids, chrysanthemums, camellias, roses and peonies Plants and fruits including bamboo, eggplants, grapes and chestnuts Animal figures including small birds, butterflies, chicks, crabs and goldfish Koike also explains the philosophy of Sumi-e, which emerges from the use of negative white space to enhance the painted forms. Readers will enter into a world not just of black and white, but of infinite shades of gray which are capable of evoking all the sensations of color using these techniques.
A window provides access to two of life's essentials, light and air, but it is more than just a means to an end. Windows also have symbolic, expressive and architectural qualities that have for centuries inspired some of the world's greatest artists. In this engaging new study, Christopher Masters celebrates the multiple roles of the window in art through five key themes, from the window as a status symbol to its use as a provider of physical and spiritual illumination; from its employment as a literal window on the world outside the confines of a room to its function as a mirror, reflecting the emotions of the artist or the individuals depicted; and finally to the immense architectural variety of windows that animate interior and exterior scenes throughout Western painting. With superb reproductions of 90 works by major artists from Giotto to Banksy, and spirited analysis of the paintings' meanings, this is a remarkable exploration of an important but hitherto neglected subject in art history.
Trees have inspired artists for generations. This unique watercolour artist's guide offers easy-to-follow, plant-specific information on how to paint a wonderful selection of the most popular species of trees. Beginning with a useful section on materials, the book then comprises an illustrated directory of 24 trees, from Acer to Zelkova. Step-by-step sequences show how to paint each one in a fresh, lively style with all the essential details of shape and form beautifully captured. The author explores the overall shapes and masses of branches and leaves, outlines in full foliage, winter trees, branch and twig details, and presents stunning leaf and flower portraits shimmering with life. A source of inspiration, as well as a manual of techniques, this book is a must-have for every tree painter. Purchase of this book supports the vital work of Kew - saving plants and fungi around the world that might one day save us.
For the second installment of Nomenus, a limited edition arts publication, Erik Madigan Heck has curated a special issue titled The Language of Flowers, that seamlessly weaves together a curated selection of floral and figurative contemporary paintings and photographic studies from Anselm Kiefer, Rita Ackermann, Helen Frankenthaler, Gabriel Orozco, Nick Knight, Mircea Suciu, Miranda Lichtenstein, Ida Applebroog, Emily Mason, Christophe Yvore, Ben Sledsens, Martina Hoogland Ivanow, Brigitte Lustenberger, Alex Foxton, Kaye Donachie, Jesse Willenbring, Aubrey Levinthal, Erik Madigan Heck, and Tomo Campbell.
Claude Monet spent most of his life painting his own spontaneous impressions of nature and the world that was closest to him. His works provoked the description 'Impressionist', the name given to the style of art that he created together with Camille Pissarro and Alfred Sisley.
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
This interdisciplinary collection of essays brings together scholars in the fields of art history, theatre, visual culture, and literature to explore intersections between the European avant-garde (c. 1880–1945) and themes of health and hygiene, such as illness, contagion, cleanliness, and contamination. Examining the artistic oeuvres of some of the canonical names of modern art – including Edgar Degas, Edvard Munch, Pablo Picasso, George Orwell, Marcel Duchamp, and Antonin Artaud – this book investigates instances where the heightened political, social, and cultural currencies embedded within issues of hygiene and contagion have been mobilised, and subversively exploited, to fuel the critical strategy at play. This edited volume promotes an interdisciplinary and socio-historically contextualised understanding of the criticality of the avant-garde gesture and cultivates scholarship that moves beyond the limits of traditional academic subjects to produce innovative and thought-provoking connections and interrelations across various fields. The book will be of interest to scholars working in art history, literature, theatre, cultural studies, modern history, medical humanities, and visual culture.
Discover a world filled with vibrant color and creative possibilities as you explore an array of painting, drawing, printing, and lettering techniques and styles using vivid colors of artist's ink. In Brilliant Inks, artist, illustrator, and top Skillshare teacher Anna Sokolova shares her own unique methods that get the most out of this versatile medium. With her guidance, create beginner-friendly florals and foliage, animals, still lifes, figures and portraits, and hand lettering. Learn about the various types of inks and the best tools and surfaces to use with them. Then, try basic techniques such as color mixing, creating visual texture, negative painting, and splattering. Work with a variety of brushes, dip pens, and droppers to get different looks, and see how adding common household supplies such as salt and bleach can create the most amazing effects. Use these methods in lessons designed to improve skills and boost confidence. Be inspired to make projects such as a bracelet, paper art dolls, a tote bag, and a decorated book. Full instructions and templates make projects fun and stress free. This incredible material offers so much that's waiting to be discovered: Vivid monotypes made in minutes using a combination of painting and printmaking methods Custom palettes created with unique blended colors Watercolor-like translucent washes and opaque silhouettes Techniques for creating beautiful motifs using simple brushstrokes and patterns. Begin your colorful journey today with Brilliant Inks and see how far your creativity can go! Perfect for all skill levels, the books in the Art for Modern Makers series take a fun, practical approach to learning about and working with paints and other art mediums to create beautiful DIY projects and crafts.
Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This design features 'Fairy Story' by Jean and Ron Henry.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Very little is known of Charlotte Cowan Pearson's life but it is known that she was admitted as a lady member of the Botanical Society of Edinburgh (now Botanical Society of Scotland) in 1894 and that she was an enthusiastic botanical artist. An album of Charlotte's beautiful botanical paintings of British plants is held in the Library of the Royal Botanic Garden Edinburgh and pays witness to her talents as an artist. The artwork on this journal shows 'Stellaria nemorum, Lepidium campestre, Asperula odorata, Stellaria holostea' painted in 1871. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
The work of Alex Colville, O.C. (1920-2013), one of the great modern realist painters, combines the Flemish detail of Andrew Wyeth, the eerie foreboding of George Tooker and the anguished confrontations of Lucian Freud. Behind the North Americans stands their common master, Edward Hopper. Colville's works are in many museums in Canada and Germany. He has affinities with Max Beckmann and appeals to the German "secondary virtues": cleanliness, punctuality, love of order. In a long life he resolutely opposed the fashionable currents of abstract and expressionistic art. In contrast to Jackson Pollock's wild action painting, Colville created paintings of contemplation and reflection. As Jeffrey Meyers writes: I spent several days with Colville on each of three visits from California to Wolfville. I received seventy letters from him between August 1998 and April 2010, and kept thirty-six of my letters to him. He sent me photographs and slides of his work and, in his eighties, discussed the progress and meaning of the paintings he completed during the last decade of his life. His handwritten letters, precisely explaining his thoughts and feelings, provide a rare and enlightening opportunity to compare my insights and interpretations with his own intentions and ideas. He also discussed his family, health, sexuality, politics, reading, travels, literary interests, our mutual friend Iris Murdoch, response to my writing, his work, exhibitions, sales of his pictures and of course the meaning of his art. His letters reveal the challenges he faced during aging and illness, and his determination to keep painting as health difficulties mounted. He stopped writing to me when he became seriously ill two years before his death. In this context the late paintings, presented in colour in this book, take on a new poignancy.
Frida Kahlo is undoubtedly one of the most innovative and influential painters of the 20th century and is widely considered a style icon thanks to her eclectic taste and love for colour, print and hauls of jewellery. From a young age, Kahlo forged her own path, overcoming polio as a child, and stoically battling the after-effects of a tragic road accident that left her with lifelong injuries. Pocket Frida Kahlo Wisdom is an inspiring collection of some of her best quotes on love, style, life, art and more, and celebrates the Mexican icon's immense legacy. Some quotes from Frida Kahlo: 'Nothing is worth more than laughter. It is strength to laugh and to abandon oneself, to be light.' 'The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.' 'I must fight with all my strength so that the little positive things that my health allows me to do might be pointed toward helping the revolution. The only real reason for living.' 'I am my own muse, I am the subject I know best. The subject I want to know better.'
Glasgow Museums has the finest collection of Italian paintings of any civic museums service in the UK. It includes some 150 paintings ranging from the late 14th century to the late 19th century. This catalogue begins with an historical introduction to the collection and its donors, and includes 192 colour reproductions.
The modern guide to opaque watercolour painting! If you love the bold and beautiful look of gouache painting but thought the medium might be too complex for you, think again! Gouache is very similar to watercolour and totally within your reach when you follow the easy and accessible instructions inside this beautiful book from renowned artist, author, and designer Viddhi Saschit. Here is what you'll get: Easy introduction to gouache: Learn creative techniques for getting gorgeous results in gouache no matter your skill level; Super supply recommendations: Discover everything you need to know about the best paint, paper, and brushes for beginners; Colour mixing recipes: Learn to mix all of your favourite colours with the author's visual guide to colour mixing; Pretty palettes: No more stressing over what colours to use -- the author has provided premade palettes in lots of colourways!; Projects to paint: Step-by-step photographs and instructions guide you in painting beautiful flowers, dreamy landscapes, iconic travel destinations, and encouraging phrases!; Full-sized patterns: A detailed template is provided for each project to make starting out easy for you; Inspiration and encouragement: Learn how to let go of judgment and create with joy with the author's tips and advice. Explore the colourful, bold, and gorgeous world of gouache today with this modern guide aimed at absolute beginners!
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. ARTIST. Kate Heiss is a contemporary British Printmaker who creates limited edition screen prints and linocuts on paper. She draws inspiration from the flowers and birds in her garden, the landscapes of East Anglia and her love of bold, colourful floral patterns found in textiles. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
Combining her passion for teaching with her mastery of both mediums, Camilla Damsbo Brix introduces budding artists to the whimsical beauty of watercolor, with the definition that ink offers, through 22 step-by-step floral compositions so exquisite they won’t believe how easy they are to make. Camilla gives insight into the respective fundamentals of ink and wash through basic techniques and preparatory sketches, where artists will learn crucial things like the difference between wet on wet and wet on dry, varying lines while inking, observational sketching of flowers and capturing harmonious floral compositions. Additionally, with a chapter entirely dedicated to sharing art with loved ones and with a larger artistic community, everyone will be well on their way to confidently and consistently blossoming in their practice. With Camilla’s gentle guidance, readers will be inking and painting classics like roses, lilacs and daisies, as well as annual beauties like dahlias, cosmos and sunflowers and lesser-known species like plumerias, gerberas and hellebores. This book has something for everyone, be it watercolor lovers trying to explore ink and vice versa, beginners wishing to grasp the intricacies of mixed media, or artists looking to strengthen their skills with elegant compositions they can proudly display. This book contains 22 projects and 22 photographs plus step-by-steps.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Based in Falmouth, Cornwall, Lucy Innes Williams is a painter and illustrator with a passion for bright colours, cold shapes and joyous mark-making. With an artistic interest in highly ornate textiles, patterns, and the decorative arts of the early-mid twentieth century, she uses a combination of gouache, watercolour and printmaking. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful." |
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