This essay takes as its focus two paintings by Johannes Vermeer
(1632-75), The Milkmaid c.1661-62 and Woman Holding a Balance
c.1662-65, and considers critical approaches to the artist by four
historians: Edward A.Snow, Lawrence Gowing, John Michael Montias,
and Martin Pops. Its aim is not solely to describe Vermeer's art,
but by a process of comparative analysis to discern the various
standpoints of his biographers, and to clarify their methodologies
in research.
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