The perfect Lent book for art lovers of all ages

Met die bundel beeldgedigte stel Marlene van Niekerk op ’n oorspronklike en toeganklike manier die minder bekende Nederlandse skilder Jan Mankes (1889-1920) bekend. Sy lewer daarmee nogeens ’n bewys van die vernuwende aard van haar werk. Die bundel bevat ’n dosyn of wat skilderye, in kleur afgedruk, telkens vergesel van ’n beeldgedig in Afrikaans met die Nederlandse vertaling daarvan op die volgende bladsy. Beskryf as “’n poetiese kragtoer”.

Collaboration The Mind's Eye is a collaboration between the artist's emotional response to the poems and the immediacy of the poet's reaction to nature and personal encounters. The Poet Gail Gowers Cotton is a member of the Poetry Society and the British Haiku Society. Her poems have appeared in the Societies' journals as well as in other specialist magazines. She "scatters" her work by leaving poems on buses, in cafes and tucked into library books. The Mind's Eye is her second book. Her inspiration comes from nature and personal encounters including memories of Ireland, Africa, North Wales and visits to Sydenham Hill Woods, Dulwich Picture Gallery and the Horniman Museum in South London, where she now lives. The Artist Pat Keay graduated as a painter at the Edinburgh College of Art in 1971. She has worked as an artist and designer in Scotland, Kenya and London and now lives in Worthing. Read more on www.patkeay.com. The illustrations come from Pat's spontaneous reaction to the essence, rather than the detail, of a particular Haiku.

Here is our garden. The gate is not locked But don't venture in if you're easily shocked. We admit that our plantings won't please everyone; But if you're unsettled, that's part of the fun. See these creepers - like this one, that's wrapped round your feet? They creep terribly fast, and they only eat meat. Oh, and though they look pretty, please don't pick the flowers; They pick back, and their nails are far sharper than ours. You've seen how our chickens don't scratch in the mud? They're vampire hens, and they much prefer blood. And our goat, with the red eyes like smouldering coals? Satan's his name: he devours human souls. But don't be too frightened: all's not what it seems. These flora and fauna are tissues of dreams; And the monsters we dredge from the depths of our brain Fall asleep when we wake...or they'd drive us insane.

The first monograph and only substantial publication on the work of Patrick George (born 1923), this book will reveal to a largely unsuspecting public the lyrical paintings of a rare and original talent. George is better known as a teacher; he taught for forty years at the Slade School of Fine Art, University College, London before eventually becoming Director there. He has only shown his work infrequently, yet perceptive commentators have identified him as a School of London painter, to be viewed in the same context as Lucian Freud (a friendly rival), Frank Auerbach (a strong supporter of George's work), and Euan Uglow (George's close friend and colleague). For too long dismissed as a follower of Coldstream, Patrick George is in fact very much his own man, a Northern European landscape and figure painter, working in the tradition of Gainsborough and Constable. In this book, his unique contribution to the development of contemporary landscape painting is for the first time examined and evaluated.