The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The monochrome colours of black, white, sanguine and sepia can be found in life drawing classes at almost every art school. They bring pictures to life with vitality and expression. This is an old tradition of figure drawing that dates back to the Renaissance, enhanced with white and with shadows deepened with black. Faber-Castell's PITT monochrome crayons hark back to this long tradition of figure drawing, which is why the crayons designed for sketching are harder than conventional pastel crayons. For this reason, the lines do not disappear completely when smudged. The sanguine and sepia crayons are supplemented by oil-free and oil-based drawing pencils for sketching and details.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The monochrome colours of black, white, sanguine and sepia can be found in life drawing classes at almost every art school. They bring pictures to life with vitality and expression. This is an old tradition of figure drawing that dates back to the Renaissance, enhanced with white and with shadows deepened with black. Faber-Castell's PITT monochrome crayons hark back to this long tradition of figure drawing, which is why the crayons designed for sketching are harder than conventional pastel crayons. For this reason, the lines do not disappear completely when smudged. The sanguine and sepia crayons are supplemented by oil-free and oil-based drawing pencils for sketching and details.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.

The PITT pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.