The Synergy Method for Marimba is a method book for mallet keyboard percussion. It predominately focuses on 4 mallet technique and exercises, although there are some 2 mallet exercises as well. In all, there are over 300 exercises. Already this marimba method book is being referred to as "The Encyclopedia of Marimba Exercises." If you enjoyed Stevens' Method of Movement, this will become one of your favorites as well. This is the epitome of keyboard method books; a future bestseller.

Etudes Op. 48 is a book of modern solos ideal for the concert solo setting. The book is for beginners to advanced level percussionists. There are solos suited for beginners which can also serve as excellent sight-reading materials. Many of the snare drum books available now are outdated and the market does not have many new books. Etudes Op. 48 will be a great addition for the percussionists looking for a collection of solos composed with the 21st century musician in mind.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

"Legendary, Op. 44" is a collection of conga solos composed by best selling author Dr. Greg Jackson. This is the first book of solo literature ever published for the instrument. Each solo uses traditional music notation, as well as indications for which hand is recommended to play a certain drum. The different sounds are also thoroughly notated for each piece for those who are new to reading music. "Legendary" features 13 pieces for 2 to 5 congas and incorporates some traditional marchas, as well as newer forms such as timba. Each piece is designed for concert performance settings, or for the conguero in need of a solo during a song break. This book is also an excellent study tool for learning to design your own solos in a band type of setting. Level: Beginner to Professional

The Well-Tempered Marimbist is a set of compositions for the two mallet percussionist. The collection consists of 24 etudes, each in a different key, similar to the pivotal Well-Tempered Clavier by J.S. Bach. Most of the new music available is for 4-mallets, leaving those learning keyboard percussion without much of a selection for music that is current. This book contains music that fits many genres from traditional melodic development to music that would be classified as modern or 21st Century. WTM includes a wide range of solos for the beginning mallet player to the advanced level percussionist. The easier pieces are great for sight-reading practice as well. These solos are excellent pieces for recitals and solo performances as audiences will love the outstanding melodies. The percussionist will enjoy how well each piece lays on the instrument. This book is sure to become a classic for many generations and is an excellent source to have in the library of every percussionist.

Year of the Tiger Op. 35 is a percussion ensemble for three players using Taiko drums and performed in the tradition of Japanese drumming.

Jumpin' Round is an exciting, new and unique approach to teaching music with Orff percussion instruments. It features thirteen original, fully arranged pieces with scores, parts, vocal lead sheets and free downloadable audio files. This makes it a flexible teaching tool with many improvising opportunities and re-arranging suggestions provided. The pieces vary in style from Boogie Woogie and Jazz Ballad to Japanese and Symphonic. The compositions in this book are designed to assist students make the transition from learning music through singing, imitation, rote and movement to the independent musician who can take a written part and read it, hear it, play it, feel it, re-arrange it and improvise on it. Every piece can be approached from either end of the rote/reading continuum, or anywhere in between. The thirteen pieces are arranged to be complete within themselves so that students can play them without CD or teacher backing. They are aimed at upper primary and lower secondary students and are graded from easy to more difficult. Also, each piece contains easier and harder parts; thus allowing for variation in student ability. The first few could be taught aurally to students with little musical experience, but generally the music is appropriate for students with some years of music education. For more information about this great music teaching resource visit www.stephenhutton.com.au.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Congas Full Circle satisfies a missing link in percussion literature. This is the first book for congas and hand drumming that breaks down the patterns of various styles (almost 50 ) into small sections that can be digested easier. Although there are many high quality books for hand drummers, the books merely notate the patterns without teaching the reader how to play the rhythms. Congas Full Circle will fill that void. The book includes many exercises to teach the reader how to play rudiments on congas while improving your quality of sound. There are also examples of styles for djembe, bata, bongos, and cajones with music spanning from early African patterns to modern day Salsa and Timba. With almost 400 pages, this is the most comprehensive book on congas available.

Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts.
In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music.
Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.

Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts.
In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music.
Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This suite in seven parts is composed for a "classic" flute and a "jazz" piano. It was the first jazz recording of world-renowned flutist Jean-Pierre Rampal and Claude Bolling. It is possible to play the whole piece with only flute and piano, but bass and drum parts are included for the complete Suite. The CD includes full recordings and flute play-along tracks for seven songs: Baroque and Blue * Fugace * Irlandaise * Javanaise * Sentimentale * Veloce * Versatile. Also available: Complete Set of Parts/CD (00672558, $59.95); CD Only (HL00672559, $16.95).

The Ludwig Book by Rob Cook is the definitive business and historical guide to this legendary drum manufacturer. Includes dozens of interviews, a 64-page color section, a dating guide including every catalogued Ludwig snare drum and outfit, and a handy CD-ROM. Interview sections include the top executives from Ludwig's heyday in the 1960s: Karl Dustman, Frank Baxpehler and Dick Schory, as well as todays leaders: William F. Ludwig III, Todd Trent and Jim Catalano. There are also special segments on Ludwig Electronics, Phase II, and detailed sections about the gear used by famous drummers such as John Bonham and Ringo Starr.

Foreword by Neil Peart.THTHTalent energy dedication discipline passion innovation education drive mind body spirit vision honor truth and EdrumsE make the man: Kenny Aronoff. Voted by ERolling StoneE magazine as one of the greatest drummers of all time Aronoff is arguably the most sought-after recording and touring beat master ever. Ignited by the Beatles' appearance on EThe Ed Sullivan ShowE in 1964 Aronoff's passion for drumming fervently grew and carried him from the kit in his childhood living room in the Berkshires to Bernstein at Tanglewood to Mellencamp Etheridge Fogerty Smashing Pumpkins the Rolling Stones the Beatles a his heroes a and beyond.THBut none of this would have been possible without his fierce work ethic and unique approach to drumming a an integration of all parts of his being along with meticulous attention to note-for-note detail feel and Ewhat the song needsE. Both a leader and a team player in the mission to realize a greater good a an unforgettable recording a riveting show a Aronoff brings it every time. Through any setbacks a heartaches failures injuries or plain fatigue from the rigors of the biz a Aronoff has stayed the arduous and wild rock 'n' roll course. His tale of what is possible with unrelenting dedication to one's bliss is an inspiration to all.THESex Drums Rock 'n' Roll!E details Aronoff's youth in the Berkshires and the Midwest from his early inspirations to his serious classical and jazz study which gave him the foundation to be able to play a anything. The failure of a first rock band in his early twenties had a silver lining: it freed him up for an audition that would change his life a John Mellencamp. His work with Mellencamp catapulted Aronoff to the top of the charts with such hits as Hurt So Good Little Pink Houses and Jack and Diane and paved the way for session and recording work with droves of remarkable artists: Melissa Etheridge John Fogerty Bon Jovi Stevie Nicks Smashing Pumpkins the BoDeans Paul Westerberg Celine Dion Iggy Pop Elton John Bob Dylan Alice Cooper Brian Wilson Meat Loaf Joe Cocker and countless others.THIn addition to his work as a world-famous recording and touring drummer Aronoff finds time to be a dedicated teacher and has shared his expertise with students all over the world teaching clinics for Tama and Zildjian. Heading into his fourth decade of rocking hard Aronoff shows no signs of slowing down. Featuring rare photos testimonials from major artists and from those who know him best a chronology of live performances a discography and a foreword by Neil Peart this book is the story of one of the greatest musicians of all time.

The ultimate technical study of four-way independence based on Afro-Cuban rhythms. This detailed and methodical approach will develop four-limb coordination and expand rhythmic vocabulary. Understanding the clave and the relationship between eighth-note and triplet rhythms will aid in mastering the multiple and complex rhythms of Afro-Cuban styles.

(Book). In this book, author Rob Cook gives the complete history of the Rogers Drum Company, whose drums, in the words of Not-So-Modern Drummer editor John Aldridge, were "the Cadillac of the 1960s...(whose) innovations in hardware design have been copied by almost every drum manufacturer in existence." The Rogers Book covers the company's east coast beginnings, the Covington, OH era, English Rogers, the CBS era, and much more. It includes a list of Rogers endorsees, a comprehensive guide for dating equipment, a color section showing old catalogs and drum colors, the parts listings from all Rogers catalogs, a list of current resources, and lots of photographs throughout. This is a must-have for all drum enthusiasts