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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Percussion instruments
This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.
(Percussion). Grammy-award winning conga player Poncho Sanchez and Chuck Silverman have joined forces to produce this book of riffs for beginning conga players or percussionists who want to incorporate Latin or conga techniques into their playing style. This unique book/CD pack covers all the essential styles you'll need, including many of the grooves that have made Poncho one of the world's most in-demand congueros . The tracks on the accompanying CD are performed by a world-class band members of the Poncho Sanchez Latin Jazz Band with and without conga parts, so after you learn the material in the book, you'll be able to practice by playing along. Plus there is a tasty bonus. Not only does the music have a decidedly Latin flavor, but so do the spicy hot cooking recipes from Poncho that are interspersed throughout the book
(Book). In this book, author Rob Cook gives the complete history of the Rogers Drum Company, whose drums, in the words of Not-So-Modern Drummer editor John Aldridge, were "the Cadillac of the 1960s...(whose) innovations in hardware design have been copied by almost every drum manufacturer in existence." The Rogers Book covers the company's east coast beginnings, the Covington, OH era, English Rogers, the CBS era, and much more. It includes a list of Rogers endorsees, a comprehensive guide for dating equipment, a color section showing old catalogs and drum colors, the parts listings from all Rogers catalogs, a list of current resources, and lots of photographs throughout. This is a must-have for all drum enthusiasts
In African drum ensembles, a musician establishes a time line which establishes the points of entry for the different instruments. So the player must know the role of the particular instrument in the totality, and also the rhythm or rhythms assigned to it and precisely where they fit into the music. Opportunities to learn and appreciate drumming is limited in contemporary contexts, and it is against this background that the International Centre for African Music and Dance at the University of Ghana has embarked on this project aimed at making African drum music accessible to a wider public in the form of musical scores, audio and video recordings. Although essentially cultivated and practiced by oral tradition, the value of transcriptions is not disputed by African musicians. The three titles in the series cover different types of drum; and each gives information on performance practice and instruments, the full score of the work, vertical alignment and bibliography.
In African drum ensembles, a musician establishes a time line which establishes the points of entry for the different instruments. So the player must know the role of the particular instrument in the totality, and also the rhythm or rhythms assigned to it and precisely where they fit into the music. Opportunities to learn and appreciate drumming is limited in contemporary contexts, and it is against this background that the International Centre for African Music and Dance at the University of Ghana has embarked on this project aimed at making African drum music accessible to a wider public in the form of musical scores, audio and video recordings. Although essentially cultivated and practiced by oral tradition, the value of transcriptions is not disputed by African musicians. The three titles in the series cover different types of drum; and each gives information on performance practice and instruments, the full score of the work, vertical alignment and bibliography.
In African drum ensembles, a musician establishes a time line which establishes the points of entry for the different instruments. So the player must know the role of the particular instrument in the totality, and also the rhythm or rhythms assigned to it and precisely where they fit into the music. Opportunities to learn and appreciate drumming is limited in contemporary contexts, and it is against this background that the International Centre for African Music and Dance at the University of Ghana has embarked on this project aimed at making African drum music accessible to a wider public in the form of musical scores, audio and video recordings. Although essentially cultivated and practiced by oral tradition, the value of transcriptions is not disputed by African musicians. The three titles in the series cover different types of drum; and each gives information on performance practice and instruments, the full score of the work, vertical alignment and bibliography.
A how-to book for the church musician desiring further training, Handbell Helper offers basic, practical help to church music directors. * Offers basic information which assumes no prior handbell knowledge * Provides examples for concepts presented * Written in an easy-to-read and easy-to-understand style and format * Helps eliminate some of the intimidation of beginning a bell choir * Gives new directors a higher level of confidence in working with a handbell group * Gives music directors something to give to potential handbell choir leaders
An icon of global Punjabi culture, the dhol drum inspires an unbridled love for the instrument far beyond its application to regional vernacular music. Yet the identities of dhol players within their local communities and the broadly conceived Punjabi nation remain obscure. Gibb Schreffler draws on two decades of research to investigate dhol's place among the cultural formations within Punjabi communities. Analyzing the identities of musicians, Schreffler illuminates concepts of musical performance, looks at how these concepts help create or articulate Punjabi social structure, and explores identity construction at the intersections of ethnicity, class, and nationality in Punjab and the diaspora. As he shows, understanding the identities of dhol players is an ethical necessity that acknowledges their place in Punjabi cultural history and helps to repair their representation. An engaging and rich ethnography, Dhol reveals a beloved instrumental form and the musical and social practices of its overlooked performers.
(Book). From Tadd Dameron through Dizzy Gillespie, Billy Eckstine, Cannonball Adderly and Benny Golson, to his own 17-piece "Supersound" big band, Charli Persip has been one of the most in-demand drummers in all of jazz, as well as in the pop genre. A textbook example of how to play the drums, Persip has proven his worth in a wide variety of ensembles and handled the transitions from one group to the next without missing a beat. Learn from his experiences and share some of his insights in this practical, down-to-earth text. Newly revised and expanded to include "The Warm-Up Exercise," this book for all musicians and music lovers is loaded with playing tips, great advice and anecdotes.
Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush capturing the bristling energy of the Rolling Stones and the times in which they lived and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house. Charlie Watts, the anti-rock star an urbane jazz fan with a dry wit and little taste for the limelight was witness to the most savage years in rock history, and emerged a hero, a warrior poet. With his easy swing and often loping, uneven fills, he found nuance in a music that often had little room for it, and along with his greatest ally, Keith Richards, he gave the Stones their swaggering beat. While others battled their drums, Charlie played his modest kit with finesse and humility, and yet his relentless grooves on the nastiest hard-rock numbers of the era (Gimme Shelter, Street Fighting Man, Brown Sugar, Jumpin' Jack Flash, etc.) delivered a dangerous authenticity to a band that on their best nights should have been put in jail. Author Mike Edison, himself a notorious raconteur and accomplished drummer, tells a tale of respect and satisfaction that goes far beyond drums, drumming, and the Rolling Stones, ripping apart the history of rock'n'roll, and celebrating sixty years of cultural upheaval. He tears the sheets off of the myths of music making, shredding the phonies and the frauds, and unifies the frayed edges of disco, punk, blues, country, soul, jazz, and R and B the soundtrack of our lives. Highly opinionated, fearless, and often hilarious, Sympathy is as an unexpected treat for music fans and pop culture mavens, as edgy and ribald as the Rolling Stones at their finest, never losing sight of the sex and magic that puts the roll in the rock the beat, that crazy beat! and the man who drove the band, their true engine, the utterly irreplaceable Charlie Watts.
The drum kit has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. Kick It, a provocative social history of the instrument, looks closely at key innovators in the development of the drum kit: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Tackling the history of race relations, global migration, and the changing tension between high and low culture, author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Kick It shows how the drum kit and drummers helped change modern music-and society as a whole-from the bottom up.
(Drum Instruction). A 52-week, one-exercise-per-day workout program for developing, improving, and maintaining drum technique. Players of all levels beginners to advanced will increase their speed, coordination, dexterity and accuracy using these bite-sized lessons. The two CDs contain all 365 workout licks, plus play-along grooves in styles including rock, blues, jazz, heavy metal, reggae, funk, calypso, bossa nova, march, mambo, New Orleans 2nd Line, and lots more The revised edition now includes additional workouts for drummers and upgraded instructional tops. The CDs now also include the Amazing Slow-Downer technology, so Mac and PC users can also slow down the tempo without changing the pitch by using the CD in their computer.
"Percussion" is an attempt--in the author's words--to make sense of
"senseless beating," to grasp how rhythm makes sense in music and
society. Both a scholar and a former professional drummer, John
Mowitt forges a striking encounter between cultural studies and new
musicology that seeks to lay out the "percussive field" through
which beating--specifically the backbeat that defines early
rock-and-roll--comes to matter for raced, urban subjects.
"Gamelan" is the first study of the music of Java and the
development of the gamelan to take into account extensive
historical sources and contemporary cultural theory and criticism.
An ensemble dominated by bronze percussion instruments that dates
back to the twelfth century in Java, the gamelan as a musical
organization and a genre of performance reflects a cultural
heritage that is the product of centuries of interaction between
Hindu, Islamic, European, Chinese, and Malay cultural forces.
This suite in seven parts is composed for a "classic" flute and a "jazz" piano. It was the first jazz recording of world-renowned flutist Jean-Pierre Rampal and Claude Bolling. It is possible to play the whole piece with only flute and piano, but bass and drum parts are included for the complete Suite. The CD includes full recordings and flute play-along tracks for seven songs: Baroque and Blue * Fugace * Irlandaise * Javanaise * Sentimentale * Veloce * Versatile. Also available: Complete Set of Parts/CD (00672558, $59.95); CD Only (HL00672559, $16.95).
"The Healing Drum" traces the extraordinary cultural legacy of the Minianka tribe of West Africa, for whom music serves a sacred, healing function for the individual and society. The authors explore the Minianka view of humanity, music, and the cosmos relative to work, celebration, herbal medicine, dance, trance, initiation, and death. The first book of its kind, delivering a message of untapped wisdom and power from a little-known culture through the universal medium of music.
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