An icon of global Punjabi culture, the dhol drum inspires an unbridled love for the instrument far beyond its application to regional vernacular music. Yet the identities of dhol players within their local communities and the broadly conceived Punjabi nation remain obscure. Gibb Schreffler draws on two decades of research to investigate dhol's place among the cultural formations within Punjabi communities. Analyzing the identities of musicians, Schreffler illuminates concepts of musical performance, looks at how these concepts help create or articulate Punjabi social structure, and explores identity construction at the intersections of ethnicity, class, and nationality in Punjab and the diaspora. As he shows, understanding the identities of dhol players is an ethical necessity that acknowledges their place in Punjabi cultural history and helps to repair their representation. An engaging and rich ethnography, Dhol reveals a beloved instrumental form and the musical and social practices of its overlooked performers.

Drumsville! The Evolution of the New Orleans Beat traces the history of drums and drumming in the Crescent City, exploring more than three centuries of the instrument and the art form that transformed New Orleans into the musical powerhouse it is today. Created as a companion to the New Orleans Jazz Museum exhibit of the same name, Drumsville! examines the drummer's role in the evolution of brass bands, Black masking Indians, traditional and modern jazz, rhythm and blues, rock and roll, and funk.

An iconic symbol and sound of the Lucumi/Santeria religion, Afro-Cuban bata are talking drums that express the epic mythological narratives of the West African Yoruba deities known as "orisha." By imitating aspects of speech and song, and by metaphorically referencing salient attributes of the deities, bata drummers facilitate the communal praising of "orisha" in a music ritual known as a "toque de santo."

In "The Artistry of Afro-Cuban Bata Drumming," Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumi performance.

Integral in enabling trance possessions by the "orisha," by far the most dramatic expressions of Lucumi faith, bata drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour "toque de santo." During these events, bata drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the "orisha," and supporting the playful song competitions that erupt between singers, bata drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively."

Foreword by Neil Peart.THTHTalent energy dedication discipline passion innovation education drive mind body spirit vision honor truth and EdrumsE make the man: Kenny Aronoff. Voted by ERolling StoneE magazine as one of the greatest drummers of all time Aronoff is arguably the most sought-after recording and touring beat master ever. Ignited by the Beatles' appearance on EThe Ed Sullivan ShowE in 1964 Aronoff's passion for drumming fervently grew and carried him from the kit in his childhood living room in the Berkshires to Bernstein at Tanglewood to Mellencamp Etheridge Fogerty Smashing Pumpkins the Rolling Stones the Beatles a his heroes a and beyond.THBut none of this would have been possible without his fierce work ethic and unique approach to drumming a an integration of all parts of his being along with meticulous attention to note-for-note detail feel and Ewhat the song needsE. Both a leader and a team player in the mission to realize a greater good a an unforgettable recording a riveting show a Aronoff brings it every time. Through any setbacks a heartaches failures injuries or plain fatigue from the rigors of the biz a Aronoff has stayed the arduous and wild rock 'n' roll course. His tale of what is possible with unrelenting dedication to one's bliss is an inspiration to all.THESex Drums Rock 'n' Roll!E details Aronoff's youth in the Berkshires and the Midwest from his early inspirations to his serious classical and jazz study which gave him the foundation to be able to play a anything. The failure of a first rock band in his early twenties had a silver lining: it freed him up for an audition that would change his life a John Mellencamp. His work with Mellencamp catapulted Aronoff to the top of the charts with such hits as Hurt So Good Little Pink Houses and Jack and Diane and paved the way for session and recording work with droves of remarkable artists: Melissa Etheridge John Fogerty Bon Jovi Stevie Nicks Smashing Pumpkins the BoDeans Paul Westerberg Celine Dion Iggy Pop Elton John Bob Dylan Alice Cooper Brian Wilson Meat Loaf Joe Cocker and countless others.THIn addition to his work as a world-famous recording and touring drummer Aronoff finds time to be a dedicated teacher and has shared his expertise with students all over the world teaching clinics for Tama and Zildjian. Heading into his fourth decade of rocking hard Aronoff shows no signs of slowing down. Featuring rare photos testimonials from major artists and from those who know him best a chronology of live performances a discography and a foreword by Neil Peart this book is the story of one of the greatest musicians of all time.

This suite in seven parts is composed for a "classic" flute and a "jazz" piano. It was the first jazz recording of world-renowned flutist Jean-Pierre Rampal and Claude Bolling. It is possible to play the whole piece with only flute and piano, but bass and drum parts are included for the complete Suite. The CD includes full recordings and flute play-along tracks for seven songs: Baroque and Blue * Fugace * Irlandaise * Javanaise * Sentimentale * Veloce * Versatile. Also available: Complete Set of Parts/CD (00672558, $59.95); CD Only (HL00672559, $16.95).

(Book). Here is a hard rock memoir essentially an authorized bio on the endearing British rock band Humble Pie as told from the drum throne and backstage hallways during the emerging days of the Seventies classic rock era. In 1969, Jerry Shirley was chosen to drum in a new band led by Steve Marriott and Peter Frampton. He had just turned 17. Along with bassist Greg Ridley, and manager Dee Anthony, the Pie started a 6-year journey that stormed the US and defined Arena Rock bigger sound, bigger contracts, and bigger parties. Along the way Jerry meets with future legends that make for a star-studded bio and rare glimpse into the rock music industry. Written in his own voice and with a wicked musician sense of humor, Jerry details the vibrant scene that created the explosive sound of heavy rock. He explains how sessions were conducted by iconic engineers like Glyn Johns and Eddie Kramer, describes his session work with Syd Barrett and George Harrison and tells amusing tales like drum shopping with the Who's Keith Moon. What was it like to perform a sold-out show at Shea Stadium, play for 250,000 in Hyde Park, charter a private jet for tour, record the trend-setting live record at the Fillmore East (that spawned the FM radio staple "I Don't Need No Doctor"), get hyped for the stage by Dee Anthony, and deal with the drugs and excesses of this inhibitive era of rock? This book definitely answers those question as well as "What was it like to meet, play, record, tour, party, and fight with cult hero Steve Marriott?" No other book can cover it like this.

Tang examines the rich history and changing repertories of sabar drumming, including dance rhythms and bakks, and musical phrases derived from spoken words. Highlighting the virtuosity and musical skill of the percussionist, this work also considers the burgeoning popular music genre called mbalax.

"Percussion" is an attempt--in the author's words--to make sense of "senseless beating," to grasp how rhythm makes sense in music and society. Both a scholar and a former professional drummer, John Mowitt forges a striking encounter between cultural studies and new musicology that seeks to lay out the "percussive field" through which beating--specifically the backbeat that defines early rock-and-roll--comes to matter for raced, urban subjects.
For Mowitt, percussion is both an experience of embodiment--making contact in and on the skin--and a provocation for critical theory itself. In delimiting the percussive field, he plays drumming off against the musicological account of the beat, the sociological account of shock and the psychoanalytical account of fantasy. In the process he touches on such topics as the separation of slaves and drums in the era of the slave trade, the migration of rural blacks to urban centers of the North, the practice and politics of "rough music," the links between interpellation and possession, the general strike, beating fantasies, and the concept of the "skin ego."
"Percussion" makes a fresh and provocative contribution to cultural studies, new musicology, the history of the body and critical race theory. It will be of interest to students of cultural studies and critical theory as well as readers with a serious interest in the history of music, rock-and-roll and drumming.

(Percussion). Grammy-award winning conga player Poncho Sanchez and Chuck Silverman have joined forces to produce this book of riffs for beginning conga players or percussionists who want to incorporate Latin or conga techniques into their playing style. This unique book/CD pack covers all the essential styles you'll need, including many of the grooves that have made Poncho one of the world's most in-demand congueros . The tracks on the accompanying CD are performed by a world-class band members of the Poncho Sanchez Latin Jazz Band with and without conga parts, so after you learn the material in the book, you'll be able to practice by playing along. Plus there is a tasty bonus. Not only does the music have a decidedly Latin flavor, but so do the spicy hot cooking recipes from Poncho that are interspersed throughout the book

Make your rock band better, or prepare yourself to join one! This sensational series lets you improve your intuitive sense of timing and improvisation, develop your technique and reading ability, and master your role in the groove. Play along with a Berklee faculty band on the accompanying CD, then play with your own band!

One of the most admired qualities of Claude Debussy's music has been its seemingly effortless evocation and assimilation of exotic musical strains. He was the first great European composer to discern the possibilities inherent in the gamelan, the ensemble consisting mainly of tuned percussion instruments that originated in Java. Echoes from the East: The Javanese Gamelan and its Influence on the Music of Claude Debussy argues Debussy's encounter with the gamelan in 1889 at the Paris Exposition Universelle had a far more profound effect on his work and style than can be grasped by simply looking for passages and pieces in his output that sound "Asian" or "like a gamelan." Kiyoshi Tamagawa recounts Debussy's individual experience with the music of Java and traces its echoes through his entire compositional career. Echoes from the East adds a commentary on the modern-day issue of cultural appropriation and a survey of Debussy's contemporaries and successors who have also attempted to merge the sounds of the gamelan with their own distinctive musical styles.

Rod Ismay has a passion (some would say obsession) for the Tour de France. If you think you know someone who is obsessed, think again, but fortunately Rod's issues found their natural home when his native Yorkshire became the host for the 2014 Grand Depart. Rod also has another passion - as well as cycling he is quite keen on bell-ringing, so why not combine the two? Why not get all the bells ringing along the Tour route, why not organise countless events, countless meetings, why not drag in churches far and wide, why not involve your employer, your friends, your family, why not photo-bomb five-time Tour winner Bernard Hinault? Rod threw himself, his King of the Mountains jersey and his endless enthusiasm head first into making this Grand Depart about as good and memorable as it could be. Rod has written with passion about Yorkshire, its people, those two stages of the world's greatest cycle race and the churches, ringing their bells all along the race route. If you like cycling then you will love this book. If you know Yorkshire then you will read this book with pride. If you are thinking of marrying a Tour de France obsessive then you need to read this book first.