A 3 movement work for timpani with piano accompaniment. The subject of the piece is the Resurrection. This work requires 5 timpani.

A four mallet marimba work written for a 4.6 octave marimba. Part of a collection of future releases.

10 CANZONI METAL PER BATTERIA ISPIRATI A NILE,SLIPKNOT,LAMB OF GOD, DREAM THEATER,MESHUGGAH,IRON MAIDEN, METALLICA E MOLTI ALTRI - CON ACCORDI PER CHITARRA E BASSO ELETTRICO. PER DOPPIO PEDALE. ALL'ACQUISTO VERRA' INVIATA COPIA CARTACEA DEL LIBRO CON ALLEGATO CD, SI PREGA DI INVIARE INFORMAZIONI DI SPEDIZIONE. 10 SONGS INSPIRED METAL BATTERY FOR A NILE, SLIPKNOT, LAMB OF GOD, DREAM THEATER, MESHUGGAH, IRON MAIDEN, METALLICA AND MANY OTHERS - AGREEMENTS FOR ELECTRIC GUITAR AND BASS. FOR DOUBLE PEDAL. PURCHASE WILL 'SENT A COPY OF THE PRINTED BOOK WITH ANNEX CD, PLEASE SEND INFORMATION SHIPPING.

""4 out of 5 stars" Rhythm Magazines recommend reading ..".it has everything a good tutor book needs - It's a great guide to playing paradiddles around the kit, as grooves, inversions, groups of sixteenths, triplets, also quintuplets and septuplets, moving from easy to very tricky gradually and thematically ... that's no reason not to give this stuff a good try out and I'd recommend anyone keen on expanding their para-repertoire to do so "" - Rhythm Magazine Issue 211, January

Taking the paradiddle from a basic snare rudiment to full drum set vocabulary. Giving you creativity and freedom on the drum set. This drum book by Kyle Cullen a professional drum teacher and session drummer based in Glastonbury in the UK features the same systems he used to gain freedom with the paradiddle. Check out http: //glastonburydrums.com to sign up for free video lessons and to send direct emails to the author

Man has been beating on drums from as far back as history records. Drums (membranophones) are an instrument that creates sound when a hand or an object is struck against a stretched membrane. Drums are among the earliest instruments, dating back to 6000 BC. Our individual innate attraction to rhythm began in our mother's womb. Even before birth, we are rhythmic beings. During those first nine months, we are introduced to rhythm - mom's beating heart. This natural, "reassuring," constant beat surrounds us and I believe leaves a sonic imprint on everyone born of woman. Ancient yet contemporary, think of the music you hear every day - on your car radio, in commercials, in movie soundtracks and television - all of it has a BEAT. They produce this beat with drums. One writer said, "Music without drums is foreign to the modern ear." I would say, "If you're not drumming you are missing out of a vital component of life." The ability and desire to drum is alive in all of us. The origin of the word rhythm is Greek meaning "to flow." Drumming gives us a way to feel the beat, the pulse, the groove needed to feel connected and balanced, rather than isolated and out of whack. My emphasis is on hand drumming because with hand drumming, you literally feel the rhythm; you form a tighter bond than the audio route. Hand drumming allows you to go with the flow. There is a rhythm in life and hand drumming will connect & keep you connected. This book explores that connection and other dynamics of hand drumming. Do NOT worry if you are not a drummer - the first page will qualify you for this journey. Also, this book is not about technique; but proposes to be a fuel to cause your passions to burn brighter.

A Journey Off the Beat(en) Path When I was a young boy, the wonderful Gloria Estefan sang the eternal words to me: "Turn the beat around, turn it upside down." I didn't quite know what that meant, until just recently ... it was 4:20 pm on a Wednesday, to be exact, just before tea time (beer o'clock, to some). And so, I started off on my quest to better understand those teasingly elusive words, thus creating this book, Drum Twisters: The Book That Will Make You Smile With ... Frustration I know what you are thinking ... just what is a "Drum Twister," anyway? Well, you take a tongue-twister, but "spoken" in the language of Drum, then tuned all the way down to the key of "thud." In other words, we're collecting drum exercises and throwing them (and caution) into the wind, to see where the pieces land. Then, yours truly picked them all up, and assembled this mess into the book which you are currently holding in your hands. (If you are looking at this on on a screen, then you are just a plain old fancy pants.) We're talking about drumming exercises that are very different from your average lot, which is a good thing, because I'm sure that you are not exactly enamored with playing "in the pocket" ALL of the time ... Hear ye, we are gathered here today because we are bored with hitting things the same way, over and over and over again. We are here simply because we are crying out for something fun, yet challenging. We can no longer accept hitting things on just the 1, 2, 3 and the 4 (Wait, drummers can actually count ... ?) Our hearts hunger to "Turn the beat around, turn it upside down." Ladies and gentlemen, we will be looking at things all topsy-turvy from now on. Please prepare yourself and delve into an alternative (but no eye- liner, please) look at playing the drums. With a polka dot cherry on the top. You should be excited now. Really, you should

Everyone Can Drum is the perfect instructional fun book for kids, family and friends interaction in the world of rhythm and drums that brings all together. Written by Corey Kertzie drummer for Big Leg Emma and Vinnie Amico, drummer for moe. combines their years of experience to put together a book full of information and lessons. A great book for children ages 5 and up. Illustrated by Fred Whitehead.

This book explores different possibilities of sound created by one effect: the bending tone. It also includes concrete and efficient steps to producing the bending tone, and then leads to applying it smoothly and systematically in musical performances. The potential of this tool, developed by Andre Cayer shows a new way of looking at the vibraphone that is much more expressive.

Mark of Cain is a chamber ensemble work for 2 multi-percussionists. The instrumentation consists of 4 congas and drumset. Based on the 4th Chapter of Genesis, this piece focuses on the mark placed on Cain after he killed Abel. Polyrhythmic figures merge between each performer requiring an enormous amount of dexterity to execute the passages. Level: Extremely Advanced Duration: ca 11 minutes