(Harmonica Play-Along). The Harmonica Play-Along Series will help you play your favorite songs quickly and easily. Just follow the notation, listen to the CD to hear how the harmonica should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player, and also enhanced so PC and Mac users can adjust the recording to any tempo without changing pitch Volume 9 includes: Got My Mo Jo Working * Hard Hearted Woman * Help Me * I Ain't Got You * Juke * Messin' with the Kid * One More Heartache * Walking by Myself.

Musicians' Migratory Patterns: The African Drum as Symbol in Early America questions the ban that was placed on the African drum in early America. It shows the functional use of the drum for celebrations, weddings, funerals, religious ceremonies, and nonviolent communication. The assumption that "drums and horns" were used to communicate in slave revolts is undone in this study. Rather, this volume seeks to consider the "social place" of the drum for both blacks and whites of the time, using the writings of Europeans and colonial-era Americans, the accounts of African American free persons and slaves, the period instruments, and numerous illustrations of paintings and sculpture. The image of the drum was effectively appropriated by Europeans and Americans who wrote about African American culture, particularly in the nineteenth century, and re-appropriated by African American poets and painters in the early twentieth century who recreated a positive nationalist view of their African past. Throughout human history, cultural objects have been banned by one group to be used another, objects that include books, religious artifacts, and ways of dress. This study unlocks a metaphor that is at the root of racial bias-the idea of what is primitive-while offering a fresh approach by promoting the construct of multiple-points-of-view for this social-historical presentation.

(Percussion). Jazz and fusion drumset pioneer Mike Clark reveals the secrets behind his funkiest grooves in this instructional book. Interviews with Mike about his prolific career playing funk, fusion and jazz are interspersed with many of his funk drumming examples and grooves. The accompanying CD features Mike playing many of the examples and grooves found in the book.

(Harmonica). The songbook no harmonica player should be without Features 45 pop, rock, Broadway, movie hits and standards: Brown Eyed Girl * Daydream Believer * Dust in the Wind * Edelweiss * Heart and Soul * Imagine * Let It Be * Maggie May * Raindrops Keep Fallin' on My Head * Stand by Me * We Will Rock You * What a Wonderful World * Yellow Submarine * You Are My Sunshine * Your Cheatin' Heart * and more.

In his memoirs lifelong drummer Mike Rubery entertains us with tales of his early upbringing in Canwell, Sutton Coldfield through his National Service years, including atomic bomb testing on Christmas Island, and on to his hectic life on the professional showbiz scene from the 1960s onward. His life story is told in his own original way interspersed with jokes, anecdotes and more celebrity stories than you can shake a drumstick at - from saving Billy Fury from jumping out of a window to appearing in Crossroads and being Larry Grayson's fall guy. Mike even offers advice on how to survive on board a cruise ship while playing drums in a force 10 gale!

R.E.M Authentic Drums Playalong presents 8 of their classic hits, transcribed from the original recordings for for drums with drum charts, melody line and chord symbols. Also includes a specially recorded sound-alike CD with backing tracks so you can be drummer Bill Berry and jam-along with the band yourself! Full performance demonstrations are also included. **Contains recommended songs for Trinity Rock & Pop Exams. See songlist below.

(Berklee Guide). These studies provide comprehensive insight and practice into many different aspects of drumming. They will help you to master a broad range of techniques and integrate them into your playing so that you can achieve greater depth in your grooves and general precision in all your drumming. This book is a valuable aid if you play drum set in any style, orchestral percussion, or in any other drum/percussion context.

This collection of eight 'lectures' by internationally acclaimed pianist, Graham Johnson, is based on a series of concert talks given at the Guildhall School of Music and Drama as part of the Benjamin Britten festival in 2001. The focus of the book is on Britten's songs, starting with his earliest compositions in the genre. Graham Johnson suggests that the nature of Britten's creativity is especially apparent in his setting of poetry, that he becomes the poet's alter-ego. A chapter on Britten's settings of Auden and Eliot explores the particular influences these writers brought to bear at opposite poles of the composer's life. The inspiration of fellow musicians is also discussed, with a chapter devoted to Britten's time in Russia and his friendship with the Rostropovitch family. Closer to home, the book places in context Britten's folksong settings, illustrating how he subverted the English folksong tradition by refusing to accept previous definitions of what constituted national loyalty. Drawing on letters and diaries, and featuring a number of previously unpublished photographs, this book illuminates aspects of Britten's songs from the personal perspective of the pianist who worked closely with Peter Pears after Benjamin Britten was unable to perform through illness. Johnson worked with Pears on learning the role of Aschenbach in 'Death in Venice' and was official pianist for the first master class given by Peter Pears at Snape in 1972.

(Music Sales America). Accomplished and renowned percussionist Steafan Hannigan details all the intricacies of traditional Bodhran playing. Nothing is taken for granted or forgotten, making this a suitable manual for beginners with its gentle and careful progression through the techniques using numerous examples and exercises. Learn the many, varied bodhran techniques through expert and detailed instruction. Also included is a selection of repertoire pieces which add depth to your playing, plus sections on the history of the Bodhran and Irish music, including construction and maintenance. All clearly presented with illustrations, photographs and diagrams. A CD of demonstration tracks of all the pieces in the book played by Hannigan himself is also included. This allows you to hear examples of the exercises and pieces as they should sound.