This collection of eight 'lectures' by internationally acclaimed pianist, Graham Johnson, is based on a series of concert talks given at the Guildhall School of Music and Drama as part of the Benjamin Britten festival in 2001. The focus of the book is on Britten's songs, starting with his earliest compositions in the genre. Graham Johnson suggests that the nature of Britten's creativity is especially apparent in his setting of poetry, that he becomes the poet's alter-ego. A chapter on Britten's settings of Auden and Eliot explores the particular influences these writers brought to bear at opposite poles of the composer's life. The inspiration of fellow musicians is also discussed, with a chapter devoted to Britten's time in Russia and his friendship with the Rostropovitch family. Closer to home, the book places in context Britten's folksong settings, illustrating how he subverted the English folksong tradition by refusing to accept previous definitions of what constituted national loyalty. Drawing on letters and diaries, and featuring a number of previously unpublished photographs, this book illuminates aspects of Britten's songs from the personal perspective of the pianist who worked closely with Peter Pears after Benjamin Britten was unable to perform through illness. Johnson worked with Pears on learning the role of Aschenbach in 'Death in Venice' and was official pianist for the first master class given by Peter Pears at Snape in 1972.

(Music Sales America). Accomplished and renowned percussionist Steafan Hannigan details all the intricacies of traditional Bodhran playing. Nothing is taken for granted or forgotten, making this a suitable manual for beginners with its gentle and careful progression through the techniques using numerous examples and exercises. Learn the many, varied bodhran techniques through expert and detailed instruction. Also included is a selection of repertoire pieces which add depth to your playing, plus sections on the history of the Bodhran and Irish music, including construction and maintenance. All clearly presented with illustrations, photographs and diagrams. A CD of demonstration tracks of all the pieces in the book played by Hannigan himself is also included. This allows you to hear examples of the exercises and pieces as they should sound.

(Berklee Guide). These studies provide comprehensive insight and practice into many different aspects of drumming. They will help you to master a broad range of techniques and integrate them into your playing so that you can achieve greater depth in your grooves and general precision in all your drumming. This book is a valuable aid if you play drum set in any style, orchestral percussion, or in any other drum/percussion context.

Dave Hassell's Graded Drum Course For Drum Kit helps students prepare for graded examinations by providing an invaluable source of practical material for the benefit of the student and teacher alike. The two books help the student to interpret the drum chart whilst understanding the musical concept, and taking this into the performing environment.

R.E.M Authentic Drums Playalong presents 8 of their classic hits, transcribed from the original recordings for for drums with drum charts, melody line and chord symbols. Also includes a specially recorded sound-alike CD with backing tracks so you can be drummer Bill Berry and jam-along with the band yourself! Full performance demonstrations are also included. **Contains recommended songs for Trinity Rock & Pop Exams. See songlist below.

While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. However, Samuel Z. Solomon, himself a percussionist and teacher, offers a comprehensive examination of the issues that percussionists and composers encounter in How to Write for Percussion. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition goes even further as Solomon offers more insights derived from his personal experience as a percussionist and teacher and from his collaborations with other musicians. The second edition of How to Write for Percussion expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover all the tools a composer needs to comfortably create innovative and skilled percussion composition. Solomon also includes more excerpts and performances as well as interviews with famous percussionists and composers that capture the intricacies of percussion composition. Moreover, the second edition features an expanded text with more instruments and more analysis, plus an extensive Online Video Companion containing over nine hours of videos with demonstrations, performances, interviews, and analysis to flesh out and clarify the material in the book. This updated edition of How to Write for Percussion will appeal to a wide swath of musicians including composers, arrangers, and percussionists. Those who have already utilized the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will likewise find his insights illuminating.

(Harmonica Play-Along). The Harmonica Play-Along Series will help you play your favorite songs quickly and easily. Just follow the notation, listen to the CD to hear how the harmonica should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player, and also enhanced so PC and Mac users can adjust the recording to any tempo without changing pitch Volume 10 includes: Baby, Scratch My Back * Eyesight to the Blind * Good Morning Little Schoolgirl * Honest I Do * I'm Your Hoochie Coochie Man * My Babe * Ride and Roll * Sweet Home Chicago.

(Percussion). Here is the definitive guide to chordal playing for the contemporary vibraphonist. Includes material on: voicing selection, chord-member selection, use of extensions and alterations, voice leading, inversion selection, and more. The accompanying CD contains demos and play-along tracks with notated charts featuring standard chordal progressions in the following styles: fast & medium swing, ballad, jazz waltz, bossa-nova, and samba. This book is the most complete and fun way to learn four-mallet voicings and comping patterns for jazz vibes.

(Berklee Guide). If you want to take your drumming chops to the next level, you must know how to read drum music. Written by Professor Dave Vose, this Berklee Workshop is ideal for both beginners and pros and includes everything you'll need to make sightreading drum notation easy and natural. Features: more than 50 lessons complete with general practice tips; steady learning progression from reading quarter notes to 16th-note triplets; practice rhythms containing accents, flams, rolls, ruffs, tempo and meter changes; and much more.

This generously illustrated book records the story of Russia's bells--the thousands of awe inspiring instruments that gave voice to the visual splendors of Russian Orthodoxy and to the political aspirations of the tsars. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.