Phenom: a performer that is phenomenal with an extreme level of talent and virtuosity If you are continually searching for the most expressive rudimental snare drum literature available, this is the book destined for you. Inside the book you will find 33 rudimental solos ranging from intermediate to professional that guarantees to contain solos that will bring years of enjoyment. Each solo is very distinct and contains hot grooves. Some of the solos will open your eyes to the most impressive backsticking ever seen If you are looking for fun and challenging snare drum solos, this is the book for you level: intermediate to pro

The Synergy Method is the combination of traditional techniques along with psychophysiology, kinesiology and physiology to assist the percussionist. Kinesiology and physiology have been studied over the years in music but to understand what is happening psychologically will also help build the physical attributes of the performer. Many musicians in their career will reach a plateau. The Synergy Method will help performers to go beyond their current level. This book will be helpful for any audition you might have whether it is drum corps, indoor drum line, marching band, or even orchestra level auditions. Instructors can use the exercises with the ensembles they are teaching to address specific concerns. The Synergy Method will help the player achieve better performances by utilizing an approach that will transfer to other percussion instruments, something that cannot be effectively done with other rudimental styles.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

In African drum ensembles, a musician establishes a time line which establishes the points of entry for the different instruments. So the player must know the role of the particular instrument in the totality, and also the rhythm or rhythms assigned to it and precisely where they fit into the music. Opportunities to learn and appreciate drumming is limited in contemporary contexts, and it is against this background that the International Centre for African Music and Dance at the University of Ghana has embarked on this project aimed at making African drum music accessible to a wider public in the form of musical scores, audio and video recordings. Although essentially cultivated and practiced by oral tradition, the value of transcriptions is not disputed by African musicians. The three titles in the series cover different types of drum; and each gives information on performance practice and instruments, the full score of the work, vertical alignment and bibliography.

In African drum ensembles, a musician establishes a time line which establishes the points of entry for the different instruments. So the player must know the role of the particular instrument in the totality, and also the rhythm or rhythms assigned to it and precisely where they fit into the music. Opportunities to learn and appreciate drumming is limited in contemporary contexts, and it is against this background that the International Centre for African Music and Dance at the University of Ghana has embarked on this project aimed at making African drum music accessible to a wider public in the form of musical scores, audio and video recordings. Although essentially cultivated and practiced by oral tradition, the value of transcriptions is not disputed by African musicians. The three titles in the series cover different types of drum; and each gives information on performance practice and instruments, the full score of the work, vertical alignment and bibliography.

A how-to book for the church musician desiring further training, Handbell Helper offers basic, practical help to church music directors. * Offers basic information which assumes no prior handbell knowledge * Provides examples for concepts presented * Written in an easy-to-read and easy-to-understand style and format * Helps eliminate some of the intimidation of beginning a bell choir * Gives new directors a higher level of confidence in working with a handbell group * Gives music directors something to give to potential handbell choir leaders

In African drum ensembles, a musician establishes a time line which establishes the points of entry for the different instruments. So the player must know the role of the particular instrument in the totality, and also the rhythm or rhythms assigned to it and precisely where they fit into the music. Opportunities to learn and appreciate drumming is limited in contemporary contexts, and it is against this background that the International Centre for African Music and Dance at the University of Ghana has embarked on this project aimed at making African drum music accessible to a wider public in the form of musical scores, audio and video recordings. Although essentially cultivated and practiced by oral tradition, the value of transcriptions is not disputed by African musicians. The three titles in the series cover different types of drum; and each gives information on performance practice and instruments, the full score of the work, vertical alignment and bibliography.

"The Healing Drum" traces the extraordinary cultural legacy of the Minianka tribe of West Africa, for whom music serves a sacred, healing function for the individual and society. The authors explore the Minianka view of humanity, music, and the cosmos relative to work, celebration, herbal medicine, dance, trance, initiation, and death.

The first book of its kind, delivering a message of untapped wisdom and power from a little-known culture through the universal medium of music.

In 1978, four musicians crowded into a cramped basement theater in downtown Seoul, where they, for the first time, brought the rural percussive art of p'ungmul to a burgeoning urban audience. In doing so, they began a decades-long reinvention of tradition, one that would eventually create an entirely new genre of music and a national symbol for Korean culture. Nathan Hesselink's "SamulNori" traces this reinvention through the rise of the Korean supergroup of the same name, analyzing the strategies the group employed to transform a museum-worthy musical form into something that was both contemporary and historically authentic, unveiling an intersection of traditional and modern cultures and the inevitable challenges such a mix entails. Providing everything from musical notation to a history of urban culture in South Korea to an analysis of SamulNori's teaching materials and collaborations with Euro-American jazz quartet Red Sun, Hesselink offers a deeply researched study that highlights the need for traditions - if they are to survive - to embrace both preservation and innovation.

Foreword by Neil Peart.THTHTalent energy dedication discipline passion innovation education drive mind body spirit vision honor truth and EdrumsE make the man: Kenny Aronoff. Voted by ERolling StoneE magazine as one of the greatest drummers of all time Aronoff is arguably the most sought-after recording and touring beat master ever. Ignited by the Beatles' appearance on EThe Ed Sullivan ShowE in 1964 Aronoff's passion for drumming fervently grew and carried him from the kit in his childhood living room in the Berkshires to Bernstein at Tanglewood to Mellencamp Etheridge Fogerty Smashing Pumpkins the Rolling Stones the Beatles a his heroes a and beyond.THBut none of this would have been possible without his fierce work ethic and unique approach to drumming a an integration of all parts of his being along with meticulous attention to note-for-note detail feel and Ewhat the song needsE. Both a leader and a team player in the mission to realize a greater good a an unforgettable recording a riveting show a Aronoff brings it every time. Through any setbacks a heartaches failures injuries or plain fatigue from the rigors of the biz a Aronoff has stayed the arduous and wild rock 'n' roll course. His tale of what is possible with unrelenting dedication to one's bliss is an inspiration to all.THESex Drums Rock 'n' Roll!E details Aronoff's youth in the Berkshires and the Midwest from his early inspirations to his serious classical and jazz study which gave him the foundation to be able to play a anything. The failure of a first rock band in his early twenties had a silver lining: it freed him up for an audition that would change his life a John Mellencamp. His work with Mellencamp catapulted Aronoff to the top of the charts with such hits as Hurt So Good Little Pink Houses and Jack and Diane and paved the way for session and recording work with droves of remarkable artists: Melissa Etheridge John Fogerty Bon Jovi Stevie Nicks Smashing Pumpkins the BoDeans Paul Westerberg Celine Dion Iggy Pop Elton John Bob Dylan Alice Cooper Brian Wilson Meat Loaf Joe Cocker and countless others.THIn addition to his work as a world-famous recording and touring drummer Aronoff finds time to be a dedicated teacher and has shared his expertise with students all over the world teaching clinics for Tama and Zildjian. Heading into his fourth decade of rocking hard Aronoff shows no signs of slowing down. Featuring rare photos testimonials from major artists and from those who know him best a chronology of live performances a discography and a foreword by Neil Peart this book is the story of one of the greatest musicians of all time.

(Book). Here is a hard rock memoir essentially an authorized bio on the endearing British rock band Humble Pie as told from the drum throne and backstage hallways during the emerging days of the Seventies classic rock era. In 1969, Jerry Shirley was chosen to drum in a new band led by Steve Marriott and Peter Frampton. He had just turned 17. Along with bassist Greg Ridley, and manager Dee Anthony, the Pie started a 6-year journey that stormed the US and defined Arena Rock bigger sound, bigger contracts, and bigger parties. Along the way Jerry meets with future legends that make for a star-studded bio and rare glimpse into the rock music industry. Written in his own voice and with a wicked musician sense of humor, Jerry details the vibrant scene that created the explosive sound of heavy rock. He explains how sessions were conducted by iconic engineers like Glyn Johns and Eddie Kramer, describes his session work with Syd Barrett and George Harrison and tells amusing tales like drum shopping with the Who's Keith Moon. What was it like to perform a sold-out show at Shea Stadium, play for 250,000 in Hyde Park, charter a private jet for tour, record the trend-setting live record at the Fillmore East (that spawned the FM radio staple "I Don't Need No Doctor"), get hyped for the stage by Dee Anthony, and deal with the drugs and excesses of this inhibitive era of rock? This book definitely answers those question as well as "What was it like to meet, play, record, tour, party, and fight with cult hero Steve Marriott?" No other book can cover it like this.

One of the most admired qualities of Claude Debussy's music has been its seemingly effortless evocation and assimilation of exotic musical strains. He was the first great European composer to discern the possibilities inherent in the gamelan, the ensemble consisting mainly of tuned percussion instruments that originated in Java. Echoes from the East: The Javanese Gamelan and its Influence on the Music of Claude Debussy argues Debussy's encounter with the gamelan in 1889 at the Paris Exposition Universelle had a far more profound effect on his work and style than can be grasped by simply looking for passages and pieces in his output that sound "Asian" or "like a gamelan." Kiyoshi Tamagawa recounts Debussy's individual experience with the music of Java and traces its echoes through his entire compositional career. Echoes from the East adds a commentary on the modern-day issue of cultural appropriation and a survey of Debussy's contemporaries and successors who have also attempted to merge the sounds of the gamelan with their own distinctive musical styles.