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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Percussion instruments
Featuring exercises that can be played in practice and in actual
performances, Drum Solos & Fill-ins for the Progressive Drummer
contains 4-, 8-, and 16-bar solos plus fill-ins from several top
drummers. This book is designed specifically to help the beginning
drum student develop individual technique and musical ability.
Special emphasis is placed on introducing students to 4-bar solos
to improve drum solo skills. It also includes 13 pages of fill-ins.
More challenging than Book 1, Book 2 features solos and fills
inspired by one of the world's greatest drummersaBuddy Rich.
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The Cymbal Book
(Book)
Hugo Pinksterboer; Edited by Rick Mattingly
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R799
R713
Discovery Miles 7 130
Save R86 (11%)
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Ships in 18 - 22 working days
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(Percussion). The Cymbal Book is the first book of its kind. It
details the 5000-year history and development of these fascinating
instruments. Based on visits to all the major cymbal manufacturing
companies and interviews with the world's leading drummers,
journalist and drummer Hugo Pinksterboer has created a
well-documented and readable book, featuring over 200 photos and a
16-page color photo section. It covers topics such as selection and
testing, acoustics, ideas for set-ups, cleaning, and repair, and
much, much more. Whether read for enjoyment or used as a specific
reference guide, The Cymbal Book will answer every question on this
subject.
(Percussion). Gary Chester was one of the busiest studio drummers
of the '60s and '70s and played on hundreds of hit records. His
systems have been used and endorsed by drummers such as Kenny
Aronoff, Danny Gottlieb, and Dave Weckl. This is not just another
drum book, but rather a system that will help you develop the
skills needed to master today's studio requirements. By working
with this book, you'll improve your reading, concentration,
coordination, right and left-hand lead, and awareness of the click.
This revised edition contains a CD with an interview with Chester.
First emerging in North America and Europe in the late 1920s,
contemporary percussion practices have transitioned from the
fringes of contemporary music to the forefront over the past 90
years. In the 1960s contemporary percussion practices reached
Australian shores and a new generation of artists added their
voices to this narrative. The role of Australian activity is not
yet embedded in the wider narrative of international contemporary
percussion, nor is the significance of developments in contemporary
percussion practices fully realised in the context of Australian
music history. In this monograph, political, social and cultural
influences on this art form will be examined for the first time in
a historical survey of contemporary percussion music in Australia
over a 50-year period, from 1960 to 2010. The rise of the
percussion ensemble in the twentieth century to a standard chamber
music ensemble is now recognised as one of the major advances in
western art music practice internationally. A focus will be placed
on ensemble activity via definitive documentation and analysis of
ensembles that are amongst the most pioneering and longest
established of Australian contemporary music organisations,
including the Australian Percussion Ensemble, Synergy Percussion,
Adelaide Percussions, Nova Ensemble, Tetrafide Percussion, Taikoz,
Clocked Out and Speak Percussion amongst others. Closing with a
discussion of influences and identity, this historical narrative
will expand our understanding of the impact of Australian
contributions to the international contemporary music scene while
simultaneously examining how developments in contemporary
percussion have contributed to Australia's cultural identity.
Percussion music is both the oldest and most recent of musical
genres and exists in diverse forms throughout the world. This
Companion explores percussion and rhythm from the perspectives of
performers, composers, conductors, instrument builders, scholars,
and cognitive scientists. Topics covered include percussion in
symphony orchestras from the nineteenth century to today and the
development of percussion instruments in chapters on the marimba
revolution, the percussion industry, drum machines, and the effect
of acoustics. Chapters also investigate drum set playing and the
influences of world music on Western percussion, and outline the
roles of percussionists as composers, conductors, soloists, chamber
musicians, and theatrical performers. Developments in scientific
research are explored in chapters on the perception of sound and
the evolution of musical rhythm. This book will be a valuable
resource for students, percussionists, and all those who want a
deeper understanding of percussion music and rhythm.
Handel called Britain 'The Ringing Isle' because when he heard
bells ringing everywhere he went. Behind the quintessentially
English sound of bell-ringing lies a unique way of hanging bells
and a special way of ringing them that evolved in the late
sixteenth century. Ringing has since developed and spread, with
some 6,000 towers worldwide having bells hung in the English style,
most of them in England. Over 40,000 active ringers keep alive the
traditions and skills of change ringing that have been handed down
over many generations.
The book is an introduction to the world of bells and bell-ringing.
It explains how bells are made and how a ringing installation
works. It explains the nature of change ringing, which has
mathematical as well as musical aspects. It provides insights into
the ringing community - its origins and culture as well as its
relationships with the Church and the community.
This book & CD traces the evolution of New Orleans jazz and
second-line drumming from the early styles of ragtime and
traditional jazz to their modern applications in contemporary jazz.
(Berklee Guide). Integrate double bass drums into your beats. Two
bass drums give you more power, speed, and flexibility, allowing
you to create new dimensions of drumbeats. These timetables and
other road-tested exercises methodically introduce the double pedal
patterns into your beats, helping you play them intuitively, and
revealing the possibilities of double bass drums. You get access to
38 online audio tracks for download or streaming, using the unique
code inside this book. This will ensure you understand how each
exercise could sound. These pedaling techniques and patterns will
be useful in helping you to keep time, and playing solos and fills
in jazz, funk, rock, world and any style of drumming. Online audio
is accessed at (a href="http: //www.halleonard.com/mylibrary"
target="_blank")halleonard.com/mylibrary(/a)
(Drum Instruction). Sperie Karas takes you systematically through
the land of syncopation, starting with 4/4 time, and on to odd and
changing meters. The mastery of these solos prepares you for
today's musical scene, giving you the control and security for the
most demanding contemporary musical challenges in jazz, pop, and
rock. Your reading skills will also be rewarded. 50 Syncopated
Snare Drum Solos is ideal for competition and concert performance,
and is applicable to the drumset, as Sperie demonstrates in the
book as well as in the online audio. (The purchase price includes
online access to audio for download or streaming) A must for
today's serious drummer Online audio is accessed at (a href="http:
//www.halleonard.com/mylibrary"
target="_blank")halleonard.com/mylibrary(/a)
The drum kit is ubiquitous in global popular music and culture, and
modern kit drumming profoundly defined the sound of
twentieth-century popular music. The Cambridge Companion to the
Drum Kit highlights emerging scholarship on the drum kit, drummers
and key debates related to the instrument and its players.
Interdisciplinary in scope, this volume draws on research from
across the humanities, sciences, and social sciences to showcase
the drum kit, a relatively recent historical phenomenon, as a site
worthy of analysis, critique, and reflection. Providing readers
with an array of perspectives on the social, material, and
performative dimensions of the instrument, this book will be a
valuable resource for students, drum kit studies scholars, and all
those who want a deeper understanding of the drum kit, drummers,
and drumming.
(Drum Play-Along). Play your favorite songs quickly and easily with
the Drum Play-Along series Just follow the drum notation, listen to
the CD to hear how the drums should sound, then play along using
the separate backing tracks. The lyrics are also included for quick
reference. The audio CD is playable on any CD player, and also
enhanced so PC & Mac users can adjust the recording to any
tempo without changing the pitch Includes 8 Aerosmith songs: Back
in the Saddle * Draw the Line * Dream On * Last Child * Mama Kin *
Same Old Song and Dance * Sweet Emotion * Walk This Way.
The Encyclopedia of Percussion is an extensive guide to percussion
instruments, organized for research as well as general knowledge.
Focusing on idiophones and membranophones, it covers in detail both
Western and non-Western percussive instruments. These include not
only instruments whose usual sound is produced percussively (like
snare drums and triangles), but those whose usual sound is produced
concussively (like castanets and claves) or by friction (like the
cuica and the lion's roar). The expertise of contributors have been
used to produce a wide-ranging list of percussion topics. The
volume includes: (1) an alphabetical listing of percussion
instruments and terms from around the world; (2) an extensive
section of illustrations of percussion instruments; (3) thirty-five
articles covering topics from Basel drumming to the xylophone; (4)
a list of percussion symbols; (5) a table of percussion instruments
and terms in English, French, German, and Italian; and (6) an
updated section of published writings on methods for percussion.
(Technical). This book is a supplement to the first volume of Drum
Machine Patterns. In it you will find over 260 rhythm patterns and
breaks. These are original patterns that can be programmed easily
on any drum machine. This book contains the rhythms most often used
in contemporary music, and many patterns incorporate flams, to be
used on the latest generation of drum machines.
(Percussion). Written by Matt Sorum (Guns N' Roses, Velvet
Revolver) and Aussie all-star Sammy "The Bull" Aliano, Double Bass
Drumming and Power Fills Workout is designed to help drummers
improve their independence and control; develop coordination and
fluency between their hands and feet; sharpen their reading skills;
and build speed, endurance, power & precision no matter what
their drumming style. The in-depth "Power Fills" workout section is
an indispensible collection of over 300 exercises and variations.
"This book is a definite must for any drummer's collection ... Matt
and Sam have truly created a masterpiece." John Tempesta (The Cult)
Everyone everywhere wants to improve in life. You want to make
things better; you want to get better. Essentially, everything in
life can be distilled down to a relationship. You have
relationships with people, places, and things. There are the
relationships you have with your friends, classmates, relatives and
co-workers. You have a relationship with your home or apartment;
your work site; your favourite club, bar, or restaurant; and, you
have a relationship with your drums. All you need do is read and
absorb the philosophies and stories contained within this book,
work with the strategies and techniques, and you will overcome
those barriers that have been holding you back from enjoying your
optimum relationship with your drumming.
Timpani Tone and the Interpretation of Baroque and Classical Music
explores the nature, production, and evolution of timpani tone and
provides insights into how to interpret the music of J. S. Bach,
Handel, Haydn, and Mozart. In drawing on 31 years of experience,
Steven L. Schweizer focuses on the components of timpani tone and
methods for producing it. In so doing, he discusses the importance
of timpani bowl type; mallets; playing style; physical gestures;
choice of drums; mallet grip; legato, marcato, and staccato
strokes; playing different parts of the timpano head; and
psychological openness to the music in effectively shaping and
coloring timpani parts.
In an acclaimed chapter on interpretation, Schweizer explores how
timpanists can use knowledge of the composer's style, psychology,
and musical intentions; phrasing and articulation; the musical
score; and a conductor's gestures to effectively and convincingly
play a part with emotional dynamism and power. The greater part of
the book is devoted to the interpretation of Baroque and Classical
orchestral and choral music. Meticulously drawing on original
sources and authoritative scores from the seventeenth through
nineteenth centuries, Schweizer convincingly demonstrates that
timpanists were capable of producing a broader range of timpani
tone earlier than is normally supposed. The increase in timpani
size, covered timpani mallets, and thinner timpani heads increased
the quality of timpani tone; therefore, today's timpanist's need
not be entirely concerned with playing with very articulate sticks.
In exhaustive sections on Bach, Handel, Haydn, and Mozart,
Schweizer takes the reader on an odyssey through the interpretation
of their symphonic and choral music.
Relying on Baroque and Classical performance practices, timpani
notation, the composer's musical style, and definitive scores, he
interprets timpani parts from major works of these composers.
Schweizer pays particular attention to timpani tone, articulation,
phrasing, and dynamic contouring: elements necessary to effectively
communicate their part to listeners.
Timpani Tone and the Interpretation of Baroque and Classical Music
explores the nature, production, and evolution of timpani tone and
provides insights into how to interpret the music of J. S. Bach,
Handel, Haydn, and Mozart. In drawing on 31 years of experience,
Steven L. Schweizer focuses on the components of timpani tone and
methods for producing it. In so doing, he discusses the importance
of timpani bowl type; mallets; playing style; physical gestures;
choice of drums; mallet grip; legato, marcato, and staccato
strokes; playing different parts of the timpano head; and
psychological openness to the music in effectively shaping and
coloring timpani parts.
In an acclaimed chapter on interpretation, Schweizer explores how
timpanists can use knowledge of the composer's style, psychology,
and musical intentions; phrasing and articulation; the musical
score; and a conductor's gestures to effectively and convincingly
play a part with emotional dynamism and power. The greater part of
the book is devoted to the interpretation of Baroque and Classical
orchestral and choral music. Meticulously drawing on original
sources and authoritative scores from the seventeenth through
nineteenth centuries, Schweizer convincingly demonstrates that
timpanists were capable of producing a broader range of timpani
tone earlier than is normally supposed. The increase in timpani
size, covered timpani mallets, and thinner timpani heads increased
the quality of timpani tone; therefore, today's timpanist's need
not be entirely concerned with playing with very articulate sticks.
In exhaustive sections on Bach, Handel, Haydn, and Mozart,
Schweizer takes the reader on an odyssey through the interpretation
of their symphonic and choral music.
Relying on Baroque and Classical performance practices, timpani
notation, the composer's musical style, and definitive scores, he
interprets timpani parts from major works of these composers.
Schweizer pays particular attention to timpani tone, articulation,
phrasing, and dynamic contouring: elements necessary to effectively
communicate their part to listeners.
(Percussion). In "Double-Pedal Gold"- the latest multi-media
release from Hudson Music-drummer, author and educator Joe Morton
presents hundreds of challenging exercises that provide
double-pedal players with a straight-forward yet incremental method
to develop double-pedal technique. The exercises facilitate the use
of single and double-strokes in both 16th- and 32nd-note bass drum
patterns and include over twenty solo compositions for the drumset
that incorporate the techniques learned in the book. Also included
is a companion CD loaded with examples of many of the exercises and
solos as demonstrated by the author.
(Drum Instruction). Develop your drumming versatility as you master
these grooves for all occasions. This book and CD package contains
155 drumbeats in styles such as classic rock, modern rock, hip-hop,
and rap, as well as Latin, country, jazz, and many more popular
styles. Each beat on the two accompanying CDs has been
professionally recorded by a real drummer.
(Drum Instruction). This bundle includes both the book and DVD by
Pat Petrillo, one of today's most prolific drummers. Designed for
drummers of all levels, this pack is a complete curriculum for
developing technique, groove ideas, and a fill vocabulary. The book
contains all of the material on the DVD, plus extra "Rudiment
Combos." The MP3 CD is computer-ready, and also plays on
MP3-capable CD players. Languages: English, German, Italian
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Hard Rock
(Book)
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R448
R417
Discovery Miles 4 170
Save R31 (7%)
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Ships in 18 - 22 working days
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Play your favorite songs quickly and easily with the Drum
Play-Along Series. Just follow the drum notation, listen to the CD
to hear how the drums should sound, then play along using the
separate backing tracks. The lyrics are also included for quick
reference. The audio CD is playable on any CD player. For PC and
MAC computer users, the CD is enhanced so you can adjust the
recording to any tempo without changing the pitch! Includes: Bark
at the Moon * Detroit Rock City * Living After Midnight * Panama *
Rock You Like a Hurricane * Run to the Hills * Smoke on the Water *
War Pigs (Interpolating Luke's Wall).
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