The lengths to which the underworld will go for a legendary prize is unparalleled. What started as a simple logbook with a piece of valuable information was soon stolen, traded, and smuggled around the outer rim and shady ports. With each pirate, thief, gambler, and criminal who took possession of the book, new insight and details were added, creating the Smuggler's Guide - a coveted collection of hidden treasure locations, advice, and hard-earned data. Recovered from a strong box on the Millenium Falcon, the Smuggler's Guide traces its own extraordinary journey through such notorious characters as Maz Kanata, Hondo Ohnaka, Drydon Vos, Lando Calrissian, and Han Solo. Explore previously unknown details about the underhanded dealings of the galaxy's underworld.

In the span of four months in 2012, Tig Notaro was hospitalized for a debilitating intestinal disease called C. diff, her mother unexpectedly died, she went through a breakup, and then she was diagnosed with bilateral breast cancer. Hit with this devastating barrage, Tig took her grief onstage. Days after receiving her cancer diagnosis, she broke new comedic ground, opening an unvarnished set with the words: 'Good evening. Hello. I have cancer. How are you? Hi, how are you? Is everybody having a good time? I have cancer.' The set instantly went viral, and was ultimately released as Tig's sophomore album, Live, which sold one hundred thousand units in just six weeks and was later nominated for a Grammy. Now, the wildly popular star takes stock of that no good, very bad year - a difficult yet astonishing period in which tragedy turned into absurdity and despair transformed into joy. An inspired combination of the deadpan silliness of her comedy and the open-hearted vulnerability that has emerged in the wake of that dire time, I'm Just a Person is a moving and often hilarious look at this very brave, very funny woman's journey into the darkness and her thrilling return from it.

This book brings together a wide range of contributors from academic and practical orientations, each of whom explores the workings of comedy with reference to a particular Irish playwright, production, or company. The fifteen essays deal with playwrights such as Deborah Warner, Frank McGuinness, Martin McDonagh, and Marina Carr.

On the Buses: The Filming Locations is the most comprehensive guide to filming locations used in the classic British sitcom and its spin-off films ever compiled. Over 200 filming locations with now and then photographs depicting the changes over the years and full travel directions if you wish to visit the locations. Read the book and learn about the locations used, but when you have finished, the book still serves a purpose as a guide. A section cataloguing the unknown locations mean you too can turn into a locations detective. Also make use of the travel trips and suggestions in the book and plan your days out visiting these locations. All in all, this is a book with plenty of uses either as a travel companion, a guide or a book to read and learn about where so many of the funniest scenes in On the Buses were filmed. Hop aboard and learn so much more about one of Britain's best-loved .

On the Buses: The Filming Locations is the most comprehensive guide to filming locations used in the classic British sitcom and its spin-off films ever compiled. Over 200 filming locations with now and then photographs depicting the changes over the years and full travel directions if you wish to visit the locations. Read the book and learn about the locations used, but when you have finished, the book still serves a purpose as a guide. A section cataloguing the unknown locations mean you too can turn into a locations detective. Also make use of the travel trips and suggestions in the book and plan your days out visiting these locations. All in all, this is a book with plenty of uses either as a travel companion, a guide or a book to read and learn about where so many of the funniest scenes in On the Buses were filmed. Hop aboard and learn so much more about one of Britain's best-loved sitcoms.

"Those who dismiss Brecht as a yea-sayer to Stalinism are advised to read these journals and moderate their opinion." (Paul Bailey, Weekend Telegraph) Brecht's "Work Journals" cover the period from 1938 to 1955, the years of exile in Denmark, Sweden, Finland and America, and his return via Switzerland to East Berlin. His criticisms of the work of other writers and intellectuals are perceptive and polemic, and the accounts of his own writing practice provide insight into the creation of his dramatic works of the period, the development of his political thinking and his theories about epic theatre. Also integrated into the journals are Brecht's immediate reactions to and commentary upon the events of the period: his political exile's view of the course of World War II and his account of the House Un-American Activities committee."A marvellous, motley collage of political ideas, domestic detail, artistic debate, poems, photographs and cuttings from newspapers and magazines, assembled, undoubtedly for posterity by one of the great writers of the century" (New Statesman and Society)

Historians investigate the relationships between film, culture, and energy. American Energy Cinema explores how Hollywood movies have portrayed energy from the early film era to the present. Looking at classics like Giant, Silkwood, There Will Be Blood, and Matewan, and at quirkier fare like A Is for Atom and Convoy, it argues that films have both reflected existing beliefs and conjured new visions for Americans about the role of energy in their lives and their history. The essays in this collection show how film provides a unique and informative lens to understand perceptions of energy production, consumption, and infrastructure networks. By placing films that prominently feature energy within historical context and analyzing them as historical objects, the contributing authors demonstrate how energy systems of all kinds are both integral to the daily life of Americans and inextricable from larger societal changes and global politics.

Let the spooky citizens of Halloween Town guide your tarot practice with this sumptuously illustrated tarot deck inspired by Tim Burton's classic animated film, The Nightmare Before Christmas. Disney's iconic holiday film The Nightmare Before Christmas is now an enchanting tarot set, offering a frightful-but-friendly take on the traditional 78-card deck. This set features all your favorite characters from Jack Skellington to Mr. Oogie Boogie to Sandy Claws himself in gorgeous original illustrations based on classic tarot iconography. Featuring both major and minor arcana, the set also comes with a helpful guidebook explaining each card's meaning, as well as simple spreads for easy readings. Packaged in a sturdy, decorative gift box, this hauntingly charming tarot deck is the perfect gift for the The Nightmare Before Christmas fan or tarot enthusiast in your life.

Enjoy the countdown to Christmas! Open a numbered window every day in December until the big day and reveal a seasonal sticker to help you get in the festive spirit! This advent calendar features beautifully crafted images from Aardman's delightful new animated musical film special Robin Robin produced for Netflix, about an optimistic young robin raised by a family of mice, who sets off on a journey of self discovery. Printed on FSC-certified paper.

Xoliswa Nduneni-Ngema loved the theatre and dreamed of being an actress. She soon discovered that acting wasn't for her – managing productions was. She meets rising-star, Mbongeni Ngema and they marry.  As his success grows, they start a company that births the hit Sarafina! But beneath the stardom, Xoliswa experiences constant abuse.  With Fred Khumalo, she tells her powerful story. 

“Sy bly nog steeds ná 50 jaar in die vermaaklikheidsbedryf ’n nooi soos Min!” – André H. van Dyk

In hierdie pragboek word foto’s en memento’s uit Min Shaw se persoonlike fotoalbums en plakboeke opgeneem. Min se herinneringe aan haar kinderdae, haar transformasie van onderwyseres tot sang- en filmster, en die mense wat haar op haar pad na sukses gehelp het, word in haar eie woorde weergegee. Min deel verder snaakse staaltjies uit haar verlede, skoonheidsgeheime en interessante “Min-feite”. Sy vertel hoe haar geloof haar positief en plat op die aarde hou. Boodskappe aan Min van bekendes soos Corlea Botha, Franz Marx, Lance James en Leon van Nierop word ook ingesluit.

11 Oak Street is the true story of how the Queen's bankers, Coutts & Co, sent two cashier's cheques to the law firm of Urie Walsh in San Francisco with the wrong address on the envelope (11 Oak Street instead of 1111 Oak Street), setting off a chain of events that led to the abduction of a three-year-old child from Bristol, England, to San Francisco, California. It is a horrifying story of greed, ineptness, corruption, stupidity and wasted years as the father tries to seek justice and access to his son in the midst of a thirteen-year nightmare that even Kafka could not have thought up. If you want to read about the seven California lawyers involved in this story who either went to jail, were disbarred, or resigned with charges pending, and inept judges who broke all the rules or were disciplined, this is the book for you. This is a story that would never have happened if those concerned had fulfilled their duties correctly and not broken the law. If Graham Cook, the author, had known then what he knows now, there would have been no story and he would not have gone bankrupt, become homeless or, through the actions of his own brother, ended up in a California jail. This is the book the California Judges Association refused to let the author promote to its members, since it reveals in detail the judicial abuse by some of their past and present members whose conduct will shock and disgust any right- minded person. The best way to describe this book is that everything that could go wrong went and if the internet was around at the start of the nightmare most of what went on in this book would not have happened.This is a book where certain people have gone to extraordinary lengths to stop people buying and have dismally failed in their objective.

The Matrix trilogy is unique among recent popular films in that it is constructed around important philosophical questions--classic questions which have fascinated philosophers and other thinkers for thousands of years. Editor Christopher Grau here presents a collection of new, intriguing essays about some of the powerful and ancient questions broached by The Matrix and its sequels, written by some of the most prominent and reputable philosophers working today. They provide intelligent, accessible, and thought-provoking examinations of the philosophical issues that support the films.
Philosophers Explore The Matrix includes an introduction that surveys the use of philosophical ideas in the film. Topics that the contributors tackle include: how a collaborative dream could differ from hallucination, the difference between the Matrix and the "real" world; why living in the Matrix would be considered "bad"; the similarities between the Matrix and Plato's Cave; the moral status of artificially created beings, whether one can behave immorally in illusory circumstances, and the true nature of free will and responsibility. This volume also includes an appendix of classic philosophical writing on these issues by Plato, Berkeley, Descartes, Putnam, and Nozick.
Philosophers Explore The Matrix will fascinate any fan of the films who wants to delve deeper into their themes, as well as any student of philosophy who desires an accessible entry into this challenging and profoundly vital world of ideas.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.