From Eugene Delacroix's interpretation of the 1830 French revolution to Uli Edel's version of the Baader-Meinhof Gang, artistic representations of historical subjects are appealing and pervasive. Movies often adapt imagery from art history, including paintings of historical events. Films and art shape the past for us and continue to affect our interpretation of history. While historical films are often argued over for their adherence to "the facts," their real problem is realism: how can the past be convincingly depicted? Realism in the historical film genre is often nourished and given credibility by its use of painterly references. This book examines how art-historical images affect historical films by going beyond period detail and surface design to look at how profound ideas about history are communicated through pictures. Art and the Historical Film: Between Realism and the Sublime is based on case studies that explore the links between art and cinema, including American independent Western Meek's Cutoff (Kelly Reichardt, 2010), British heritage film Belle (Amma Asante, 2013), and Dutch national epic Admiral (Roel Reine, 2014). The chapters create immersive worlds that communicate distinct ideas about the past through cinematography, production design, and direction, as the films adapt, reference, and transpose paintings by artists such as Rubens, Albert Bierstadt, and Jacques-Louis David.

The introduction of film study or analysis into the school curriculum, along with the presentation of courses on the art of cinema at technikons, universities and film and television schools, has led to more and more students becoming cinema literate at an early age. It is not intended as a text on film criticism, film theory or communication studies. Instead it sets out to provide practical answers to questions confronted by newcomers to courses on film analysis and appreciation. The contemporary examples, case studies and many photographs enhance the student-driven approach of this interesting publication.

Social commentators, psychologists, and journalists all point to the idea that in the new millennium, traditional masculinity is in crisis. In contemporary film and literature, this predicament is often portrayed as a problem of desire-particularly, heterosexual desire. Male libido, it appears, is especially vicious when it is misguided. Yet the genesis of this problem is not consistently diagnosed. While some texts may situate it in the unbridled expression of human sexuality and its associated discourses, others contend it is the perverse result of popular constructions of sex and gender. Addressing this conundrum, Errancies of Desire focuses on the intersections of phallocratic violence and masculine identity in contemporary works of fiction across three subcontinents: North America, Western Europe, and sub-Saharan Africa. In doing so, Messier details the ways in which male desire is predicated on mediated forms of predatory and misogynistic sexuality that cross national and cultural divides. Employing a comparative methodology, he interrogates common perceptions of national differences and masculine identities grounded in historical specificity. Errancies of Desire effectively argues that when associated symptoms of violent and sexist behavior are institutionalized and misguidedly construed as a masculine norm, all men can become monsters.

"Book of the Year." -- MOJO Magazine"Outstanding Book of the Year." --The Herald (Glasgow) A Best Book of the Year by NPR, Pitchfork, The Telegraph, and UncutA tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (Hilton Als), Rickie Lee Jones This troubadour life is only for the fiercest hearts, only for those vessels that can be broken to smithereens and still keep beating out the rhythm for a new song. Last Chance Texaco is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner Rickie Lee Jones in her own words. It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music. With candor and lyricism, the "Duchess of Coolsville" (Time) takes us on a singular journey through her nomadic childhood, to her years as a teenage runaway, through her legendary love affair with Tom Waits and ultimately her longevity as the hardest working woman in rock and roll. Rickie Lee's stories are rich with the infamous characters of her early songs - "Chuck-E's in Love," "Weasel and the White Boys Cool," "Danny's All-Star Joint," and "Easy Money"-- but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, a pimp with a heart of gold and tales of her fabled ancestors. In this tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music are never-before-told stories of the girl in the raspberry beret, a singer-songwriter whose music defied categorization and inspired American pop culture for decades.

Delve into the making of Godzilla vs. Kong, and experience cinema's most colossal clash like never before. Featuring exclusive concept art and insights from the filmmakers, The Art of Godzilla vs. Kong is the ultimate guide to an iconic movie showdown. From creature design to on-set photography, The Art of Godzilla vs. Kong captures every stage of the filmmaking process, giving you unprecedented access to the creation of a titanic movie event. *Exclusive concept art lets you experience the epic showdown in a whole new way. *Interviews with filmmakers give you an inside look at the making of the movie. *A deluxe format makes this book a must-have collector's item.

Munch your way through Star Wars with this baking cookbook filled with recipes inspired by the films, television series, and more. Featuring recipes that will transport you from Dagobah to Kashyyyk, these pies, cakes, and other treats will immerse you in the Star Wars galaxy. Bakers of all skill levels will be able to enjoy this cookbook, whether you're a Padawan or a Jedi Master. A must-have for your kitchen, this cookbook is bound to delight all Star Wars fans.

Making a Ballet is a survey of the processes which bring a ballet to the stage; it successfully dispels much of the mystique that surrounds what is a hard-learned and very arduous craft. A historical introduction describes something of the collaborations and creativity that made the nineteenth century ballet. Then Mary Clarke and Clement Crisp, through the direct testimony of a distinguished gallery of choreographers, dancers, musicians and painters, examine the varying elements that are combined in twentieth century ballet and the relevance of the changes that have occurred in the conditions of work and the methods of collaboration. Choreographers describe their creative processes, dancers discuss the way a role develops and the way the classroom steps are adapted for the stage; composers and conductors tell how ballet scores are commissioned and arranged and designers relate the many problems associated with providing the sets and costumes. As relevant today as at its first publication in 1974, this welcome reissue of Making a Ballet is fully illustrated, and the authors also provide documentation of the famous collaborations of Petipa and Tchaikovsky, Nijinska and Goncharov and Ashton and Lanchbery.

When you hear the words Hammer Films, you instantly conjure up mental images of monsters and vampires. Behind the scenes was one man working flat out to produce those wonderful creatures. That man was Roy Ashton, and it was he who created all of the make-up effects for mummies, werewolves and Gothic horrors. Greasepaint and Gore takes a look into the props wardrobe and make up unit where Ashton, long before computer technology existed, created his own high standards of magical illusions. With an introduction from the late Peter Cushing OBE, who had the opportunity to watch Roy Ashton at work countless times (after all make-up can also make you look glamorous as well as horrific), this is a demonstration of a true professional at work. Greasepaint and Gore catalogues the largest single collection of Hammer production artefacts in existence, and is a must have for any horror. or indeed any film fan