Chocolate Frogs™, Bertie Bott’s Every Flavour Beans™, Fizzing Whizzbees™, and Exploding Bon Bons™ galore! Treat your friends to some magical fun this Valentine's Day with this Wizarding World ™–inspired valentine set.

• 28 CARDS, STICKERS, AND ENVELOPES: With the perfect amount of valentines for most classroom sizes, this set contains 28 total of three different candy box-shaped card designs with valentine messages, 28 coordinating scratch-and-sniff sticker sheets of three different Honeydukes™ sweets, and 28 envelopes with a pinstripe design to look like a Honeydukes™ candy bag.
• 3 SCRATCH & SNIFF STICKER SCENTS: Choose from three delicious scratch-and-sniff sticker scents―chocolate scented Chocolate Frogs™, fruit punch scented Bertie Bott’s Every Flavour Beans™, and vanilla scented assorted candies. Assemble each card with a scratch-and-sniff sticker by inserting it into slots on the back of the card.
• PERFECT FOR FANS: Whether you’re new to the Wizarding World™ or a longtime fan, these valentines are the perfect way to share your love of Harry Potter™ with all your friends and classmates.
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What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? Partly motivated by the urgency of our current situation in an age of ecocidal crisis, Modern Tragedy encompasses a variety of drama from throughout the 20th century. James Moran begins this book with John Millington Synge's Riders to the Sea (1904), which shows how environmental awareness might be expressed through tragic drama. Moran also looks at Brecht's reworking of Synge's drama in the 1937 play Senora Carrar's Rifles, and situates Brecht's script in the light of the theatre practitioner's broader ideas about tragedy. Brecht's tragic thinking - informed by Hegel and Marx - is contrasted with the Schopenhauerian approach of Samuel Beckett. The volume goes on to examine theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge's Riders to the Sea to postcolonial contexts. Looking at Derek Walcott's The Sea at Dauphin (1954), and J.P. Clark's The Goat (1961), Modern Tragedy explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of authors and audiences of colour.

“Sy bly nog steeds ná 50 jaar in die vermaaklikheidsbedryf ’n nooi soos Min!” – André H. van Dyk

In hierdie pragboek word foto’s en memento’s uit Min Shaw se persoonlike fotoalbums en plakboeke opgeneem. Min se herinneringe aan haar kinderdae, haar transformasie van onderwyseres tot sang- en filmster, en die mense wat haar op haar pad na sukses gehelp het, word in haar eie woorde weergegee. Min deel verder snaakse staaltjies uit haar verlede, skoonheidsgeheime en interessante “Min-feite”. Sy vertel hoe haar geloof haar positief en plat op die aarde hou. Boodskappe aan Min van bekendes soos Corlea Botha, Franz Marx, Lance James en Leon van Nierop word ook ingesluit.

Two-time Peabody Award-winning writer and producer Ira Rosen reveals the intimate, untold stories of his decades at America's most iconic news show. It's a 60 Minutesstory on 60 Minutes itself. When producer Ira Rosen walked into the 60 Minutes offices in June 1980, he knew he was about to enter television history. His career catapulted him to the heights of TV journalism, breaking some of the most important stories in TV news. But behind the scenes was a war room of clashing producers, anchors, and the most formidable 60 Minutes figure: legendary correspondent Mike Wallace. Based on decades of access and experience, Ira Rosen takes readers behind closed doors to offer an incisive look at the show that invented TV investigative journalism. With surprising humor, charm, and an eye for colorful detail, Rosen delivers an authoritative account of the unforgettable personalities that battled for prestige, credit, and the desire to scoop everyone else in the game. As one of Mike Wallace's top producers, Rosen reveals the interview secrets that made Wallace's work legendary, and the flaring temper that made him infamous. Later, as senior producer of ABC News Primetime Live and 20/20, Rosen exposes the competitive environment among famous colleagues like Diane Sawyer and Barbara Walters, and the power plays between correspondents Chris Wallace, Anderson Cooper, and Chris Cuomo. A master class in how TV news is made, Rosen shows readers how 60 Minutes puts together a story when sources are explosive, unreliable, and even dangerous. From unearthing shocking revelations from inside the Trump White House, to an outrageous proposition from Ghislaine Maxwell, to interviewing gangsters Joe Bonanno and John Gotti, Jr., Ira Rosen was behind the scenes of some of 60 Minutes' most sensational stories. Highly entertaining, dishy, and unforgettable, Ticking Clock is a never-before-told account of the most successful news show in American history.

Alejandro Jodorowsky is a theatre director, writer of graphic novels and comics, novelist, poet, and an expert in the Tarot. He is also an auteur filmmaker who garnered attention with his breakthrough film El Topo in 1970. He has been called a "cult" filmmaker, whose films are surreal, hallucinatory, and provocative. The Transformative Cinema of Alejandro Jodorowsky explores the ways in which Jodorowsky's films are transformative in a psychologically therapeutic way. It also examines his signature style, which includes the symbolic meaning of various colors in which he clothes his actors, the use of his own family members in the films, and his casting of himself in leading roles. This total involvement of himself and his family in his auteur films led to his psycho-therapeutic theories and practices: metagenealogy and psychomagic. This book is the only the second book in the English language in print that deals with all of Jodorowsky's films, beginning with his earliest mime film in 1957 and ending with his 2019 film on psychomagic. It also connects his work as a writer and therapist to his films, which themselves attempt to obliterate the line between fantasy and reality.

Adopting an innovative and theoretical approach, Greek Tragedy and the Digital is an original study of the encounter between Greek tragedy and digital media in contemporary performance. It challenges Greek tragedy conventions through the contemporary arsenal of sound masks, avatars, live code poetry, new media art and digital cognitive experimentations. These technological innovations in performances of Greek tragedy shed new light on contemporary transformations and adaptations of classical myths, while raising emerging questions about how augmented reality works within interactive and immersive environments. Drawing on cutting-edge productions and theoretical debates on performance and the digital, this collection considers issues including performativity, liveness, immersion, intermediality, aesthetics, technological fragmentation, conventions of the chorus, theatre as hypermedia and reception theory in relation to Greek tragedy. Case studies include Kzryztof Warlikowski, Jan Fabre, Romeo Castellucci, Katie Mitchell, Georges Lavaudant, The Wooster Group, Labex Arts-H2H, Akram Khan, Urland & Crew, Medea Electronique, Robert Wilson, Klaus Obermaier, Guy Cassiers, Luca di Fusco, Ivo Van Hove, Avra Sidiropoulou and Jay Scheib. This is an incisive, interdisciplinary study that serves as a practice model for conceptualizing the ways in which Greek tragedy encounters digital culture in contemporary performance.

"The definitive guide for scholars and fans alike to all things Masterpiece and Mystery!" Library Journal, Starred Review On a wintry night in 1971, Masterpiece Theatre debuted on PBS. Fifty years later, America's appetite for British drama has never been bigger. The classic television program has brought its fans protagonists such as The Dowager Countess and Ross Poldark and series that include Downton Abbey and Prime Suspect. In Masterpiece: America's 50-Year-Old Love Affair with British Television Drama, Nancy West provides a fascinating history of the acclaimed program. West combines excerpts from original interviews, thoughtful commentary, and lush photography to deliver a deep exploration of the television drama. Vibrant stories and anecdotes about Masterpiece's most colorful shows are peppered throughout, such as why Benedict Cumberbatch hates Downton Abbey and how screenwriter Daisy Goodwin created a teenage portrait of Queen Victoria after fighting with her daughter about homework. Featuring an array of photos from Masterpiece's best-loved dramas, this book offers a penetrating look into the program's influence on television, publishing, fashion, and its millions of fans.

Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages. Whilst they helped make the names of a new generation of stars including Steve McQueen and Shirley MacLaine, as well as banking on the reputations of established auteurs like Billy Wilder, they were also pioneers in dealing with controversial new themes with films about race (In the Heat of the Night), gender (Some Like it Hot) and sexuality (The Children's Hour), devising new ways of working with film franchises (The Magnificent Seven, The Pink Panther and In the Heat of the Night spun off 7 Mirisch sequels between them) and cinematic cycles, investing in adaptations of bestsellers and Broadway hits, exploiting frozen funds abroad and exploring so-called runaway productions. The Mirisch Company bridges the gap between the end of the studio system by about 1960 and the emergence of a new cinema in the mid-1970s, dominated by the Movie Brats.

A remarkable exploration of Wonder Woman's creation, mysterious identity, and evolution-and her extraordinary impact on her legions of fans. For generations, Wonder Woman has been a symbol of equality and female empowerment, her complex saga deeply rooted within the feminist movement. A staple of the comic book industry, she is arguably the best-known female superhero of all time. In Wonder Woman: Warrior, Disruptor, Feminist Icon, Regina Luttrell details this legendary superhero's origins, history, and evolution, from an ambassador of peace and love to the fiercest warrior in the DC Universe. Luttrell reveals how Wonder Woman's journeys are a reflection of each wave within the feminist movement and how her impact on culture and society continues to be felt today. Wonder Woman has become the epitome of technological sophistication, globalization, and modern-day feminism. She is truly a warrior, a disrupter, and a feminist icon. Luttrell's fascinating history includes the perspectives of famed feminist Gloria Steinem in her essay "Be the Wonder Woman You Can Be," as well as personal interviews with creator William Moulton Marson's surviving family members. Featuring a captivating examination of the oft-overlooked contributions of Marston's life partners and inspirations Elizabeth Holloway Marston and Olive Byrne, Wonder Woman is an incredible, in-depth exploration of this iconic feminist superhero.